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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EDC76 it is the complementary color #A12389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EDC76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EDC76 shade: #63DC71, #74EE84, #85FF97, #96FFAA and #A7FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EDC76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EDC76 shade: #5EDC76, #4DCA63, #3CB850, #2BA63D and #1A942A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EDC76 shade: #60DC77, #69DC60, #8BDC60, #ACDC60 and #CEDC60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EDC76 shade: #60DC77, #60DC99, #60DCBA, #60DCDC and #60BADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EDC76 shade matches the following richer shades: #60DC77, #50EB6E and #40FB64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EDC76 shade: #60DC77, #6FCC81, #7FBC8B, #8FAD94 and #9E9D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EDC76 shade: #8BDC60, #6ADC60, #60DC76, #60DC97 and #60DCB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EDC76 shade: #2ABF46, #3ED45A, #60DC77, #81E394 and #A3EAB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EDC76 shade: #5EDC76, #60ACDC and #DC607A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EDC76 shade: #5EDC76, #7660DC and #DC7660

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EDC76 shade: #5EDC76, #60ACDC, #DC60C5 and #DC8F60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EDC76 shade: #5EDC76, #6087DC, #DC60C5 and #DCB460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

Complementary color

CMYK 0 / 78 / 15 / 37

HEX #A12389

RGB 161 35 137

HSL 311.43, 0.64%, 0.38%

LAB 38.87, 59.95, -27.31

 

CMYK 55 / 0 / 49 / 14

HEX #63DC71

RGB 99 220 113

HSL 126.94, 0.63%, 0.63%

LAB 79.06, -55.78, 42.3

 

CMYK 51 / 0 / 45 / 7

HEX #74EE84

RGB 116 238 132

HSL 127.87, 0.78%, 0.69%

LAB 85.27, -55.83, 40.99

 

CMYK 48 / 0 / 41 / 0

HEX #85FF97

RGB 133 255 151

HSL 128.85, 1%, 0.76%

LAB 91.12, -55.36, 39.34

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAA

RGB 150 255 170

HSL 131.43, 1%, 0.79%

LAB 92.09, -47.76, 31.33

 

CMYK 35 / 0 / 26 / 0

HEX #A7FFBD

RGB 167 255 189

HSL 135, 1%, 0.83%

LAB 93.19, -39.65, 23.36

 

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

CMYK 62 / 0 / 51 / 21

HEX #4DCA63

RGB 77 202 99

HSL 130.56, 0.54%, 0.55%

LAB 72.71, -55.99, 41.1

 

CMYK 67 / 0 / 57 / 28

HEX #3CB850

RGB 60 184 80

HSL 129.68, 0.51%, 0.48%

LAB 66.38, -55.48, 42.49

 

CMYK 74 / 0 / 63 / 35

HEX #2BA63D

RGB 43 166 61

HSL 128.78, 0.59%, 0.41%

LAB 60, -54.56, 43.82

 

CMYK 82 / 0 / 72 / 42

HEX #1A942A

RGB 26 148 42

HSL 127.87, 0.7%, 0.34%

LAB 53.56, -53.02, 44.9

 

CMYK 56 / 0 / 46 / 14

HEX #60DC77

RGB 96 220 119

HSL 131.13, 0.64%, 0.62%

LAB 79.04, -55.62, 39.33

 

CMYK 52 / 0 / 56 / 14

HEX #69DC60

RGB 105 220 96

HSL 115.65, 0.64%, 0.62%

LAB 79.06, -56.45, 50.36

 

CMYK 37 / 0 / 56 / 14

HEX #8BDC60

RGB 139 220 96

HSL 99.19, 0.64%, 0.62%

LAB 80.47, -46.35, 52.36

 

CMYK 22 / 0 / 56 / 14

HEX #ACDC60

RGB 172 220 96

HSL 83.23, 0.64%, 0.62%

LAB 82.27, -34.7, 54.91

 

CMYK 6 / 0 / 56 / 14

HEX #CEDC60

RGB 206 220 96

HSL 66.77, 0.64%, 0.62%

LAB 84.56, -21.51, 58.12

 

CMYK 56 / 0 / 46 / 14

HEX #60DC77

RGB 96 220 119

HSL 131.13, 0.64%, 0.62%

LAB 79.04, -55.62, 39.33

 

CMYK 56 / 0 / 30 / 14

HEX #60DC99

RGB 96 220 153

HSL 147.58, 0.64%, 0.62%

LAB 79.6, -49.74, 22.75

 

CMYK 56 / 0 / 15 / 14

HEX #60DCBA

RGB 96 220 186

HSL 163.55, 0.64%, 0.62%

LAB 80.3, -42.66, 6.34

 

CMYK 56 / 0 / 0 / 14

HEX #60DCDC

RGB 96 220 220

HSL 180, 0.64%, 0.62%

LAB 81.2, -34.15, -10.43

 

CMYK 56 / 15 / 0 / 14

HEX #60BADC

RGB 96 186 220

HSL 196.45, 0.64%, 0.62%

LAB 71.4, -17.32, -25.24

 

CMYK 56 / 0 / 46 / 14

HEX #60DC77

RGB 96 220 119

HSL 131.13, 0.64%, 0.62%

LAB 79.04, -55.62, 39.33

 

CMYK 66 / 0 / 53 / 8

HEX #50EB6E

RGB 80 235 110

HSL 131.61, 0.79%, 0.62%

LAB 83.05, -65.72, 48.5

 

CMYK 75 / 0 / 60 / 2

HEX #40FB64

RGB 64 251 100

HSL 131.55, 0.96%, 0.62%

LAB 87.49, -74.8, 58.1

 

CMYK 56 / 0 / 46 / 14

HEX #60DC77

RGB 96 220 119

HSL 131.13, 0.64%, 0.62%

LAB 79.04, -55.62, 39.33

 

CMYK 46 / 0 / 37 / 20

HEX #6FCC81

RGB 111 204 129

HSL 131.61, 0.48%, 0.62%

LAB 74.92, -43.66, 29.02

 

CMYK 32 / 0 / 26 / 26

HEX #7FBC8B

RGB 127 188 139

HSL 131.8, 0.31%, 0.62%

LAB 71.11, -29.83, 18.69

 

CMYK 17 / 0 / 14 / 32

HEX #8FAD94

RGB 143 173 148

HSL 130, 0.15%, 0.62%

LAB 67.92, -15.29, 9.46

 

CMYK 0 / 1 / 0 / 38

HEX #9E9D9E

RGB 158 157 158

HSL 300, 0.01%, 0.62%

LAB 64.84, 0.56, -0.4

 

CMYK 37 / 0 / 56 / 14

HEX #8BDC60

RGB 139 220 96

HSL 99.19, 0.64%, 0.62%

LAB 80.47, -46.35, 52.36

 

CMYK 52 / 0 / 56 / 14

HEX #6ADC60

RGB 106 220 96

HSL 115.16, 0.64%, 0.62%

LAB 79.1, -56.19, 50.41

 

CMYK 56 / 0 / 46 / 14

HEX #60DC76

RGB 96 220 118

HSL 130.65, 0.64%, 0.62%

LAB 79.03, -55.77, 39.8

 

CMYK 56 / 0 / 31 / 14

HEX #60DC97

RGB 96 220 151

HSL 146.61, 0.64%, 0.62%

LAB 79.56, -50.13, 23.74

 

CMYK 56 / 0 / 16 / 14

HEX #60DCB8

RGB 96 220 184

HSL 162.58, 0.64%, 0.62%

LAB 80.25, -43.13, 7.34

 

CMYK 78 / 0 / 63 / 25

HEX #2ABF46

RGB 42 191 70

HSL 131.28, 0.64%, 0.46%

LAB 68.16, -62, 49.02

 

CMYK 71 / 0 / 58 / 17

HEX #3ED45A

RGB 62 212 90

HSL 131.2, 0.64%, 0.54%

LAB 75.36, -63.58, 48.44

 

CMYK 56 / 0 / 46 / 14

HEX #60DC77

RGB 96 220 119

HSL 131.13, 0.64%, 0.62%

LAB 79.04, -55.62, 39.33

 

CMYK 43 / 0 / 35 / 11

HEX #81E394

RGB 129 227 148

HSL 131.63, 0.64%, 0.7%

LAB 82.78, -45.32, 29.83

 

CMYK 30 / 0 / 24 / 8

HEX #A3EAB1

RGB 163 234 177

HSL 131.83, 0.63%, 0.78%

LAB 86.9, -33.39, 20.78

 

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

CMYK 56 / 22 / 0 / 14

HEX #60ACDC

RGB 96 172 220

HSL 203.23, 0.64%, 0.62%

LAB 67.4, -9.85, -31.39

 

CMYK 0 / 56 / 45 / 14

HEX #DC607A

RGB 220 96 122

HSL 347.42, 0.64%, 0.62%

LAB 57.06, 50.85, 9.92

 

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

CMYK 46 / 56 / 0 / 14

HEX #7660DC

RGB 118 96 220

HSL 250.65, 0.64%, 0.62%

LAB 48.74, 39.47, -60.8

 

CMYK 0 / 46 / 56 / 14

HEX #DC7660

RGB 220 118 96

HSL 10.65, 0.64%, 0.62%

LAB 60.8, 37.66, 29.9

 

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

CMYK 56 / 22 / 0 / 14

HEX #60ACDC

RGB 96 172 220

HSL 203.23, 0.64%, 0.62%

LAB 67.4, -9.85, -31.39

 

CMYK 0 / 56 / 10 / 14

HEX #DC60C5

RGB 220 96 197

HSL 311.13, 0.64%, 0.62%

LAB 59.54, 60.54, -29.86

 

CMYK 0 / 35 / 56 / 14

HEX #DC8F60

RGB 220 143 96

HSL 22.74, 0.64%, 0.62%

LAB 66.29, 24.45, 36.85

 

CMYK 57 / 0 / 46 / 14

HEX #5EDC76

RGB 94 220 118

HSL 131.43, 0.64%, 0.62%

LAB 78.97, -56.23, 39.71

 

CMYK 56 / 39 / 0 / 14

HEX #6087DC

RGB 96 135 220

HSL 221.13, 0.64%, 0.62%

LAB 57.06, 11.35, -47.58

 

CMYK 0 / 56 / 10 / 14

HEX #DC60C5

RGB 220 96 197

HSL 311.13, 0.64%, 0.62%

LAB 59.54, 60.54, -29.86

 

CMYK 0 / 18 / 56 / 14

HEX #DCB460

RGB 220 180 96

HSL 40.65, 0.64%, 0.62%

LAB 75.27, 4.64, 47.71

 

Description

Color code: HEX #5EDC76 | qconv.com Color code: HEX #5EDC76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 220 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 220 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 46 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 46% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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