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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E2D43 it is the complementary color #A1D2BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E2D43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E2D43 shade: #632D3E, #743F51, #855164, #966377 and #A7758A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E2D43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E2D43 shade: #5E2D43, #4D1B30, #3C091D, #2B000A and #1A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E2D43 shade: #5C2C42, #5C2C35 and #5C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E2D43 shade: #5C2C42, #5C2C4F, #5C2C5C, #502C5C and #432C5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E2D43 shade matches the following richer shades: #5C2C42, #682141, #731640, #7E0B3E and #89003D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E2D43 shade: #5C2C42, #513743, #464344, #3B4E45 and #305946

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E2D43 shade: #5C2C5C, #5C2C4F, #5C2C42, #5C2C35 and #5C302C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E2D43 shade: #25111A, #411F2E, #5C2C42, #783A56 and #94476A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E2D43 shade: #5E2D43, #5C502C and #2C555C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E2D43 shade: #5E2D43, #425C2C and #2C425C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E2D43 shade: #5E2D43, #5C502C, #2C5C47 and #2C385C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E2D43 shade: #5E2D43, #5A5C2C, #2C5C47 and #2F2C5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

Complementary color

CMYK 23 / 0 / 10 / 18

HEX #A1D2BC

RGB 161 210 188

HSL 153.06, 0.35%, 0.73%

LAB 80.35, -20.41, 5.72

 

CMYK 0 / 55 / 37 / 61

HEX #632D3E

RGB 99 45 62

HSL 341.11, 0.38%, 0.28%

LAB 26.38, 26.44, 0.83

 

CMYK 0 / 46 / 30 / 55

HEX #743F51

RGB 116 63 81

HSL 339.62, 0.3%, 0.35%

LAB 33.69, 25.45, -0.63

 

CMYK 0 / 39 / 25 / 48

HEX #855164

RGB 133 81 100

HSL 338.08, 0.24%, 0.42%

LAB 40.88, 24.51, -1.77

 

CMYK 0 / 34 / 21 / 41

HEX #966377

RGB 150 99 119

HSL 336.47, 0.2%, 0.49%

LAB 47.93, 23.65, -2.72

 

CMYK 0 / 30 / 17 / 35

HEX #A7758A

RGB 167 117 138

HSL 334.8, 0.22%, 0.56%

LAB 54.84, 22.88, -3.55

 

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

CMYK 0 / 65 / 38 / 70

HEX #4D1B30

RGB 77 27 48

HSL 334.8, 0.48%, 0.2%

LAB 18.25, 26.07, -1.9

 

CMYK 0 / 85 / 52 / 76

HEX #3C091D

RGB 60 9 29

HSL 336.47, 0.74%, 0.14%

LAB 10.88, 26.25, 0.79

 

CMYK 0 / 100 / 77 / 83

HEX #2B000A

RGB 43 0 10

HSL 346.05, 1%, 0.08%

LAB 4.84, 21.58, 3.55

 

CMYK 0 / 100 / 100 / 90

HEX #1A0000

RGB 26 0 0

HSL 0, 1%, 0.05%

LAB 1.98, 8.9, 3.14

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 52 / 42 / 64

HEX #5C2C35

RGB 92 44 53

HSL 348.75, 0.35%, 0.27%

LAB 24.75, 22.98, 4.38

 

CMYK 0 / 52 / 52 / 64

HEX #5C2C2C

RGB 92 44 44

HSL 0, 0.35%, 0.27%

LAB 24.51, 21.89, 10.11

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 52 / 14 / 64

HEX #5C2C4F

RGB 92 44 79

HSL 316.25, 0.35%, 0.27%

LAB 25.69, 27.12, -11.68

 

CMYK 0 / 52 / 0 / 64

HEX #5C2C5C

RGB 92 44 92

HSL 300, 0.35%, 0.27%

LAB 26.3, 29.68, -19.3

 

CMYK 13 / 52 / 0 / 64

HEX #502C5C

RGB 80 44 92

HSL 285, 0.35%, 0.27%

LAB 24.57, 25.74, -22.13

 

CMYK 27 / 52 / 0 / 64

HEX #432C5C

RGB 67 44 92

HSL 268.75, 0.35%, 0.27%

LAB 22.89, 21.55, -24.9

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 68 / 38 / 59

HEX #682141

RGB 104 33 65

HSL 332.96, 0.52%, 0.27%

LAB 24.99, 34.94, -3.14

 

CMYK 0 / 81 / 44 / 55

HEX #731640

RGB 115 22 64

HSL 332.9, 0.68%, 0.27%

LAB 25.53, 42.67, -1.42

 

CMYK 0 / 91 / 51 / 51

HEX #7E0B3E

RGB 126 11 62

HSL 333.39, 0.84%, 0.27%

LAB 26.8, 48.32, 2.07

 

CMYK 0 / 100 / 55 / 46

HEX #89003D

RGB 137 0 61

HSL 333.28, 1%, 0.27%

LAB 28.53, 52.91, 5.54

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 32 / 17 / 68

HEX #513743

RGB 81 55 67

HSL 332.31, 0.19%, 0.27%

LAB 26.41, 13.74, -2.77

 

CMYK 0 / 4 / 3 / 73

HEX #464344

RGB 70 67 68

HSL 340, 0.02%, 0.27%

LAB 28.73, 1.48, -0.16

 

CMYK 24 / 0 / 12 / 69

HEX #3B4E45

RGB 59 78 69

HSL 151.58, 0.14%, 0.27%

LAB 31.37, -9.58, 2.91

 

CMYK 46 / 0 / 21 / 65

HEX #305946

RGB 48 89 70

HSL 152.2, 0.3%, 0.27%

LAB 34.43, -19.42, 6.56

 

CMYK 0 / 52 / 0 / 64

HEX #5C2C5C

RGB 92 44 92

HSL 300, 0.35%, 0.27%

LAB 26.3, 29.68, -19.3

 

CMYK 0 / 52 / 14 / 64

HEX #5C2C4F

RGB 92 44 79

HSL 316.25, 0.35%, 0.27%

LAB 25.69, 27.12, -11.68

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 52 / 42 / 64

HEX #5C2C35

RGB 92 44 53

HSL 348.75, 0.35%, 0.27%

LAB 24.75, 22.98, 4.38

 

CMYK 0 / 48 / 52 / 64

HEX #5C302C

RGB 92 48 44

HSL 5, 0.35%, 0.27%

LAB 25.48, 19.48, 11.42

 

CMYK 0 / 54 / 30 / 85

HEX #25111A

RGB 37 17 26

HSL 333, 0.37%, 0.11%

LAB 7.85, 11.99, -1.91

 

CMYK 0 / 52 / 29 / 75

HEX #411F2E

RGB 65 31 46

HSL 333.53, 0.35%, 0.19%

LAB 16.99, 18.61, -2.58

 

CMYK 0 / 52 / 28 / 64

HEX #5C2C42

RGB 92 44 66

HSL 332.5, 0.35%, 0.27%

LAB 25.17, 24.88, -3.77

 

CMYK 0 / 52 / 28 / 53

HEX #783A56

RGB 120 58 86

HSL 332.9, 0.35%, 0.35%

LAB 33.33, 30.57, -4.31

 

CMYK 0 / 52 / 28 / 42

HEX #94476A

RGB 148 71 106

HSL 332.73, 0.35%, 0.43%

LAB 40.97, 36.54, -5.13

 

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

CMYK 0 / 13 / 52 / 64

HEX #5C502C

RGB 92 80 44

HSL 45, 0.35%, 0.27%

LAB 34.38, -0.48, 22.94

 

CMYK 52 / 8 / 0 / 64

HEX #2C555C

RGB 44 85 92

HSL 188.75, 0.35%, 0.27%

LAB 33.57, -12.2, -8.53

 

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

CMYK 28 / 0 / 52 / 64

HEX #425C2C

RGB 66 92 44

HSL 92.5, 0.35%, 0.27%

LAB 35.97, -19.26, 24.39

 

CMYK 52 / 28 / 0 / 64

HEX #2C425C

RGB 44 66 92

HSL 212.5, 0.35%, 0.27%

LAB 27.31, -0.35, -18.11

 

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

CMYK 0 / 13 / 52 / 64

HEX #5C502C

RGB 92 80 44

HSL 45, 0.35%, 0.27%

LAB 34.38, -0.48, 22.94

 

CMYK 52 / 0 / 23 / 64

HEX #2C5C47

RGB 44 92 71

HSL 153.75, 0.35%, 0.27%

LAB 35.29, -21.96, 7.13

 

CMYK 52 / 39 / 0 / 64

HEX #2C385C

RGB 44 56 92

HSL 225, 0.35%, 0.27%

LAB 24.12, 6.4, -23.1

 

CMYK 0 / 52 / 29 / 63

HEX #5E2D43

RGB 94 45 67

HSL 333.06, 0.35%, 0.27%

LAB 25.75, 25.23, -3.55

 

CMYK 2 / 0 / 52 / 64

HEX #5A5C2C

RGB 90 92 44

HSL 62.5, 0.35%, 0.27%

LAB 37.86, -8.58, 27.12

 

CMYK 52 / 0 / 23 / 64

HEX #2C5C47

RGB 44 92 71

HSL 153.75, 0.35%, 0.27%

LAB 35.29, -21.96, 7.13

 

CMYK 49 / 52 / 0 / 64

HEX #2F2C5C

RGB 47 44 92

HSL 243.75, 0.35%, 0.27%

LAB 20.74, 15.6, -28.44

 

Description

Color code: HEX #5E2D43 | qconv.com Color code: HEX #5E2D43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 45 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 45 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 29 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 29% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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