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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7BA9 it is the complementary color #A18456. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7BA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7BA9 shade: #637BA4, #748DB7, #859FCA, #96B1DD and #A7C3F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7BA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7BA9 shade: #5E7BA9, #4D6996, #3C5783, #2B4570 and #1A335D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7BA9 shade: #5F7CA9, #5F68A9, #6B5FA9, #7E5FA9 and #925FA9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7BA9 shade: #5F7CA9, #5F68A9 and #5F5FA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7BA9 shade matches the following richer shades: #5F7CA9, #4C77BD, #3873D0, #246EE4 and #106AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7BA9 shade: #5F7CA9, #738095, #878581, #9B896D and #AF8E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7BA9 shade: #5FA4A9, #5F90A9, #5F7DA9, #5F69A9 and #695FA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7BA9 shade: #3F5576, #4E6891, #5F7CA9, #7A92B7 and #95A8C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7BA9 shade: #5E7BA9, #9A5FA9 and #9AA95F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7BA9 shade: #5E7BA9, #A95F7D and #7DA95F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7BA9 shade: #5E7BA9, #9A5FA9, #A98B5F and #6EA95F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7BA9 shade: #5E7BA9, #A95FA1, #A98B5F and #5FA967

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

Complementary color

CMYK 0 / 18 / 47 / 37

HEX #A18456

RGB 161 132 86

HSL 36.8, 0.3%, 0.48%

LAB 56.83, 4.83, 28.93

 

CMYK 40 / 25 / 0 / 36

HEX #637BA4

RGB 99 123 164

HSL 217.85, 0.26%, 0.52%

LAB 51.27, 2.05, -24.7

 

CMYK 37 / 23 / 0 / 28

HEX #748DB7

RGB 116 141 183

HSL 217.61, 0.32%, 0.59%

LAB 58.21, 1.66, -24.82

 

CMYK 34 / 21 / 0 / 21

HEX #859FCA

RGB 133 159 202

HSL 217.39, 0.39%, 0.66%

LAB 65, 1.33, -24.97

 

CMYK 32 / 20 / 0 / 13

HEX #96B1DD

RGB 150 177 221

HSL 217.18, 0.51%, 0.73%

LAB 71.66, 1.04, -25.15

 

CMYK 30 / 19 / 0 / 6

HEX #A7C3F0

RGB 167 195 240

HSL 216.99, 0.71%, 0.8%

LAB 78.19, 0.78, -25.35

 

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

CMYK 49 / 30 / 0 / 41

HEX #4D6996

RGB 77 105 150

HSL 216.99, 0.32%, 0.45%

LAB 44.06, 2.73, -27.75

 

CMYK 54 / 34 / 0 / 49

HEX #3C5783

RGB 60 87 131

HSL 217.18, 0.37%, 0.37%

LAB 36.77, 3.5, -27.77

 

CMYK 62 / 38 / 0 / 56

HEX #2B4570

RGB 43 69 112

HSL 217.39, 0.45%, 0.3%

LAB 29.26, 4.54, -27.85

 

CMYK 72 / 45 / 0 / 64

HEX #1A335D

RGB 26 51 93

HSL 217.61, 0.56%, 0.23%

LAB 21.5, 6.07, -27.98

 

CMYK 44 / 27 / 0 / 34

HEX #5F7CA9

RGB 95 124 169

HSL 216.49, 0.3%, 0.52%

LAB 51.51, 1.81, -27.24

 

CMYK 44 / 38 / 0 / 34

HEX #5F68A9

RGB 95 104 169

HSL 232.7, 0.3%, 0.52%

LAB 45.9, 13.95, -36.01

 

CMYK 37 / 44 / 0 / 34

HEX #6B5FA9

RGB 107 95 169

HSL 249.73, 0.3%, 0.52%

LAB 44.48, 22.75, -38.19

 

CMYK 25 / 44 / 0 / 34

HEX #7E5FA9

RGB 126 95 169

HSL 265.14, 0.3%, 0.52%

LAB 46.29, 28.19, -35.22

 

CMYK 14 / 44 / 0 / 34

HEX #925FA9

RGB 146 95 169

HSL 281.35, 0.3%, 0.52%

LAB 48.46, 34.21, -31.66

 

CMYK 44 / 27 / 0 / 34

HEX #5F7CA9

RGB 95 124 169

HSL 216.49, 0.3%, 0.52%

LAB 51.51, 1.81, -27.24

 

CMYK 44 / 38 / 0 / 34

HEX #5F68A9

RGB 95 104 169

HSL 232.7, 0.3%, 0.52%

LAB 45.9, 13.95, -36.01

 

CMYK 44 / 44 / 0 / 34

HEX #5F5FA9

RGB 95 95 169

HSL 240, 0.3%, 0.52%

LAB 43.48, 19.54, -39.84

 

CMYK 44 / 27 / 0 / 34

HEX #5F7CA9

RGB 95 124 169

HSL 216.49, 0.3%, 0.52%

LAB 51.51, 1.81, -27.24

 

CMYK 60 / 37 / 0 / 26

HEX #4C77BD

RGB 76 119 189

HSL 217.17, 0.46%, 0.52%

LAB 49.98, 6.72, -41.26

 

CMYK 73 / 45 / 0 / 18

HEX #3873D0

RGB 56 115 208

HSL 216.71, 0.62%, 0.52%

LAB 49.08, 12.6, -53.63

 

CMYK 84 / 52 / 0 / 11

HEX #246EE4

RGB 36 110 228

HSL 216.88, 0.78%, 0.52%

LAB 48.42, 21.23, -66.06

 

CMYK 94 / 57 / 0 / 3

HEX #106AF8

RGB 16 106 248

HSL 216.72, 0.94%, 0.52%

LAB 48.51, 30.39, -77.14

 

CMYK 44 / 27 / 0 / 34

HEX #5F7CA9

RGB 95 124 169

HSL 216.49, 0.3%, 0.52%

LAB 51.51, 1.81, -27.24

 

CMYK 23 / 14 / 0 / 42

HEX #738095

RGB 115 128 149

HSL 217.06, 0.14%, 0.52%

LAB 53.23, 0.07, -12.88

 

CMYK 0 / 1 / 4 / 47

HEX #878581

RGB 135 133 129

HSL 40, 0.02%, 0.52%

LAB 55.59, -0.02, 2.41

 

CMYK 0 / 12 / 30 / 39

HEX #9B896D

RGB 155 137 109

HSL 36.52, 0.19%, 0.52%

LAB 58, 2.33, 17.52

 

CMYK 0 / 19 / 49 / 31

HEX #AF8E5A

RGB 175 142 90

HSL 36.71, 0.35%, 0.52%

LAB 60.96, 5.66, 32.29

 

CMYK 44 / 3 / 0 / 34

HEX #5FA4A9

RGB 95 164 169

HSL 184.05, 0.3%, 0.52%

LAB 63.22, -20.43, -9.42

 

CMYK 44 / 15 / 0 / 34

HEX #5F90A9

RGB 95 144 169

HSL 200.27, 0.3%, 0.52%

LAB 57.31, -9.69, -18.32

 

CMYK 44 / 26 / 0 / 34

HEX #5F7DA9

RGB 95 125 169

HSL 215.68, 0.3%, 0.52%

LAB 51.8, 1.22, -26.8

 

CMYK 44 / 38 / 0 / 34

HEX #5F69A9

RGB 95 105 169

HSL 231.89, 0.3%, 0.52%

LAB 46.18, 13.33, -35.58

 

CMYK 38 / 44 / 0 / 34

HEX #695FA9

RGB 105 95 169

HSL 248.11, 0.3%, 0.52%

LAB 44.31, 22.2, -38.48

 

CMYK 47 / 28 / 0 / 54

HEX #3F5576

RGB 63 85 118

HSL 216, 0.3%, 0.35%

LAB 35.72, 1.28, -21.4

 

CMYK 46 / 28 / 0 / 43

HEX #4E6891

RGB 78 104 145

HSL 216.72, 0.3%, 0.44%

LAB 43.6, 2.04, -25.49

 

CMYK 44 / 27 / 0 / 34

HEX #5F7CA9

RGB 95 124 169

HSL 216.49, 0.3%, 0.52%

LAB 51.51, 1.81, -27.24

 

CMYK 33 / 20 / 0 / 28

HEX #7A92B7

RGB 122 146 183

HSL 216.39, 0.3%, 0.6%

LAB 59.99, 0.53, -22.05

 

CMYK 25 / 15 / 0 / 22

HEX #95A8C6

RGB 149 168 198

HSL 216.73, 0.3%, 0.68%

LAB 68.37, 0.08, -17.52

 

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

CMYK 9 / 44 / 0 / 34

HEX #9A5FA9

RGB 154 95 169

HSL 287.84, 0.3%, 0.52%

LAB 49.4, 36.67, -30.13

 

CMYK 9 / 0 / 44 / 34

HEX #9AA95F

RGB 154 169 95

HSL 72.16, 0.3%, 0.52%

LAB 66.58, -17.09, 36.33

 

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

CMYK 0 / 44 / 26 / 34

HEX #A95F7D

RGB 169 95 125

HSL 335.68, 0.3%, 0.52%

LAB 49.62, 33.88, -3.55

 

CMYK 26 / 0 / 44 / 34

HEX #7DA95F

RGB 125 169 95

HSL 95.68, 0.3%, 0.52%

LAB 64.61, -28.35, 33.44

 

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

CMYK 9 / 44 / 0 / 34

HEX #9A5FA9

RGB 154 95 169

HSL 287.84, 0.3%, 0.52%

LAB 49.4, 36.67, -30.13

 

CMYK 0 / 18 / 44 / 34

HEX #A98B5F

RGB 169 139 95

HSL 35.68, 0.3%, 0.52%

LAB 59.64, 5.3, 27.77

 

CMYK 35 / 0 / 44 / 34

HEX #6EA95F

RGB 110 169 95

HSL 107.84, 0.3%, 0.52%

LAB 63.77, -33.68, 32.2

 

CMYK 44 / 27 / 0 / 34

HEX #5E7BA9

RGB 94 123 169

HSL 216.8, 0.3%, 0.52%

LAB 51.16, 2.14, -27.78

 

CMYK 0 / 44 / 5 / 34

HEX #A95FA1

RGB 169 95 161

HSL 306.49, 0.3%, 0.52%

LAB 50.91, 39.81, -22.94

 

CMYK 0 / 18 / 44 / 34

HEX #A98B5F

RGB 169 139 95

HSL 35.68, 0.3%, 0.52%

LAB 59.64, 5.3, 27.77

 

CMYK 44 / 0 / 39 / 34

HEX #5FA967

RGB 95 169 103

HSL 126.49, 0.3%, 0.52%

LAB 63.17, -37.27, 27.05

 

Description

Color code: HEX #5E7BA9 | qconv.com Color code: HEX #5E7BA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 123 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 123 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 27 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 27% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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