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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E7BBE it is the complementary color #A18441. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E7BBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E7BBE shade: #637BB9, #748DCC, #859FDF, #96B1F2 and #A7C3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E7BBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E7BBE shade: #5E7BBE, #4D69AB, #3C5798, #2B4585 and #1A3372

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E7BBE shade: #5F7CBD, #5F62BD, #765FBD, #8F5FBD and #A85FBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E7BBE shade: #5F7CBD, #5F62BD and #5F5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E7BBE shade matches the following richer shades: #5F7CBD, #4D74D0, #3B6DE2 and #2966F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E7BBE shade: #5F7CBD, #7183AB, #838A99, #969187 and #A89875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E7BBE shade: #5FAFBD, #5F96BD, #5F7DBD, #5F64BD and #745FBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E7BBE shade: #3A5490, #4665AD, #5F7CBD, #7C94C9 and #9AACD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E7BBE shade: #5E7BBE, #B25FBD and #A3BD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E7BBE shade: #5E7BBE, #BD5F7D and #7DBD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E7BBE shade: #5E7BBE, #B25FBD, #BDA05F and #6ABD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E7BBE shade: #5E7BBE, #BD5FAC, #BDA05F and #5FBD70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

Complementary color

CMYK 0 / 18 / 60 / 37

HEX #A18441

RGB 161 132 65

HSL 41.88, 0.42%, 0.44%

LAB 56.55, 2.9, 39.73

 

CMYK 46 / 34 / 0 / 27

HEX #637BB9

RGB 99 123 185

HSL 223.26, 0.38%, 0.56%

LAB 52.2, 8.24, -35.38

 

CMYK 43 / 31 / 0 / 20

HEX #748DCC

RGB 116 141 204

HSL 222.95, 0.46%, 0.63%

LAB 59.09, 7.55, -35.33

 

CMYK 40 / 29 / 0 / 13

HEX #859FDF

RGB 133 159 223

HSL 222.67, 0.58%, 0.7%

LAB 65.83, 6.97, -35.32

 

CMYK 38 / 27 / 0 / 5

HEX #96B1F2

RGB 150 177 242

HSL 222.39, 0.78%, 0.77%

LAB 72.45, 6.48, -35.35

 

CMYK 35 / 24 / 0 / 0

HEX #A7C3FF

RGB 167 195 255

HSL 220.91, 1%, 0.83%

LAB 78.73, 4.51, -32.55

 

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

CMYK 55 / 39 / 0 / 33

HEX #4D69AB

RGB 77 105 171

HSL 222.13, 0.38%, 0.49%

LAB 45.11, 9.54, -38.51

 

CMYK 61 / 43 / 0 / 40

HEX #3C5798

RGB 60 87 152

HSL 222.39, 0.43%, 0.42%

LAB 37.92, 10.79, -38.7

 

CMYK 68 / 48 / 0 / 48

HEX #2B4585

RGB 43 69 133

HSL 222.67, 0.51%, 0.35%

LAB 30.55, 12.44, -38.93

 

CMYK 77 / 55 / 0 / 55

HEX #1A3372

RGB 26 51 114

HSL 222.95, 0.63%, 0.27%

LAB 23.01, 14.7, -39.18

 

CMYK 50 / 34 / 0 / 26

HEX #5F7CBD

RGB 95 124 189

HSL 221.49, 0.42%, 0.56%

LAB 52.42, 7.88, -37.34

 

CMYK 50 / 48 / 0 / 26

HEX #5F62BD

RGB 95 98 189

HSL 238.09, 0.42%, 0.56%

LAB 45.42, 23.84, -48.46

 

CMYK 38 / 50 / 0 / 26

HEX #765FBD

RGB 118 95 189

HSL 254.68, 0.42%, 0.56%

LAB 46.59, 31.27, -46.47

 

CMYK 24 / 50 / 0 / 26

HEX #8F5FBD

RGB 143 95 189

HSL 270.64, 0.42%, 0.56%

LAB 49.13, 37.94, -42.28

 

CMYK 11 / 50 / 0 / 26

HEX #A85FBD

RGB 168 95 189

HSL 286.6, 0.42%, 0.56%

LAB 52.04, 44.95, -37.48

 

CMYK 50 / 34 / 0 / 26

HEX #5F7CBD

RGB 95 124 189

HSL 221.49, 0.42%, 0.56%

LAB 52.42, 7.88, -37.34

 

CMYK 50 / 48 / 0 / 26

HEX #5F62BD

RGB 95 98 189

HSL 238.09, 0.42%, 0.56%

LAB 45.42, 23.84, -48.46

 

CMYK 50 / 50 / 0 / 26

HEX #5F5FBD

RGB 95 95 189

HSL 240, 0.42%, 0.56%

LAB 44.65, 25.7, -49.69

 

CMYK 50 / 34 / 0 / 26

HEX #5F7CBD

RGB 95 124 189

HSL 221.49, 0.42%, 0.56%

LAB 52.42, 7.88, -37.34

 

CMYK 63 / 44 / 0 / 18

HEX #4D74D0

RGB 77 116 208

HSL 222.14, 0.58%, 0.56%

LAB 50.24, 15.25, -51.72

 

CMYK 74 / 52 / 0 / 11

HEX #3B6DE2

RGB 59 109 226

HSL 222.04, 0.74%, 0.56%

LAB 48.71, 23.36, -64.43

 

CMYK 83 / 58 / 0 / 4

HEX #2966F4

RGB 41 102 244

HSL 221.97, 0.9%, 0.56%

LAB 47.63, 32.7, -76.31

 

CMYK 50 / 34 / 0 / 26

HEX #5F7CBD

RGB 95 124 189

HSL 221.49, 0.42%, 0.56%

LAB 52.42, 7.88, -37.34

 

CMYK 34 / 23 / 0 / 33

HEX #7183AB

RGB 113 131 171

HSL 221.38, 0.26%, 0.56%

LAB 54.74, 3.34, -23.3

 

CMYK 14 / 10 / 0 / 40

HEX #838A99

RGB 131 138 153

HSL 220.91, 0.1%, 0.56%

LAB 57.37, 0.65, -8.85

 

CMYK 0 / 3 / 10 / 41

HEX #969187

RGB 150 145 135

HSL 40, 0.07%, 0.56%

LAB 60.32, 0.01, 5.95

 

CMYK 0 / 10 / 30 / 34

HEX #A89875

RGB 168 152 117

HSL 41.18, 0.23%, 0.56%

LAB 63.4, 0.41, 20.6

 

CMYK 50 / 7 / 0 / 26

HEX #5FAFBD

RGB 95 175 189

HSL 188.94, 0.42%, 0.56%

LAB 67.1, -20.69, -14.74

 

CMYK 50 / 21 / 0 / 26

HEX #5F96BD

RGB 95 150 189

HSL 204.89, 0.42%, 0.56%

LAB 59.82, -7.24, -25.84

 

CMYK 50 / 34 / 0 / 26

HEX #5F7DBD

RGB 95 125 189

HSL 220.85, 0.42%, 0.56%

LAB 52.7, 7.28, -36.91

 

CMYK 50 / 47 / 0 / 26

HEX #5F64BD

RGB 95 100 189

HSL 236.81, 0.42%, 0.56%

LAB 45.94, 22.6, -47.63

 

CMYK 39 / 50 / 0 / 26

HEX #745FBD

RGB 116 95 189

HSL 253.4, 0.42%, 0.56%

LAB 46.41, 30.76, -46.77

 

CMYK 60 / 42 / 0 / 44

HEX #3A5490

RGB 58 84 144

HSL 221.86, 0.43%, 0.4%

LAB 36.47, 9.49, -36.18

 

CMYK 60 / 42 / 0 / 32

HEX #4665AD

RGB 70 101 173

HSL 221.94, 0.42%, 0.48%

LAB 43.69, 11.23, -41.96

 

CMYK 50 / 34 / 0 / 26

HEX #5F7CBD

RGB 95 124 189

HSL 221.49, 0.42%, 0.56%

LAB 52.42, 7.88, -37.34

 

CMYK 38 / 26 / 0 / 21

HEX #7C94C9

RGB 124 148 201

HSL 221.3, 0.42%, 0.64%

LAB 61.38, 4.79, -30.04

 

CMYK 28 / 19 / 0 / 16

HEX #9AACD5

RGB 154 172 213

HSL 221.69, 0.41%, 0.72%

LAB 70.3, 2.98, -22.82

 

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

CMYK 6 / 50 / 0 / 26

HEX #B25FBD

RGB 178 95 189

HSL 292.98, 0.42%, 0.56%

LAB 53.3, 47.8, -35.42

 

CMYK 14 / 0 / 50 / 26

HEX #A3BD5F

RGB 163 189 95

HSL 76.6, 0.42%, 0.56%

LAB 72.9, -23.55, 44.22

 

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

CMYK 0 / 50 / 34 / 26

HEX #BD5F7D

RGB 189 95 125

HSL 340.85, 0.42%, 0.56%

LAB 52.38, 41.01, 0.82

 

CMYK 34 / 0 / 50 / 26

HEX #7DBD5F

RGB 125 189 95

HSL 100.85, 0.42%, 0.56%

LAB 70.58, -37.67, 40.87

 

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

CMYK 6 / 50 / 0 / 26

HEX #B25FBD

RGB 178 95 189

HSL 292.98, 0.42%, 0.56%

LAB 53.3, 47.8, -35.42

 

CMYK 0 / 15 / 50 / 26

HEX #BDA05F

RGB 189 160 95

HSL 41.49, 0.42%, 0.56%

LAB 67.12, 2.23, 37.66

 

CMYK 44 / 0 / 50 / 26

HEX #6ABD5F

RGB 106 189 95

HSL 112.98, 0.42%, 0.56%

LAB 69.67, -43.84, 39.55

 

CMYK 51 / 35 / 0 / 25

HEX #5E7BBE

RGB 94 123 190

HSL 221.88, 0.42%, 0.56%

LAB 52.13, 8.56, -38.38

 

CMYK 0 / 50 / 9 / 26

HEX #BD5FAC

RGB 189 95 172

HSL 310.85, 0.42%, 0.56%

LAB 54.01, 47.97, -24.37

 

CMYK 0 / 15 / 50 / 26

HEX #BDA05F

RGB 189 160 95

HSL 41.49, 0.42%, 0.56%

LAB 67.12, 2.23, 37.66

 

CMYK 50 / 0 / 41 / 26

HEX #5FBD70

RGB 95 189 112

HSL 130.85, 0.42%, 0.56%

LAB 69.47, -44.48, 30.56

 

Description

Color code: HEX #5E7BBE | qconv.com Color code: HEX #5E7BBE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 123 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 123 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 35 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 35% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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