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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E662B it is the complementary color #A199D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E662B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E662B shade: #636626, #747839, #858A4C, #969C5F and #A7AE72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E662B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E662B shade: #5E662B, #4D5418, #3C4205, #2B3000 and #1A1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E662B shade: #5C642A, #645C2A, #644D2A, #643D2A and #642D2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E662B shade: #5C642A, #4C642A, #3D642A, #2D642A and #2A6436

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E662B shade matches the following richer shades: #5C642A, #65701E, #6D7B13 and #758707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E662B shade: #5C642A, #545935, #4B4D41, #43424C and #3B3658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E662B shade: #644D2A, #645C2A, #5C642A, #4D642A and #3D642A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E662B shade: #272A11, #41471D, #5C642A, #778136 and #929E42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E662B shade: #5E662B, #2A643D and #552A64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E662B shade: #5E662B, #2A5C64 and #642A5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E662B shade: #5E662B, #2A643D, #312A64 and #642A51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E662B shade: #5E662B, #2A644F, #312A64 and #642A3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

Complementary color

CMYK 24 / 28 / 0 / 17

HEX #A199D4

RGB 161 153 212

HSL 248.14, 0.41%, 0.72%

LAB 65.84, 15.51, -29.07

 

CMYK 3 / 0 / 63 / 60

HEX #636626

RGB 99 102 38

HSL 62.81, 0.46%, 0.27%

LAB 41.68, -10.66, 34.86

 

CMYK 3 / 0 / 53 / 53

HEX #747839

RGB 116 120 57

HSL 63.81, 0.36%, 0.35%

LAB 48.81, -11.23, 33.72

 

CMYK 4 / 0 / 45 / 46

HEX #858A4C

RGB 133 138 76

HSL 64.84, 0.29%, 0.42%

LAB 55.77, -11.64, 32.46

 

CMYK 4 / 0 / 39 / 39

HEX #969C5F

RGB 150 156 95

HSL 65.9, 0.24%, 0.49%

LAB 62.58, -11.94, 31.22

 

CMYK 4 / 0 / 34 / 32

HEX #A7AE72

RGB 167 174 114

HSL 67, 0.27%, 0.56%

LAB 69.26, -12.17, 30.02

 

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

CMYK 8 / 0 / 71 / 67

HEX #4D5418

RGB 77 84 24

HSL 67, 0.56%, 0.21%

LAB 33.95, -11.93, 32.76

 

CMYK 9 / 0 / 92 / 74

HEX #3C4205

RGB 60 66 5

HSL 65.9, 0.86%, 0.14%

LAB 26.36, -11.01, 32.84

 

CMYK 10 / 0 / 100 / 81

HEX #2B3000

RGB 43 48 0

HSL 66.25, 1%, 0.09%

LAB 18.49, -9.39, 26.17

 

CMYK 13 / 0 / 100 / 88

HEX #1A1E00

RGB 26 30 0

HSL 68, 1%, 0.06%

LAB 10.17, -7.4, 15.03

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 0 / 8 / 58 / 61

HEX #645C2A

RGB 100 92 42

HSL 51.72, 0.41%, 0.28%

LAB 38.78, -4.07, 29.54

 

CMYK 0 / 23 / 58 / 61

HEX #644D2A

RGB 100 77 42

HSL 36.21, 0.41%, 0.28%

LAB 34.36, 4.99, 24.28

 

CMYK 0 / 39 / 58 / 61

HEX #643D2A

RGB 100 61 42

HSL 19.66, 0.41%, 0.28%

LAB 29.95, 14.9, 18.79

 

CMYK 0 / 55 / 58 / 61

HEX #642D2A

RGB 100 45 42

HSL 3.1, 0.41%, 0.28%

LAB 26.02, 24.52, 13.7

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 24 / 0 / 58 / 61

HEX #4C642A

RGB 76 100 42

HSL 84.83, 0.41%, 0.28%

LAB 39.27, -19.53, 29.6

 

CMYK 39 / 0 / 58 / 61

HEX #3D642A

RGB 61 100 42

HSL 100.34, 0.41%, 0.28%

LAB 38.33, -25.6, 28.26

 

CMYK 55 / 0 / 58 / 61

HEX #2D642A

RGB 45 100 42

HSL 116.9, 0.41%, 0.28%

LAB 37.55, -31.11, 27.14

 

CMYK 58 / 0 / 46 / 61

HEX #2A6436

RGB 42 100 54

HSL 132.41, 0.41%, 0.28%

LAB 37.61, -30.06, 20.48

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 10 / 0 / 73 / 56

HEX #65701E

RGB 101 112 30

HSL 68.05, 0.58%, 0.28%

LAB 44.87, -15.82, 41.87

 

CMYK 11 / 0 / 85 / 52

HEX #6D7B13

RGB 109 123 19

HSL 68.08, 0.73%, 0.28%

LAB 48.84, -18.56, 49.59

 

CMYK 13 / 0 / 95 / 47

HEX #758707

RGB 117 135 7

HSL 68.44, 0.9%, 0.28%

LAB 53.09, -21.49, 55.93

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 6 / 0 / 40 / 65

HEX #545935

RGB 84 89 53

HSL 68.33, 0.25%, 0.28%

LAB 36.53, -8.48, 20.18

 

CMYK 3 / 0 / 16 / 70

HEX #4B4D41

RGB 75 77 65

HSL 70, 0.08%, 0.28%

LAB 32.22, -3.3, 6.85

 

CMYK 12 / 13 / 0 / 70

HEX #43424C

RGB 67 66 76

HSL 246, 0.07%, 0.28%

LAB 28.41, 2.76, -5.88

 

CMYK 33 / 39 / 0 / 65

HEX #3B3658

RGB 59 54 88

HSL 248.82, 0.24%, 0.28%

LAB 24.55, 11.09, -19.71

 

CMYK 0 / 23 / 58 / 61

HEX #644D2A

RGB 100 77 42

HSL 36.21, 0.41%, 0.28%

LAB 34.36, 4.99, 24.28

 

CMYK 0 / 8 / 58 / 61

HEX #645C2A

RGB 100 92 42

HSL 51.72, 0.41%, 0.28%

LAB 38.78, -4.07, 29.54

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 23 / 0 / 58 / 61

HEX #4D642A

RGB 77 100 42

HSL 83.79, 0.41%, 0.28%

LAB 39.34, -19.1, 29.7

 

CMYK 39 / 0 / 58 / 61

HEX #3D642A

RGB 61 100 42

HSL 100.34, 0.41%, 0.28%

LAB 38.33, -25.6, 28.26

 

CMYK 7 / 0 / 60 / 84

HEX #272A11

RGB 39 42 17

HSL 67.2, 0.42%, 0.12%

LAB 16.14, -6.12, 15.71

 

CMYK 8 / 0 / 59 / 72

HEX #41471D

RGB 65 71 29

HSL 68.57, 0.42%, 0.2%

LAB 28.69, -9.7, 24.1

 

CMYK 8 / 0 / 58 / 61

HEX #5C642A

RGB 92 100 42

HSL 68.28, 0.41%, 0.28%

LAB 40.5, -12.42, 31.34

 

CMYK 8 / 0 / 58 / 49

HEX #778136

RGB 119 129 54

HSL 68, 0.41%, 0.36%

LAB 51.71, -15.07, 38.66

 

CMYK 8 / 0 / 58 / 38

HEX #929E42

RGB 146 158 66

HSL 67.83, 0.41%, 0.44%

LAB 62.47, -17.61, 45.64

 

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

CMYK 58 / 0 / 39 / 61

HEX #2A643D

RGB 42 100 61

HSL 139.66, 0.41%, 0.28%

LAB 37.74, -28.71, 16.55

 

CMYK 15 / 58 / 0 / 61

HEX #552A64

RGB 85 42 100

HSL 284.48, 0.41%, 0.28%

LAB 25.28, 30.38, -26.19

 

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

CMYK 58 / 8 / 0 / 61

HEX #2A5C64

RGB 42 92 100

HSL 188.28, 0.41%, 0.28%

LAB 36.11, -14.22, -9.72

 

CMYK 0 / 58 / 8 / 61

HEX #642A5C

RGB 100 42 92

HSL 308.28, 0.41%, 0.28%

LAB 27.12, 33.38, -17.93

 

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

CMYK 58 / 0 / 39 / 61

HEX #2A643D

RGB 42 100 61

HSL 139.66, 0.41%, 0.28%

LAB 37.74, -28.71, 16.55

 

CMYK 51 / 58 / 0 / 61

HEX #312A64

RGB 49 42 100

HSL 247.24, 0.41%, 0.28%

LAB 20.94, 20.24, -33.38

 

CMYK 0 / 58 / 19 / 61

HEX #642A51

RGB 100 42 81

HSL 319.66, 0.41%, 0.28%

LAB 26.62, 31.41, -11.47

 

CMYK 8 / 0 / 58 / 60

HEX #5E662B

RGB 94 102 43

HSL 68.14, 0.41%, 0.28%

LAB 41.31, -12.52, 31.79

 

CMYK 58 / 0 / 21 / 61

HEX #2A644F

RGB 42 100 79

HSL 158.28, 0.41%, 0.28%

LAB 38.15, -24.58, 6.25

 

CMYK 51 / 58 / 0 / 61

HEX #312A64

RGB 49 42 100

HSL 247.24, 0.41%, 0.28%

LAB 20.94, 20.24, -33.38

 

CMYK 0 / 58 / 37 / 61

HEX #642A3F

RGB 100 42 63

HSL 338.28, 0.41%, 0.28%

LAB 25.93, 28.64, -0.48

 

Description

Color code: HEX #5E662B | qconv.com Color code: HEX #5E662B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 102 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 102 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 58 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 58% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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