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Color name
HEX #5EB415

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB415 it is the complementary color #A14BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB415 shade: #63B410, #74C623, #85D836, #96EA49 and #A7FC5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB415 shade: #5EB415, #4DA202, #3C9000, #2B7E00 and #1A6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB415 shade: #5DB214, #87B214, #B1B214, #B28714 and #B25D14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB415 shade: #5DB214, #32B214, #14B221, #14B24B and #14B276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB415 shade matches the following richer shades: #5DB214 and #5BC204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB415 shade: #5DB214, #5EA124, #5F9135, #608145 and #627155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB415 shade: #B2B214, #88B214, #5EB214, #34B214 and #14B21F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB415 shade: #36680C, #498D10, #5DB214, #70D619 and #85E632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB415 shade: #5EB415, #14B288 and #B2149D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB415 shade: #5EB415, #145EB2 and #B2145E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB415 shade: #5EB415, #14B288, #6814B2 and #B2143E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB415 shade: #5EB415, #14ACB2, #6814B2 and #B21A14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

Complementary color

CMYK 31 / 68 / 0 / 8

HEX #A14BEA

RGB 161 75 234

HSL 272.45, 0.79%, 0.61%

LAB 50.16, 62.92, -66.21

 

CMYK 45 / 0 / 91 / 29

HEX #63B410

RGB 99 180 16

HSL 89.63, 0.84%, 0.38%

LAB 66.01, -48.54, 64.56

 

CMYK 41 / 0 / 82 / 22

HEX #74C623

RGB 116 198 35

HSL 90.18, 0.7%, 0.46%

LAB 72.38, -49.44, 66.34

 

CMYK 38 / 0 / 75 / 15

HEX #85D836

RGB 133 216 54

HSL 90.74, 0.68%, 0.53%

LAB 78.67, -50.05, 66.96

 

CMYK 36 / 0 / 69 / 8

HEX #96EA49

RGB 150 234 73

HSL 91.3, 0.79%, 0.6%

LAB 84.9, -50.47, 66.85

 

CMYK 34 / 0 / 63 / 1

HEX #A7FC5C

RGB 167 252 92

HSL 91.88, 0.96%, 0.67%

LAB 91.06, -50.74, 66.3

 

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

CMYK 52 / 0 / 99 / 36

HEX #4DA202

RGB 77 162 2

HSL 91.88, 0.98%, 0.32%

LAB 59.36, -48.81, 60.75

 

CMYK 58 / 0 / 100 / 44

HEX #3C9000

RGB 60 144 0

HSL 95, 1%, 0.28%

LAB 52.85, -47.07, 55.65

 

CMYK 66 / 0 / 100 / 51

HEX #2B7E00

RGB 43 126 0

HSL 99.52, 1%, 0.25%

LAB 46.22, -44.99, 50.19

 

CMYK 76 / 0 / 100 / 58

HEX #1A6C00

RGB 26 108 0

HSL 105.56, 1%, 0.21%

LAB 39.49, -42.45, 44.65

 

CMYK 48 / 0 / 89 / 30

HEX #5DB214

RGB 93 178 20

HSL 92.28, 0.8%, 0.39%

LAB 65.14, -49.57, 63.02

 

CMYK 24 / 0 / 89 / 30

HEX #87B214

RGB 135 178 20

HSL 76.33, 0.8%, 0.39%

LAB 67.31, -34.35, 65.71

 

CMYK 1 / 0 / 89 / 30

HEX #B1B214

RGB 177 178 20

HSL 60.38, 0.8%, 0.39%

LAB 70.34, -16.61, 69.44

 

CMYK 0 / 24 / 89 / 30

HEX #B28714

RGB 178 135 20

HSL 43.67, 0.8%, 0.39%

LAB 58.83, 6.75, 60.32

 

CMYK 0 / 48 / 89 / 30

HEX #B25D14

RGB 178 93 20

HSL 27.72, 0.8%, 0.39%

LAB 48.69, 30.01, 52.3

 

CMYK 48 / 0 / 89 / 30

HEX #5DB214

RGB 93 178 20

HSL 92.28, 0.8%, 0.39%

LAB 65.14, -49.57, 63.02

 

CMYK 72 / 0 / 89 / 30

HEX #32B214

RGB 50 178 20

HSL 108.61, 0.8%, 0.39%

LAB 63.81, -60.31, 61.36

 

CMYK 89 / 0 / 81 / 30

HEX #14B221

RGB 20 178 33

HSL 124.94, 0.8%, 0.39%

LAB 63.42, -63.52, 57.72

 

CMYK 89 / 0 / 58 / 30

HEX #14B24B

RGB 20 178 75

HSL 140.89, 0.8%, 0.39%

LAB 63.75, -59.42, 41.59

 

CMYK 89 / 0 / 34 / 30

HEX #14B276

RGB 20 178 118

HSL 157.22, 0.8%, 0.39%

LAB 64.4, -51.77, 20.31

 

CMYK 48 / 0 / 89 / 30

HEX #5DB214

RGB 93 178 20

HSL 92.28, 0.8%, 0.39%

LAB 65.14, -49.57, 63.02

 

CMYK 53 / 0 / 98 / 24

HEX #5BC204

RGB 91 194 4

HSL 92.53, 0.96%, 0.39%

LAB 70.05, -56.5, 69.21

 

CMYK 48 / 0 / 89 / 30

HEX #5DB214

RGB 93 178 20

HSL 92.28, 0.8%, 0.39%

LAB 65.14, -49.57, 63.02

 

CMYK 42 / 0 / 78 / 37

HEX #5EA124

RGB 94 161 36

HSL 92.16, 0.63%, 0.39%

LAB 59.89, -41.68, 54.14

 

CMYK 34 / 0 / 63 / 43

HEX #5F9135

RGB 95 145 53

HSL 92.61, 0.46%, 0.39%

LAB 55.01, -32.99, 42.39

 

CMYK 26 / 0 / 47 / 49

HEX #608145

RGB 96 129 69

HSL 93, 0.3%, 0.39%

LAB 50.24, -23.03, 28.73

 

CMYK 13 / 0 / 25 / 56

HEX #627155

RGB 98 113 85

HSL 92.14, 0.14%, 0.39%

LAB 45.72, -11.21, 13.72

 

CMYK 0 / 0 / 89 / 30

HEX #B2B214

RGB 178 178 20

HSL 60, 0.8%, 0.39%

LAB 70.42, -16.17, 69.54

 

CMYK 24 / 0 / 89 / 30

HEX #88B214

RGB 136 178 20

HSL 75.95, 0.8%, 0.39%

LAB 67.37, -33.95, 65.79

 

CMYK 47 / 0 / 89 / 30

HEX #5EB214

RGB 94 178 20

HSL 91.9, 0.8%, 0.39%

LAB 65.18, -49.26, 63.07

 

CMYK 71 / 0 / 89 / 30

HEX #34B214

RGB 52 178 20

HSL 107.85, 0.8%, 0.39%

LAB 63.85, -59.95, 61.41

 

CMYK 89 / 0 / 83 / 30

HEX #14B21F

RGB 20 178 31

HSL 124.18, 0.8%, 0.39%

LAB 63.42, -63.63, 58.27

 

CMYK 48 / 0 / 88 / 59

HEX #36680C

RGB 54 104 12

HSL 92.61, 0.79%, 0.23%

LAB 39.09, -32.59, 41.6

 

CMYK 48 / 0 / 89 / 45

HEX #498D10

RGB 73 141 16

HSL 92.64, 0.8%, 0.31%

LAB 52.4, -41.48, 52.6

 

CMYK 48 / 0 / 89 / 30

HEX #5DB214

RGB 93 178 20

HSL 92.28, 0.8%, 0.39%

LAB 65.14, -49.57, 63.02

 

CMYK 48 / 0 / 88 / 16

HEX #70D619

RGB 112 214 25

HSL 92.38, 0.79%, 0.47%

LAB 77.05, -57.24, 72.5

 

CMYK 42 / 0 / 78 / 10

HEX #85E632

RGB 133 230 50

HSL 92.33, 0.78%, 0.55%

LAB 82.81, -55.82, 72.1

 

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

CMYK 89 / 0 / 24 / 30

HEX #14B288

RGB 20 178 136

HSL 164.05, 0.8%, 0.39%

LAB 64.78, -47.58, 11

 

CMYK 0 / 89 / 12 / 30

HEX #B2149D

RGB 178 20 157

HSL 307.97, 0.8%, 0.39%

LAB 41.84, 69.73, -34.6

 

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

CMYK 89 / 47 / 0 / 30

HEX #145EB2

RGB 20 94 178

HSL 211.9, 0.8%, 0.39%

LAB 40.19, 10.87, -50.6

 

CMYK 0 / 89 / 47 / 30

HEX #B2145E

RGB 178 20 94

HSL 331.9, 0.8%, 0.39%

LAB 39.2, 62.57, 0.4

 

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

CMYK 89 / 0 / 24 / 30

HEX #14B288

RGB 20 178 136

HSL 164.05, 0.8%, 0.39%

LAB 64.78, -47.58, 11

 

CMYK 42 / 89 / 0 / 30

HEX #6814B2

RGB 104 20 178

HSL 271.9, 0.8%, 0.39%

LAB 31.01, 61.38, -65.3

 

CMYK 0 / 89 / 65 / 30

HEX #B2143E

RGB 178 20 62

HSL 344.05, 0.8%, 0.39%

LAB 38.4, 60.32, 19.76

 

CMYK 48 / 0 / 88 / 29

HEX #5EB415

RGB 94 180 21

HSL 92.45, 0.79%, 0.39%

LAB 65.81, -50, 63.41

 

CMYK 89 / 3 / 0 / 30

HEX #14ACB2

RGB 20 172 178

HSL 182.28, 0.8%, 0.39%

LAB 64.05, -33.14, -13.39

 

CMYK 42 / 89 / 0 / 30

HEX #6814B2

RGB 104 20 178

HSL 271.9, 0.8%, 0.39%

LAB 31.01, 61.38, -65.3

 

CMYK 0 / 85 / 89 / 30

HEX #B21A14

RGB 178 26 20

HSL 2.28, 0.8%, 0.39%

LAB 38.29, 57.58, 44.15

 

Description

Color code: HEX #5EB415 | qconv.com Color code: HEX #5EB415 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 180 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 180 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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