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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5ADD it is the complementary color #A1A522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5ADD shade: #635AD8, #746CEB, #857EFE, #9690FF and #A7A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5ADD shade: #5E5ADD, #4D48CA, #3C36B7, #2B24A4 and #1A1291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5ADD shade: #5D59DD, #8159DD, #A459DD, #C859DD and #DD59CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5ADD shade: #5D59DD and #5959DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5ADD shade matches the following richer shades: #5D59DD, #4E49ED and #3F39FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5ADD shade: #5D59DD, #6D6ACD, #7C7ABD, #8B8AAC and #9A9A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5ADD shade: #599DDD, #597ADD, #5C59DD, #7F59DD and #A259DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5ADD shade: #2B26BD, #3C37D6, #5D59DD, #7F7CE4 and #A09EEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5ADD shade: #5E5ADD, #DD59C0 and #8CDD59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5ADD shade: #5E5ADD, #DD5C59 and #59DD5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5ADD shade: #5E5ADD, #DD59C0, #DADD59 and #59DD76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5ADD shade: #5E5ADD, #DD5999, #DADD59 and #59DD9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

Complementary color

CMYK 2 / 0 / 79 / 35

HEX #A1A522

RGB 161 165 34

HSL 61.83, 0.66%, 0.39%

LAB 65.44, -16.59, 61.48

 

CMYK 54 / 58 / 0 / 15

HEX #635AD8

RGB 99 90 216

HSL 244.29, 0.62%, 0.6%

LAB 45.53, 38, -63.8

 

CMYK 51 / 54 / 0 / 8

HEX #746CEB

RGB 116 108 235

HSL 243.78, 0.76%, 0.67%

LAB 52.33, 36.43, -63.48

 

CMYK 48 / 50 / 0 / 0

HEX #857EFE

RGB 133 126 254

HSL 243.28, 0.98%, 0.75%

LAB 59.03, 35.04, -63.17

 

CMYK 41 / 44 / 0 / 0

HEX #9690FF

RGB 150 144 255

HSL 243.24, 1%, 0.78%

LAB 64.68, 28.78, -54.62

 

CMYK 35 / 36 / 0 / 0

HEX #A7A2FF

RGB 167 162 255

HSL 243.23, 1%, 0.82%

LAB 70.37, 22.85, -45.56

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 62 / 64 / 0 / 21

HEX #4D48CA

RGB 77 72 202

HSL 242.31, 0.55%, 0.54%

LAB 38.68, 40.59, -66.96

 

CMYK 67 / 70 / 0 / 28

HEX #3C36B7

RGB 60 54 183

HSL 242.79, 0.54%, 0.46%

LAB 31.85, 42.7, -67.07

 

CMYK 74 / 78 / 0 / 36

HEX #2B24A4

RGB 43 36 164

HSL 243.28, 0.64%, 0.39%

LAB 25.12, 44.82, -66.81

 

CMYK 82 / 88 / 0 / 43

HEX #1A1291

RGB 26 18 145

HSL 243.78, 0.78%, 0.32%

LAB 18.79, 46.38, -65.68

 

CMYK 58 / 60 / 0 / 13

HEX #5D59DD

RGB 93 89 221

HSL 241.82, 0.66%, 0.61%

LAB 45.21, 39.09, -67.19

 

CMYK 42 / 60 / 0 / 13

HEX #8159DD

RGB 129 89 221

HSL 258.18, 0.66%, 0.61%

LAB 48.3, 46.07, -62.03

 

CMYK 26 / 60 / 0 / 13

HEX #A459DD

RGB 164 89 221

HSL 274.09, 0.66%, 0.61%

LAB 52.13, 53.94, -55.67

 

CMYK 10 / 60 / 0 / 13

HEX #C859DD

RGB 200 89 221

HSL 290.45, 0.66%, 0.61%

LAB 56.73, 62.59, -48.07

 

CMYK 0 / 60 / 7 / 13

HEX #DD59CE

RGB 221 89 206

HSL 306.82, 0.66%, 0.61%

LAB 58.95, 65.28, -35.88

 

CMYK 58 / 60 / 0 / 13

HEX #5D59DD

RGB 93 89 221

HSL 241.82, 0.66%, 0.61%

LAB 45.21, 39.09, -67.19

 

CMYK 60 / 60 / 0 / 13

HEX #5959DD

RGB 89 89 221

HSL 240, 0.66%, 0.61%

LAB 44.93, 38.42, -67.66

 

CMYK 58 / 60 / 0 / 13

HEX #5D59DD

RGB 93 89 221

HSL 241.82, 0.66%, 0.61%

LAB 45.21, 39.09, -67.19

 

CMYK 67 / 69 / 0 / 7

HEX #4E49ED

RGB 78 73 237

HSL 241.83, 0.82%, 0.61%

LAB 42, 51.36, -81.55

 

CMYK 75 / 77 / 0 / 1

HEX #3F39FD

RGB 63 57 253

HSL 241.84, 0.98%, 0.61%

LAB 39.71, 63.32, -94.36

 

CMYK 58 / 60 / 0 / 13

HEX #5D59DD

RGB 93 89 221

HSL 241.82, 0.66%, 0.61%

LAB 45.21, 39.09, -67.19

 

CMYK 47 / 48 / 0 / 20

HEX #6D6ACD

RGB 109 106 205

HSL 241.82, 0.5%, 0.61%

LAB 49.46, 27.07, -51.15

 

CMYK 34 / 35 / 0 / 26

HEX #7C7ABD

RGB 124 122 189

HSL 241.79, 0.34%, 0.61%

LAB 53.9, 16.74, -34.89

 

CMYK 19 / 20 / 0 / 33

HEX #8B8AAC

RGB 139 138 172

HSL 241.76, 0.17%, 0.61%

LAB 58.64, 7.68, -17.74

 

CMYK 1 / 1 / 0 / 39

HEX #9A9A9C

RGB 154 154 156

HSL 240, 0.01%, 0.61%

LAB 63.66, 0.39, -1.05

 

CMYK 60 / 29 / 0 / 13

HEX #599DDD

RGB 89 157 221

HSL 209.09, 0.66%, 0.61%

LAB 62.89, -2.57, -38.97

 

CMYK 60 / 45 / 0 / 13

HEX #597ADD

RGB 89 122 221

HSL 225, 0.66%, 0.61%

LAB 53.24, 18.17, -54.25

 

CMYK 58 / 60 / 0 / 13

HEX #5C59DD

RGB 92 89 221

HSL 241.36, 0.66%, 0.61%

LAB 45.14, 38.92, -67.31

 

CMYK 43 / 60 / 0 / 13

HEX #7F59DD

RGB 127 89 221

HSL 257.27, 0.66%, 0.61%

LAB 48.1, 45.64, -62.36

 

CMYK 27 / 60 / 0 / 13

HEX #A259DD

RGB 162 89 221

HSL 273.18, 0.66%, 0.61%

LAB 51.89, 53.47, -56.07

 

CMYK 77 / 80 / 0 / 26

HEX #2B26BD

RGB 43 38 189

HSL 241.99, 0.67%, 0.45%

LAB 28.31, 51.74, -76.5

 

CMYK 72 / 74 / 0 / 16

HEX #3C37D6

RGB 60 55 214

HSL 241.89, 0.66%, 0.53%

LAB 35.1, 52.13, -79.83

 

CMYK 58 / 60 / 0 / 13

HEX #5D59DD

RGB 93 89 221

HSL 241.82, 0.66%, 0.61%

LAB 45.21, 39.09, -67.19

 

CMYK 44 / 46 / 0 / 11

HEX #7F7CE4

RGB 127 124 228

HSL 241.73, 0.66%, 0.69%

LAB 56.61, 27.31, -52.65

 

CMYK 32 / 33 / 0 / 8

HEX #A09EEB

RGB 160 158 235

HSL 241.56, 0.66%, 0.77%

LAB 67.97, 18.07, -38.46

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 0 / 60 / 13 / 13

HEX #DD59C0

RGB 221 89 192

HSL 313.18, 0.66%, 0.61%

LAB 58.34, 63.12, -28.84

 

CMYK 37 / 0 / 60 / 13

HEX #8CDD59

RGB 140 221 89

HSL 96.82, 0.66%, 0.61%

LAB 80.74, -47.13, 55.79

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 0 / 58 / 60 / 13

HEX #DD5C59

RGB 221 92 89

HSL 1.36, 0.66%, 0.61%

LAB 55.83, 50.28, 27.52

 

CMYK 60 / 0 / 58 / 13

HEX #59DD5C

RGB 89 221 92

HSL 121.36, 0.66%, 0.61%

LAB 78.82, -61.19, 51.74

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 0 / 60 / 13 / 13

HEX #DD59C0

RGB 221 89 192

HSL 313.18, 0.66%, 0.61%

LAB 58.34, 63.12, -28.84

 

CMYK 1 / 0 / 60 / 13

HEX #DADD59

RGB 218 221 89

HSL 61.36, 0.66%, 0.61%

LAB 85.68, -17.66, 62.63

 

CMYK 60 / 0 / 47 / 13

HEX #59DD76

RGB 89 221 118

HSL 133.18, 0.66%, 0.61%

LAB 79.12, -57.73, 39.88

 

CMYK 57 / 59 / 0 / 13

HEX #5E5ADD

RGB 94 90 221

HSL 241.83, 0.66%, 0.61%

LAB 45.51, 38.67, -66.69

 

CMYK 0 / 60 / 31 / 13

HEX #DD5999

RGB 221 89 153

HSL 330.91, 0.66%, 0.61%

LAB 56.9, 57.78, -8.47

 

CMYK 1 / 0 / 60 / 13

HEX #DADD59

RGB 218 221 89

HSL 61.36, 0.66%, 0.61%

LAB 85.68, -17.66, 62.63

 

CMYK 60 / 0 / 29 / 13

HEX #59DD9D

RGB 89 221 157

HSL 150.91, 0.66%, 0.61%

LAB 79.77, -50.82, 20.86

 

Description

Color code: HEX #5E5ADD | qconv.com Color code: HEX #5E5ADD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 90 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 90 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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