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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF71C it is the complementary color #A208E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF71C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF71C shade: #62F717, #73FF2A, #84FF3D, #95FF50 and #A6FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF71C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF71C shade: #5DF71C, #4CE509, #3BD300, #2AC100 and #19AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF71C shade: #5DF61C, #98F61C, #D3F61C, #F6DF1C and #F6A41C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF71C shade: #5DF61C, #22F61C, #1CF651, #1CF68C and #1CF6C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF71C shade matches the following richer shades: #5DF61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF71C shade: #5DF61C, #65E32F, #6CD042, #74BD55 and #7CAA68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF71C shade: #D2F61C, #98F61C, #5EF61C, #23F61C and #1CF64F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF71C shade: #3BBA06, #48E108, #5DF61C, #79F844 and #96F96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF71C shade: #5DF71C, #1CF6E0 and #F61CB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF71C shade: #5DF71C, #1C5EF6 and #F61C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF71C shade: #5DF71C, #1CF6E0, #B51CF6 and #F61C32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF71C shade: #5DF71C, #1CCBF6, #B51CF6 and #F6481C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

Complementary color

CMYK 29 / 96 / 0 / 11

HEX #A208E3

RGB 162 8 227

HSL 282.19, 0.93%, 0.46%

LAB 43.36, 80.17, -73.29

 

CMYK 60 / 0 / 91 / 3

HEX #62F717

RGB 98 247 23

HSL 99.91, 0.93%, 0.53%

LAB 86.59, -72.41, 80.63

 

CMYK 55 / 0 / 84 / 0

HEX #73FF2A

RGB 115 255 42

HSL 99.44, 1%, 0.58%

LAB 89.55, -70.38, 79.96

 

CMYK 48 / 0 / 76 / 0

HEX #84FF3D

RGB 132 255 61

HSL 98.04, 1%, 0.62%

LAB 90.21, -64.91, 75.85

 

CMYK 42 / 0 / 69 / 0

HEX #95FF50

RGB 149 255 80

HSL 96.34, 1%, 0.66%

LAB 91, -58.66, 70.56

 

CMYK 35 / 0 / 61 / 0

HEX #A6FF63

RGB 166 255 99

HSL 94.23, 1%, 0.69%

LAB 91.92, -51.73, 64.4

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 67 / 0 / 96 / 10

HEX #4CE509

RGB 76 229 9

HSL 101.73, 0.92%, 0.47%

LAB 80.51, -71.65, 76.96

 

CMYK 72 / 0 / 100 / 17

HEX #3BD300

RGB 59 211 0

HSL 103.22, 1%, 0.41%

LAB 74.52, -69.4, 72.83

 

CMYK 78 / 0 / 100 / 24

HEX #2AC100

RGB 42 193 0

HSL 106.94, 1%, 0.38%

LAB 68.48, -66.64, 67.89

 

CMYK 86 / 0 / 100 / 31

HEX #19AF00

RGB 25 175 0

HSL 111.43, 1%, 0.34%

LAB 62.39, -63.39, 62.93

 

CMYK 62 / 0 / 89 / 4

HEX #5DF61C

RGB 93 246 28

HSL 102.11, 0.92%, 0.54%

LAB 86.17, -73.07, 79.47

 

CMYK 38 / 0 / 89 / 4

HEX #98F61C

RGB 152 246 28

HSL 85.87, 0.92%, 0.54%

LAB 88.29, -56.64, 82.11

 

CMYK 14 / 0 / 89 / 4

HEX #D3F61C

RGB 211 246 28

HSL 69.63, 0.92%, 0.54%

LAB 91.61, -34.87, 86.19

 

CMYK 0 / 9 / 89 / 4

HEX #F6DF1C

RGB 246 223 28

HSL 53.67, 0.92%, 0.54%

LAB 88.19, -9.46, 84.61

 

CMYK 0 / 33 / 89 / 4

HEX #F6A41C

RGB 246 164 28

HSL 37.43, 0.92%, 0.54%

LAB 73.69, 20.99, 73.37

 

CMYK 62 / 0 / 89 / 4

HEX #5DF61C

RGB 93 246 28

HSL 102.11, 0.92%, 0.54%

LAB 86.17, -73.07, 79.47

 

CMYK 86 / 0 / 89 / 4

HEX #22F61C

RGB 34 246 28

HSL 118.35, 0.92%, 0.54%

LAB 85.17, -81.74, 78.22

 

CMYK 89 / 0 / 67 / 4

HEX #1CF651

RGB 28 246 81

HSL 134.59, 0.92%, 0.54%

LAB 85.38, -78.87, 63.37

 

CMYK 89 / 0 / 43 / 4

HEX #1CF68C

RGB 28 246 140

HSL 150.83, 0.92%, 0.54%

LAB 86.03, -70.91, 37.71

 

CMYK 89 / 0 / 19 / 4

HEX #1CF6C7

RGB 28 246 199

HSL 167.06, 0.92%, 0.54%

LAB 87.13, -58.51, 9.16

 

CMYK 62 / 0 / 89 / 4

HEX #5DF61C

RGB 93 246 28

HSL 102.11, 0.92%, 0.54%

LAB 86.17, -73.07, 79.47

 

CMYK 62 / 0 / 89 / 4

HEX #5DF61C

RGB 93 246 28

HSL 102.11, 0.92%, 0.54%

LAB 86.17, -73.07, 79.47

 

CMYK 56 / 0 / 79 / 11

HEX #65E32F

RGB 101 227 47

HSL 102, 0.76%, 0.54%

LAB 80.69, -64.11, 70.52

 

CMYK 48 / 0 / 68 / 18

HEX #6CD042

RGB 108 208 66

HSL 102.25, 0.6%, 0.54%

LAB 75.26, -53.98, 58.9

 

CMYK 39 / 0 / 55 / 26

HEX #74BD55

RGB 116 189 85

HSL 102.12, 0.44%, 0.54%

LAB 70.01, -41.89, 44.91

 

CMYK 27 / 0 / 39 / 33

HEX #7CAA68

RGB 124 170 104

HSL 101.82, 0.28%, 0.54%

LAB 64.99, -27.94, 29.19

 

CMYK 15 / 0 / 89 / 4

HEX #D2F61C

RGB 210 246 28

HSL 69.91, 0.92%, 0.54%

LAB 91.55, -35.27, 86.11

 

CMYK 38 / 0 / 89 / 4

HEX #98F61C

RGB 152 246 28

HSL 85.87, 0.92%, 0.54%

LAB 88.29, -56.64, 82.11

 

CMYK 62 / 0 / 89 / 4

HEX #5EF61C

RGB 94 246 28

HSL 101.83, 0.92%, 0.54%

LAB 86.19, -72.85, 79.5

 

CMYK 86 / 0 / 89 / 4

HEX #23F61C

RGB 35 246 28

HSL 118.07, 0.92%, 0.54%

LAB 85.18, -81.66, 78.23

 

CMYK 89 / 0 / 68 / 4

HEX #1CF64F

RGB 28 246 79

HSL 134.04, 0.92%, 0.54%

LAB 85.36, -79.06, 64.11

 

CMYK 68 / 0 / 97 / 27

HEX #3BBA06

RGB 59 186 6

HSL 102.33, 0.94%, 0.38%

LAB 66.57, -61.52, 65.78

 

CMYK 68 / 0 / 96 / 12

HEX #48E108

RGB 72 225 8

HSL 102.3, 0.93%, 0.46%

LAB 79.18, -71.2, 75.93

 

CMYK 62 / 0 / 89 / 4

HEX #5DF61C

RGB 93 246 28

HSL 102.11, 0.92%, 0.54%

LAB 86.17, -73.07, 79.47

 

CMYK 51 / 0 / 73 / 3

HEX #79F844

RGB 121 248 68

HSL 102.33, 0.93%, 0.62%

LAB 87.78, -65.01, 71.13

 

CMYK 40 / 0 / 57 / 2

HEX #96F96C

RGB 150 249 108

HSL 102.13, 0.92%, 0.7%

LAB 89.54, -53.57, 57.68

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 89 / 0 / 9 / 4

HEX #1CF6E0

RGB 28 246 224

HSL 173.94, 0.92%, 0.54%

LAB 87.75, -52.11, -2.98

 

CMYK 0 / 89 / 26 / 4

HEX #F61CB5

RGB 246 28 181

HSL 317.89, 0.92%, 0.54%

LAB 55.85, 85.04, -26.02

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 89 / 62 / 0 / 4

HEX #1C5EF6

RGB 28 94 246

HSL 221.83, 0.92%, 0.54%

LAB 45.51, 37.72, -80.92

 

CMYK 0 / 89 / 62 / 4

HEX #F61C5E

RGB 246 28 94

HSL 341.83, 0.92%, 0.54%

LAB 53.2, 77.78, 21.97

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 89 / 0 / 9 / 4

HEX #1CF6E0

RGB 28 246 224

HSL 173.94, 0.92%, 0.54%

LAB 87.75, -52.11, -2.98

 

CMYK 26 / 89 / 0 / 4

HEX #B51CF6

RGB 181 28 246

HSL 282.11, 0.92%, 0.54%

LAB 48.65, 83.47, -75.28

 

CMYK 0 / 89 / 80 / 4

HEX #F61C32

RGB 246 28 50

HSL 353.94, 0.92%, 0.54%

LAB 52.57, 75.98, 46.85

 

CMYK 62 / 0 / 89 / 3

HEX #5DF71C

RGB 93 247 28

HSL 102.19, 0.93%, 0.54%

LAB 86.47, -73.39, 79.73

 

CMYK 89 / 17 / 0 / 4

HEX #1CCBF6

RGB 28 203 246

HSL 191.83, 0.92%, 0.54%

LAB 75.83, -25.97, -32.61

 

CMYK 26 / 89 / 0 / 4

HEX #B51CF6

RGB 181 28 246

HSL 282.11, 0.92%, 0.54%

LAB 48.65, 83.47, -75.28

 

CMYK 0 / 71 / 89 / 4

HEX #F6481C

RGB 246 72 28

HSL 12.11, 0.92%, 0.54%

LAB 56.4, 64.29, 60.31

 

Description

Color code: HEX #5DF71C | qconv.com Color code: HEX #5DF71C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 247 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 247 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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