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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED9D5 it is the complementary color #A1262A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED9D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED9D5 shade: #63D9D0, #74EBE3, #85FDF6, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED9D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED9D5 shade: #5ED9D5, #4DC7C2, #3CB5AF, #2BA39C and #1A9189

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED9D5 shade: #5DD9D5, #5DD9B3, #5DD992, #5DD971 and #6BD95D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED9D5 shade: #5DD9D5, #5DBBD9, #5D9AD9, #5D79D9 and #5D5DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED9D5 shade matches the following richer shades: #5DD9D5, #4DE9E4 and #3DF9F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED9D5 shade: #5DD9D5, #6DC9C6, #7EB9B7, #8EA8A8 and #9E9899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED9D5 shade: #5DD993, #5DD9B4, #5DD9D5, #5DBCD9 and #5D9BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED9D5 shade: #2BB9B4, #3CD1CC, #5DD9D5, #7FE1DD and #A0E8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED9D5 shade: #5ED9D5, #725DD9 and #D9A35D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED9D5 shade: #5ED9D5, #D55DD9 and #D9D55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED9D5 shade: #5ED9D5, #725DD9, #D95D62 and #C4D95D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED9D5 shade: #5ED9D5, #975DD9, #D95D62 and #9FD95D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

Complementary color

CMYK 0 / 76 / 74 / 37

HEX #A1262A

RGB 161 38 42

HSL 358.05, 0.62%, 0.39%

LAB 36.23, 49.83, 28.86

 

CMYK 54 / 0 / 4 / 15

HEX #63D9D0

RGB 99 217 208

HSL 175.42, 0.61%, 0.62%

LAB 80.09, -35.32, -5.68

 

CMYK 51 / 0 / 3 / 8

HEX #74EBE3

RGB 116 235 227

HSL 175.97, 0.75%, 0.69%

LAB 86.34, -35.43, -6.43

 

CMYK 47 / 0 / 3 / 1

HEX #85FDF6

RGB 133 253 246

HSL 176.5, 0.97%, 0.76%

LAB 92.53, -35.48, -7.13

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

CMYK 61 / 0 / 3 / 22

HEX #4DC7C2

RGB 77 199 194

HSL 177.54, 0.52%, 0.54%

LAB 73.75, -34.66, -7.59

 

CMYK 67 / 0 / 3 / 29

HEX #3CB5AF

RGB 60 181 175

HSL 177.02, 0.5%, 0.47%

LAB 67.35, -34.19, -6.73

 

CMYK 74 / 0 / 4 / 36

HEX #2BA39C

RGB 43 163 156

HSL 176.5, 0.58%, 0.4%

LAB 60.88, -33.51, -5.76

 

CMYK 82 / 0 / 6 / 43

HEX #1A9189

RGB 26 145 137

HSL 175.97, 0.7%, 0.34%

LAB 54.32, -32.5, -4.68

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 57 / 0 / 18 / 15

HEX #5DD9B3

RGB 93 217 179

HSL 161.61, 0.62%, 0.61%

LAB 79.16, -43.57, 8.41

 

CMYK 57 / 0 / 33 / 15

HEX #5DD992

RGB 93 217 146

HSL 145.65, 0.62%, 0.61%

LAB 78.48, -50.51, 24.85

 

CMYK 57 / 0 / 48 / 15

HEX #5DD971

RGB 93 217 113

HSL 129.68, 0.62%, 0.61%

LAB 77.96, -56.06, 40.89

 

CMYK 51 / 0 / 57 / 15

HEX #6BD95D

RGB 107 217 93

HSL 113.23, 0.62%, 0.61%

LAB 78.19, -55.11, 50.72

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 57 / 14 / 0 / 15

HEX #5DBBD9

RGB 93 187 217

HSL 194.52, 0.62%, 0.61%

LAB 71.47, -19.3, -23.5

 

CMYK 57 / 29 / 0 / 15

HEX #5D9AD9

RGB 93 154 217

HSL 210.48, 0.62%, 0.61%

LAB 62.04, -1.35, -38.08

 

CMYK 57 / 44 / 0 / 15

HEX #5D79D9

RGB 93 121 217

HSL 226.45, 0.62%, 0.61%

LAB 52.96, 18.23, -52.42

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DD9

RGB 93 93 217

HSL 240, 0.62%, 0.61%

LAB 45.86, 35.41, -63.85

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 67 / 0 / 2 / 9

HEX #4DE9E4

RGB 77 233 228

HSL 178.08, 0.78%, 0.61%

LAB 84.72, -40.99, -9.48

 

CMYK 76 / 0 / 2 / 2

HEX #3DF9F3

RGB 61 249 243

HSL 178.09, 0.94%, 0.61%

LAB 89.49, -45.83, -10.27

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 46 / 0 / 1 / 21

HEX #6DC9C6

RGB 109 201 198

HSL 178.04, 0.46%, 0.61%

LAB 75.51, -28.11, -7.03

 

CMYK 32 / 0 / 1 / 27

HEX #7EB9B7

RGB 126 185 183

HSL 177.97, 0.3%, 0.61%

LAB 71.25, -19.41, -5.09

 

CMYK 15 / 0 / 0 / 34

HEX #8EA8A8

RGB 142 168 168

HSL 180, 0.13%, 0.61%

LAB 66.96, -8.95, -3.02

 

CMYK 0 / 4 / 3 / 38

HEX #9E9899

RGB 158 152 153

HSL 350, 0.03%, 0.61%

LAB 63.36, 2.38, 0.25

 

CMYK 57 / 0 / 32 / 15

HEX #5DD993

RGB 93 217 147

HSL 146.13, 0.62%, 0.61%

LAB 78.5, -50.32, 24.35

 

CMYK 57 / 0 / 17 / 15

HEX #5DD9B4

RGB 93 217 180

HSL 162.1, 0.62%, 0.61%

LAB 79.18, -43.34, 7.92

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 57 / 13 / 0 / 15

HEX #5DBCD9

RGB 93 188 217

HSL 194.03, 0.62%, 0.61%

LAB 71.76, -19.82, -23.06

 

CMYK 57 / 29 / 0 / 15

HEX #5D9BD9

RGB 93 155 217

HSL 210, 0.62%, 0.61%

LAB 62.32, -1.92, -37.64

 

CMYK 77 / 0 / 3 / 27

HEX #2BB9B4

RGB 43 185 180

HSL 177.89, 0.62%, 0.45%

LAB 68.39, -36.78, -7.98

 

CMYK 71 / 0 / 2 / 18

HEX #3CD1CC

RGB 60 209 204

HSL 177.99, 0.62%, 0.53%

LAB 76.63, -38.98, -8.76

 

CMYK 57 / 0 / 2 / 15

HEX #5DD9D5

RGB 93 217 213

HSL 178.06, 0.62%, 0.61%

LAB 80.04, -35.15, -8.43

 

CMYK 44 / 0 / 2 / 12

HEX #7FE1DD

RGB 127 225 221

HSL 177.55, 0.62%, 0.69%

LAB 83.75, -29.77, -7.06

 

CMYK 31 / 0 / 1 / 9

HEX #A0E8E6

RGB 160 232 230

HSL 178.33, 0.61%, 0.77%

LAB 87.44, -22.64, -6.18

 

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

CMYK 47 / 57 / 0 / 15

HEX #725DD9

RGB 114 93 217

HSL 250.16, 0.62%, 0.61%

LAB 47.52, 39.5, -61.09

 

CMYK 0 / 25 / 57 / 15

HEX #D9A35D

RGB 217 163 93

HSL 33.87, 0.62%, 0.61%

LAB 70.69, 12.22, 43.68

 

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

CMYK 2 / 57 / 0 / 15

HEX #D55DD9

RGB 213 93 217

HSL 298.06, 0.62%, 0.61%

LAB 58.96, 63.33, -42.17

 

CMYK 0 / 2 / 57 / 15

HEX #D9D55D

RGB 217 213 93

HSL 58.06, 0.62%, 0.61%

LAB 83.51, -13.83, 58.5

 

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

CMYK 47 / 57 / 0 / 15

HEX #725DD9

RGB 114 93 217

HSL 250.16, 0.62%, 0.61%

LAB 47.52, 39.5, -61.09

 

CMYK 0 / 57 / 55 / 15

HEX #D95D62

RGB 217 93 98

HSL 357.58, 0.62%, 0.61%

LAB 55.55, 49.09, 21.8

 

CMYK 10 / 0 / 57 / 15

HEX #C4D95D

RGB 196 217 93

HSL 70.16, 0.62%, 0.61%

LAB 82.99, -24.28, 57.48

 

CMYK 57 / 0 / 2 / 15

HEX #5ED9D5

RGB 94 217 213

HSL 178.05, 0.62%, 0.61%

LAB 80.07, -34.97, -8.38

 

CMYK 30 / 57 / 0 / 15

HEX #975DD9

RGB 151 93 217

HSL 268.06, 0.62%, 0.61%

LAB 51.17, 47.85, -55.02

 

CMYK 0 / 57 / 55 / 15

HEX #D95D62

RGB 217 93 98

HSL 357.58, 0.62%, 0.61%

LAB 55.55, 49.09, 21.8

 

CMYK 27 / 0 / 57 / 15

HEX #9FD95D

RGB 159 217 93

HSL 88.06, 0.62%, 0.61%

LAB 80.62, -38.41, 54.15

 

Description

Color code: HEX #5ED9D5 | qconv.com Color code: HEX #5ED9D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 217 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 217 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 2 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 2% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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