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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E65A1 it is the complementary color #A19A5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E65A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E65A1 shade: #63659C, #7477AF, #8589C2, #969BD5 and #A7ADE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E65A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E65A1 shade: #5E65A1, #4D538E, #3C417B, #2B2F68 and #1A1D55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E65A1 shade: #5E65A0, #695EA0, #7B5EA0, #8D5EA0 and #9E5EA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E65A1 shade: #5E65A0 and #5E5EA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E65A1 shade matches the following richer shades: #5E65A0, #4954B5, #3544C9, #2034DE and #0B24F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E65A1 shade: #5E65A0, #72758C, #878577, #9C9662 and #B0A64E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E65A1 shade: #5E89A0, #5E77A0, #5E66A0, #685EA0 and #795EA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E65A1 shade: #3F446C, #4F5486, #5E65A0, #787EAF and #9297BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E65A1 shade: #5E65A1, #A05E9B and #80A05E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E65A1 shade: #5E65A1, #A05E66 and #66A05E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E65A1 shade: #5E65A1, #A05E9B, #A0985E and #5EA063

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E65A1 shade: #5E65A1, #A05E87, #A0985E and #5EA077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

Complementary color

CMYK 0 / 4 / 42 / 37

HEX #A19A5E

RGB 161 154 94

HSL 53.73, 0.26%, 0.5%

LAB 62.92, -6.42, 32.37

 

CMYK 37 / 35 / 0 / 39

HEX #63659C

RGB 99 101 156

HSL 237.89, 0.22%, 0.5%

LAB 44.75, 13.09, -30.14

 

CMYK 34 / 32 / 0 / 31

HEX #7477AF

RGB 116 119 175

HSL 236.95, 0.27%, 0.57%

LAB 51.84, 12.42, -30.09

 

CMYK 31 / 29 / 0 / 24

HEX #8589C2

RGB 133 137 194

HSL 236.07, 0.33%, 0.64%

LAB 58.76, 11.84, -30.1

 

CMYK 30 / 27 / 0 / 16

HEX #969BD5

RGB 150 155 213

HSL 235.24, 0.43%, 0.71%

LAB 65.54, 11.34, -30.15

 

CMYK 28 / 25 / 0 / 9

HEX #A7ADE8

RGB 167 173 232

HSL 234.46, 0.59%, 0.78%

LAB 72.18, 10.89, -30.24

 

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

CMYK 46 / 42 / 0 / 44

HEX #4D538E

RGB 77 83 142

HSL 234.46, 0.3%, 0.43%

LAB 37.33, 14.06, -33.52

 

CMYK 51 / 47 / 0 / 52

HEX #3C417B

RGB 60 65 123

HSL 235.24, 0.34%, 0.36%

LAB 29.84, 15.23, -33.78

 

CMYK 59 / 55 / 0 / 59

HEX #2B2F68

RGB 43 47 104

HSL 236.07, 0.41%, 0.29%

LAB 22.11, 16.77, -34.13

 

CMYK 69 / 66 / 0 / 67

HEX #1A1D55

RGB 26 29 85

HSL 236.95, 0.53%, 0.22%

LAB 14.14, 18.88, -34.51

 

CMYK 41 / 37 / 0 / 37

HEX #5E65A0

RGB 94 101 160

HSL 233.64, 0.26%, 0.5%

LAB 44.55, 12.84, -32.84

 

CMYK 34 / 41 / 0 / 37

HEX #695EA0

RGB 105 94 160

HSL 250, 0.26%, 0.5%

LAB 43.58, 20.28, -34.31

 

CMYK 23 / 41 / 0 / 37

HEX #7B5EA0

RGB 123 94 160

HSL 266.36, 0.26%, 0.5%

LAB 45.3, 25.64, -31.49

 

CMYK 12 / 41 / 0 / 37

HEX #8D5EA0

RGB 141 94 160

HSL 282.73, 0.26%, 0.5%

LAB 47.24, 31.25, -28.3

 

CMYK 1 / 41 / 0 / 37

HEX #9E5EA0

RGB 158 94 160

HSL 298.18, 0.26%, 0.5%

LAB 49.27, 36.66, -25

 

CMYK 41 / 37 / 0 / 37

HEX #5E65A0

RGB 94 101 160

HSL 233.64, 0.26%, 0.5%

LAB 44.55, 12.84, -32.84

 

CMYK 41 / 41 / 0 / 37

HEX #5E5EA0

RGB 94 94 160

HSL 240, 0.26%, 0.5%

LAB 42.65, 17.2, -35.84

 

CMYK 41 / 37 / 0 / 37

HEX #5E65A0

RGB 94 101 160

HSL 233.64, 0.26%, 0.5%

LAB 44.55, 12.84, -32.84

 

CMYK 60 / 54 / 0 / 29

HEX #4954B5

RGB 73 84 181

HSL 233.89, 0.43%, 0.5%

LAB 39.74, 25.43, -52.99

 

CMYK 74 / 66 / 0 / 21

HEX #3544C9

RGB 53 68 201

HSL 233.92, 0.58%, 0.5%

LAB 36.19, 39.58, -70.52

 

CMYK 86 / 77 / 0 / 13

HEX #2034DE

RGB 32 52 222

HSL 233.68, 0.75%, 0.5%

LAB 34.06, 54.48, -86.2

 

CMYK 95 / 85 / 0 / 5

HEX #0B24F3

RGB 11 36 243

HSL 233.53, 0.91%, 0.5%

LAB 33.57, 67.75, -98.98

 

CMYK 41 / 37 / 0 / 37

HEX #5E65A0

RGB 94 101 160

HSL 233.64, 0.26%, 0.5%

LAB 44.55, 12.84, -32.84

 

CMYK 19 / 16 / 0 / 45

HEX #72758C

RGB 114 117 140

HSL 233.08, 0.1%, 0.5%

LAB 49.73, 4, -12.9

 

CMYK 0 / 1 / 12 / 47

HEX #878577

RGB 135 133 119

HSL 52.5, 0.06%, 0.5%

LAB 55.34, -1.85, 7.81

 

CMYK 0 / 4 / 37 / 39

HEX #9C9662

RGB 156 150 98

HSL 53.79, 0.23%, 0.5%

LAB 61.45, -5.87, 28.24

 

CMYK 0 / 6 / 56 / 31

HEX #B0A64E

RGB 176 166 78

HSL 53.88, 0.39%, 0.5%

LAB 67.32, -8, 46.12

 

CMYK 41 / 14 / 0 / 37

HEX #5E89A0

RGB 94 137 160

HSL 200.91, 0.26%, 0.5%

LAB 54.88, -8.56, -16.88

 

CMYK 41 / 26 / 0 / 37

HEX #5E77A0

RGB 94 119 160

HSL 217.27, 0.26%, 0.5%

LAB 49.63, 1.87, -24.92

 

CMYK 41 / 36 / 0 / 37

HEX #5E66A0

RGB 94 102 160

HSL 232.73, 0.26%, 0.5%

LAB 44.83, 12.22, -32.4

 

CMYK 35 / 41 / 0 / 37

HEX #685EA0

RGB 104 94 160

HSL 249.09, 0.26%, 0.5%

LAB 43.49, 19.99, -34.46

 

CMYK 24 / 41 / 0 / 37

HEX #795EA0

RGB 121 94 160

HSL 264.55, 0.26%, 0.5%

LAB 45.09, 25.03, -31.82

 

CMYK 42 / 37 / 0 / 58

HEX #3F446C

RGB 63 68 108

HSL 233.33, 0.26%, 0.34%

LAB 30.09, 9.13, -23.91

 

CMYK 41 / 37 / 0 / 47

HEX #4F5486

RGB 79 84 134

HSL 234.55, 0.26%, 0.42%

LAB 37.34, 11.48, -28.62

 

CMYK 41 / 37 / 0 / 37

HEX #5E65A0

RGB 94 101 160

HSL 233.64, 0.26%, 0.5%

LAB 44.55, 12.84, -32.84

 

CMYK 31 / 28 / 0 / 31

HEX #787EAF

RGB 120 126 175

HSL 233.45, 0.26%, 0.58%

LAB 54.04, 9.44, -26.66

 

CMYK 24 / 21 / 0 / 25

HEX #9297BF

RGB 146 151 191

HSL 233.33, 0.26%, 0.66%

LAB 63.35, 6.99, -21.27

 

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

CMYK 0 / 41 / 3 / 37

HEX #A05E9B

RGB 160 94 155

HSL 304.55, 0.26%, 0.5%

LAB 49.31, 36.35, -21.97

 

CMYK 20 / 0 / 41 / 37

HEX #80A05E

RGB 128 160 94

HSL 89.09, 0.26%, 0.5%

LAB 62.12, -22.92, 30.83

 

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

CMYK 0 / 41 / 36 / 37

HEX #A05E66

RGB 160 94 102

HSL 352.73, 0.26%, 0.5%

LAB 47.54, 27.88, 7.09

 

CMYK 36 / 0 / 41 / 37

HEX #66A05E

RGB 102 160 94

HSL 112.73, 0.26%, 0.5%

LAB 60.58, -32.35, 28.55

 

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

CMYK 0 / 41 / 3 / 37

HEX #A05E9B

RGB 160 94 155

HSL 304.55, 0.26%, 0.5%

LAB 49.31, 36.35, -21.97

 

CMYK 0 / 5 / 41 / 37

HEX #A0985E

RGB 160 152 94

HSL 52.73, 0.26%, 0.5%

LAB 62.29, -5.76, 31.54

 

CMYK 41 / 0 / 38 / 37

HEX #5EA063

RGB 94 160 99

HSL 124.55, 0.26%, 0.5%

LAB 60.27, -34.15, 25.38

 

CMYK 42 / 37 / 0 / 37

HEX #5E65A1

RGB 94 101 161

HSL 233.73, 0.26%, 0.5%

LAB 44.6, 13.13, -33.35

 

CMYK 0 / 41 / 16 / 37

HEX #A05E87

RGB 160 94 135

HSL 322.73, 0.26%, 0.5%

LAB 48.55, 32.79, -11.25

 

CMYK 0 / 5 / 41 / 37

HEX #A0985E

RGB 160 152 94

HSL 52.73, 0.26%, 0.5%

LAB 62.29, -5.76, 31.54

 

CMYK 41 / 0 / 26 / 37

HEX #5EA077

RGB 94 160 119

HSL 142.73, 0.26%, 0.5%

LAB 60.65, -30.46, 14.9

 

Description

Color code: HEX #5E65A1 | qconv.com Color code: HEX #5E65A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 101 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 101 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 37 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 37% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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