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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E1290 it is the complementary color #A1ED6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E1290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E1290 shade: #63128B, #74249E, #8536B1, #9648C4 and #A75AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E1290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E1290 shade: #5E1290, #4D007D, #3C006A, #2B0057 and #1A0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E1290 shade: #5E1191, #811191, #91117F, #91115C and #91113A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E1290 shade: #5E1191, #3C1191, #1A1191 and #111191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E1290 shade matches the following richer shades: #5E1191 and #61049E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E1290 shade: #5E1191, #5C1F84, #592C76, #563969 and #53465C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E1290 shade: #1A1191, #3C1191, #5E1191, #801191 and #911180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E1290 shade: #2E0847, #460D6C, #5E1191, #7616B5 and #8E1BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E1290 shade: #5E1290, #91112B and #11912B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E1290 shade: #5E1290, #915E11 and #11915E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E1290 shade: #5E1290, #91112B, #449111 and #119177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E1290 shade: #5E1290, #911E11, #449111 and #118491

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

Complementary color

CMYK 32 / 0 / 53 / 7

HEX #A1ED6F

RGB 161 237 111

HSL 96.19, 0.78%, 0.68%

LAB 86.65, -44.69, 53.07

 

CMYK 29 / 87 / 0 / 45

HEX #63128B

RGB 99 18 139

HSL 280.17, 0.77%, 0.31%

LAB 26.59, 52.64, -48.8

 

CMYK 27 / 77 / 0 / 38

HEX #74249E

RGB 116 36 158

HSL 279.34, 0.63%, 0.38%

LAB 32.8, 53.76, -50.28

 

CMYK 25 / 69 / 0 / 31

HEX #8536B1

RGB 133 54 177

HSL 278.54, 0.53%, 0.45%

LAB 39.24, 53.88, -51.13

 

CMYK 23 / 63 / 0 / 23

HEX #9648C4

RGB 150 72 196

HSL 277.74, 0.51%, 0.53%

LAB 45.78, 53.48, -51.63

 

CMYK 22 / 58 / 0 / 16

HEX #A75AD7

RGB 167 90 215

HSL 276.96, 0.61%, 0.6%

LAB 52.32, 52.82, -51.93

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 38 / 100 / 0 / 51

HEX #4D007D

RGB 77 0 125

HSL 276.96, 1%, 0.25%

LAB 20.28, 50.82, -50.45

 

CMYK 43 / 100 / 0 / 58

HEX #3C006A

RGB 60 0 106

HSL 273.96, 1%, 0.21%

LAB 15.49, 44.66, -46.13

 

CMYK 51 / 100 / 0 / 66

HEX #2B0057

RGB 43 0 87

HSL 269.66, 1%, 0.17%

LAB 10.57, 38.35, -41.65

 

CMYK 62 / 100 / 0 / 73

HEX #1A0044

RGB 26 0 68

HSL 262.94, 1%, 0.13%

LAB 5.75, 30.79, -36.49

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 11 / 88 / 0 / 43

HEX #811191

RGB 129 17 145

HSL 292.5, 0.79%, 0.32%

LAB 32.06, 59.17, -43.41

 

CMYK 0 / 88 / 12 / 43

HEX #91117F

RGB 145 17 127

HSL 308.44, 0.79%, 0.32%

LAB 33.88, 59.37, -29.15

 

CMYK 0 / 88 / 37 / 43

HEX #91115C

RGB 145 17 92

HSL 324.84, 0.79%, 0.32%

LAB 32.24, 54.91, -9.36

 

CMYK 0 / 88 / 60 / 43

HEX #91113A

RGB 145 17 58

HSL 340.78, 0.79%, 0.32%

LAB 31.18, 51.88, 11.5

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 59 / 88 / 0 / 43

HEX #3C1191

RGB 60 17 145

HSL 260.16, 0.79%, 0.32%

LAB 21.6, 49.24, -60.93

 

CMYK 82 / 88 / 0 / 43

HEX #1A1191

RGB 26 17 145

HSL 244.22, 0.79%, 0.32%

LAB 18.65, 46.79, -65.91

 

CMYK 88 / 88 / 0 / 43

HEX #111191

RGB 17 17 145

HSL 240, 0.79%, 0.32%

LAB 18.21, 46.45, -66.66

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 39 / 97 / 0 / 38

HEX #61049E

RGB 97 4 158

HSL 276.23, 0.95%, 0.32%

LAB 27.01, 59.34, -59.84

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 30 / 77 / 0 / 48

HEX #5C1F84

RGB 92 31 132

HSL 276.24, 0.62%, 0.32%

LAB 26.51, 45.24, -44.6

 

CMYK 25 / 63 / 0 / 54

HEX #592C76

RGB 89 44 118

HSL 276.49, 0.46%, 0.32%

LAB 27.39, 34.72, -34.37

 

CMYK 18 / 46 / 0 / 59

HEX #563969

RGB 86 57 105

HSL 276.25, 0.3%, 0.32%

LAB 29.22, 22.83, -23.2

 

CMYK 10 / 24 / 0 / 64

HEX #53465C

RGB 83 70 92

HSL 275.45, 0.14%, 0.32%

LAB 31.79, 10.26, -10.95

 

CMYK 82 / 88 / 0 / 43

HEX #1A1191

RGB 26 17 145

HSL 244.22, 0.79%, 0.32%

LAB 18.65, 46.79, -65.91

 

CMYK 59 / 88 / 0 / 43

HEX #3C1191

RGB 60 17 145

HSL 260.16, 0.79%, 0.32%

LAB 21.6, 49.24, -60.93

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 12 / 88 / 0 / 43

HEX #801191

RGB 128 17 145

HSL 292.03, 0.79%, 0.32%

LAB 31.89, 58.99, -43.7

 

CMYK 0 / 88 / 12 / 43

HEX #911180

RGB 145 17 128

HSL 307.97, 0.79%, 0.32%

LAB 33.94, 59.51, -29.69

 

CMYK 35 / 89 / 0 / 72

HEX #2E0847

RGB 46 8 71

HSL 276.19, 0.8%, 0.15%

LAB 10.63, 30.91, -30.5

 

CMYK 35 / 88 / 0 / 58

HEX #460D6C

RGB 70 13 108

HSL 276, 0.79%, 0.24%

LAB 18.68, 42.44, -42.15

 

CMYK 35 / 88 / 0 / 43

HEX #5E1191

RGB 94 17 145

HSL 276.09, 0.79%, 0.32%

LAB 26.23, 53.44, -53.14

 

CMYK 35 / 88 / 0 / 29

HEX #7616B5

RGB 118 22 181

HSL 276.23, 0.78%, 0.4%

LAB 33.48, 63.36, -62.96

 

CMYK 35 / 88 / 0 / 15

HEX #8E1BDA

RGB 142 27 218

HSL 276.13, 0.78%, 0.48%

LAB 40.57, 73.09, -72.83

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 0 / 88 / 70 / 43

HEX #91112B

RGB 145 17 43

HSL 347.81, 0.79%, 0.32%

LAB 30.87, 50.99, 21.01

 

CMYK 88 / 0 / 70 / 43

HEX #11912B

RGB 17 145 43

HSL 132.19, 0.79%, 0.32%

LAB 52.45, -52.91, 43.27

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 0 / 35 / 88 / 43

HEX #915E11

RGB 145 94 17

HSL 36.09, 0.79%, 0.32%

LAB 44.33, 14.78, 47.83

 

CMYK 88 / 0 / 35 / 43

HEX #11915E

RGB 17 145 94

HSL 156.09, 0.79%, 0.32%

LAB 53.14, -44.6, 18.21

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 0 / 88 / 70 / 43

HEX #91112B

RGB 145 17 43

HSL 347.81, 0.79%, 0.32%

LAB 30.87, 50.99, 21.01

 

CMYK 53 / 0 / 88 / 43

HEX #449111

RGB 68 145 17

HSL 96.09, 0.79%, 0.32%

LAB 53.51, -44.61, 53.26

 

CMYK 88 / 0 / 18 / 43

HEX #119177

RGB 17 145 119

HSL 167.81, 0.79%, 0.32%

LAB 53.71, -38.4, 4.78

 

CMYK 35 / 88 / 0 / 44

HEX #5E1290

RGB 94 18 144

HSL 276.19, 0.78%, 0.32%

LAB 26.23, 52.95, -52.52

 

CMYK 0 / 79 / 88 / 43

HEX #911E11

RGB 145 30 17

HSL 6.09, 0.79%, 0.32%

LAB 31.78, 46.56, 37.46

 

CMYK 53 / 0 / 88 / 43

HEX #449111

RGB 68 145 17

HSL 96.09, 0.79%, 0.32%

LAB 53.51, -44.61, 53.26

 

CMYK 88 / 9 / 0 / 43

HEX #118491

RGB 17 132 145

HSL 186.09, 0.79%, 0.32%

LAB 50.29, -24.27, -15.37

 

Description

Color code: HEX #5E1290 | qconv.com Color code: HEX #5E1290 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 18 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 18 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 88 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 88% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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