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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA4C9 it is the complementary color #A15B36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA4C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA4C9 shade: #63A4C4, #74B6D7, #85C8EA, #96DAFD and #A7ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA4C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA4C9 shade: #5EA4C9, #4D92B6, #3C80A3, #2B6E90 and #1A5C7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA4C9 shade: #5EA4C9, #5E87C9, #5E6AC9, #6E5EC9 and #8B5EC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA4C9 shade: #5EA4C9, #5E87C9, #5E6AC9 and #5E5EC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA4C9 shade matches the following richer shades: #5EA4C9, #4DA9DA, #3BAFEC and #2AB4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA4C9 shade: #5EA4C9, #6F9FB8, #8199A6, #929495 and #A38F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA4C9 shade: #5EC9B4, #5EC2C9, #5EA5C9, #5E89C9 and #5E6CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA4C9 shade: #357B9F, #3F92BE, #5EA4C9, #7DB5D3 and #9CC7DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA4C9 shade: #5EA4C9, #975EC9 and #C9C25E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA4C9 shade: #5EA4C9, #C95EA5 and #A5C95E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA4C9 shade: #5EA4C9, #975EC9, #C9825E and #90C95E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA4C9 shade: #5EA4C9, #B75EC9, #C9825E and #70C95E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

Complementary color

CMYK 0 / 43 / 66 / 37

HEX #A15B36

RGB 161 91 54

HSL 20.75, 0.5%, 0.42%

LAB 46.08, 25.32, 33.36

 

CMYK 49 / 16 / 0 / 23

HEX #63A4C4

RGB 99 164 196

HSL 199.79, 0.45%, 0.58%

LAB 64.31, -11.97, -22.84

 

CMYK 46 / 15 / 0 / 16

HEX #74B6D7

RGB 116 182 215

HSL 200, 0.55%, 0.65%

LAB 70.92, -12.25, -23.16

 

CMYK 43 / 15 / 0 / 8

HEX #85C8EA

RGB 133 200 234

HSL 200.2, 0.71%, 0.72%

LAB 77.42, -12.47, -23.47

 

CMYK 41 / 14 / 0 / 1

HEX #96DAFD

RGB 150 218 253

HSL 200.39, 0.96%, 0.79%

LAB 83.82, -12.64, -23.79

 

CMYK 35 / 7 / 0 / 0

HEX #A7ECFF

RGB 167 236 255

HSL 192.95, 1%, 0.83%

LAB 89.59, -16.94, -16.03

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 58 / 20 / 0 / 29

HEX #4D92B6

RGB 77 146 182

HSL 200.57, 0.42%, 0.51%

LAB 57.57, -11.14, -25.4

 

CMYK 63 / 21 / 0 / 36

HEX #3C80A3

RGB 60 128 163

HSL 200.39, 0.46%, 0.44%

LAB 50.74, -10.48, -25.09

 

CMYK 70 / 24 / 0 / 44

HEX #2B6E90

RGB 43 110 144

HSL 200.2, 0.54%, 0.37%

LAB 43.77, -9.57, -24.76

 

CMYK 79 / 26 / 0 / 51

HEX #1A5C7D

RGB 26 92 125

HSL 200, 0.66%, 0.3%

LAB 36.66, -8.27, -24.37

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 53 / 33 / 0 / 21

HEX #5E87C9

RGB 94 135 201

HSL 217.01, 0.5%, 0.58%

LAB 56.01, 4.85, -38.54

 

CMYK 53 / 47 / 0 / 21

HEX #5E6AC9

RGB 94 106 201

HSL 233.27, 0.5%, 0.58%

LAB 48.14, 22.47, -51.03

 

CMYK 45 / 53 / 0 / 21

HEX #6E5EC9

RGB 110 94 201

HSL 248.97, 0.5%, 0.58%

LAB 46.36, 33.35, -53.81

 

CMYK 31 / 53 / 0 / 21

HEX #8B5EC9

RGB 139 94 201

HSL 265.23, 0.5%, 0.58%

LAB 49.14, 40.39, -49.2

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 53 / 33 / 0 / 21

HEX #5E87C9

RGB 94 135 201

HSL 217.01, 0.5%, 0.58%

LAB 56.01, 4.85, -38.54

 

CMYK 53 / 47 / 0 / 21

HEX #5E6AC9

RGB 94 106 201

HSL 233.27, 0.5%, 0.58%

LAB 48.14, 22.47, -51.03

 

CMYK 53 / 53 / 0 / 21

HEX #5E5EC9

RGB 94 94 201

HSL 240, 0.5%, 0.58%

LAB 45.08, 29.88, -55.93

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 65 / 22 / 0 / 15

HEX #4DA9DA

RGB 77 169 218

HSL 200.85, 0.66%, 0.58%

LAB 65.76, -12.35, -32.88

 

CMYK 75 / 26 / 0 / 7

HEX #3BAFEC

RGB 59 175 236

HSL 200.68, 0.82%, 0.58%

LAB 67.76, -12.2, -39.69

 

CMYK 83 / 29 / 0 / 1

HEX #2AB4FD

RGB 42 180 253

HSL 200.76, 0.98%, 0.58%

LAB 69.63, -10.7, -46.02

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 40 / 14 / 0 / 28

HEX #6F9FB8

RGB 111 159 184

HSL 200.55, 0.34%, 0.58%

LAB 63.04, -9.57, -18.02

 

CMYK 22 / 8 / 0 / 35

HEX #8199A6

RGB 129 153 166

HSL 201.08, 0.17%, 0.58%

LAB 61.83, -5.46, -9.61

 

CMYK 2 / 1 / 0 / 42

HEX #929495

RGB 146 148 149

HSL 200, 0.01%, 0.58%

LAB 61.19, -0.53, -0.79

 

CMYK 0 / 12 / 19 / 36

HEX #A38F84

RGB 163 143 132

HSL 21.29, 0.14%, 0.58%

LAB 60.87, 5.64, 8.59

 

CMYK 53 / 0 / 10 / 21

HEX #5EC9B4

RGB 94 201 180

HSL 168.22, 0.5%, 0.58%

LAB 74.48, -35.95, 1.12

 

CMYK 53 / 3 / 0 / 21

HEX #5EC2C9

RGB 94 194 201

HSL 183.93, 0.5%, 0.58%

LAB 73.01, -27.17, -12.45

 

CMYK 53 / 18 / 0 / 21

HEX #5EA5C9

RGB 94 165 201

HSL 200.19, 0.5%, 0.58%

LAB 64.57, -12.18, -25.25

 

CMYK 53 / 32 / 0 / 21

HEX #5E89C9

RGB 94 137 201

HSL 215.89, 0.5%, 0.58%

LAB 56.57, 3.67, -37.66

 

CMYK 53 / 46 / 0 / 21

HEX #5E6CC9

RGB 94 108 201

HSL 232.15, 0.5%, 0.58%

LAB 48.66, 21.24, -50.19

 

CMYK 67 / 23 / 0 / 38

HEX #357B9F

RGB 53 123 159

HSL 200.38, 0.5%, 0.42%

LAB 48.79, -10.23, -25.79

 

CMYK 67 / 23 / 0 / 25

HEX #3F92BE

RGB 63 146 190

HSL 200.79, 0.5%, 0.5%

LAB 57.4, -11.14, -30.25

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 41 / 14 / 0 / 17

HEX #7DB5D3

RGB 125 181 211

HSL 200.93, 0.49%, 0.66%

LAB 70.95, -10.55, -20.89

HEX #7DB5D3

CMYK 30 / 10 / 0 / 13

HEX #9CC7DE

RGB 156 199 222

HSL 200.91, 0.5%, 0.74%

LAB 77.99, -8.83, -16.05

HEX #9CC7DE

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 25 / 53 / 0 / 21

HEX #975EC9

RGB 151 94 201

HSL 271.96, 0.5%, 0.58%

LAB 50.45, 43.49, -47.03

 

CMYK 0 / 3 / 53 / 21

HEX #C9C25E

RGB 201 194 94

HSL 56.07, 0.5%, 0.58%

LAB 77.17, -10.73, 50.47

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 0 / 53 / 18 / 21

HEX #C95EA5

RGB 201 94 165

HSL 320.19, 0.5%, 0.58%

LAB 55.22, 51.01, -18.3

 

CMYK 18 / 0 / 53 / 21

HEX #A5C95E

RGB 165 201 94

HSL 80.19, 0.5%, 0.58%

LAB 76.42, -28.67, 48.92

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 25 / 53 / 0 / 21

HEX #975EC9

RGB 151 94 201

HSL 271.96, 0.5%, 0.58%

LAB 50.45, 43.49, -47.03

 

CMYK 0 / 35 / 53 / 21

HEX #C9825E

RGB 201 130 94

HSL 20.19, 0.5%, 0.58%

LAB 60.95, 23.57, 30.71

 

CMYK 28 / 0 / 53 / 21

HEX #90C95E

RGB 144 201 94

HSL 91.96, 0.5%, 0.58%

LAB 75.15, -36.52, 47.1

 

CMYK 53 / 18 / 0 / 21

HEX #5EA4C9

RGB 94 164 201

HSL 200.75, 0.5%, 0.58%

LAB 64.28, -11.63, -25.7

 

CMYK 9 / 53 / 0 / 21

HEX #B75EC9

RGB 183 94 201

HSL 289.91, 0.5%, 0.58%

LAB 54.33, 52.03, -40.64

 

CMYK 0 / 35 / 53 / 21

HEX #C9825E

RGB 201 130 94

HSL 20.19, 0.5%, 0.58%

LAB 60.95, 23.57, 30.71

 

CMYK 44 / 0 / 53 / 21

HEX #70C95E

RGB 112 201 94

HSL 109.91, 0.5%, 0.58%

LAB 73.56, -47.17, 44.83

 

Description

Color code: HEX #5EA4C9 | qconv.com Color code: HEX #5EA4C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 164 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 164 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 18 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 18% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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