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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5DF03A it is the complementary color #A20FC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5DF03A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5DF03A shade: #62F035, #73FF48, #84FF5B, #95FF6E and #A6FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5DF03A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5DF03A shade: #5DF03A, #4CDE27, #3BCC14, #2ABA01 and #19A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5DF03A shade: #5BF037, #8CF037, #BEF037, #F0EF37 and #F0BE37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5DF03A shade: #5BF037, #37F046, #37F077, #37F0A9 and #37F0DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5DF03A shade matches the following richer shades: #5BF037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5DF03A shade: #5BF037, #65DE49, #70CD5A, #7BBC6B and #85AA7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5DF03A shade: #BEF037, #8DF037, #5CF037, #37F044 and #37F075

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5DF03A shade: #32C60E, #3BEC11, #5BF037, #7AF25E and #9AF584

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5DF03A shade: #5DF03A, #37F0F0 and #F037A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5DF03A shade: #5DF03A, #375CF0 and #F0375C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5DF03A shade: #5DF03A, #37F0F0, #CB37F0 and #F03737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5DF03A shade: #5DF03A, #37B8F0, #CB37F0 and #F06F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

Complementary color

CMYK 18 / 92 / 0 / 23

HEX #A20FC5

RGB 162 15 197

HSL 288.46, 0.86%, 0.42%

LAB 41.3, 74, -59.34

 

CMYK 59 / 0 / 78 / 6

HEX #62F035

RGB 98 240 53

HSL 105.56, 0.86%, 0.57%

LAB 84.57, -68.95, 72.44

 

CMYK 55 / 0 / 72 / 0

HEX #73FF48

RGB 115 255 72

HSL 105.9, 1%, 0.64%

LAB 89.69, -68.76, 71.63

 

CMYK 48 / 0 / 64 / 0

HEX #84FF5B

RGB 132 255 91

HSL 105, 1%, 0.68%

LAB 90.4, -62.79, 65.55

 

CMYK 42 / 0 / 57 / 0

HEX #95FF6E

RGB 149 255 110

HSL 103.86, 1%, 0.72%

LAB 91.25, -56.07, 58.77

 

CMYK 35 / 0 / 49 / 0

HEX #A6FF81

RGB 166 255 129

HSL 102.38, 1%, 0.75%

LAB 92.23, -48.71, 51.55

 

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

CMYK 66 / 0 / 82 / 13

HEX #4CDE27

RGB 76 222 39

HSL 107.87, 0.73%, 0.51%

LAB 78.42, -68.57, 70.28

 

CMYK 71 / 0 / 90 / 20

HEX #3BCC14

RGB 59 204 20

HSL 107.28, 0.82%, 0.44%

LAB 72.34, -66.85, 68.73

 

CMYK 77 / 0 / 99 / 27

HEX #2ABA01

RGB 42 186 1

HSL 106.7, 0.99%, 0.37%

LAB 66.22, -64.54, 65.97

 

CMYK 85 / 0 / 100 / 34

HEX #19A800

RGB 25 168 0

HSL 111.07, 1%, 0.33%

LAB 60.08, -61.36, 61.08

 

CMYK 62 / 0 / 77 / 6

HEX #5BF037

RGB 91 240 55

HSL 108.32, 0.86%, 0.58%

LAB 84.39, -70.41, 71.62

 

CMYK 42 / 0 / 77 / 6

HEX #8CF037

RGB 140 240 55

HSL 92.43, 0.86%, 0.58%

LAB 86.09, -57.22, 73.83

 

CMYK 21 / 0 / 77 / 6

HEX #BEF037

RGB 190 240 55

HSL 76.22, 0.86%, 0.58%

LAB 88.71, -39.56, 77.21

 

CMYK 0 / 0 / 77 / 6

HEX #F0EF37

RGB 240 239 55

HSL 59.68, 0.86%, 0.58%

LAB 91.92, -19.12, 81.42

 

CMYK 0 / 21 / 77 / 6

HEX #F0BE37

RGB 240 190 55

HSL 43.78, 0.86%, 0.58%

LAB 79.4, 5.54, 70.08

 

CMYK 62 / 0 / 77 / 6

HEX #5BF037

RGB 91 240 55

HSL 108.32, 0.86%, 0.58%

LAB 84.39, -70.41, 71.62

 

CMYK 77 / 0 / 71 / 6

HEX #37F046

RGB 55 240 70

HSL 124.86, 0.86%, 0.58%

LAB 83.74, -75.55, 65.82

 

CMYK 77 / 0 / 50 / 6

HEX #37F077

RGB 55 240 119

HSL 140.76, 0.86%, 0.58%

LAB 84.21, -69.94, 45.6

 

CMYK 77 / 0 / 30 / 6

HEX #37F0A9

RGB 55 240 169

HSL 156.97, 0.86%, 0.58%

LAB 84.99, -60.95, 21.73

 

CMYK 77 / 0 / 9 / 6

HEX #37F0DB

RGB 55 240 219

HSL 173.19, 0.86%, 0.58%

LAB 86.13, -49.02, -2.71

 

CMYK 62 / 0 / 77 / 6

HEX #5BF037

RGB 91 240 55

HSL 108.32, 0.86%, 0.58%

LAB 84.39, -70.41, 71.62

 

CMYK 62 / 0 / 77 / 6

HEX #5BF037

RGB 91 240 55

HSL 108.32, 0.86%, 0.58%

LAB 84.39, -70.41, 71.62

 

CMYK 55 / 0 / 67 / 13

HEX #65DE49

RGB 101 222 73

HSL 108.72, 0.69%, 0.58%

LAB 79.32, -60.55, 60.39

 

CMYK 45 / 0 / 56 / 20

HEX #70CD5A

RGB 112 205 90

HSL 108.52, 0.53%, 0.58%

LAB 74.73, -49.28, 48.09

 

CMYK 35 / 0 / 43 / 26

HEX #7BBC6B

RGB 123 188 107

HSL 108.15, 0.38%, 0.58%

LAB 70.34, -36.32, 34.52

 

CMYK 22 / 0 / 26 / 33

HEX #85AA7D

RGB 133 170 125

HSL 109.33, 0.21%, 0.58%

LAB 65.92, -21.39, 19.2

 

CMYK 21 / 0 / 77 / 6

HEX #BEF037

RGB 190 240 55

HSL 76.22, 0.86%, 0.58%

LAB 88.71, -39.56, 77.21

 

CMYK 41 / 0 / 77 / 6

HEX #8DF037

RGB 141 240 55

HSL 92.11, 0.86%, 0.58%

LAB 86.14, -56.9, 73.89

 

CMYK 62 / 0 / 77 / 6

HEX #5CF037

RGB 92 240 55

HSL 108, 0.86%, 0.58%

LAB 84.42, -70.19, 71.65

 

CMYK 77 / 0 / 72 / 6

HEX #37F044

RGB 55 240 68

HSL 124.22, 0.86%, 0.58%

LAB 83.73, -75.71, 66.51

 

CMYK 77 / 0 / 51 / 6

HEX #37F075

RGB 55 240 117

HSL 140.11, 0.86%, 0.58%

LAB 84.18, -70.24, 46.51

 

CMYK 75 / 0 / 93 / 22

HEX #32C60E

RGB 50 198 14

HSL 108.26, 0.87%, 0.42%

LAB 70.24, -66.67, 67.78

 

CMYK 75 / 0 / 93 / 7

HEX #3BEC11

RGB 59 236 17

HSL 108.49, 0.87%, 0.5%

LAB 82.36, -76.48, 77.53

 

CMYK 62 / 0 / 77 / 6

HEX #5BF037

RGB 91 240 55

HSL 108.32, 0.86%, 0.58%

LAB 84.39, -70.41, 71.62

 

CMYK 50 / 0 / 61 / 5

HEX #7AF25E

RGB 122 242 94

HSL 108.65, 0.85%, 0.66%

LAB 86.23, -60.42, 59.62

 

CMYK 37 / 0 / 46 / 4

HEX #9AF584

RGB 154 245 132

HSL 108.32, 0.85%, 0.74%

LAB 88.85, -47.91, 45.83

 

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

CMYK 77 / 0 / 0 / 6

HEX #37F0F0

RGB 55 240 240

HSL 180, 0.86%, 0.58%

LAB 86.71, -43.28, -12.86

 

CMYK 0 / 77 / 31 / 6

HEX #F037A6

RGB 240 55 166

HSL 324, 0.86%, 0.58%

LAB 56.1, 76.56, -16.97

 

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

CMYK 77 / 62 / 0 / 6

HEX #375CF0

RGB 55 92 240

HSL 228, 0.86%, 0.58%

LAB 45.3, 38.67, -77.86

 

CMYK 0 / 77 / 62 / 6

HEX #F0375C

RGB 240 55 92

HSL 348, 0.86%, 0.58%

LAB 54.06, 70.31, 24.08

 

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

CMYK 77 / 0 / 0 / 6

HEX #37F0F0

RGB 55 240 240

HSL 180, 0.86%, 0.58%

LAB 86.71, -43.28, -12.86

 

CMYK 15 / 77 / 0 / 6

HEX #CB37F0

RGB 203 55 240

HSL 288, 0.86%, 0.58%

LAB 53.73, 79.44, -63.52

 

CMYK 0 / 77 / 77 / 6

HEX #F03737

RGB 240 55 55

HSL 0, 0.86%, 0.58%

LAB 53.53, 68.62, 44.76

 

CMYK 61 / 0 / 76 / 6

HEX #5DF03A

RGB 93 240 58

HSL 108.46, 0.86%, 0.58%

LAB 84.46, -69.79, 70.79

 

CMYK 77 / 23 / 0 / 6

HEX #37B8F0

RGB 55 184 240

HSL 198.16, 0.86%, 0.58%

LAB 70.44, -16.13, -37.68

 

CMYK 15 / 77 / 0 / 6

HEX #CB37F0

RGB 203 55 240

HSL 288, 0.86%, 0.58%

LAB 53.73, 79.44, -63.52

 

CMYK 0 / 54 / 77 / 6

HEX #F06F37

RGB 240 111 55

HSL 18.16, 0.86%, 0.58%

LAB 61.8, 46.42, 53.23

 

Description

Color code: HEX #5DF03A | qconv.com Color code: HEX #5DF03A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 93 red, 240 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
93 240 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 76 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 76% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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