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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA404 it is the complementary color #A15BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA404 shade: #63A400, #74B612, #85C825, #96DA38 and #A7EC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA404 shade: #5EA404, #4D9200, #3C8000, #2B6E00 and #1A5C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA404 shade: #5EA404, #89A404, #A49304, #A46804 and #A43D04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA404 shade: #5EA404, #33A404, #07A404, #04A42B and #04A456

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA404 shade matches the following richer shades: #5EA404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA404 shade: #5EA404, #5C9611, #5A881F, #597B2D and #576D3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA404 shade: #A49404, #89A404, #5EA404, #34A404 and #09A404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA404 shade: #2F5302, #477B03, #5EA404, #75CC05 and #8CF406

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA404 shade: #5EA404, #04A469 and #A4049E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA404 shade: #5EA404, #045EA4 and #A4045E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA404 shade: #5EA404, #04A469, #4904A4 and #A4043E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA404 shade: #5EA404, #04A499, #4904A4 and #A4040E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

Complementary color

CMYK 36 / 64 / 0 / 2

HEX #A15BFB

RGB 161 91 251

HSL 266.25, 0.95%, 0.67%

LAB 54.05, 59.31, -69.41

 

CMYK 40 / 0 / 100 / 36

HEX #63A400

RGB 99 164 0

HSL 83.78, 1%, 0.32%

LAB 60.96, -42.37, 62.7

 

CMYK 36 / 0 / 90 / 29

HEX #74B612

RGB 116 182 18

HSL 84.15, 0.82%, 0.39%

LAB 67.44, -43.44, 65.74

 

CMYK 34 / 0 / 82 / 22

HEX #85C825

RGB 133 200 37

HSL 84.66, 0.69%, 0.46%

LAB 73.82, -44.25, 67.44

 

CMYK 31 / 0 / 74 / 15

HEX #96DA38

RGB 150 218 56

HSL 85.19, 0.69%, 0.54%

LAB 80.13, -44.84, 68.01

 

CMYK 29 / 0 / 68 / 7

HEX #A7EC4B

RGB 167 236 75

HSL 85.71, 0.81%, 0.61%

LAB 86.36, -45.26, 67.89

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 47 / 0 / 100 / 43

HEX #4D9200

RGB 77 146 0

HSL 88.36, 1%, 0.29%

LAB 54.17, -42.62, 56.97

 

CMYK 53 / 0 / 100 / 50

HEX #3C8000

RGB 60 128 0

HSL 91.88, 1%, 0.25%

LAB 47.49, -40.97, 51.44

 

CMYK 61 / 0 / 100 / 57

HEX #2B6E00

RGB 43 110 0

HSL 96.55, 1%, 0.22%

LAB 40.68, -39.08, 45.8

 

CMYK 72 / 0 / 100 / 64

HEX #1A5C00

RGB 26 92 0

HSL 103.04, 1%, 0.18%

LAB 33.72, -36.79, 40.06

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 16 / 0 / 98 / 36

HEX #89A404

RGB 137 164 4

HSL 70.13, 0.95%, 0.33%

LAB 63.24, -27.23, 64.89

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 37 / 98 / 36

HEX #A46804

RGB 164 104 4

HSL 37.5, 0.95%, 0.33%

LAB 49.25, 17.52, 55.8

 

CMYK 0 / 63 / 98 / 36

HEX #A43D04

RGB 164 61 4

HSL 21.38, 0.95%, 0.33%

LAB 39.98, 40.42, 49.79

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 69 / 0 / 98 / 36

HEX #33A404

RGB 51 164 4

HSL 102.38, 0.95%, 0.33%

LAB 59.22, -56.05, 60.01

 

CMYK 96 / 0 / 98 / 36

HEX #07A404

RGB 7 164 4

HSL 118.88, 0.95%, 0.33%

LAB 58.61, -61.45, 59.26

 

CMYK 98 / 0 / 74 / 36

HEX #04A42B

RGB 4 164 43

HSL 134.63, 0.95%, 0.33%

LAB 58.74, -59.62, 49.82

 

CMYK 98 / 0 / 48 / 36

HEX #04A456

RGB 4 164 86

HSL 150.75, 0.95%, 0.33%

LAB 59.2, -53.92, 30.5

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 39 / 0 / 89 / 41

HEX #5C9611

RGB 92 150 17

HSL 86.17, 0.8%, 0.33%

LAB 56.22, -38.57, 56.01

 

CMYK 34 / 0 / 77 / 47

HEX #5A881F

RGB 90 136 31

HSL 86.29, 0.63%, 0.33%

LAB 51.7, -32.45, 47.92

 

CMYK 28 / 0 / 63 / 52

HEX #597B2D

RGB 89 123 45

HSL 86.15, 0.46%, 0.33%

LAB 47.6, -25.57, 37.8

 

CMYK 20 / 0 / 47 / 57

HEX #576D3A

RGB 87 109 58

HSL 85.88, 0.31%, 0.33%

LAB 43.17, -17.71, 25.78

 

CMYK 0 / 10 / 98 / 36

HEX #A49404

RGB 164 148 4

HSL 54, 0.95%, 0.33%

LAB 60.85, -7.01, 64.07

 

CMYK 16 / 0 / 98 / 36

HEX #89A404

RGB 137 164 4

HSL 70.13, 0.95%, 0.33%

LAB 63.24, -27.23, 64.89

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 68 / 0 / 98 / 36

HEX #34A404

RGB 52 164 4

HSL 102, 0.95%, 0.33%

LAB 59.24, -55.85, 60.04

 

CMYK 95 / 0 / 98 / 36

HEX #09A404

RGB 9 164 4

HSL 118.13, 0.95%, 0.33%

LAB 58.62, -61.34, 59.27

 

CMYK 43 / 0 / 98 / 67

HEX #2F5302

RGB 47 83 2

HSL 86.67, 0.95%, 0.17%

LAB 31.34, -26.2, 37.81

 

CMYK 42 / 0 / 98 / 52

HEX #477B03

RGB 71 123 3

HSL 86, 0.95%, 0.25%

LAB 46.33, -35.01, 50.1

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 43 / 0 / 98 / 20

HEX #75CC05

RGB 117 204 5

HSL 86.23, 0.95%, 0.41%

LAB 74.18, -52.25, 72.82

 

CMYK 43 / 0 / 98 / 4

HEX #8CF406

RGB 140 244 6

HSL 86.22, 0.95%, 0.49%

LAB 87.14, -60.14, 83.39

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 98 / 0 / 36 / 36

HEX #04A469

RGB 4 164 105

HSL 157.88, 0.95%, 0.33%

LAB 59.52, -50.17, 20.74

 

CMYK 0 / 98 / 4 / 36

HEX #A4049E

RGB 164 4 158

HSL 302.25, 0.95%, 0.33%

LAB 38.63, 69.27, -40.46

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 98 / 43 / 0 / 36

HEX #045EA4

RGB 4 94 164

HSL 206.25, 0.95%, 0.33%

LAB 39.09, 4.37, -44.11

 

CMYK 0 / 98 / 43 / 36

HEX #A4045E

RGB 164 4 94

HSL 326.25, 0.95%, 0.33%

LAB 35.57, 61.47, -5.26

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 98 / 0 / 36 / 36

HEX #04A469

RGB 4 164 105

HSL 157.88, 0.95%, 0.33%

LAB 59.52, -50.17, 20.74

 

CMYK 55 / 98 / 0 / 36

HEX #4904A4

RGB 73 4 164

HSL 265.88, 0.95%, 0.33%

LAB 24.27, 58.4, -68.13

 

CMYK 0 / 98 / 62 / 36

HEX #A4043E

RGB 164 4 62

HSL 338.25, 0.95%, 0.33%

LAB 34.66, 59.01, 14.27

 

CMYK 43 / 0 / 98 / 36

HEX #5EA404

RGB 94 164 4

HSL 86.25, 0.95%, 0.33%

LAB 60.73, -44.05, 61.85

 

CMYK 98 / 0 / 7 / 36

HEX #04A499

RGB 4 164 153

HSL 175.88, 0.95%, 0.33%

LAB 60.67, -37.75, -4.42

 

CMYK 55 / 98 / 0 / 36

HEX #4904A4

RGB 73 4 164

HSL 265.88, 0.95%, 0.33%

LAB 24.27, 58.4, -68.13

 

CMYK 0 / 98 / 91 / 36

HEX #A4040E

RGB 164 4 14

HSL 356.25, 0.95%, 0.33%

LAB 34.01, 57.23, 42.36

 

Description

Color code: HEX #5EA404 | qconv.com Color code: HEX #5EA404 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 164 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 164 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 98% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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