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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E5C0C it is the complementary color #A1A3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E5C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E5C0C shade: #635C07, #746E1A, #85802D, #969240 and #A7A453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E5C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E5C0C shade: #5E5C0C, #4D4A00, #3C3800, #2B2600 and #1A1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E5C0C shade: #5E5C0C, #5E460C, #5E300C, #5E1A0C and #5E0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E5C0C shade: #5E5C0C, #4A5E0C, #345E0C, #1E5E0C and #0C5E10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E5C0C shade matches the following richer shades: #5E5C0C and #676503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E5C0C shade: #5E5C0C, #565414, #4D4C1D, #444426 and #3C3B2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E5C0C shade: #5E300C, #5E460C, #5E5C0C, #4B5E0C and #355E0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E5C0C shade: #151502, #3A3907, #5E5C0C, #838011 and #A7A415

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E5C0C shade: #5E5C0C, #0C5E1A and #3B0C5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E5C0C shade: #5E5C0C, #0C5E5C and #5C0C5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E5C0C shade: #5E5C0C, #0C5E1A, #0C0F5E and #5E0C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E5C0C shade: #5E5C0C, #0C5E32, #0C0F5E and #5E0C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

Complementary color

CMYK 34 / 33 / 0 / 5

HEX #A1A3F3

RGB 161 163 243

HSL 238.54, 0.77%, 0.79%

LAB 69.64, 17.56, -40.21

 

CMYK 0 / 7 / 93 / 61

HEX #635C07

RGB 99 92 7

HSL 55.43, 0.87%, 0.21%

LAB 38.41, -6.56, 43.65

 

CMYK 0 / 5 / 78 / 55

HEX #746E1A

RGB 116 110 26

HSL 56, 0.63%, 0.28%

LAB 45.55, -7.92, 44.55

 

CMYK 0 / 4 / 66 / 48

HEX #85802D

RGB 133 128 45

HSL 56.59, 0.49%, 0.35%

LAB 52.52, -8.95, 44.13

 

CMYK 0 / 3 / 57 / 41

HEX #969240

RGB 150 146 64

HSL 57.21, 0.4%, 0.42%

LAB 59.35, -9.73, 43.16

 

CMYK 0 / 2 / 50 / 35

HEX #A7A453

RGB 167 164 83

HSL 57.86, 0.34%, 0.49%

LAB 66.05, -10.34, 42

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 4 / 100 / 70

HEX #4D4A00

RGB 77 74 0

HSL 57.66, 1%, 0.15%

LAB 30.58, -7.28, 39

 

CMYK 0 / 7 / 100 / 76

HEX #3C3800

RGB 60 56 0

HSL 56, 1%, 0.12%

LAB 22.96, -5.19, 31.6

 

CMYK 0 / 12 / 100 / 83

HEX #2B2600

RGB 43 38 0

HSL 53.02, 1%, 0.08%

LAB 14.95, -2.93, 21.81

 

CMYK 0 / 23 / 100 / 90

HEX #1A1400

RGB 26 20 0

HSL 46.15, 1%, 0.05%

LAB 6.5, -0.33, 9.73

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 26 / 87 / 63

HEX #5E460C

RGB 94 70 12

HSL 42.44, 0.77%, 0.21%

LAB 31.32, 4.36, 35.92

 

CMYK 0 / 49 / 87 / 63

HEX #5E300C

RGB 94 48 12

HSL 26.34, 0.77%, 0.21%

LAB 25.32, 18.05, 30.53

 

CMYK 0 / 72 / 87 / 63

HEX #5E1A0C

RGB 94 26 12

HSL 10.24, 0.77%, 0.21%

LAB 20.62, 30.17, 25.69

 

CMYK 0 / 87 / 87 / 63

HEX #5E0C0C

RGB 94 12 12

HSL 0, 0.77%, 0.21%

LAB 18.67, 35.57, 23.47

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 21 / 0 / 87 / 63

HEX #4A5E0C

RGB 74 94 12

HSL 74.63, 0.77%, 0.21%

LAB 36.91, -19.54, 40.12

 

CMYK 45 / 0 / 87 / 63

HEX #345E0C

RGB 52 94 12

HSL 90.73, 0.77%, 0.21%

LAB 35.52, -28.86, 38.36

 

CMYK 68 / 0 / 87 / 63

HEX #1E5E0C

RGB 30 94 12

HSL 106.83, 0.77%, 0.21%

LAB 34.62, -35.9, 37.2

 

CMYK 87 / 0 / 83 / 63

HEX #0C5E10

RGB 12 94 16

HSL 122.93, 0.77%, 0.21%

LAB 34.23, -39.09, 35.34

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 2 / 97 / 60

HEX #676503

RGB 103 101 3

HSL 58.8, 0.94%, 0.21%

LAB 41.53, -9.87, 47.32

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 2 / 77 / 66

HEX #565414

RGB 86 84 20

HSL 58.18, 0.62%, 0.21%

LAB 34.74, -7.8, 35.6

 

CMYK 0 / 1 / 62 / 70

HEX #4D4C1D

RGB 77 76 29

HSL 58.75, 0.45%, 0.21%

LAB 31.43, -6.83, 27.53

 

CMYK 0 / 0 / 44 / 73

HEX #444426

RGB 68 68 38

HSL 60, 0.28%, 0.21%

LAB 28.12, -5.36, 18.17

 

CMYK 0 / 2 / 23 / 76

HEX #3C3B2E

RGB 60 59 46

HSL 55.71, 0.13%, 0.21%

LAB 24.59, -2.22, 8.24

 

CMYK 0 / 49 / 87 / 63

HEX #5E300C

RGB 94 48 12

HSL 26.34, 0.77%, 0.21%

LAB 25.32, 18.05, 30.53

 

CMYK 0 / 26 / 87 / 63

HEX #5E460C

RGB 94 70 12

HSL 42.44, 0.77%, 0.21%

LAB 31.32, 4.36, 35.92

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 20 / 0 / 87 / 63

HEX #4B5E0C

RGB 75 94 12

HSL 73.9, 0.77%, 0.21%

LAB 36.98, -19.08, 40.22

 

CMYK 44 / 0 / 87 / 63

HEX #355E0C

RGB 53 94 12

HSL 90, 0.77%, 0.21%

LAB 35.57, -28.47, 38.43

 

CMYK 0 / 0 / 90 / 92

HEX #151502

RGB 21 21 2

HSL 60, 0.83%, 0.05%

LAB 6.32, -3.16, 8.59

 

CMYK 0 / 2 / 88 / 77

HEX #3A3907

RGB 58 57 7

HSL 58.82, 0.78%, 0.13%

LAB 23.14, -6.48, 28.86

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 0 / 2 / 87 / 49

HEX #838011

RGB 131 128 17

HSL 58.42, 0.77%, 0.29%

LAB 52.18, -11.17, 53.69

 

CMYK 0 / 2 / 87 / 35

HEX #A7A415

RGB 167 164 21

HSL 58.77, 0.78%, 0.37%

LAB 65.61, -13.82, 65.09

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 87 / 0 / 72 / 63

HEX #0C5E1A

RGB 12 94 26

HSL 130.24, 0.77%, 0.21%

LAB 34.31, -38.13, 31.27

 

CMYK 37 / 87 / 0 / 63

HEX #3B0C5E

RGB 59 12 94

HSL 274.39, 0.77%, 0.21%

LAB 15.49, 37.53, -38.19

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 87 / 0 / 2 / 63

HEX #0C5E5C

RGB 12 94 92

HSL 178.54, 0.77%, 0.21%

LAB 35.71, -22.84, -5.43

 

CMYK 2 / 87 / 0 / 63

HEX #5C0C5E

RGB 92 12 94

HSL 298.54, 0.77%, 0.21%

LAB 21.38, 44.03, -28.39

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 87 / 0 / 72 / 63

HEX #0C5E1A

RGB 12 94 26

HSL 130.24, 0.77%, 0.21%

LAB 34.31, -38.13, 31.27

 

CMYK 87 / 84 / 0 / 63

HEX #0C0F5E

RGB 12 15 94

HSL 237.8, 0.77%, 0.21%

LAB 10.76, 30.16, -46.16

 

CMYK 0 / 87 / 14 / 63

HEX #5E0C51

RGB 94 12 81

HSL 309.51, 0.77%, 0.21%

LAB 20.97, 42.28, -20.31

 

CMYK 0 / 2 / 87 / 63

HEX #5E5C0C

RGB 94 92 12

HSL 58.54, 0.77%, 0.21%

LAB 37.95, -8.87, 41.68

 

CMYK 87 / 0 / 47 / 63

HEX #0C5E32

RGB 12 94 50

HSL 147.8, 0.77%, 0.21%

LAB 34.63, -34.31, 18.8

 

CMYK 87 / 84 / 0 / 63

HEX #0C0F5E

RGB 12 15 94

HSL 237.8, 0.77%, 0.21%

LAB 10.76, 30.16, -46.16

 

CMYK 0 / 87 / 40 / 63

HEX #5E0C38

RGB 94 12 56

HSL 327.8, 0.77%, 0.21%

LAB 19.75, 38.83, -4.95

 

Description

Color code: HEX #5E5C0C | qconv.com Color code: HEX #5E5C0C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 87 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 87% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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