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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E459F it is the complementary color #A1BA60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E459F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E459F shade: #63459A, #7457AD, #8569C0, #967BD3 and #A78DE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E459F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E459F shade: #5E459F, #4D338C, #3C2179, #2B0F66 and #1A0053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E459F shade: #5E459F, #77459F, #8F459F, #9F4597 and #9F457F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E459F shade: #5E459F, #46459F and #45459F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E459F shade matches the following richer shades: #5E459F, #5633B2, #4E20C4 and #460ED7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E459F shade: #5E459F, #67588C, #6F6B7A, #777D67 and #7F9055

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E459F shade: #455D9F, #45459F, #5D459F, #75459F and #8D459F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E459F shade: #3C2C66, #4D3982, #5E459F, #7258B6 and #8A75C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E459F shade: #5E459F, #9F4575 and #519F45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E459F shade: #5E459F, #9F5D45 and #459F5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E459F shade: #5E459F, #9F4575, #879F45 and #459F6F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E459F shade: #5E459F, #9F455A, #879F45 and #459F8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

Complementary color

CMYK 13 / 0 / 48 / 27

HEX #A1BA60

RGB 161 186 96

HSL 76.67, 0.39%, 0.55%

LAB 71.92, -22.75, 42.52

 

CMYK 36 / 55 / 0 / 40

HEX #63459A

RGB 99 69 154

HSL 261.18, 0.38%, 0.44%

LAB 36.45, 32.26, -42.08

 

CMYK 33 / 50 / 0 / 32

HEX #7457AD

RGB 116 87 173

HSL 260.23, 0.34%, 0.51%

LAB 43.58, 31.15, -41.93

 

CMYK 31 / 45 / 0 / 25

HEX #8569C0

RGB 133 105 192

HSL 259.31, 0.41%, 0.58%

LAB 50.56, 30.16, -41.8

 

CMYK 29 / 42 / 0 / 17

HEX #967BD3

RGB 150 123 211

HSL 258.41, 0.5%, 0.65%

LAB 57.42, 29.26, -41.7

 

CMYK 27 / 39 / 0 / 10

HEX #A78DE6

RGB 167 141 230

HSL 257.53, 0.64%, 0.73%

LAB 64.14, 28.45, -41.64

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 45 / 64 / 0 / 45

HEX #4D338C

RGB 77 51 140

HSL 257.53, 0.47%, 0.37%

LAB 29, 33.74, -45.63

 

CMYK 50 / 73 / 0 / 53

HEX #3C2179

RGB 60 33 121

HSL 258.41, 0.57%, 0.3%

LAB 21.69, 35.07, -45.68

 

CMYK 58 / 85 / 0 / 60

HEX #2B0F66

RGB 43 15 102

HSL 259.31, 0.74%, 0.23%

LAB 14.48, 35.99, -45.25

 

CMYK 69 / 100 / 0 / 67

HEX #1A0053

RGB 26 0 83

HSL 258.8, 1%, 0.16%

LAB 7.63, 35.91, -43.87

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 25 / 57 / 0 / 38

HEX #77459F

RGB 119 69 159

HSL 273.33, 0.39%, 0.45%

LAB 39.04, 38.81, -40.82

 

CMYK 10 / 57 / 0 / 38

HEX #8F459F

RGB 143 69 159

HSL 289.33, 0.39%, 0.45%

LAB 42.15, 45.31, -35.68

 

CMYK 0 / 57 / 5 / 38

HEX #9F4597

RGB 159 69 151

HSL 305.33, 0.39%, 0.45%

LAB 44.03, 48.29, -27.77

 

CMYK 0 / 57 / 20 / 38

HEX #9F457F

RGB 159 69 127

HSL 321.33, 0.39%, 0.45%

LAB 43, 44.34, -14.83

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 56 / 57 / 0 / 38

HEX #46459F

RGB 70 69 159

HSL 240.67, 0.39%, 0.45%

LAB 34.11, 27.02, -49

 

CMYK 57 / 57 / 0 / 38

HEX #45459F

RGB 69 69 159

HSL 240, 0.39%, 0.45%

LAB 34.03, 26.81, -49.13

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 52 / 71 / 0 / 30

HEX #5633B2

RGB 86 51 178

HSL 256.54, 0.55%, 0.45%

LAB 33.05, 46.57, -62.04

 

CMYK 60 / 84 / 0 / 23

HEX #4E20C4

RGB 78 32 196

HSL 256.83, 0.72%, 0.45%

LAB 30.97, 59.21, -76.14

 

CMYK 67 / 93 / 0 / 16

HEX #460ED7

RGB 70 14 215

HSL 256.72, 0.88%, 0.45%

LAB 30.69, 68.62, -87.69

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 26 / 37 / 0 / 45

HEX #67588C

RGB 103 88 140

HSL 257.31, 0.23%, 0.45%

LAB 40.83, 17.96, -26.66

 

CMYK 9 / 12 / 0 / 52

HEX #6F6B7A

RGB 111 107 122

HSL 256, 0.07%, 0.45%

LAB 46.04, 4.72, -7.77

 

CMYK 5 / 0 / 18 / 51

HEX #777D67

RGB 119 125 103

HSL 76.36, 0.1%, 0.45%

LAB 51.35, -6.43, 11.25

 

CMYK 12 / 0 / 41 / 44

HEX #7F9055

RGB 127 144 85

HSL 77.29, 0.26%, 0.45%

LAB 57.19, -16.26, 29.32

 

CMYK 57 / 42 / 0 / 38

HEX #455D9F

RGB 69 93 159

HSL 224, 0.39%, 0.45%

LAB 40.57, 11.3, -38.65

 

CMYK 57 / 57 / 0 / 38

HEX #45459F

RGB 69 69 159

HSL 240, 0.39%, 0.45%

LAB 34.03, 26.81, -49.13

 

CMYK 42 / 57 / 0 / 38

HEX #5D459F

RGB 93 69 159

HSL 256, 0.39%, 0.45%

LAB 36.15, 32.17, -45.61

 

CMYK 26 / 57 / 0 / 38

HEX #75459F

RGB 117 69 159

HSL 272, 0.39%, 0.45%

LAB 38.8, 38.28, -41.22

 

CMYK 11 / 57 / 0 / 38

HEX #8D459F

RGB 141 69 159

HSL 288, 0.39%, 0.45%

LAB 41.88, 44.76, -36.13

 

CMYK 41 / 57 / 0 / 60

HEX #3C2C66

RGB 60 44 102

HSL 256.55, 0.4%, 0.29%

LAB 22.73, 22.42, -31.75

 

CMYK 41 / 56 / 0 / 49

HEX #4D3982

RGB 77 57 130

HSL 256.44, 0.39%, 0.37%

LAB 29.7, 27.07, -38.29

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 37 / 52 / 0 / 29

HEX #7258B6

RGB 114 88 182

HSL 256.6, 0.39%, 0.53%

LAB 44.14, 32.48, -46.33

 

CMYK 29 / 40 / 0 / 24

HEX #8A75C2

RGB 138 117 194

HSL 256.36, 0.39%, 0.61%

LAB 54.05, 25.04, -37.43

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 0 / 57 / 26 / 38

HEX #9F4575

RGB 159 69 117

HSL 328, 0.39%, 0.45%

LAB 42.63, 42.87, -9.26

 

CMYK 49 / 0 / 57 / 38

HEX #519F45

RGB 81 159 69

HSL 112, 0.39%, 0.45%

LAB 58.95, -42.1, 39.15

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 0 / 42 / 57 / 38

HEX #9F5D45

RGB 159 93 69

HSL 16, 0.39%, 0.45%

LAB 46.48, 24.49, 25.27

 

CMYK 57 / 0 / 42 / 38

HEX #459F5D

RGB 69 159 93

HSL 136, 0.39%, 0.45%

LAB 58.84, -41.81, 26.54

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 0 / 57 / 26 / 38

HEX #9F4575

RGB 159 69 117

HSL 328, 0.39%, 0.45%

LAB 42.63, 42.87, -9.26

 

CMYK 15 / 0 / 57 / 38

HEX #879F45

RGB 135 159 69

HSL 76, 0.39%, 0.45%

LAB 61.98, -22.45, 43.44

 

CMYK 57 / 0 / 30 / 38

HEX #459F6F

RGB 69 159 111

HSL 148, 0.39%, 0.45%

LAB 59.17, -38.35, 17.14

 

CMYK 41 / 57 / 0 / 38

HEX #5E459F

RGB 94 69 159

HSL 256.67, 0.39%, 0.45%

LAB 36.25, 32.41, -45.44

 

CMYK 0 / 57 / 43 / 38

HEX #9F455A

RGB 159 69 90

HSL 346, 0.39%, 0.45%

LAB 41.79, 39.47, 6.22

 

CMYK 15 / 0 / 57 / 38

HEX #879F45

RGB 135 159 69

HSL 76, 0.39%, 0.45%

LAB 61.98, -22.45, 43.44

 

CMYK 57 / 0 / 13 / 38

HEX #459F8A

RGB 69 159 138

HSL 166, 0.39%, 0.45%

LAB 59.8, -32.11, 2.89

 

Description

Color code: HEX #5E459F | qconv.com Color code: HEX #5E459F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 69 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 69 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 57 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 57% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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