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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5680 it is the complementary color #A1A97F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5680 shade: #63567B, #74688E, #857AA1, #968CB4 and #A79EC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5680 shade: #5E5680, #4D446D, #3C325A, #2B2047 and #1A0E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5680 shade: #5D5580, #695580, #745580, #805580 and #805574

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5680 shade: #5D5580 and #555580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5680 shade matches the following richer shades: #5D5580, #534491, #4833A3, #3D21B4 and #3210C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5680 shade: #5D5580, #68676F, #73785D, #7E894C and #889A3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5680 shade: #556480, #555980, #5D5580, #685580 and #745580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5680 shade: #39344F, #4B4567, #5D5580, #6F6699 and #877FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5680 shade: #5E5680, #805570 and #5E8055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5680 shade: #5E5680, #805D55 and #55805D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5680 shade: #5E5680, #805570, #788055 and #558066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5680 shade: #5E5680, #805563, #788055 and #558072

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

Complementary color

CMYK 5 / 0 / 25 / 34

HEX #A1A97F

RGB 161 169 127

HSL 71.43, 0.2%, 0.58%

LAB 67.64, -10.1, 20.78

 

CMYK 20 / 30 / 0 / 52

HEX #63567B

RGB 99 86 123

HSL 261.08, 0.18%, 0.41%

LAB 39.14, 13.51, -18.96

 

CMYK 18 / 27 / 0 / 44

HEX #74688E

RGB 116 104 142

HSL 258.95, 0.15%, 0.48%

LAB 46.4, 12.94, -19.14

 

CMYK 17 / 24 / 0 / 37

HEX #857AA1

RGB 133 122 161

HSL 256.92, 0.17%, 0.55%

LAB 53.47, 12.43, -19.35

 

CMYK 17 / 22 / 0 / 29

HEX #968CB4

RGB 150 140 180

HSL 255, 0.21%, 0.63%

LAB 60.37, 11.99, -19.58

 

CMYK 16 / 21 / 0 / 22

HEX #A79EC7

RGB 167 158 199

HSL 253.17, 0.27%, 0.7%

LAB 67.12, 11.58, -19.84

 

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

CMYK 29 / 38 / 0 / 57

HEX #4D446D

RGB 77 68 109

HSL 253.17, 0.23%, 0.35%

LAB 31.38, 13.85, -22.43

 

CMYK 33 / 44 / 0 / 65

HEX #3C325A

RGB 60 50 90

HSL 255, 0.29%, 0.27%

LAB 23.61, 14.74, -22.5

 

CMYK 39 / 55 / 0 / 72

HEX #2B2047

RGB 43 32 71

HSL 256.92, 0.38%, 0.2%

LAB 15.5, 15.86, -22.67

 

CMYK 50 / 73 / 0 / 80

HEX #1A0E34

RGB 26 14 52

HSL 258.95, 0.58%, 0.13%

LAB 7.06, 17.12, -22.82

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 18 / 34 / 0 / 50

HEX #695580

RGB 105 85 128

HSL 267.91, 0.2%, 0.42%

LAB 39.68, 17.42, -21.13

 

CMYK 9 / 34 / 0 / 50

HEX #745580

RGB 116 85 128

HSL 283.26, 0.2%, 0.42%

LAB 40.85, 21.2, -19.24

 

CMYK 0 / 34 / 0 / 50

HEX #805580

RGB 128 85 128

HSL 300, 0.2%, 0.42%

LAB 42.22, 25.39, -17.01

 

CMYK 0 / 34 / 9 / 50

HEX #805574

RGB 128 85 116

HSL 316.74, 0.2%, 0.42%

LAB 41.76, 23.03, -10.38

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 34 / 34 / 0 / 50

HEX #555580

RGB 85 85 128

HSL 240, 0.2%, 0.42%

LAB 37.82, 10.88, -24.17

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 43 / 53 / 0 / 43

HEX #534491

RGB 83 68 145

HSL 251.69, 0.36%, 0.42%

LAB 34.02, 26.17, -40.59

 

CMYK 56 / 69 / 0 / 36

HEX #4833A3

RGB 72 51 163

HSL 251.25, 0.52%, 0.42%

LAB 30.38, 39.77, -57.48

 

CMYK 66 / 82 / 0 / 29

HEX #3D21B4

RGB 61 33 180

HSL 251.43, 0.69%, 0.42%

LAB 27.78, 52.78, -72

 

CMYK 75 / 92 / 0 / 23

HEX #3210C5

RGB 50 16 197

HSL 251.27, 0.85%, 0.42%

LAB 26.96, 62.68, -83.45

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 6 / 7 / 0 / 56

HEX #68676F

RGB 104 103 111

HSL 247.5, 0.04%, 0.42%

LAB 43.93, 2.09, -4.35

 

CMYK 4 / 0 / 23 / 53

HEX #73785D

RGB 115 120 93

HSL 71.11, 0.13%, 0.42%

LAB 49.34, -6.92, 14.23

 

CMYK 8 / 0 / 45 / 46

HEX #7E894C

RGB 126 137 76

HSL 70.82, 0.29%, 0.42%

LAB 54.92, -14.07, 31.28

 

CMYK 12 / 0 / 62 / 40

HEX #889A3B

RGB 136 154 59

HSL 71.37, 0.45%, 0.42%

LAB 60.48, -20.37, 46.44

 

CMYK 34 / 22 / 0 / 50

HEX #556480

RGB 85 100 128

HSL 219.07, 0.2%, 0.42%

LAB 42.16, 1.52, -17.46

 

CMYK 34 / 30 / 0 / 50

HEX #555980

RGB 85 89 128

HSL 234.42, 0.2%, 0.42%

LAB 38.96, 8.35, -22.4

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 19 / 34 / 0 / 50

HEX #685580

RGB 104 85 128

HSL 266.51, 0.2%, 0.42%

LAB 39.58, 17.08, -21.3

 

CMYK 9 / 34 / 0 / 50

HEX #745580

RGB 116 85 128

HSL 283.26, 0.2%, 0.42%

LAB 40.85, 21.2, -19.24

 

CMYK 28 / 34 / 0 / 69

HEX #39344F

RGB 57 52 79

HSL 251.11, 0.21%, 0.26%

LAB 23.31, 9.11, -15.72

 

CMYK 27 / 33 / 0 / 60

HEX #4B4567

RGB 75 69 103

HSL 250.59, 0.2%, 0.34%

LAB 31.19, 10.85, -18.95

 

CMYK 27 / 34 / 0 / 50

HEX #5D5580

RGB 93 85 128

HSL 251.16, 0.2%, 0.42%

LAB 38.52, 13.43, -23.02

 

CMYK 27 / 33 / 0 / 40

HEX #6F6699

RGB 111 102 153

HSL 250.59, 0.2%, 0.5%

LAB 45.88, 15.29, -26.51

 

CMYK 20 / 25 / 0 / 34

HEX #877FA9

RGB 135 127 169

HSL 251.43, 0.2%, 0.58%

LAB 55.27, 12.05, -21.2

 

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

CMYK 0 / 34 / 13 / 50

HEX #805570

RGB 128 85 112

HSL 322.33, 0.2%, 0.42%

LAB 41.62, 22.29, -8.14

 

CMYK 27 / 0 / 34 / 50

HEX #5E8055

RGB 94 128 85

HSL 107.44, 0.2%, 0.42%

LAB 50.07, -20.87, 19.58

 

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

CMYK 0 / 27 / 34 / 50

HEX #805D55

RGB 128 93 85

HSL 11.16, 0.2%, 0.42%

LAB 42.87, 13.13, 10.21

 

CMYK 34 / 0 / 27 / 50

HEX #55805D

RGB 85 128 93

HSL 131.16, 0.2%, 0.42%

LAB 49.69, -22.65, 14.39

 

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

CMYK 0 / 34 / 13 / 50

HEX #805570

RGB 128 85 112

HSL 322.33, 0.2%, 0.42%

LAB 41.62, 22.29, -8.14

 

CMYK 6 / 0 / 34 / 50

HEX #788055

RGB 120 128 85

HSL 71.16, 0.2%, 0.42%

LAB 51.94, -10.54, 22.4

 

CMYK 34 / 0 / 20 / 50

HEX #558066

RGB 85 128 102

HSL 143.72, 0.2%, 0.42%

LAB 49.89, -20.82, 9.46

 

CMYK 27 / 33 / 0 / 50

HEX #5E5680

RGB 94 86 128

HSL 251.43, 0.2%, 0.42%

LAB 38.89, 13.13, -22.45

 

CMYK 0 / 34 / 23 / 50

HEX #805563

RGB 128 85 99

HSL 340.47, 0.2%, 0.42%

LAB 41.2, 20.03, -0.77

 

CMYK 6 / 0 / 34 / 50

HEX #788055

RGB 120 128 85

HSL 71.16, 0.2%, 0.42%

LAB 51.94, -10.54, 22.4

 

CMYK 34 / 0 / 11 / 50

HEX #558072

RGB 85 128 114

HSL 160.47, 0.2%, 0.42%

LAB 50.2, -18.15, 2.88

 

Description

Color code: HEX #5E5680 | qconv.com Color code: HEX #5E5680 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 86 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 86 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 33 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 33% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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