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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA71F it is the complementary color #A158E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA71F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA71F shade: #63A71A, #74B92D, #85CB40, #96DD53 and #A7EF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA71F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA71F shade: #5EA71F, #4D950C, #3C8300, #2B7100 and #1A5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA71F shade: #5EA81E, #83A81E, #A8A71E, #A8821E and #A85D1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA71F shade: #5EA81E, #39A81E, #1EA829, #1EA84E and #1EA873

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA71F shade matches the following richer shades: #5EA81E and #5DB80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA71F shade: #5EA81E, #5F972E, #60873F, #61774F and #63675F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA71F shade: #A8A81E, #83A81E, #5EA81E, #3AA81E and #1EA827

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA71F shade: #376212, #4A8518, #5EA81E, #71CA25 and #86DB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA71F shade: #5EA71F, #1EA883 and #A81E95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA71F shade: #5EA71F, #1E5EA8 and #A81E5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA71F shade: #5EA71F, #1EA883, #681EA8 and #A81E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA71F shade: #5EA71F, #1EA3A8, #681EA8 and #A8231E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

Complementary color

CMYK 28 / 61 / 0 / 12

HEX #A158E0

RGB 161 88 224

HSL 272.21, 0.69%, 0.61%

LAB 51.77, 54.43, -57.97

 

CMYK 41 / 0 / 84 / 35

HEX #63A71A

RGB 99 167 26

HSL 88.94, 0.73%, 0.38%

LAB 61.97, -42.94, 59.05

 

CMYK 37 / 0 / 76 / 27

HEX #74B92D

RGB 116 185 45

HSL 89.57, 0.61%, 0.45%

LAB 68.46, -43.59, 59.76

 

CMYK 34 / 0 / 68 / 20

HEX #85CB40

RGB 133 203 64

HSL 90.22, 0.57%, 0.52%

LAB 74.87, -44, 59.61

 

CMYK 32 / 0 / 62 / 13

HEX #96DD53

RGB 150 221 83

HSL 90.87, 0.67%, 0.6%

LAB 81.19, -44.26, 58.98

 

CMYK 30 / 0 / 57 / 6

HEX #A7EF66

RGB 167 239 102

HSL 91.53, 0.81%, 0.67%

LAB 87.44, -44.4, 58.1

 

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

CMYK 48 / 0 / 92 / 42

HEX #4D950C

RGB 77 149 12

HSL 91.53, 0.85%, 0.32%

LAB 55.17, -43.52, 55.81

 

CMYK 54 / 0 / 100 / 49

HEX #3C8300

RGB 60 131 0

HSL 92.52, 1%, 0.26%

LAB 48.5, -42.15, 52.23

 

CMYK 62 / 0 / 100 / 56

HEX #2B7100

RGB 43 113 0

HSL 97.17, 1%, 0.22%

LAB 41.73, -40.23, 46.63

 

CMYK 73 / 0 / 100 / 63

HEX #1A5F00

RGB 26 95 0

HSL 103.58, 1%, 0.19%

LAB 34.81, -37.89, 40.93

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 22 / 0 / 82 / 34

HEX #83A81E

RGB 131 168 30

HSL 76.09, 0.7%, 0.39%

LAB 64.1, -31.01, 60.59

 

CMYK 0 / 1 / 82 / 34

HEX #A8A71E

RGB 168 167 30

HSL 59.57, 0.7%, 0.39%

LAB 66.56, -14.68, 63.8

 

CMYK 0 / 23 / 82 / 34

HEX #A8821E

RGB 168 130 30

HSL 43.48, 0.7%, 0.39%

LAB 56.47, 5.25, 55.04

 

CMYK 0 / 45 / 82 / 34

HEX #A85D1E

RGB 168 93 30

HSL 27.39, 0.7%, 0.39%

LAB 47.3, 26.03, 46.81

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 66 / 0 / 82 / 34

HEX #39A81E

RGB 57 168 30

HSL 108.26, 0.7%, 0.39%

LAB 60.75, -55.2, 56.31

 

CMYK 82 / 0 / 76 / 34

HEX #1EA829

RGB 30 168 41

HSL 124.78, 0.7%, 0.39%

LAB 60.29, -58.99, 52.18

 

CMYK 82 / 0 / 54 / 34

HEX #1EA84E

RGB 30 168 78

HSL 140.87, 0.7%, 0.39%

LAB 60.63, -54.74, 36.41

 

CMYK 82 / 0 / 32 / 34

HEX #1EA873

RGB 30 168 115

HSL 156.96, 0.7%, 0.39%

LAB 61.24, -47.75, 17.64

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 49 / 0 / 92 / 28

HEX #5DB80E

RGB 93 184 14

HSL 92.12, 0.86%, 0.39%

LAB 67.01, -52.03, 65.59

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 37 / 0 / 70 / 41

HEX #5F972E

RGB 95 151 46

HSL 92, 0.53%, 0.39%

LAB 56.84, -36.31, 47.4

 

CMYK 29 / 0 / 53 / 47

HEX #60873F

RGB 96 135 63

HSL 92.5, 0.36%, 0.39%

LAB 52.03, -26.79, 34.1

 

CMYK 18 / 0 / 34 / 53

HEX #61774F

RGB 97 119 79

HSL 93, 0.2%, 0.39%

LAB 47.37, -15.92, 19.43

 

CMYK 4 / 0 / 8 / 60

HEX #63675F

RGB 99 103 95

HSL 90, 0.04%, 0.39%

LAB 43.03, -3.19, 3.97

 

CMYK 0 / 0 / 82 / 34

HEX #A8A81E

RGB 168 168 30

HSL 60, 0.7%, 0.39%

LAB 66.84, -15.2, 64.04

 

CMYK 22 / 0 / 82 / 34

HEX #83A81E

RGB 131 168 30

HSL 76.09, 0.7%, 0.39%

LAB 64.1, -31.01, 60.59

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 65 / 0 / 82 / 34

HEX #3AA81E

RGB 58 168 30

HSL 107.83, 0.7%, 0.39%

LAB 60.78, -54.98, 56.34

 

CMYK 82 / 0 / 77 / 34

HEX #1EA827

RGB 30 168 39

HSL 123.91, 0.7%, 0.39%

LAB 60.27, -59.14, 52.86

 

CMYK 44 / 0 / 82 / 62

HEX #376212

RGB 55 98 18

HSL 92.25, 0.69%, 0.23%

LAB 37.1, -29.21, 37.88

 

CMYK 44 / 0 / 82 / 48

HEX #4A8518

RGB 74 133 24

HSL 92.48, 0.69%, 0.31%

LAB 49.85, -37.44, 48.2

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

CMYK 44 / 0 / 82 / 21

HEX #71CA25

RGB 113 202 37

HSL 92.36, 0.69%, 0.47%

LAB 73.47, -51.91, 66.76

 

CMYK 39 / 0 / 72 / 14

HEX #86DB3D

RGB 134 219 61

HSL 92.28, 0.69%, 0.55%

LAB 79.65, -50.51, 65.59

 

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

CMYK 82 / 0 / 22 / 34

HEX #1EA883

RGB 30 168 131

HSL 163.91, 0.7%, 0.39%

LAB 61.59, -43.95, 9.27

 

CMYK 0 / 82 / 11 / 34

HEX #A81E95

RGB 168 30 149

HSL 308.26, 0.7%, 0.39%

LAB 40.28, 64.56, -32.34

 

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

CMYK 82 / 44 / 0 / 34

HEX #1E5EA8

RGB 30 94 168

HSL 212.17, 0.7%, 0.39%

LAB 39.76, 7.7, -45.38

 

CMYK 0 / 82 / 44 / 34

HEX #A81E5E

RGB 168 30 94

HSL 332.17, 0.7%, 0.39%

LAB 37.95, 57.91, -1.65

 

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

CMYK 82 / 0 / 22 / 34

HEX #1EA883

RGB 30 168 131

HSL 163.91, 0.7%, 0.39%

LAB 61.59, -43.95, 9.27

 

CMYK 38 / 82 / 0 / 34

HEX #681EA8

RGB 104 30 168

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

 

CMYK 0 / 82 / 60 / 34

HEX #A81E43

RGB 168 30 67

HSL 343.91, 0.7%, 0.39%

LAB 37.22, 55.72, 14.63

 

CMYK 44 / 0 / 81 / 35

HEX #5EA71F

RGB 94 167 31

HSL 92.21, 0.69%, 0.39%

LAB 61.75, -44.43, 57.43

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 38 / 82 / 0 / 34

HEX #681EA8

RGB 104 30 168

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

 

CMYK 0 / 79 / 82 / 34

HEX #A8231E

RGB 168 35 30

HSL 2.17, 0.7%, 0.39%

LAB 37.15, 52.52, 37.25

 

Description

Color code: HEX #5EA71F | qconv.com Color code: HEX #5EA71F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 167 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 167 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 81 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 81% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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