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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED8AF it is the complementary color #A12750. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED8AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED8AF shade: #63D8AA, #74EABD, #85FCD0, #96FFE3 and #A7FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED8AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED8AF shade: #5ED8AF, #4DC69C, #3CB489, #2BA276 and #1A9063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED8AF shade: #5ED8AF, #5ED88E, #5ED86E, #70D85E and #91D85E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED8AF shade: #5ED8AF, #5ED8D0, #5EBFD8, #5E9ED8 and #5E7ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED8AF shade matches the following richer shades: #5ED8AF, #4EE8B4 and #3EF8BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED8AF shade: #5ED8AF, #6EC8AA, #7FB8A4, #8FA79F and #9F979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED8AF shade: #5ED86D, #5ED88D, #5ED8AD, #5ED8CE and #5EC1D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED8AF shade: #2CB889, #3DD09E, #5ED8AF, #80E0BF and #A1E8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED8AF shade: #5ED8AF, #5E71D8 and #D87D5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED8AF shade: #5ED8AF, #AD5ED8 and #D8AD5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED8AF shade: #5ED8AF, #5E71D8, #D85E89 and #D8C65E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED8AF shade: #5ED8AF, #715ED8, #D85E89 and #C6D85E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

Complementary color

CMYK 0 / 76 / 50 / 37

HEX #A12750

RGB 161 39 80

HSL 339.84, 0.61%, 0.39%

LAB 37.13, 52, 5.94

 

CMYK 54 / 0 / 21 / 15

HEX #63D8AA

RGB 99 216 170

HSL 156.41, 0.6%, 0.62%

LAB 78.85, -43.89, 12.78

 

CMYK 50 / 0 / 19 / 8

HEX #74EABD

RGB 116 234 189

HSL 157.12, 0.74%, 0.69%

LAB 85.12, -43.82, 11.73

 

CMYK 47 / 0 / 17 / 1

HEX #85FCD0

RGB 133 252 208

HSL 157.82, 0.95%, 0.75%

LAB 91.31, -43.69, 10.76

 

CMYK 41 / 0 / 11 / 0

HEX #96FFE3

RGB 150 255 227

HSL 164, 1%, 0.79%

LAB 93.25, -36.82, 3.84

 

CMYK 35 / 0 / 4 / 0

HEX #A7FFF6

RGB 167 255 246

HSL 173.86, 1%, 0.83%

LAB 94.48, -28.29, -4.1

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 61 / 0 / 21 / 22

HEX #4DC69C

RGB 77 198 156

HSL 159.17, 0.51%, 0.54%

LAB 72.47, -43.76, 11.14

 

CMYK 67 / 0 / 24 / 29

HEX #3CB489

RGB 60 180 137

HSL 158.5, 0.5%, 0.47%

LAB 66.07, -43.52, 12.36

 

CMYK 73 / 0 / 27 / 36

HEX #2BA276

RGB 43 162 118

HSL 157.82, 0.58%, 0.4%

LAB 59.58, -43.05, 13.72

 

CMYK 82 / 0 / 31 / 44

HEX #1A9063

RGB 26 144 99

HSL 157.12, 0.69%, 0.33%

LAB 53.02, -42.22, 15.25

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 56 / 0 / 34 / 15

HEX #5ED88E

RGB 94 216 142

HSL 143.61, 0.61%, 0.61%

LAB 78.14, -50.64, 26.47

 

CMYK 56 / 0 / 49 / 15

HEX #5ED86E

RGB 94 216 110

HSL 127.87, 0.61%, 0.61%

LAB 77.65, -55.87, 41.97

 

CMYK 48 / 0 / 56 / 15

HEX #70D85E

RGB 112 216 94

HSL 111.15, 0.61%, 0.61%

LAB 78.09, -53.22, 50.19

 

CMYK 33 / 0 / 56 / 15

HEX #91D85E

RGB 145 216 94

HSL 94.92, 0.61%, 0.61%

LAB 79.58, -42.82, 52.31

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 56 / 0 / 4 / 15

HEX #5ED8D0

RGB 94 216 208

HSL 176.07, 0.61%, 0.61%

LAB 79.64, -35.81, -6.35

 

CMYK 56 / 12 / 0 / 15

HEX #5EBFD8

RGB 94 191 216

HSL 192.3, 0.61%, 0.61%

LAB 72.63, -21.45, -21.19

 

CMYK 56 / 27 / 0 / 15

HEX #5E9ED8

RGB 94 158 216

HSL 208.52, 0.61%, 0.61%

LAB 63.17, -3.73, -35.75

 

CMYK 56 / 42 / 0 / 15

HEX #5E7ED8

RGB 94 126 216

HSL 224.26, 0.61%, 0.61%

LAB 54.3, 15.06, -49.72

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 66 / 0 / 22 / 9

HEX #4EE8B4

RGB 78 232 180

HSL 159.74, 0.77%, 0.61%

LAB 83.25, -52.35, 13.64

 

CMYK 75 / 0 / 25 / 3

HEX #3EF8BA

RGB 62 248 186

HSL 160, 0.93%, 0.61%

LAB 87.83, -59.52, 16.93

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 45 / 0 / 15 / 22

HEX #6EC8AA

RGB 110 200 170

HSL 160, 0.45%, 0.61%

LAB 74.52, -34.08, 6.67

 

CMYK 31 / 0 / 11 / 28

HEX #7FB8A4

RGB 127 184 164

HSL 158.95, 0.29%, 0.61%

LAB 70.51, -22.9, 4.25

 

CMYK 14 / 0 / 5 / 35

HEX #8FA79F

RGB 143 167 159

HSL 160, 0.12%, 0.61%

LAB 66.5, -9.96, 1.33

 

CMYK 0 / 5 / 3 / 38

HEX #9F979A

RGB 159 151 154

HSL 337.5, 0.04%, 0.61%

LAB 63.21, 3.49, -0.53

 

CMYK 56 / 0 / 50 / 15

HEX #5ED86D

RGB 94 216 109

HSL 127.38, 0.61%, 0.61%

LAB 77.64, -56.01, 42.44

 

CMYK 56 / 0 / 35 / 15

HEX #5ED88D

RGB 94 216 141

HSL 143.11, 0.61%, 0.61%

LAB 78.12, -50.82, 26.96

 

CMYK 56 / 0 / 20 / 15

HEX #5ED8AD

RGB 94 216 173

HSL 158.85, 0.61%, 0.61%

LAB 78.76, -44.29, 11.03

 

CMYK 56 / 0 / 5 / 15

HEX #5ED8CE

RGB 94 216 206

HSL 175.08, 0.61%, 0.61%

LAB 79.58, -36.33, -5.37

 

CMYK 56 / 11 / 0 / 15

HEX #5EC1D8

RGB 94 193 216

HSL 191.31, 0.61%, 0.61%

LAB 73.21, -22.47, -20.31

 

CMYK 76 / 0 / 26 / 28

HEX #2CB889

RGB 44 184 137

HSL 159.86, 0.61%, 0.45%

LAB 66.99, -47.54, 13.62

 

CMYK 71 / 0 / 24 / 18

HEX #3DD09E

RGB 61 208 158

HSL 159.59, 0.61%, 0.53%

LAB 75.18, -50.16, 13.85

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 43 / 0 / 15 / 12

HEX #80E0BF

RGB 128 224 191

HSL 159.38, 0.61%, 0.69%

LAB 82.73, -35.99, 7.34

 

CMYK 31 / 0 / 10 / 9

HEX #A1E8D0

RGB 161 232 208

HSL 159.72, 0.61%, 0.77%

LAB 86.92, -27.12, 4.62

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 56 / 48 / 0 / 15

HEX #5E71D8

RGB 94 113 216

HSL 230.66, 0.61%, 0.61%

LAB 50.86, 23.01, -55.22

 

CMYK 0 / 42 / 56 / 15

HEX #D87D5E

RGB 216 125 94

HSL 15.25, 0.61%, 0.61%

LAB 61.72, 32.29, 32.08

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 20 / 56 / 0 / 15

HEX #AD5ED8

RGB 173 94 216

HSL 278.85, 0.61%, 0.61%

LAB 53.86, 52.51, -50

 

CMYK 0 / 20 / 56 / 15

HEX #D8AD5E

RGB 216 173 94

HSL 38.85, 0.61%, 0.61%

LAB 73.09, 6.52, 46.02

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 56 / 48 / 0 / 15

HEX #5E71D8

RGB 94 113 216

HSL 230.66, 0.61%, 0.61%

LAB 50.86, 23.01, -55.22

 

CMYK 0 / 56 / 37 / 15

HEX #D85E89

RGB 216 94 137

HSL 338.85, 0.61%, 0.61%

LAB 56.5, 52.06, 0.22

 

CMYK 0 / 8 / 56 / 15

HEX #D8C65E

RGB 216 198 94

HSL 51.15, 0.61%, 0.61%

LAB 79.5, -6.57, 53.49

 

CMYK 56 / 0 / 19 / 15

HEX #5ED8AF

RGB 94 216 175

HSL 159.84, 0.61%, 0.61%

LAB 78.8, -43.85, 10.03

 

CMYK 48 / 56 / 0 / 15

HEX #715ED8

RGB 113 94 216

HSL 249.34, 0.61%, 0.61%

LAB 47.59, 38.42, -60.41

 

CMYK 0 / 56 / 37 / 15

HEX #D85E89

RGB 216 94 137

HSL 338.85, 0.61%, 0.61%

LAB 56.5, 52.06, 0.22

 

CMYK 8 / 0 / 56 / 15

HEX #C6D85E

RGB 198 216 94

HSL 68.85, 0.61%, 0.61%

LAB 82.87, -22.92, 56.95

 

Description

Color code: HEX #5ED8AF | qconv.com Color code: HEX #5ED8AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 216 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 216 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 19 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 19% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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