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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E811F it is the complementary color #A17EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E811F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E811F shade: #63811A, #74932D, #85A540, #96B753 and #A7C966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E811F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E811F shade: #5E811F, #4D6F0C, #3C5D00, #2B4B00 and #1A3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E811F shade: #5C7F1E, #767F1E, #7F6D1E, #7F531E and #7F391E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E811F shade: #5C7F1E, #427F1E, #287F1E, #1E7F2E and #1E7F48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E811F shade matches the following richer shades: #5C7F1E, #608C12 and #649805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E811F shade: #5C7F1E, #59722B, #556538, #515845 and #4E4C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E811F shade: #7F6D1E, #777F1E, #5D7F1E, #437F1E and #2A7F1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E811F shade: #2C3C0E, #445E16, #5C7F1E, #75A026 and #8DC12E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E811F shade: #5E811F, #1E7F53 and #7A1E7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E811F shade: #5E811F, #1E5D7F and #7F1E5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E811F shade: #5E811F, #1E7F53, #401E7F and #7F1E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E811F shade: #5E811F, #1E7F70, #401E7F and #7F1E2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

Complementary color

CMYK 28 / 44 / 0 / 12

HEX #A17EE0

RGB 161 126 224

HSL 261.43, 0.61%, 0.69%

LAB 59.78, 33.82, -45.2

 

CMYK 23 / 0 / 80 / 49

HEX #63811A

RGB 99 129 26

HSL 77.48, 0.66%, 0.3%

LAB 50.01, -25.72, 48.23

 

CMYK 21 / 0 / 69 / 42

HEX #74932D

RGB 116 147 45

HSL 78.24, 0.53%, 0.38%

LAB 56.85, -26.3, 48.21

 

CMYK 19 / 0 / 61 / 35

HEX #85A540

RGB 133 165 64

HSL 79.01, 0.44%, 0.45%

LAB 63.56, -26.68, 47.51

 

CMYK 18 / 0 / 55 / 28

HEX #96B753

RGB 150 183 83

HSL 79.8, 0.41%, 0.52%

LAB 70.16, -26.93, 46.52

 

CMYK 17 / 0 / 49 / 21

HEX #A7C966

RGB 167 201 102

HSL 80.61, 0.48%, 0.59%

LAB 76.65, -27.1, 45.41

 

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

CMYK 31 / 0 / 89 / 56

HEX #4D6F0C

RGB 77 111 12

HSL 80.61, 0.8%, 0.24%

LAB 42.72, -26.82, 45.27

 

CMYK 35 / 0 / 100 / 64

HEX #3C5D00

RGB 60 93 0

HSL 81.29, 1%, 0.18%

LAB 35.58, -25.71, 42.16

 

CMYK 43 / 0 / 100 / 71

HEX #2B4B00

RGB 43 75 0

HSL 85.6, 1%, 0.15%

LAB 28.24, -24.13, 36.02

 

CMYK 54 / 0 / 100 / 78

HEX #1A3900

RGB 26 57 0

HSL 92.63, 1%, 0.11%

LAB 20.62, -22.4, 28.29

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1E

RGB 92 127 30

HSL 81.65, 0.62%, 0.31%

LAB 48.94, -27.45, 45.65

 

CMYK 7 / 0 / 76 / 50

HEX #767F1E

RGB 118 127 30

HSL 65.57, 0.62%, 0.31%

LAB 50.83, -16.11, 48.12

 

CMYK 0 / 14 / 76 / 50

HEX #7F6D1E

RGB 127 109 30

HSL 48.87, 0.62%, 0.31%

LAB 46.37, -1.94, 44.14

 

CMYK 0 / 35 / 76 / 50

HEX #7F531E

RGB 127 83 30

HSL 32.78, 0.62%, 0.31%

LAB 39.23, 13.34, 37.08

 

CMYK 0 / 55 / 76 / 50

HEX #7F391E

RGB 127 57 30

HSL 16.7, 0.62%, 0.31%

LAB 32.99, 28.37, 30.56

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1E

RGB 92 127 30

HSL 81.65, 0.62%, 0.31%

LAB 48.94, -27.45, 45.65

 

CMYK 48 / 0 / 76 / 50

HEX #427F1E

RGB 66 127 30

HSL 97.73, 0.62%, 0.31%

LAB 47.53, -37.26, 43.79

 

CMYK 69 / 0 / 76 / 50

HEX #287F1E

RGB 40 127 30

HSL 113.81, 0.62%, 0.31%

LAB 46.61, -44.54, 42.56

 

CMYK 76 / 0 / 64 / 50

HEX #1E7F2E

RGB 30 127 46

HSL 129.9, 0.62%, 0.31%

LAB 46.51, -44.83, 35.45

 

CMYK 76 / 0 / 43 / 50

HEX #1E7F48

RGB 30 127 72

HSL 145.98, 0.62%, 0.31%

LAB 46.87, -40.65, 22.21

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1E

RGB 92 127 30

HSL 81.65, 0.62%, 0.31%

LAB 48.94, -27.45, 45.65

 

CMYK 31 / 0 / 87 / 45

HEX #608C12

RGB 96 140 18

HSL 81.64, 0.77%, 0.31%

LAB 53.26, -32.54, 53.34

 

CMYK 34 / 0 / 97 / 40

HEX #649805

RGB 100 152 5

HSL 81.22, 0.94%, 0.31%

LAB 57.25, -36.73, 59.07

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1E

RGB 92 127 30

HSL 81.65, 0.62%, 0.31%

LAB 48.94, -27.45, 45.65

 

CMYK 22 / 0 / 62 / 55

HEX #59722B

RGB 89 114 43

HSL 81.13, 0.45%, 0.31%

LAB 44.71, -21.2, 35.55

 

CMYK 16 / 0 / 45 / 60

HEX #556538

RGB 85 101 56

HSL 81.33, 0.29%, 0.31%

LAB 40.45, -14.46, 23.46

 

CMYK 8 / 0 / 22 / 65

HEX #515845

RGB 81 88 69

HSL 82.11, 0.12%, 0.31%

LAB 36.29, -6.65, 10.11

 

CMYK 4 / 6 / 0 / 68

HEX #4E4C51

RGB 78 76 81

HSL 264, 0.03%, 0.31%

LAB 32.66, 1.92, -2.67

 

CMYK 0 / 14 / 76 / 50

HEX #7F6D1E

RGB 127 109 30

HSL 48.87, 0.62%, 0.31%

LAB 46.37, -1.94, 44.14

 

CMYK 6 / 0 / 76 / 50

HEX #777F1E

RGB 119 127 30

HSL 64.95, 0.62%, 0.31%

LAB 50.91, -15.65, 48.23

 

CMYK 27 / 0 / 76 / 50

HEX #5D7F1E

RGB 93 127 30

HSL 81.03, 0.62%, 0.31%

LAB 49.01, -27.04, 45.73

 

CMYK 47 / 0 / 76 / 50

HEX #437F1E

RGB 67 127 30

HSL 97.11, 0.62%, 0.31%

LAB 47.58, -36.92, 43.85

 

CMYK 67 / 0 / 76 / 50

HEX #2A7F1E

RGB 42 127 30

HSL 112.58, 0.62%, 0.31%

LAB 46.66, -44.09, 42.63

 

CMYK 27 / 0 / 77 / 76

HEX #2C3C0E

RGB 44 60 14

HSL 80.87, 0.62%, 0.15%

LAB 23, -14.89, 25.28

 

CMYK 28 / 0 / 77 / 63

HEX #445E16

RGB 68 94 22

HSL 81.67, 0.62%, 0.23%

LAB 36.54, -21.67, 36.05

 

CMYK 28 / 0 / 76 / 50

HEX #5C7F1E

RGB 92 127 30

HSL 81.65, 0.62%, 0.31%

LAB 48.94, -27.45, 45.65

 

CMYK 27 / 0 / 76 / 37

HEX #75A026

RGB 117 160 38

HSL 81.15, 0.62%, 0.39%

LAB 60.84, -32.53, 54.81

 

CMYK 27 / 0 / 76 / 24

HEX #8DC12E

RGB 141 193 46

HSL 81.22, 0.62%, 0.47%

LAB 72.23, -37.8, 63.51

 

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

CMYK 76 / 0 / 35 / 50

HEX #1E7F53

RGB 30 127 83

HSL 152.78, 0.62%, 0.31%

LAB 47.08, -38.34, 16.24

 

CMYK 4 / 76 / 0 / 50

HEX #7A1E7F

RGB 122 30 127

HSL 296.91, 0.62%, 0.31%

LAB 30.87, 51, -34.19

 

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

CMYK 76 / 27 / 0 / 50

HEX #1E5D7F

RGB 30 93 127

HSL 201.03, 0.62%, 0.31%

LAB 37.18, -7.58, -24.77

 

CMYK 0 / 76 / 27 / 50

HEX #7F1E5D

RGB 127 30 93

HSL 321.03, 0.62%, 0.31%

LAB 29.99, 46.85, -13.77

 

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

CMYK 76 / 0 / 35 / 50

HEX #1E7F53

RGB 30 127 83

HSL 152.78, 0.62%, 0.31%

LAB 47.08, -38.34, 16.24

 

CMYK 50 / 76 / 0 / 50

HEX #401E7F

RGB 64 30 127

HSL 261.03, 0.62%, 0.31%

LAB 22.13, 39.17, -48.75

 

CMYK 0 / 76 / 42 / 50

HEX #7F1E4A

RGB 127 30 74

HSL 332.78, 0.62%, 0.31%

LAB 29.25, 44.52, -2.39

 

CMYK 27 / 0 / 76 / 49

HEX #5E811F

RGB 94 129 31

HSL 81.43, 0.61%, 0.31%

LAB 49.71, -27.53, 46.07

 

CMYK 76 / 0 / 12 / 50

HEX #1E7F70

RGB 30 127 112

HSL 170.72, 0.62%, 0.31%

LAB 47.78, -30.9, 0.3

 

CMYK 50 / 76 / 0 / 50

HEX #401E7F

RGB 64 30 127

HSL 261.03, 0.62%, 0.31%

LAB 22.13, 39.17, -48.75

 

CMYK 0 / 76 / 65 / 50

HEX #7F1E2D

RGB 127 30 45

HSL 350.72, 0.62%, 0.31%

LAB 28.46, 41.95, 15.86

 

Description

Color code: HEX #5E811F | qconv.com Color code: HEX #5E811F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 129 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 129 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 76 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 76% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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