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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E308D it is the complementary color #A1CF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E308D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E308D shade: #633088, #74429B, #8554AE, #9666C1 and #A778D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E308D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E308D shade: #5E308D, #4D1E7A, #3C0C67, #2B0054 and #1A0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E308D shade: #5D308C, #76308C, #8C3089, #8C3070 and #8C3057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E308D shade: #5D308C, #44308C and #30308C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E308D shade matches the following richer shades: #5D308C, #5D209B, #5D11AB and #5D02BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E308D shade: #5D308C, #5E3F7D, #5E4E6E, #5E5D5E and #5E6D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E308D shade: #30348C, #44308C, #5C308C, #75308C and #8C308B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E308D shade: #341B4F, #49256D, #5D308C, #723AAB and #864DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E308D shade: #5E308D, #8C304D and #308C37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E308D shade: #5E308D, #8C5C30 and #308C5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E308D shade: #5E308D, #8C304D, #5F8C30 and #308C6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E308D shade: #5E308D, #8C3031, #5F8C30 and #308C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

Complementary color

CMYK 22 / 0 / 45 / 19

HEX #A1CF72

RGB 161 207 114

HSL 89.68, 0.49%, 0.63%

LAB 78.12, -30.85, 41.26

 

CMYK 27 / 65 / 0 / 47

HEX #633088

RGB 99 48 136

HSL 274.77, 0.48%, 0.36%

LAB 30.75, 39.53, -40.21

 

CMYK 25 / 57 / 0 / 39

HEX #74429B

RGB 116 66 155

HSL 273.71, 0.4%, 0.43%

LAB 37.8, 38.71, -40.41

 

CMYK 24 / 52 / 0 / 32

HEX #8554AE

RGB 133 84 174

HSL 272.67, 0.36%, 0.51%

LAB 44.78, 37.8, -40.5

 

CMYK 22 / 47 / 0 / 24

HEX #9666C1

RGB 150 102 193

HSL 271.65, 0.42%, 0.58%

LAB 51.65, 36.89, -40.55

 

CMYK 21 / 43 / 0 / 17

HEX #A778D4

RGB 167 120 212

HSL 270.65, 0.52%, 0.65%

LAB 58.42, 36.03, -40.58

 

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

CMYK 37 / 75 / 0 / 52

HEX #4D1E7A

RGB 77 30 122

HSL 270.65, 0.61%, 0.3%

LAB 23.38, 40.23, -43.47

 

CMYK 42 / 88 / 0 / 60

HEX #3C0C67

RGB 60 12 103

HSL 271.65, 0.79%, 0.23%

LAB 16.52, 39.95, -42.48

 

CMYK 49 / 100 / 0 / 67

HEX #2B0054

RGB 43 0 84

HSL 270.71, 1%, 0.16%

LAB 10.21, 37.61, -40.2

 

CMYK 60 / 100 / 0 / 75

HEX #1A0041

RGB 26 0 65

HSL 264, 1%, 0.13%

LAB 5.43, 29.61, -34.88

 

CMYK 34 / 66 / 0 / 45

HEX #5D308C

RGB 93 48 140

HSL 269.35, 0.49%, 0.37%

LAB 30.24, 39.1, -43.54

 

CMYK 16 / 66 / 0 / 45

HEX #76308C

RGB 118 48 140

HSL 285.65, 0.49%, 0.37%

LAB 33.69, 45.16, -37.82

 

CMYK 0 / 66 / 2 / 45

HEX #8C3089

RGB 140 48 137

HSL 301.96, 0.49%, 0.37%

LAB 36.92, 50.18, -30.63

 

CMYK 0 / 66 / 20 / 45

HEX #8C3070

RGB 140 48 112

HSL 318.26, 0.49%, 0.37%

LAB 35.71, 46.08, -16.95

 

CMYK 0 / 66 / 38 / 45

HEX #8C3057

RGB 140 48 87

HSL 334.57, 0.49%, 0.37%

LAB 34.76, 42.69, -2.47

 

CMYK 34 / 66 / 0 / 45

HEX #5D308C

RGB 93 48 140

HSL 269.35, 0.49%, 0.37%

LAB 30.24, 39.1, -43.54

 

CMYK 51 / 66 / 0 / 45

HEX #44308C

RGB 68 48 140

HSL 253.04, 0.49%, 0.37%

LAB 27.4, 33.65, -48.28

 

CMYK 66 / 66 / 0 / 45

HEX #30308C

RGB 48 48 140

HSL 240, 0.49%, 0.37%

LAB 25.67, 30.06, -51.17

 

CMYK 34 / 66 / 0 / 45

HEX #5D308C

RGB 93 48 140

HSL 269.35, 0.49%, 0.37%

LAB 30.24, 39.1, -43.54

 

CMYK 40 / 79 / 0 / 39

HEX #5D209B

RGB 93 32 155

HSL 269.76, 0.66%, 0.37%

LAB 28.71, 50.55, -55.24

 

CMYK 46 / 90 / 0 / 33

HEX #5D11AB

RGB 93 17 171

HSL 269.61, 0.82%, 0.37%

LAB 28.56, 59.22, -65.19

 

CMYK 50 / 99 / 0 / 27

HEX #5D02BA

RGB 93 2 186

HSL 269.67, 0.98%, 0.37%

LAB 29.2, 65.4, -73.1

 

CMYK 34 / 66 / 0 / 45

HEX #5D308C

RGB 93 48 140

HSL 269.35, 0.49%, 0.37%

LAB 30.24, 39.1, -43.54

 

CMYK 25 / 50 / 0 / 51

HEX #5E3F7D

RGB 94 63 125

HSL 270, 0.33%, 0.37%

LAB 32.73, 26.73, -30.23

 

CMYK 15 / 29 / 0 / 57

HEX #5E4E6E

RGB 94 78 110

HSL 270, 0.17%, 0.37%

LAB 35.9, 13.57, -15.94

 

CMYK 0 / 1 / 0 / 63

HEX #5E5D5E

RGB 94 93 94

HSL 300, 0.01%, 0.37%

LAB 39.61, 0.61, -0.44

 

CMYK 14 / 0 / 28 / 57

HEX #5E6D4F

RGB 94 109 79

HSL 90, 0.16%, 0.37%

LAB 44.06, -11.62, 14.94

 

CMYK 66 / 63 / 0 / 45

HEX #30348C

RGB 48 52 140

HSL 237.39, 0.49%, 0.37%

LAB 26.67, 27.44, -49.54

 

CMYK 51 / 66 / 0 / 45

HEX #44308C

RGB 68 48 140

HSL 253.04, 0.49%, 0.37%

LAB 27.4, 33.65, -48.28

 

CMYK 34 / 66 / 0 / 45

HEX #5C308C

RGB 92 48 140

HSL 268.7, 0.49%, 0.37%

LAB 30.11, 38.87, -43.75

 

CMYK 16 / 66 / 0 / 45

HEX #75308C

RGB 117 48 140

HSL 285, 0.49%, 0.37%

LAB 33.54, 44.91, -38.06

 

CMYK 0 / 66 / 1 / 45

HEX #8C308B

RGB 140 48 139

HSL 300.65, 0.49%, 0.37%

LAB 37.03, 50.53, -31.69

 

CMYK 34 / 66 / 0 / 69

HEX #341B4F

RGB 52 27 79

HSL 268.85, 0.49%, 0.21%

LAB 15.89, 24.3, -27.46

 

CMYK 33 / 66 / 0 / 57

HEX #49256D

RGB 73 37 109

HSL 270, 0.49%, 0.29%

LAB 23.15, 32.2, -35.53

 

CMYK 34 / 66 / 0 / 45

HEX #5D308C

RGB 93 48 140

HSL 269.35, 0.49%, 0.37%

LAB 30.24, 39.1, -43.54

 

CMYK 33 / 66 / 0 / 33

HEX #723AAB

RGB 114 58 171

HSL 269.73, 0.49%, 0.45%

LAB 37.01, 46.45, -51.29

 

CMYK 31 / 60 / 0 / 24

HEX #864DC2

RGB 134 77 194

HSL 269.23, 0.49%, 0.53%

LAB 44.62, 46.74, -52.44

 

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

CMYK 0 / 66 / 45 / 45

HEX #8C304D

RGB 140 48 77

HSL 341.09, 0.49%, 0.37%

LAB 34.45, 41.56, 3.52

 

CMYK 66 / 0 / 61 / 45

HEX #308C37

RGB 48 140 55

HSL 124.57, 0.49%, 0.37%

LAB 51.45, -44.98, 36.89

 

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

CMYK 0 / 34 / 66 / 45

HEX #8C5C30

RGB 140 92 48

HSL 28.7, 0.49%, 0.37%

LAB 43.42, 15.12, 32.84

 

CMYK 66 / 0 / 34 / 45

HEX #308C5C

RGB 48 140 92

HSL 148.7, 0.49%, 0.37%

LAB 52.01, -38.7, 17.89

 

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

CMYK 0 / 66 / 45 / 45

HEX #8C304D

RGB 140 48 77

HSL 341.09, 0.49%, 0.37%

LAB 34.45, 41.56, 3.52

 

CMYK 32 / 0 / 66 / 45

HEX #5F8C30

RGB 95 140 48

HSL 89.35, 0.49%, 0.37%

LAB 53.39, -31.12, 42.87

 

CMYK 66 / 0 / 21 / 45

HEX #308C6F

RGB 48 140 111

HSL 161.09, 0.49%, 0.37%

LAB 52.43, -34.31, 7.63

 

CMYK 33 / 66 / 0 / 45

HEX #5E308D

RGB 94 48 141

HSL 269.68, 0.49%, 0.37%

LAB 30.44, 39.59, -43.83

 

CMYK 0 / 66 / 65 / 45

HEX #8C3031

RGB 140 48 49

HSL 359.35, 0.49%, 0.37%

LAB 33.8, 39.13, 20.63

 

CMYK 32 / 0 / 66 / 45

HEX #5F8C30

RGB 95 140 48

HSL 89.35, 0.49%, 0.37%

LAB 53.39, -31.12, 42.87

 

CMYK 66 / 0 / 1 / 45

HEX #308C8B

RGB 48 140 139

HSL 179.35, 0.49%, 0.37%

LAB 53.22, -26.63, -7.42

 

Description

Color code: HEX #5E308D | qconv.com Color code: HEX #5E308D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 48 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 48 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 66 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 66% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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