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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ED397 it is the complementary color #A12C68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ED397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ED397 shade: #63D392, #74E5A5, #85F7B8, #96FFCB and #A7FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ED397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ED397 shade: #5ED397, #4DC184, #3CAF71, #2B9D5E and #1A8B4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ED397 shade: #5ED397, #5ED378, #64D35E, #84D35E and #A3D35E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ED397 shade: #5ED397, #5ED3B6, #5ED0D3, #5EB0D3 and #5E91D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ED397 shade matches the following richer shades: #5ED397, #4EE397 and #3DF496

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ED397 shade: #5ED397, #6FC297, #7FB298, #90A198 and #A09199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ED397 shade: #64D35E, #5ED378, #5ED397, #5ED3B6 and #5ED1D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ED397 shade: #30AF6E, #3ECA82, #5ED397, #7FDCAC and #9FE4C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ED397 shade: #5ED397, #5E83D3 and #D3685E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ED397 shade: #5ED397, #975ED3 and #D3975E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ED397 shade: #5ED397, #5E83D3, #D35E9A and #D3AE5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ED397 shade: #5ED397, #5E60D3, #D35E9A and #D3D15E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

Complementary color

CMYK 0 / 73 / 35 / 37

HEX #A12C68

RGB 161 44 104

HSL 329.23, 0.57%, 0.4%

LAB 38.51, 52.68, -7.31

 

CMYK 53 / 0 / 31 / 17

HEX #63D392

RGB 99 211 146

HSL 145.18, 0.56%, 0.61%

LAB 76.87, -46.67, 22.69

 

CMYK 49 / 0 / 28 / 10

HEX #74E5A5

RGB 116 229 165

HSL 146.02, 0.68%, 0.68%

LAB 83.16, -46.54, 21.51

 

CMYK 46 / 0 / 26 / 3

HEX #85F7B8

RGB 133 247 184

HSL 146.84, 0.88%, 0.75%

LAB 89.38, -46.37, 20.4

 

CMYK 41 / 0 / 20 / 0

HEX #96FFCB

RGB 150 255 203

HSL 150.29, 1%, 0.79%

LAB 92.71, -41.79, 15.42

 

CMYK 35 / 0 / 13 / 0

HEX #A7FFDE

RGB 167 255 222

HSL 157.5, 1%, 0.83%

LAB 93.89, -33.4, 7.43

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 60 / 0 / 32 / 24

HEX #4DC184

RGB 77 193 132

HSL 148.45, 0.48%, 0.53%

LAB 70.44, -46.8, 21.21

 

CMYK 66 / 0 / 35 / 31

HEX #3CAF71

RGB 60 175 113

HSL 147.65, 0.49%, 0.46%

LAB 64.01, -46.61, 22.59

 

CMYK 73 / 0 / 40 / 38

HEX #2B9D5E

RGB 43 157 94

HSL 146.84, 0.57%, 0.39%

LAB 57.5, -46.16, 24.11

 

CMYK 81 / 0 / 46 / 45

HEX #1A8B4B

RGB 26 139 75

HSL 146.02, 0.68%, 0.32%

LAB 50.91, -45.28, 25.78

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 0 / 43 / 17

HEX #5ED378

RGB 94 211 120

HSL 133.33, 0.57%, 0.6%

LAB 76.27, -52.42, 35.27

 

CMYK 53 / 0 / 55 / 17

HEX #64D35E

RGB 100 211 94

HSL 116.92, 0.57%, 0.6%

LAB 76.13, -54.55, 47.78

 

CMYK 37 / 0 / 55 / 17

HEX #84D35E

RGB 132 211 94

HSL 100.51, 0.57%, 0.6%

LAB 77.46, -45.05, 49.67

 

CMYK 23 / 0 / 55 / 17

HEX #A3D35E

RGB 163 211 94

HSL 84.62, 0.57%, 0.6%

LAB 79.15, -34.12, 52.07

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 0 / 14 / 17

HEX #5ED3B6

RGB 94 211 182

HSL 165.13, 0.57%, 0.6%

LAB 77.49, -40.02, 4.41

 

CMYK 55 / 1 / 0 / 17

HEX #5ED0D3

RGB 94 208 211

HSL 181.54, 0.57%, 0.6%

LAB 77.4, -31.25, -11.3

 

CMYK 55 / 17 / 0 / 17

HEX #5EB0D3

RGB 94 176 211

HSL 197.95, 0.57%, 0.6%

LAB 68.12, -15.11, -25.34

 

CMYK 55 / 31 / 0 / 17

HEX #5E91D3

RGB 94 145 211

HSL 213.85, 0.57%, 0.6%

LAB 59.28, 2.15, -39.04

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 66 / 0 / 33 / 11

HEX #4EE397

RGB 78 227 151

HSL 149.4, 0.73%, 0.6%

LAB 81.18, -56.45, 25.85

 

CMYK 75 / 0 / 39 / 4

HEX #3DF496

RGB 61 244 150

HSL 149.18, 0.89%, 0.6%

LAB 85.95, -65.45, 32.71

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 43 / 0 / 22 / 24

HEX #6FC297

RGB 111 194 151

HSL 148.92, 0.4%, 0.6%

LAB 72.36, -35.09, 13.85

 

CMYK 29 / 0 / 15 / 30

HEX #7FB298

RGB 127 178 152

HSL 149.41, 0.25%, 0.6%

LAB 68.47, -22.4, 7.91

 

CMYK 11 / 0 / 6 / 37

HEX #90A198

RGB 144 161 152

HSL 148.24, 0.08%, 0.6%

LAB 64.71, -7.79, 2.64

 

CMYK 0 / 9 / 4 / 37

HEX #A09199

RGB 160 145 153

HSL 328, 0.07%, 0.6%

LAB 61.68, 7.03, -2.2

 

CMYK 53 / 0 / 55 / 17

HEX #64D35E

RGB 100 211 94

HSL 116.92, 0.57%, 0.6%

LAB 76.13, -54.55, 47.78

 

CMYK 55 / 0 / 43 / 17

HEX #5ED378

RGB 94 211 120

HSL 133.33, 0.57%, 0.6%

LAB 76.27, -52.42, 35.27

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 0 / 14 / 17

HEX #5ED3B6

RGB 94 211 182

HSL 165.13, 0.57%, 0.6%

LAB 77.49, -40.02, 4.41

 

CMYK 55 / 1 / 0 / 17

HEX #5ED1D3

RGB 94 209 211

HSL 181.03, 0.57%, 0.6%

LAB 77.69, -31.73, -10.86

 

CMYK 73 / 0 / 37 / 31

HEX #30AF6E

RGB 48 175 110

HSL 149.29, 0.57%, 0.44%

LAB 63.68, -49.26, 23.72

 

CMYK 69 / 0 / 36 / 21

HEX #3ECA82

RGB 62 202 130

HSL 149.14, 0.57%, 0.52%

LAB 72.81, -53.57, 25.41

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 42 / 0 / 22 / 14

HEX #7FDCAC

RGB 127 220 172

HSL 149.03, 0.57%, 0.68%

LAB 81.11, -38.39, 15.06

 

CMYK 30 / 0 / 15 / 11

HEX #9FE4C1

RGB 159 228 193

HSL 149.57, 0.56%, 0.76%

LAB 85.36, -28.82, 10.23

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 38 / 0 / 17

HEX #5E83D3

RGB 94 131 211

HSL 221.03, 0.57%, 0.6%

LAB 55.4, 10.43, -45.17

 

CMYK 0 / 51 / 55 / 17

HEX #D3685E

RGB 211 104 94

HSL 5.13, 0.57%, 0.6%

LAB 56.64, 41.25, 25.4

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 28 / 55 / 0 / 17

HEX #975ED3

RGB 151 94 211

HSL 269.23, 0.57%, 0.6%

LAB 51.02, 45.86, -51.85

 

CMYK 0 / 28 / 55 / 17

HEX #D3975E

RGB 211 151 94

HSL 29.23, 0.57%, 0.6%

LAB 67.12, 16.27, 38.69

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 38 / 0 / 17

HEX #5E83D3

RGB 94 131 211

HSL 221.03, 0.57%, 0.6%

LAB 55.4, 10.43, -45.17

 

CMYK 0 / 55 / 27 / 17

HEX #D35E9A

RGB 211 94 154

HSL 329.23, 0.57%, 0.6%

LAB 56.27, 52.56, -10.15

 

CMYK 0 / 18 / 55 / 17

HEX #D3AE5E

RGB 211 174 94

HSL 41.03, 0.57%, 0.6%

LAB 72.85, 3.9, 45.61

 

CMYK 55 / 0 / 28 / 17

HEX #5ED397

RGB 94 211 151

HSL 149.23, 0.57%, 0.6%

LAB 76.8, -46.83, 19.94

 

CMYK 55 / 55 / 0 / 17

HEX #5E60D3

RGB 94 96 211

HSL 238.97, 0.57%, 0.6%

LAB 46.24, 31.84, -59.81

 

CMYK 0 / 55 / 27 / 17

HEX #D35E9A

RGB 211 94 154

HSL 329.23, 0.57%, 0.6%

LAB 56.27, 52.56, -10.15

 

CMYK 0 / 1 / 55 / 17

HEX #D3D15E

RGB 211 209 94

HSL 58.97, 0.57%, 0.6%

LAB 81.98, -14.21, 56.2

 

Description

Color code: HEX #5ED397 | qconv.com Color code: HEX #5ED397 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 211 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 211 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 28 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 28% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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