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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E376B it is the complementary color #A1C894. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E376B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E376B shade: #633766, #744979, #855B8C, #966D9F and #A77FB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E376B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E376B shade: #5E376B, #4D2558, #3C1345, #2B0132 and #1A001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E376B shade: #5E376B, #6B376A, #6B375C, #6B374E and #6B3740

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E376B shade: #5E376B, #50376B, #42376B and #37376B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E376B shade matches the following richer shades: #5E376B, #652A78, #6B1D86, #720F93 and #7902A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E376B shade: #5E376B, #58445E, #515151, #4A5F44 and #446C36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E376B shade: #42376B, #50376B, #5E376B, #6B376A and #6B375C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E376B shade: #2E1B35, #462950, #5E376B, #764586 and #8E53A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E376B shade: #5E376B, #6B373A and #376B49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E376B shade: #5E376B, #6B5E37 and #376B5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E376B shade: #5E376B, #6B373A, #446B37 and #376B69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E376B shade: #5E376B, #6B4437, #446B37 and #375E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

Complementary color

CMYK 20 / 0 / 26 / 22

HEX #A1C894

RGB 161 200 148

HSL 105, 0.32%, 0.68%

LAB 76.69, -22.68, 21.88

 

CMYK 3 / 46 / 0 / 60

HEX #633766

RGB 99 55 102

HSL 296.17, 0.3%, 0.31%

LAB 30.27, 27.72, -19.53

 

CMYK 4 / 40 / 0 / 53

HEX #744979

RGB 116 73 121

HSL 293.75, 0.25%, 0.38%

LAB 37.59, 26.87, -19.96

 

CMYK 5 / 35 / 0 / 45

HEX #855B8C

RGB 133 91 140

HSL 291.43, 0.21%, 0.45%

LAB 44.75, 26.07, -20.33

 

CMYK 6 / 31 / 0 / 38

HEX #966D9F

RGB 150 109 159

HSL 289.2, 0.21%, 0.53%

LAB 51.75, 25.33, -20.67

 

CMYK 6 / 29 / 0 / 30

HEX #A77FB2

RGB 167 127 178

HSL 287.06, 0.25%, 0.6%

LAB 58.61, 24.64, -20.99

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 13 / 58 / 0 / 65

HEX #4D2558

RGB 77 37 88

HSL 287.06, 0.41%, 0.25%

LAB 22.32, 28.02, -23.07

 

CMYK 13 / 72 / 0 / 73

HEX #3C1345

RGB 60 19 69

HSL 289.2, 0.57%, 0.17%

LAB 14.71, 28.57, -22.39

 

CMYK 14 / 98 / 0 / 80

HEX #2B0132

RGB 43 1 50

HSL 291.43, 0.96%, 0.1%

LAB 6.92, 28.91, -21.44

 

CMYK 16 / 100 / 0 / 88

HEX #1A001F

RGB 26 0 31

HSL 290.32, 1%, 0.06%

LAB 2.88, 15.18, -13.42

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 49 / 1 / 58

HEX #6B376A

RGB 107 55 106

HSL 301.15, 0.32%, 0.32%

LAB 31.58, 31.22, -19.96

 

CMYK 0 / 49 / 14 / 58

HEX #6B375C

RGB 107 55 92

HSL 317.31, 0.32%, 0.32%

LAB 30.95, 28.53, -11.95

 

CMYK 0 / 49 / 27 / 58

HEX #6B374E

RGB 107 55 78

HSL 333.46, 0.32%, 0.32%

LAB 30.42, 26.15, -3.66

 

CMYK 0 / 49 / 40 / 58

HEX #6B3740

RGB 107 55 64

HSL 349.62, 0.32%, 0.32%

LAB 29.98, 24.12, 4.85

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 25 / 49 / 0 / 58

HEX #50376B

RGB 80 55 107

HSL 268.85, 0.32%, 0.32%

LAB 28.11, 22.67, -26.28

 

CMYK 38 / 49 / 0 / 58

HEX #42376B

RGB 66 55 107

HSL 252.69, 0.32%, 0.32%

LAB 26.6, 18.38, -28.77

 

CMYK 49 / 49 / 0 / 58

HEX #37376B

RGB 55 55 107

HSL 240, 0.32%, 0.32%

LAB 25.58, 15.28, -30.45

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 16 / 65 / 0 / 53

HEX #652A78

RGB 101 42 120

HSL 285.38, 0.48%, 0.32%

LAB 28.85, 39.42, -33.21

 

CMYK 20 / 78 / 0 / 47

HEX #6B1D86

RGB 107 29 134

HSL 284.57, 0.64%, 0.32%

LAB 28.71, 49.51, -42.18

 

CMYK 22 / 90 / 0 / 42

HEX #720F93

RGB 114 15 147

HSL 285, 0.81%, 0.32%

LAB 29.48, 57.41, -48.95

 

CMYK 24 / 99 / 0 / 37

HEX #7902A0

RGB 121 2 160

HSL 285.19, 0.98%, 0.32%

LAB 30.99, 63.1, -54.39

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 6 / 28 / 0 / 63

HEX #58445E

RGB 88 68 94

HSL 286.15, 0.16%, 0.32%

LAB 31.85, 13.91, -12.09

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 22 / 0 / 28 / 63

HEX #4A5F44

RGB 74 95 68

HSL 106.67, 0.17%, 0.32%

LAB 37.95, -13.77, 12.93

 

CMYK 37 / 0 / 50 / 58

HEX #446C36

RGB 68 108 54

HSL 104.44, 0.33%, 0.32%

LAB 41.56, -25.3, 25.74

 

CMYK 38 / 49 / 0 / 58

HEX #42376B

RGB 66 55 107

HSL 252.69, 0.32%, 0.32%

LAB 26.6, 18.38, -28.77

 

CMYK 25 / 49 / 0 / 58

HEX #50376B

RGB 80 55 107

HSL 268.85, 0.32%, 0.32%

LAB 28.11, 22.67, -26.28

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 49 / 1 / 58

HEX #6B376A

RGB 107 55 106

HSL 301.15, 0.32%, 0.32%

LAB 31.58, 31.22, -19.96

 

CMYK 0 / 49 / 14 / 58

HEX #6B375C

RGB 107 55 92

HSL 317.31, 0.32%, 0.32%

LAB 30.95, 28.53, -11.95

 

CMYK 13 / 49 / 0 / 79

HEX #2E1B35

RGB 46 27 53

HSL 283.85, 0.33%, 0.16%

LAB 13.36, 15.09, -13.37

 

CMYK 13 / 49 / 0 / 69

HEX #462950

RGB 70 41 80

HSL 284.62, 0.32%, 0.24%

LAB 21.83, 21.35, -18.58

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 12 / 49 / 0 / 47

HEX #764586

RGB 118 69 134

HSL 285.23, 0.32%, 0.4%

LAB 37.53, 32.69, -28.04

 

CMYK 12 / 49 / 0 / 36

HEX #8E53A2

RGB 142 83 162

HSL 284.81, 0.32%, 0.48%

LAB 45.01, 38.21, -32.98

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 49 / 46 / 58

HEX #6B373A

RGB 107 55 58

HSL 356.54, 0.32%, 0.32%

LAB 29.82, 23.37, 8.54

 

CMYK 49 / 0 / 32 / 58

HEX #376B49

RGB 55 107 73

HSL 140.77, 0.32%, 0.32%

LAB 40.91, -25.85, 13.8

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 12 / 49 / 58

HEX #6B5E37

RGB 107 94 55

HSL 45, 0.32%, 0.32%

LAB 40.26, -0.65, 24.21

 

CMYK 49 / 0 / 12 / 58

HEX #376B5E

RGB 55 107 94

HSL 165, 0.32%, 0.32%

LAB 41.43, -20.89, 1.91

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 49 / 46 / 58

HEX #6B373A

RGB 107 55 58

HSL 356.54, 0.32%, 0.32%

LAB 29.82, 23.37, 8.54

 

CMYK 36 / 0 / 49 / 58

HEX #446B37

RGB 68 107 55

HSL 105, 0.32%, 0.32%

LAB 41.25, -24.65, 24.79

 

CMYK 49 / 0 / 2 / 58

HEX #376B69

RGB 55 107 105

HSL 177.69, 0.32%, 0.32%

LAB 41.76, -17.89, -4.28

 

CMYK 12 / 49 / 0 / 58

HEX #5E376B

RGB 94 55 107

HSL 285, 0.32%, 0.32%

LAB 29.85, 27.17, -23.43

 

CMYK 0 / 36 / 49 / 58

HEX #6B4437

RGB 107 68 55

HSL 15, 0.32%, 0.32%

LAB 33, 15.17, 14.8

 

CMYK 36 / 0 / 49 / 58

HEX #446B37

RGB 68 107 55

HSL 105, 0.32%, 0.32%

LAB 41.25, -24.65, 24.79

 

CMYK 49 / 12 / 0 / 58

HEX #375E6B

RGB 55 94 107

HSL 195, 0.32%, 0.32%

LAB 37.62, -9.92, -11.71

 

Description

Color code: HEX #5E376B | qconv.com Color code: HEX #5E376B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 55 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 55 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 49 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 49% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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