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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E78AE it is the complementary color #A18751. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E78AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E78AE shade: #6378A9, #748ABC, #859CCF, #96AEE2 and #A7C0F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E78AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E78AE shade: #5E78AE, #4D669B, #3C5488, #2B4275 and #1A3062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E78AE shade: #5F79AE, #5F63AE, #705FAE, #855FAE and #9B5FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E78AE shade: #5F79AE, #5F63AE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E78AE shade matches the following richer shades: #5F79AE, #4C72C2, #386BD5, #2564E8 and #125EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E78AE shade: #5F79AE, #72809B, #868687, #998D74 and #AD9461

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E78AE shade: #5FA4AE, #5F8FAE, #5F79AE, #5F64AE and #6F5FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E78AE shade: #3E537C, #4C6598, #5F79AE, #7B90BC and #96A7CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E78AE shade: #5E78AE, #A45FAE and #99AE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E78AE shade: #5E78AE, #AE5F79 and #79AE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E78AE shade: #5E78AE, #A45FAE, #AE945F and #6AAE5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E78AE shade: #5E78AE, #AE5FA1, #AE945F and #5FAE6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

Complementary color

CMYK 0 / 16 / 50 / 37

HEX #A18751

RGB 161 135 81

HSL 40.5, 0.33%, 0.47%

LAB 57.56, 2.64, 32.57

 

CMYK 41 / 29 / 0 / 34

HEX #6378A9

RGB 99 120 169

HSL 222, 0.29%, 0.53%

LAB 50.63, 5.28, -28.59

 

CMYK 38 / 27 / 0 / 26

HEX #748ABC

RGB 116 138 188

HSL 221.67, 0.35%, 0.6%

LAB 57.58, 4.77, -28.63

 

CMYK 36 / 25 / 0 / 19

HEX #859CCF

RGB 133 156 207

HSL 221.35, 0.44%, 0.67%

LAB 64.38, 4.34, -28.71

 

CMYK 34 / 23 / 0 / 11

HEX #96AEE2

RGB 150 174 226

HSL 221.05, 0.57%, 0.74%

LAB 71.04, 3.96, -28.82

 

CMYK 32 / 22 / 0 / 4

HEX #A7C0F5

RGB 167 192 245

HSL 220.77, 0.8%, 0.81%

LAB 77.58, 3.63, -28.96

 

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

CMYK 50 / 34 / 0 / 39

HEX #4D669B

RGB 77 102 155

HSL 220.77, 0.34%, 0.45%

LAB 43.43, 6.18, -31.72

 

CMYK 56 / 38 / 0 / 47

HEX #3C5488

RGB 60 84 136

HSL 221.05, 0.39%, 0.38%

LAB 36.14, 7.14, -31.83

 

CMYK 63 / 44 / 0 / 54

HEX #2B4275

RGB 43 66 117

HSL 221.35, 0.46%, 0.31%

LAB 28.63, 8.43, -32.01

 

CMYK 73 / 51 / 0 / 62

HEX #1A3062

RGB 26 48 98

HSL 221.67, 0.58%, 0.24%

LAB 20.89, 10.27, -32.24

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 45 / 43 / 0 / 32

HEX #5F63AE

RGB 95 99 174

HSL 236.96, 0.33%, 0.53%

LAB 44.82, 18.57, -40.66

 

CMYK 36 / 45 / 0 / 32

HEX #705FAE

RGB 112 95 174

HSL 252.91, 0.33%, 0.53%

LAB 45.2, 25.53, -39.97

 

CMYK 24 / 45 / 0 / 32

HEX #855FAE

RGB 133 95 174

HSL 268.86, 0.33%, 0.53%

LAB 47.27, 31.48, -36.56

 

CMYK 11 / 45 / 0 / 32

HEX #9B5FAE

RGB 155 95 174

HSL 285.57, 0.33%, 0.53%

LAB 49.75, 38.02, -32.49

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 45 / 43 / 0 / 32

HEX #5F63AE

RGB 95 99 174

HSL 236.96, 0.33%, 0.53%

LAB 44.82, 18.57, -40.66

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 61 / 41 / 0 / 24

HEX #4C72C2

RGB 76 114 194

HSL 220.68, 0.49%, 0.53%

LAB 48.84, 11.5, -45.95

 

CMYK 74 / 50 / 0 / 16

HEX #386BD5

RGB 56 107 213

HSL 220.51, 0.65%, 0.53%

LAB 47.18, 19.49, -59.53

 

CMYK 84 / 57 / 0 / 9

HEX #2564E8

RGB 37 100 232

HSL 220.62, 0.81%, 0.53%

LAB 46.09, 29.21, -72.1

 

CMYK 93 / 63 / 0 / 1

HEX #125EFC

RGB 18 94 252

HSL 220.51, 0.98%, 0.53%

LAB 45.86, 39.55, -83.7

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 26 / 17 / 0 / 39

HEX #72809B

RGB 114 128 155

HSL 219.51, 0.17%, 0.53%

LAB 53.37, 1.23, -16.16

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 0 / 8 / 24 / 40

HEX #998D74

RGB 153 141 116

HSL 40.54, 0.15%, 0.53%

LAB 59.05, 0.3, 14.97

 

CMYK 0 / 14 / 44 / 32

HEX #AD9461

RGB 173 148 97

HSL 40.26, 0.32%, 0.53%

LAB 62.45, 2.23, 30.38

 

CMYK 45 / 6 / 0 / 32

HEX #5FA4AE

RGB 95 164 174

HSL 187.59, 0.33%, 0.53%

LAB 63.38, -19.09, -11.99

 

CMYK 45 / 18 / 0 / 32

HEX #5F8FAE

RGB 95 143 174

HSL 203.54, 0.33%, 0.53%

LAB 57.21, -7.7, -21.34

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 45 / 43 / 0 / 32

HEX #5F64AE

RGB 95 100 174

HSL 236.2, 0.33%, 0.53%

LAB 45.09, 17.95, -40.23

 

CMYK 36 / 45 / 0 / 32

HEX #6F5FAE

RGB 111 95 174

HSL 252.15, 0.33%, 0.53%

LAB 45.11, 25.25, -40.11

 

CMYK 50 / 33 / 0 / 51

HEX #3E537C

RGB 62 83 124

HSL 219.68, 0.33%, 0.36%

LAB 35.33, 4.23, -25.72

 

CMYK 50 / 34 / 0 / 40

HEX #4C6598

RGB 76 101 152

HSL 220.26, 0.33%, 0.45%

LAB 42.93, 5.58, -30.72

 

CMYK 45 / 30 / 0 / 32

HEX #5F79AE

RGB 95 121 174

HSL 220.25, 0.33%, 0.53%

LAB 50.88, 5.09, -31.12

 

CMYK 35 / 23 / 0 / 26

HEX #7B90BC

RGB 123 144 188

HSL 220.62, 0.33%, 0.61%

LAB 59.7, 3.29, -25.32

 

CMYK 26 / 17 / 0 / 21

HEX #96A7CA

RGB 150 167 202

HSL 220.38, 0.33%, 0.69%

LAB 68.3, 1.89, -19.82

 

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

CMYK 6 / 45 / 0 / 32

HEX #A45FAE

RGB 164 95 174

HSL 292.41, 0.33%, 0.53%

LAB 50.84, 40.74, -30.7

 

CMYK 12 / 0 / 45 / 32

HEX #99AE5F

RGB 153 174 95

HSL 75.95, 0.33%, 0.53%

LAB 67.93, -20.04, 37.99

 

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

CMYK 0 / 45 / 30 / 32

HEX #AE5F79

RGB 174 95 121

HSL 340.25, 0.33%, 0.53%

LAB 50.17, 35.13, -0.27

 

CMYK 30 / 0 / 45 / 32

HEX #79AE5F

RGB 121 174 95

HSL 100.25, 0.33%, 0.53%

LAB 65.88, -32.18, 34.99

 

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

CMYK 6 / 45 / 0 / 32

HEX #A45FAE

RGB 164 95 174

HSL 292.41, 0.33%, 0.53%

LAB 50.84, 40.74, -30.7

 

CMYK 0 / 15 / 45 / 32

HEX #AE945F

RGB 174 148 95

HSL 40.25, 0.33%, 0.53%

LAB 62.51, 2.44, 31.56

 

CMYK 39 / 0 / 45 / 32

HEX #6AAE5F

RGB 106 174 95

HSL 111.65, 0.33%, 0.53%

LAB 65.09, -37.3, 33.83

 

CMYK 46 / 31 / 0 / 32

HEX #5E78AE

RGB 94 120 174

HSL 220.5, 0.33%, 0.53%

LAB 50.53, 5.43, -31.66

 

CMYK 0 / 45 / 7 / 32

HEX #AE5FA1

RGB 174 95 161

HSL 309.87, 0.33%, 0.53%

LAB 51.56, 41.41, -21.89

 

CMYK 0 / 15 / 45 / 32

HEX #AE945F

RGB 174 148 95

HSL 40.25, 0.33%, 0.53%

LAB 62.51, 2.44, 31.56

 

CMYK 45 / 0 / 38 / 32

HEX #5FAE6C

RGB 95 174 108

HSL 129.87, 0.33%, 0.53%

LAB 64.79, -38.66, 26.53

 

Description

Color code: HEX #5E78AE | qconv.com Color code: HEX #5E78AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 120 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 120 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 31 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 31% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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