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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2A21 it is the complementary color #A1D5DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2A21 shade: #632A1C, #743C2F, #854E42, #966055 and #A77268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2A21 shade: #5E2A21, #4D180E, #3C0600, #2B0000 and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2A21 shade: #5E2A21 and #5E2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2A21 shade: #5E2A21, #5E3A21, #5E4B21, #5E5B21 and #505E21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2A21 shade matches the following richer shades: #5E2A21, #682216, #721B0C and #7D1402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2A21 shade: #5E2A21, #54312B, #493835, #3F3F40 and #35474A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2A21 shade: #5E2139, #5E2129, #5E2921, #5E3921 and #5E4921

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2A21 shade: #210E0B, #3F1C16, #5E2A21, #7C372B and #9B4536

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2A21 shade: #5E2A21, #495E21 and #21315E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2A21 shade: #5E2A21, #215E29 and #29215E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2A21 shade: #5E2A21, #495E21, #21565E and #35215E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2A21 shade: #5E2A21, #375E21, #21565E and #47215E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

Complementary color

CMYK 27 / 4 / 0 / 13

HEX #A1D5DE

RGB 161 213 222

HSL 188.85, 0.48%, 0.75%

LAB 82.08, -14.65, -9.89

 

CMYK 0 / 58 / 72 / 61

HEX #632A1C

RGB 99 42 28

HSL 11.83, 0.56%, 0.25%

LAB 24.93, 24.68, 21.37

 

CMYK 0 / 48 / 59 / 55

HEX #743C2F

RGB 116 60 47

HSL 11.3, 0.42%, 0.32%

LAB 32.15, 23.13, 18.95

 

CMYK 0 / 41 / 50 / 48

HEX #854E42

RGB 133 78 66

HSL 10.75, 0.34%, 0.39%

LAB 39.29, 21.78, 17.01

 

CMYK 0 / 36 / 43 / 41

HEX #966055

RGB 150 96 85

HSL 10.15, 0.28%, 0.46%

LAB 46.32, 20.63, 15.39

 

CMYK 0 / 32 / 38 / 35

HEX #A77268

RGB 167 114 104

HSL 9.52, 0.26%, 0.53%

LAB 53.22, 19.63, 14.01

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 69 / 82 / 70

HEX #4D180E

RGB 77 24 14

HSL 9.52, 0.69%, 0.18%

LAB 16.81, 24.39, 19.41

 

CMYK 0 / 90 / 100 / 76

HEX #3C0600

RGB 60 6 0

HSL 6, 1%, 0.12%

LAB 9.73, 25.48, 15.21

 

CMYK 0 / 100 / 100 / 83

HEX #2B0000

RGB 43 0 0

HSL 0, 1%, 0.08%

LAB 4.64, 20.46, 7.33

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 65 / 65 / 63

HEX #5E2121

RGB 94 33 33

HSL 0, 0.48%, 0.25%

LAB 22.22, 27.88, 14.55

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 38 / 65 / 63

HEX #5E3A21

RGB 94 58 33

HSL 24.59, 0.48%, 0.25%

LAB 28.16, 13.13, 21.94

 

CMYK 0 / 20 / 65 / 63

HEX #5E4B21

RGB 94 75 33

HSL 41.31, 0.48%, 0.25%

LAB 32.97, 2.51, 27.58

 

CMYK 0 / 3 / 65 / 63

HEX #5E5B21

RGB 94 91 33

HSL 57.05, 0.48%, 0.25%

LAB 37.79, -7.12, 32.96

 

CMYK 15 / 0 / 65 / 63

HEX #505E21

RGB 80 94 33

HSL 73.77, 0.48%, 0.25%

LAB 37.52, -15.41, 32.31

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 67 / 79 / 59

HEX #682216

RGB 104 34 22

HSL 8.78, 0.65%, 0.25%

LAB 24.15, 30.65, 24.46

 

CMYK 0 / 76 / 89 / 55

HEX #721B0C

RGB 114 27 12

HSL 8.82, 0.81%, 0.25%

LAB 24.91, 37.13, 31.44

 

CMYK 0 / 84 / 98 / 51

HEX #7D1402

RGB 125 20 2

HSL 8.78, 0.97%, 0.25%

LAB 26.35, 42.97, 37.74

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 42 / 49 / 67

HEX #54312B

RGB 84 49 43

HSL 8.78, 0.32%, 0.25%

LAB 24.5, 15.13, 10.56

 

CMYK 0 / 23 / 27 / 71

HEX #493835

RGB 73 56 53

HSL 9, 0.16%, 0.25%

LAB 25.27, 7, 4.75

 

CMYK 2 / 2 / 0 / 75

HEX #3F3F40

RGB 63 63 64

HSL 240, 0.01%, 0.25%

LAB 26.68, 0.23, -0.61

 

CMYK 28 / 4 / 0 / 71

HEX #35474A

RGB 53 71 74

HSL 188.57, 0.17%, 0.25%

LAB 28.79, -6.26, -4.13

 

CMYK 0 / 65 / 39 / 63

HEX #5E2139

RGB 94 33 57

HSL 336.39, 0.48%, 0.25%

LAB 22.87, 30.41, -1.02

 

CMYK 0 / 65 / 56 / 63

HEX #5E2129

RGB 94 33 41

HSL 352.13, 0.48%, 0.25%

LAB 22.4, 28.58, 9.32

HEX #5E2129

CMYK 0 / 56 / 65 / 63

HEX #5E2921

RGB 94 41 33

HSL 7.87, 0.48%, 0.25%

LAB 23.92, 23.46, 16.72

HEX #5E2921

CMYK 0 / 39 / 65 / 63

HEX #5E3921

RGB 94 57 33

HSL 23.61, 0.48%, 0.25%

LAB 27.89, 13.75, 21.62

HEX #5E3921

CMYK 0 / 22 / 65 / 63

HEX #5E4921

RGB 94 73 33

HSL 39.34, 0.48%, 0.25%

LAB 32.38, 3.74, 26.91

HEX #5E4921

CMYK 0 / 58 / 67 / 87

HEX #210E0B

RGB 33 14 11

HSL 8.18, 0.5%, 0.09%

LAB 5.98, 8.84, 4.58

 

CMYK 0 / 56 / 65 / 75

HEX #3F1C16

RGB 63 28 22

HSL 8.78, 0.48%, 0.17%

LAB 15.2, 16.38, 11.95

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 0 / 56 / 65 / 51

HEX #7C372B

RGB 124 55 43

HSL 8.89, 0.49%, 0.33%

LAB 32.24, 29.01, 21.84

 

CMYK 0 / 55 / 65 / 39

HEX #9B4536

RGB 155 69 54

HSL 8.91, 0.48%, 0.41%

LAB 40.4, 34.77, 26.35

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 22 / 0 / 65 / 63

HEX #495E21

RGB 73 94 33

HSL 80.66, 0.48%, 0.25%

LAB 36.99, -18.57, 31.57

 

CMYK 65 / 48 / 0 / 63

HEX #21315E

RGB 33 49 94

HSL 224.26, 0.48%, 0.25%

LAB 21.31, 9.32, -28.91

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 65 / 0 / 56 / 63

HEX #215E29

RGB 33 94 41

HSL 127.87, 0.48%, 0.25%

LAB 34.98, -32.02, 24.48

 

CMYK 56 / 65 / 0 / 63

HEX #29215E

RGB 41 33 94

HSL 247.87, 0.48%, 0.25%

LAB 17.31, 22.44, -35.33

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 22 / 0 / 65 / 63

HEX #495E21

RGB 73 94 33

HSL 80.66, 0.48%, 0.25%

LAB 36.99, -18.57, 31.57

 

CMYK 65 / 9 / 0 / 63

HEX #21565E

RGB 33 86 94

HSL 187.87, 0.48%, 0.25%

LAB 33.54, -14.7, -9.89

 

CMYK 44 / 65 / 0 / 63

HEX #35215E

RGB 53 33 94

HSL 259.67, 0.48%, 0.25%

LAB 18.6, 25.27, -33.19

 

CMYK 0 / 55 / 65 / 63

HEX #5E2A21

RGB 94 42 33

HSL 8.85, 0.48%, 0.25%

LAB 24.15, 22.88, 17

 

CMYK 41 / 0 / 65 / 63

HEX #375E21

RGB 55 94 33

HSL 98.36, 0.48%, 0.25%

LAB 35.84, -26.02, 29.98

 

CMYK 65 / 9 / 0 / 63

HEX #21565E

RGB 33 86 94

HSL 187.87, 0.48%, 0.25%

LAB 33.54, -14.7, -9.89

 

CMYK 24 / 65 / 0 / 63

HEX #47215E

RGB 71 33 94

HSL 277.38, 0.48%, 0.25%

LAB 20.96, 30.03, -29.25

 

Description

Color code: HEX #5E2A21 | qconv.com Color code: HEX #5E2A21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 65 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 65% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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