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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E75B5 it is the complementary color #A18A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E75B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E75B5 shade: #6375B0, #7487C3, #8599D6, #96ABE9 and #A7BDFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E75B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E75B5 shade: #5E75B5, #4D63A2, #3C518F, #2B3F7C and #1A2D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E75B5 shade: #5E75B5, #5E5EB5, #765EB5, #8D5EB5 and #A45EB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E75B5 shade: #5E75B5 and #5E5EB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E75B5 shade matches the following richer shades: #5E75B5, #4B6CC8, #3863DB and #255AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E75B5 shade: #5E75B5, #717EA2, #84878F, #97907C and #AA9969

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E75B5 shade: #5EA3B5, #5E8CB5, #5E75B5, #5E5EB5 and #755EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E75B5 shade: #3C4F84, #4960A0, #5E75B5, #7A8DC2 and #96A5CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E75B5 shade: #5E75B5, #AF5EB5 and #98B55E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E75B5 shade: #5E75B5, #B55E75 and #75B55E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E75B5 shade: #5E75B5, #AF5EB5, #B59D5E and #64B55E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E75B5 shade: #5E75B5, #B55EA0, #B59D5E and #5EB572

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

Complementary color

CMYK 0 / 14 / 54 / 37

HEX #A18A4A

RGB 161 138 74

HSL 44.14, 0.37%, 0.46%

LAB 58.27, 0.32, 37.14

 

CMYK 44 / 34 / 0 / 31

HEX #6375B0

RGB 99 117 176

HSL 225.97, 0.33%, 0.54%

LAB 50.11, 9.15, -33.46

 

CMYK 41 / 31 / 0 / 24

HEX #7487C3

RGB 116 135 195

HSL 225.57, 0.4%, 0.61%

LAB 57.06, 8.49, -33.41

 

CMYK 38 / 29 / 0 / 16

HEX #8599D6

RGB 133 153 214

HSL 225.19, 0.5%, 0.68%

LAB 63.86, 7.93, -33.41

 

CMYK 36 / 27 / 0 / 9

HEX #96ABE9

RGB 150 171 233

HSL 224.82, 0.65%, 0.75%

LAB 70.52, 7.45, -33.45

 

CMYK 34 / 25 / 0 / 1

HEX #A7BDFC

RGB 167 189 252

HSL 224.47, 0.93%, 0.82%

LAB 77.06, 7.02, -33.52

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 52 / 39 / 0 / 36

HEX #4D63A2

RGB 77 99 162

HSL 224.47, 0.36%, 0.47%

LAB 42.93, 10.33, -36.66

 

CMYK 58 / 43 / 0 / 44

HEX #3C518F

RGB 60 81 143

HSL 224.82, 0.41%, 0.4%

LAB 35.65, 11.53, -36.87

 

CMYK 65 / 49 / 0 / 51

HEX #2B3F7C

RGB 43 63 124

HSL 225.19, 0.49%, 0.33%

LAB 28.18, 13.12, -37.13

 

CMYK 75 / 57 / 0 / 59

HEX #1A2D69

RGB 26 45 105

HSL 225.57, 0.6%, 0.26%

LAB 20.5, 15.32, -37.43

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 35 / 48 / 0 / 29

HEX #765EB5

RGB 118 94 181

HSL 256.55, 0.37%, 0.54%

LAB 45.9, 29.67, -42.92

 

CMYK 22 / 48 / 0 / 29

HEX #8D5EB5

RGB 141 94 181

HSL 272.41, 0.37%, 0.54%

LAB 48.27, 36.04, -39.02

 

CMYK 9 / 48 / 0 / 29

HEX #A45EB5

RGB 164 94 181

HSL 288.28, 0.37%, 0.54%

LAB 50.96, 42.69, -34.59

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 63 / 46 / 0 / 22

HEX #4B6CC8

RGB 75 108 200

HSL 224.16, 0.53%, 0.54%

LAB 47.48, 17.12, -51.57

 

CMYK 74 / 55 / 0 / 14

HEX #3863DB

RGB 56 99 219

HSL 224.17, 0.69%, 0.54%

LAB 45.47, 26.78, -65.72

 

CMYK 84 / 62 / 0 / 7

HEX #255AEE

RGB 37 90 238

HSL 224.18, 0.86%, 0.54%

LAB 44.06, 37.79, -78.8

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 30 / 22 / 0 / 36

HEX #717EA2

RGB 113 126 162

HSL 224.08, 0.21%, 0.54%

LAB 52.99, 3.88, -20.8

 

CMYK 8 / 6 / 0 / 44

HEX #84878F

RGB 132 135 143

HSL 223.64, 0.05%, 0.54%

LAB 56.3, 0.54, -4.67

 

CMYK 0 / 5 / 18 / 41

HEX #97907C

RGB 151 144 124

HSL 44.44, 0.11%, 0.54%

LAB 59.87, -0.91, 11.56

 

CMYK 0 / 10 / 38 / 33

HEX #AA9969

RGB 170 153 105

HSL 44.31, 0.28%, 0.54%

LAB 63.63, -0.85, 27.53

 

CMYK 48 / 10 / 0 / 29

HEX #5EA3B5

RGB 94 163 181

HSL 192.41, 0.37%, 0.54%

LAB 63.27, -16.88, -16.07

 

CMYK 48 / 23 / 0 / 29

HEX #5E8CB5

RGB 94 140 181

HSL 208.28, 0.37%, 0.54%

LAB 56.56, -4.2, -26.33

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 48 / 48 / 0 / 29

HEX #5E5EB5

RGB 94 94 181

HSL 240, 0.37%, 0.54%

LAB 43.83, 23.6, -46.34

 

CMYK 35 / 48 / 0 / 29

HEX #755EB5

RGB 117 94 181

HSL 255.86, 0.37%, 0.54%

LAB 45.8, 29.41, -43.08

 

CMYK 55 / 40 / 0 / 48

HEX #3C4F84

RGB 60 79 132

HSL 224.17, 0.38%, 0.38%

LAB 34.43, 9.02, -32.07

 

CMYK 54 / 40 / 0 / 37

HEX #4960A0

RGB 73 96 160

HSL 224.14, 0.37%, 0.46%

LAB 41.72, 10.63, -37.4

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 37 / 27 / 0 / 24

HEX #7A8DC2

RGB 122 141 194

HSL 224.17, 0.37%, 0.62%

LAB 59.05, 6.36, -29.72

 

CMYK 28 / 20 / 0 / 19

HEX #96A5CF

RGB 150 165 207

HSL 224.21, 0.37%, 0.7%

LAB 67.95, 4.21, -23.13

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 3 / 48 / 0 / 29

HEX #AF5EB5

RGB 175 94 181

HSL 295.86, 0.37%, 0.54%

LAB 52.35, 45.91, -32.32

 

CMYK 16 / 0 / 48 / 29

HEX #98B55E

RGB 152 181 94

HSL 80, 0.37%, 0.54%

LAB 69.85, -24.04, 40.84

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 0 / 48 / 35 / 29

HEX #B55E75

RGB 181 94 117

HSL 344.14, 0.37%, 0.54%

LAB 50.82, 37.68, 3.18

 

CMYK 35 / 0 / 48 / 29

HEX #75B55E

RGB 117 181 94

HSL 104.14, 0.37%, 0.54%

LAB 67.75, -36.93, 37.79

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 3 / 48 / 0 / 29

HEX #AF5EB5

RGB 175 94 181

HSL 295.86, 0.37%, 0.54%

LAB 52.35, 45.91, -32.32

 

CMYK 0 / 13 / 48 / 29

HEX #B59D5E

RGB 181 157 94

HSL 43.45, 0.37%, 0.54%

LAB 65.55, 0.38, 36.06

 

CMYK 45 / 0 / 48 / 29

HEX #64B55E

RGB 100 181 94

HSL 115.86, 0.37%, 0.54%

LAB 66.95, -42.39, 36.62

 

CMYK 48 / 35 / 0 / 29

HEX #5E75B5

RGB 94 117 181

HSL 224.14, 0.37%, 0.54%

LAB 50.02, 9.39, -36.52

 

CMYK 0 / 48 / 12 / 29

HEX #B55EA0

RGB 181 94 160

HSL 314.48, 0.37%, 0.54%

LAB 52.25, 43.98, -20.16

 

CMYK 0 / 13 / 48 / 29

HEX #B59D5E

RGB 181 157 94

HSL 43.45, 0.37%, 0.54%

LAB 65.55, 0.38, 36.06

 

CMYK 48 / 0 / 37 / 29

HEX #5EB572

RGB 94 181 114

HSL 133.79, 0.37%, 0.54%

LAB 67.01, -40.99, 26.26

 

Description

Color code: HEX #5E75B5 | qconv.com Color code: HEX #5E75B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 117 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 117 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 35 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 35% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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