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Color name
HEX #5E801C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E801C it is the complementary color #A17FE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E801C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E801C shade: #638017, #74922A, #85A43D, #96B650 and #A7C863

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E801C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E801C shade: #5E801C, #4D6E09, #3C5C00, #2B4A00 and #1A3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E801C shade: #5F811C, #7A811C, #816D1C, #81521C and #81361C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E801C shade: #5F811C, #43811C, #28811C, #1C812B and #1C8146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E801C shade matches the following richer shades: #5F811C, #638E0F and #679B02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E801C shade: #5F811C, #5B7429, #576836, #525B42 and #4E4E4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E801C shade: #816D1C, #7A811C, #5F811C, #44811C and #29811C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E801C shade: #2D3D0D, #465F15, #5F811C, #78A323 and #90C52B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E801C shade: #5E801C, #1C8152 and #7A1C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E801C shade: #5E801C, #1C5F81 and #811C5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E801C shade: #5E801C, #1C8152, #3E1C81 and #811C4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E801C shade: #5E801C, #1C8170, #3E1C81 and #811C2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

Complementary color

CMYK 29 / 44 / 0 / 11

HEX #A17FE3

RGB 161 127 227

HSL 260.4, 0.64%, 0.69%

LAB 60.16, 34, -46.28

 

CMYK 23 / 0 / 82 / 50

HEX #638017

RGB 99 128 23

HSL 76.57, 0.7%, 0.3%

LAB 49.68, -25.36, 48.88

 

CMYK 21 / 0 / 71 / 43

HEX #74922A

RGB 116 146 42

HSL 77.31, 0.55%, 0.37%

LAB 56.52, -26.01, 49.09

 

CMYK 19 / 0 / 63 / 36

HEX #85A43D

RGB 133 164 61

HSL 78.06, 0.46%, 0.44%

LAB 63.24, -26.44, 48.5

 

CMYK 18 / 0 / 56 / 29

HEX #96B650

RGB 150 182 80

HSL 78.82, 0.41%, 0.51%

LAB 69.84, -26.73, 47.56

 

CMYK 17 / 0 / 51 / 22

HEX #A7C863

RGB 167 200 99

HSL 79.6, 0.48%, 0.59%

LAB 76.33, -26.93, 46.47

 

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

CMYK 30 / 0 / 92 / 57

HEX #4D6E09

RGB 77 110 9

HSL 79.6, 0.85%, 0.23%

LAB 42.38, -26.44, 45.68

 

CMYK 35 / 0 / 100 / 64

HEX #3C5C00

RGB 60 92 0

HSL 80.87, 1%, 0.18%

LAB 35.23, -25.22, 41.89

 

CMYK 42 / 0 / 100 / 71

HEX #2B4A00

RGB 43 74 0

HSL 85.14, 1%, 0.15%

LAB 27.88, -23.65, 35.72

 

CMYK 54 / 0 / 100 / 78

HEX #1A3800

RGB 26 56 0

HSL 92.14, 1%, 0.11%

LAB 20.23, -21.93, 27.86

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 5 / 0 / 78 / 49

HEX #7A811C

RGB 122 129 28

HSL 64.16, 0.64%, 0.31%

LAB 51.75, -15.45, 49.79

 

CMYK 0 / 16 / 78 / 49

HEX #816D1C

RGB 129 109 28

HSL 48.12, 0.64%, 0.31%

LAB 46.56, -1.09, 45.2

 

CMYK 0 / 36 / 78 / 49

HEX #81521C

RGB 129 82 28

HSL 32.08, 0.64%, 0.31%

LAB 39.22, 14.77, 38.11

 

CMYK 0 / 58 / 78 / 49

HEX #81361C

RGB 129 54 28

HSL 15.45, 0.64%, 0.31%

LAB 32.68, 30.72, 31.45

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 48 / 0 / 78 / 49

HEX #43811C

RGB 67 129 28

HSL 96.83, 0.64%, 0.31%

LAB 48.23, -37.91, 45.22

 

CMYK 69 / 0 / 78 / 49

HEX #28811C

RGB 40 129 28

HSL 112.87, 0.64%, 0.31%

LAB 47.28, -45.42, 43.97

 

CMYK 78 / 0 / 67 / 49

HEX #1C812B

RGB 28 129 43

HSL 128.91, 0.64%, 0.31%

LAB 47.13, -46.23, 37.54

 

CMYK 78 / 0 / 46 / 49

HEX #1C8146

RGB 28 129 70

HSL 144.95, 0.64%, 0.31%

LAB 47.48, -42.12, 24.11

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 30 / 0 / 89 / 44

HEX #638E0F

RGB 99 142 15

HSL 80.31, 0.81%, 0.31%

LAB 54.06, -32.36, 54.76

 

CMYK 34 / 0 / 99 / 39

HEX #679B02

RGB 103 155 2

HSL 80.39, 0.97%, 0.31%

LAB 58.35, -36.97, 60.47

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 22 / 0 / 65 / 55

HEX #5B7429

RGB 91 116 41

HSL 80, 0.48%, 0.31%

LAB 45.46, -21.56, 37.38

 

CMYK 16 / 0 / 48 / 59

HEX #576836

RGB 87 104 54

HSL 80.4, 0.32%, 0.31%

LAB 41.52, -15.52, 25.97

 

CMYK 10 / 0 / 27 / 64

HEX #525B42

RGB 82 91 66

HSL 81.6, 0.16%, 0.31%

LAB 37.24, -8.52, 13.28

 

CMYK 1 / 1 / 0 / 69

HEX #4E4E4F

RGB 78 78 79

HSL 240, 0.01%, 0.31%

LAB 33.21, 0.22, -0.59

 

CMYK 0 / 16 / 78 / 49

HEX #816D1C

RGB 129 109 28

HSL 48.12, 0.64%, 0.31%

LAB 46.56, -1.09, 45.2

 

CMYK 5 / 0 / 78 / 49

HEX #7A811C

RGB 122 129 28

HSL 64.16, 0.64%, 0.31%

LAB 51.75, -15.45, 49.79

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 47 / 0 / 78 / 49

HEX #44811C

RGB 68 129 28

HSL 96.24, 0.64%, 0.31%

LAB 48.28, -37.57, 45.28

 

CMYK 68 / 0 / 78 / 49

HEX #29811C

RGB 41 129 28

HSL 112.28, 0.64%, 0.31%

LAB 47.31, -45.2, 44

 

CMYK 26 / 0 / 79 / 76

HEX #2D3D0D

RGB 45 61 13

HSL 80, 0.65%, 0.15%

LAB 23.42, -15.06, 26.23

 

CMYK 26 / 0 / 78 / 63

HEX #465F15

RGB 70 95 21

HSL 80.27, 0.64%, 0.23%

LAB 37.01, -21.38, 36.96

 

CMYK 26 / 0 / 78 / 49

HEX #5F811C

RGB 95 129 28

HSL 80.2, 0.64%, 0.31%

LAB 49.76, -27.29, 47.22

 

CMYK 26 / 0 / 79 / 36

HEX #78A323

RGB 120 163 35

HSL 80.16, 0.65%, 0.39%

LAB 61.92, -32.89, 56.88

 

CMYK 27 / 0 / 78 / 23

HEX #90C52B

RGB 144 197 43

HSL 80.65, 0.64%, 0.47%

LAB 73.57, -38.59, 65.76

 

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

CMYK 78 / 0 / 36 / 49

HEX #1C8152

RGB 28 129 82

HSL 152.08, 0.64%, 0.31%

LAB 47.7, -39.68, 17.65

 

CMYK 5 / 78 / 0 / 49

HEX #7A1C81

RGB 122 28 129

HSL 295.84, 0.64%, 0.31%

LAB 30.77, 52.03, -35.61

 

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

CMYK 78 / 26 / 0 / 49

HEX #1C5F81

RGB 28 95 129

HSL 200.2, 0.64%, 0.31%

LAB 37.87, -8.32, -24.92

 

CMYK 0 / 78 / 26 / 49

HEX #811C5F

RGB 129 28 95

HSL 320.2, 0.64%, 0.31%

LAB 30.22, 48.34, -14.69

 

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

CMYK 78 / 0 / 36 / 49

HEX #1C8152

RGB 28 129 82

HSL 152.08, 0.64%, 0.31%

LAB 47.7, -39.68, 17.65

 

CMYK 52 / 78 / 0 / 49

HEX #3E1C81

RGB 62 28 129

HSL 260.2, 0.64%, 0.31%

LAB 21.72, 40.43, -50.69

 

CMYK 0 / 78 / 42 / 49

HEX #811C4B

RGB 129 28 75

HSL 332.08, 0.64%, 0.31%

LAB 29.43, 45.91, -2.74

 

CMYK 27 / 0 / 78 / 50

HEX #5E801C

RGB 94 128 28

HSL 80.4, 0.64%, 0.31%

LAB 49.38, -27.22, 46.83

 

CMYK 78 / 0 / 13 / 49

HEX #1C8170

RGB 28 129 112

HSL 169.9, 0.64%, 0.31%

LAB 48.41, -32.1, 1.2

 

CMYK 52 / 78 / 0 / 49

HEX #3E1C81

RGB 62 28 129

HSL 260.2, 0.64%, 0.31%

LAB 21.72, 40.43, -50.69

 

CMYK 0 / 78 / 65 / 49

HEX #811C2D

RGB 129 28 45

HSL 349.9, 0.64%, 0.31%

LAB 28.61, 43.31, 16.13

 

Description

Color code: HEX #5E801C | qconv.com Color code: HEX #5E801C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 128 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 128 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 78 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 78% 50% C M Y K

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Provide designers and agencies with accurate color values.

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