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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1130 it is the complementary color #A1EECF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1130 shade: #63112B, #74233E, #853551, #964764 and #A75977

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1130 shade: #5E1130, #4D001D, #3C000A, #2B0000 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1130 shade: #5E1130, #5E111B and #5E1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1130 shade: #5E1130, #5E1145, #5E115A, #4E115E and #39115E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1130 shade matches the following richer shades: #5E1130 and #67082E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1130 shade: #5E1130, #551A32, #4C2334, #432C35 and #3A3537

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1130 shade: #5E115A, #5E1146, #5E1131, #5E111D and #5E1A11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1130 shade: #19040C, #3B0A1E, #5E1130, #811742 and #A41E54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1130 shade: #5E1130, #5E4E11 and #11505E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1130 shade: #5E1130, #315E11 and #11315E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1130 shade: #5E1130, #5E4E11, #115E3E and #11225E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1130 shade: #5E1130, #585E11, #115E3E and #17115E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

Complementary color

CMYK 32 / 0 / 13 / 7

HEX #A1EECF

RGB 161 238 207

HSL 155.84, 0.69%, 0.78%

LAB 88.56, -30.18, 7.5

 

CMYK 0 / 83 / 57 / 61

HEX #63112B

RGB 99 17 43

HSL 340.98, 0.71%, 0.23%

LAB 20.93, 37.44, 6.06

 

CMYK 0 / 70 / 47 / 55

HEX #74233E

RGB 116 35 62

HSL 340, 0.54%, 0.3%

LAB 27.47, 37.73, 2.78

 

CMYK 0 / 60 / 39 / 48

HEX #853551

RGB 133 53 81

HSL 339, 0.43%, 0.36%

LAB 34.25, 37.23, 0.49

 

CMYK 0 / 53 / 33 / 41

HEX #964764

RGB 150 71 100

HSL 337.97, 0.36%, 0.43%

LAB 41.07, 36.43, -1.21

 

CMYK 0 / 47 / 29 / 35

HEX #A75977

RGB 167 89 119

HSL 336.92, 0.31%, 0.5%

LAB 47.87, 35.55, -2.56

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 100 / 62 / 70

HEX #4D001D

RGB 77 0 29

HSL 337.4, 1%, 0.15%

LAB 13.63, 35.11, 5.24

 

CMYK 0 / 100 / 83 / 76

HEX #3C000A

RGB 60 0 10

HSL 350, 1%, 0.12%

LAB 8.85, 29.04, 9.88

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 82 / 71 / 63

HEX #5E111B

RGB 94 17 27

HSL 352.21, 0.69%, 0.22%

LAB 19.47, 34.63, 15.16

 

CMYK 0 / 82 / 82 / 63

HEX #5E1111

RGB 94 17 17

HSL 0, 0.69%, 0.22%

LAB 19.31, 34.1, 21.63

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 82 / 27 / 63

HEX #5E1145

RGB 94 17 69

HSL 319.48, 0.69%, 0.22%

LAB 20.87, 38.96, -12.29

 

CMYK 0 / 82 / 4 / 63

HEX #5E115A

RGB 94 17 90

HSL 303.12, 0.69%, 0.22%

LAB 22.01, 42.31, -24.7

 

CMYK 17 / 82 / 0 / 63

HEX #4E115E

RGB 78 17 94

HSL 287.53, 0.69%, 0.22%

LAB 19.34, 39.42, -31.79

 

CMYK 39 / 82 / 0 / 63

HEX #39115E

RGB 57 17 94

HSL 271.17, 0.69%, 0.22%

LAB 15.9, 35.09, -37.54

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 92 / 55 / 60

HEX #67082E

RGB 103 8 46

HSL 336, 0.86%, 0.22%

LAB 21.04, 41.35, 4.21

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 69 / 41 / 67

HEX #551A32

RGB 85 26 50

HSL 335.59, 0.53%, 0.22%

LAB 19.64, 29.79, -1.1

 

CMYK 0 / 54 / 32 / 70

HEX #4C2334

RGB 76 35 52

HSL 335.12, 0.37%, 0.22%

LAB 19.99, 21.66, -2.16

 

CMYK 0 / 34 / 21 / 74

HEX #432C35

RGB 67 44 53

HSL 336.52, 0.21%, 0.22%

LAB 21.02, 12.24, -1.48

 

CMYK 0 / 9 / 5 / 77

HEX #3A3537

RGB 58 53 55

HSL 336, 0.05%, 0.22%

LAB 22.73, 2.64, -0.46

 

CMYK 0 / 82 / 4 / 63

HEX #5E115A

RGB 94 17 90

HSL 303.12, 0.69%, 0.22%

LAB 22.01, 42.31, -24.7

 

CMYK 0 / 82 / 26 / 63

HEX #5E1146

RGB 94 17 70

HSL 318.7, 0.69%, 0.22%

LAB 20.91, 39.1, -12.9

 

CMYK 0 / 82 / 48 / 63

HEX #5E1131

RGB 94 17 49

HSL 335.06, 0.69%, 0.22%

LAB 20.05, 36.47, 0.43

 

CMYK 0 / 82 / 69 / 63

HEX #5E111D

RGB 94 17 29

HSL 350.65, 0.69%, 0.22%

LAB 19.51, 34.75, 13.82

 

CMYK 0 / 72 / 82 / 63

HEX #5E1A11

RGB 94 26 17

HSL 7.01, 0.69%, 0.22%

LAB 20.67, 30.37, 23.17

 

CMYK 0 / 84 / 52 / 90

HEX #19040C

RGB 25 4 12

HSL 337.14, 0.72%, 0.06%

LAB 2.89, 8.46, -0.49

 

CMYK 0 / 83 / 49 / 77

HEX #3B0A1E

RGB 59 10 30

HSL 335.51, 0.71%, 0.14%

LAB 10.85, 25.58, -0.04

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 82 / 49 / 49

HEX #811742

RGB 129 23 66

HSL 335.66, 0.7%, 0.3%

LAB 28.57, 46.59, 2.01

 

CMYK 0 / 82 / 49 / 36

HEX #A41E54

RGB 164 30 84

HSL 335.82, 0.69%, 0.38%

LAB 36.86, 55.93, 3.06

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 17 / 82 / 63

HEX #5E4E11

RGB 94 78 17

HSL 47.53, 0.69%, 0.22%

LAB 33.71, -0.36, 36.14

 

CMYK 82 / 15 / 0 / 63

HEX #11505E

RGB 17 80 94

HSL 190.91, 0.69%, 0.22%

LAB 31.03, -13.88, -13.74

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 48 / 0 / 82 / 63

HEX #315E11

RGB 49 94 17

HSL 95.06, 0.69%, 0.22%

LAB 35.4, -29.68, 36.5

 

CMYK 82 / 48 / 0 / 63

HEX #11315E

RGB 17 49 94

HSL 215.06, 0.69%, 0.22%

LAB 20.53, 6.46, -30.2

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 0 / 17 / 82 / 63

HEX #5E4E11

RGB 94 78 17

HSL 47.53, 0.69%, 0.22%

LAB 33.71, -0.36, 36.14

 

CMYK 82 / 0 / 34 / 63

HEX #115E3E

RGB 17 94 62

HSL 155.06, 0.69%, 0.22%

LAB 34.95, -30.97, 12.06

 

CMYK 82 / 64 / 0 / 63

HEX #11225E

RGB 17 34 94

HSL 226.75, 0.69%, 0.22%

LAB 15.86, 17.54, -37.77

 

CMYK 0 / 82 / 49 / 63

HEX #5E1130

RGB 94 17 48

HSL 335.84, 0.69%, 0.22%

LAB 20.02, 36.36, 1.08

 

CMYK 6 / 0 / 82 / 63

HEX #585E11

RGB 88 94 17

HSL 64.68, 0.69%, 0.22%

LAB 38.06, -12.72, 39.95

 

CMYK 82 / 0 / 34 / 63

HEX #115E3E

RGB 17 94 62

HSL 155.06, 0.69%, 0.22%

LAB 34.95, -30.97, 12.06

 

CMYK 76 / 82 / 0 / 63

HEX #17115E

RGB 23 17 94

HSL 244.68, 0.69%, 0.22%

LAB 11.9, 29.9, -44.26

 

Description

Color code: HEX #5E1130 | qconv.com Color code: HEX #5E1130 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 17 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 17 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 49 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 49% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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