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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED0F8 it is the complementary color #A12F07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED0F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED0F8 shade: #63D0F3, #74E2FF, #85F4FF, #96FFFF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED0F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED0F8 shade: #5ED0F8, #4DBEE5, #3CACD2, #2B9ABF and #1A88AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED0F8 shade: #5DD0F8, #5DA6F8, #5D7CF8, #685DF8 and #915DF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED0F8 shade: #5DD0F8, #5DA6F8, #5D7CF8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED0F8 shade matches the following richer shades: #5DD0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED0F8 shade: #5DD0F8, #6BC9EA, #78C2DD, #86BCCF and #93B5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED0F8 shade: #5DF8CC, #5DF8F5, #5DD1F8, #5DA8F8 and #5D7EF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED0F8 shade: #0EB9F4, #35C4F6, #5DD0F8, #85DBF9 and #ACE7FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED0F8 shade: #5ED0F8, #A35DF8 and #F8E15D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED0F8 shade: #5ED0F8, #F85DD1 and #D1F85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED0F8 shade: #5ED0F8, #A35DF8, #F8845D and #B2F85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED0F8 shade: #5ED0F8, #D15DF8, #F8845D and #84F85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

Complementary color

CMYK 0 / 71 / 96 / 37

HEX #A12F07

RGB 161 47 7

HSL 15.58, 0.92%, 0.33%

LAB 37.16, 45.5, 46.8

 

CMYK 59 / 14 / 0 / 5

HEX #63D0F3

RGB 99 208 243

HSL 194.58, 0.86%, 0.67%

LAB 78.6, -21.32, -26.62

 

CMYK 55 / 11 / 0 / 0

HEX #74E2FF

RGB 116 226 255

HSL 192.52, 1%, 0.73%

LAB 84.65, -23.73, -23.71

 

CMYK 48 / 4 / 0 / 0

HEX #85F4FF

RGB 133 244 255

HSL 185.41, 1%, 0.76%

LAB 90.28, -29.01, -15.16

 

CMYK 41 / 0 / 0 / 0

HEX #96FFFF

RGB 150 255 255

HSL 180, 1%, 0.79%

LAB 93.98, -30.42, -9.57

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 66 / 17 / 0 / 10

HEX #4DBEE5

RGB 77 190 229

HSL 195.39, 0.75%, 0.6%

LAB 72.27, -20, -28.85

 

CMYK 71 / 18 / 0 / 18

HEX #3CACD2

RGB 60 172 210

HSL 195.2, 0.63%, 0.53%

LAB 65.84, -19.09, -28.38

 

CMYK 77 / 19 / 0 / 25

HEX #2B9ABF

RGB 43 154 191

HSL 195, 0.63%, 0.46%

LAB 59.33, -17.91, -27.86

 

CMYK 85 / 21 / 0 / 33

HEX #1A88AC

RGB 26 136 172

HSL 194.79, 0.74%, 0.39%

LAB 52.74, -16.37, -27.27

 

CMYK 63 / 16 / 0 / 3

HEX #5DD0F8

RGB 93 208 248

HSL 195.48, 0.92%, 0.67%

LAB 78.59, -20.88, -29.33

 

CMYK 63 / 33 / 0 / 3

HEX #5DA6F8

RGB 93 166 248

HSL 211.74, 0.92%, 0.67%

LAB 66.81, 1.78, -47.65

 

CMYK 63 / 50 / 0 / 3

HEX #5D7CF8

RGB 93 124 248

HSL 228, 0.92%, 0.67%

LAB 55.6, 26.67, -65.51

 

CMYK 58 / 63 / 0 / 3

HEX #685DF8

RGB 104 93 248

HSL 244.26, 0.92%, 0.67%

LAB 48.94, 46.98, -76.27

 

CMYK 42 / 63 / 0 / 3

HEX #915DF8

RGB 145 93 248

HSL 260.13, 0.92%, 0.67%

LAB 52.54, 54.34, -70.27

 

CMYK 63 / 16 / 0 / 3

HEX #5DD0F8

RGB 93 208 248

HSL 195.48, 0.92%, 0.67%

LAB 78.59, -20.88, -29.33

 

CMYK 63 / 33 / 0 / 3

HEX #5DA6F8

RGB 93 166 248

HSL 211.74, 0.92%, 0.67%

LAB 66.81, 1.78, -47.65

 

CMYK 63 / 50 / 0 / 3

HEX #5D7CF8

RGB 93 124 248

HSL 228, 0.92%, 0.67%

LAB 55.6, 26.67, -65.51

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 63 / 16 / 0 / 3

HEX #5DD0F8

RGB 93 208 248

HSL 195.48, 0.92%, 0.67%

LAB 78.59, -20.88, -29.33

 

CMYK 63 / 16 / 0 / 3

HEX #5DD0F8

RGB 93 208 248

HSL 195.48, 0.92%, 0.67%

LAB 78.59, -20.88, -29.33

 

CMYK 54 / 14 / 0 / 8

HEX #6BC9EA

RGB 107 201 234

HSL 195.59, 0.75%, 0.67%

LAB 76.58, -18.82, -24.86

 

CMYK 46 / 12 / 0 / 13

HEX #78C2DD

RGB 120 194 221

HSL 196.04, 0.6%, 0.67%

LAB 74.7, -15.96, -20.66

 

CMYK 35 / 9 / 0 / 19

HEX #86BCCF

RGB 134 188 207

HSL 195.62, 0.43%, 0.67%

LAB 73.25, -12.89, -15.19

 

CMYK 24 / 6 / 0 / 24

HEX #93B5C1

RGB 147 181 193

HSL 195.65, 0.27%, 0.67%

LAB 71.62, -8.76, -9.89

 

CMYK 63 / 0 / 18 / 3

HEX #5DF8CC

RGB 93 248 204

HSL 162.97, 0.92%, 0.67%

LAB 88.84, -51.02, 9.14

 

CMYK 63 / 0 / 1 / 3

HEX #5DF8F5

RGB 93 248 245

HSL 178.84, 0.92%, 0.67%

LAB 89.88, -40.85, -10.67

 

CMYK 63 / 16 / 0 / 3

HEX #5DD1F8

RGB 93 209 248

HSL 195.1, 0.92%, 0.67%

LAB 78.87, -21.38, -28.89

 

CMYK 63 / 32 / 0 / 3

HEX #5DA8F8

RGB 93 168 248

HSL 210.97, 0.92%, 0.67%

LAB 67.36, 0.64, -46.78

 

CMYK 63 / 49 / 0 / 3

HEX #5D7EF8

RGB 93 126 248

HSL 227.23, 0.92%, 0.67%

LAB 56.11, 25.45, -64.69

 

CMYK 94 / 24 / 0 / 4

HEX #0EB9F4

RGB 14 185 244

HSL 195.39, 0.91%, 0.51%

LAB 70.4, -17.98, -39.96

 

CMYK 78 / 20 / 0 / 4

HEX #35C4F6

RGB 53 196 246

HSL 195.54, 0.91%, 0.59%

LAB 74.12, -20.61, -35.22

 

CMYK 63 / 16 / 0 / 3

HEX #5DD0F8

RGB 93 208 248

HSL 195.48, 0.92%, 0.67%

LAB 78.59, -20.88, -29.33

 

CMYK 47 / 12 / 0 / 2

HEX #85DBF9

RGB 133 219 249

HSL 195.52, 0.91%, 0.75%

LAB 83.17, -18.26, -22.73

 

CMYK 31 / 8 / 0 / 2

HEX #ACE7FB

RGB 172 231 251

HSL 195.19, 0.91%, 0.83%

LAB 88.39, -14.02, -15.71

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 34 / 63 / 0 / 3

HEX #A35DF8

RGB 163 93 248

HSL 267.1, 0.92%, 0.67%

LAB 54.44, 58.01, -67.1

 

CMYK 0 / 9 / 63 / 3

HEX #F8E15D

RGB 248 225 93

HSL 51.1, 0.92%, 0.67%

LAB 89.2, -7.13, 65.48

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 0 / 63 / 16 / 3

HEX #F85DD1

RGB 248 93 209

HSL 315.1, 0.92%, 0.67%

LAB 63.66, 71.08, -29.94

 

CMYK 16 / 0 / 63 / 3

HEX #D1F85D

RGB 209 248 93

HSL 75.1, 0.92%, 0.67%

LAB 92.35, -33.75, 68

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 34 / 63 / 0 / 3

HEX #A35DF8

RGB 163 93 248

HSL 267.1, 0.92%, 0.67%

LAB 54.44, 58.01, -67.1

 

CMYK 0 / 47 / 63 / 3

HEX #F8845D

RGB 248 132 93

HSL 15.1, 0.92%, 0.67%

LAB 67.46, 40.99, 40.69

 

CMYK 28 / 0 / 63 / 3

HEX #B2F85D

RGB 178 248 93

HSL 87.1, 0.92%, 0.67%

LAB 90.5, -45.19, 65.46

 

CMYK 62 / 16 / 0 / 3

HEX #5ED0F8

RGB 94 208 248

HSL 195.58, 0.92%, 0.67%

LAB 78.62, -20.71, -29.28

 

CMYK 16 / 63 / 0 / 3

HEX #D15DF8

RGB 209 93 248

HSL 284.9, 0.92%, 0.67%

LAB 60.03, 68.08, -57.82

 

CMYK 0 / 47 / 63 / 3

HEX #F8845D

RGB 248 132 93

HSL 15.1, 0.92%, 0.67%

LAB 67.46, 40.99, 40.69

 

CMYK 47 / 0 / 63 / 3

HEX #84F85D

RGB 132 248 93

HSL 104.9, 0.92%, 0.67%

LAB 88.37, -59.99, 62.51

 

Description

Color code: HEX #5ED0F8 | qconv.com Color code: HEX #5ED0F8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 208 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 208 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 16 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 16% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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