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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EE877 it is the complementary color #A11788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EE877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EE877 shade: #63E872, #74FA85, #85FF98, #96FFAB and #A7FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EE877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EE877 shade: #5EE877, #4DD664, #3CC451, #2BB23E and #1AA02B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EE877 shade: #5EE877, #6AE85E, #8FE85E, #B4E85E and #D9E85E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EE877 shade: #5EE877, #5EE89C, #5EE8C1, #5EE8E6 and #5EC4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EE877 shade matches the following richer shades: #5EE877 and #4FF66D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EE877 shade: #5EE877, #6DD980, #7CCA8A, #8ABB93 and #99AC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EE877 shade: #90E85E, #6CE85E, #5EE875, #5EE89A and #5EE8BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EE877 shade: #1ED53F, #3AE258, #5EE877, #82ED95 and #A6F2B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EE877 shade: #5EE877, #5EB5E8 and #E85E7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EE877 shade: #5EE877, #755EE8 and #E8755E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EE877 shade: #5EE877, #5EB5E8, #E85ED1 and #E8905E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EE877 shade: #5EE877, #5E8CE8, #E85ED1 and #E8BA5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

Complementary color

CMYK 0 / 86 / 16 / 37

HEX #A11788

RGB 161 23 136

HSL 310.87, 0.75%, 0.36%

LAB 37.78, 62.81, -28.4

 

CMYK 57 / 0 / 51 / 9

HEX #63E872

RGB 99 232 114

HSL 126.77, 0.74%, 0.65%

LAB 82.69, -60.18, 46.31

 

CMYK 54 / 0 / 47 / 2

HEX #74FA85

RGB 116 250 133

HSL 127.61, 0.93%, 0.72%

LAB 88.82, -60.31, 45

 

CMYK 48 / 0 / 40 / 0

HEX #85FF98

RGB 133 255 152

HSL 129.34, 1%, 0.76%

LAB 91.13, -55.21, 38.87

 

CMYK 41 / 0 / 33 / 0

HEX #96FFAB

RGB 150 255 171

HSL 132, 1%, 0.79%

LAB 92.11, -47.59, 30.85

 

CMYK 35 / 0 / 25 / 0

HEX #A7FFBE

RGB 167 255 190

HSL 135.68, 1%, 0.83%

LAB 93.21, -39.48, 22.88

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 64 / 0 / 53 / 16

HEX #4DD664

RGB 77 214 100

HSL 130.07, 0.63%, 0.57%

LAB 76.43, -60.23, 45.16

 

CMYK 69 / 0 / 59 / 23

HEX #3CC451

RGB 60 196 81

HSL 129.26, 0.54%, 0.5%

LAB 70.2, -59.57, 46.52

 

CMYK 76 / 0 / 65 / 30

HEX #2BB23E

RGB 43 178 62

HSL 128.44, 0.61%, 0.43%

LAB 63.92, -58.49, 47.76

 

CMYK 84 / 0 / 73 / 37

HEX #1AA02B

RGB 26 160 43

HSL 127.61, 0.72%, 0.36%

LAB 57.59, -56.77, 48.69

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 54 / 0 / 59 / 9

HEX #6AE85E

RGB 106 232 94

HSL 114.78, 0.75%, 0.64%

LAB 82.69, -60.91, 55.46

 

CMYK 38 / 0 / 59 / 9

HEX #8FE85E

RGB 143 232 94

HSL 98.7, 0.75%, 0.64%

LAB 84.15, -50.24, 57.51

 

CMYK 22 / 0 / 59 / 9

HEX #B4E85E

RGB 180 232 94

HSL 82.61, 0.75%, 0.64%

LAB 86.12, -37.35, 60.26

 

CMYK 6 / 0 / 59 / 9

HEX #D9E85E

RGB 217 232 94

HSL 66.52, 0.75%, 0.64%

LAB 88.58, -23.06, 63.67

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 59 / 0 / 33 / 9

HEX #5EE89C

RGB 94 232 156

HSL 146.96, 0.75%, 0.64%

LAB 83.18, -54.44, 26.06

 

CMYK 59 / 0 / 17 / 9

HEX #5EE8C1

RGB 94 232 193

HSL 163.04, 0.75%, 0.64%

LAB 83.94, -46.63, 7.86

 

CMYK 59 / 0 / 1 / 9

HEX #5EE8E6

RGB 94 232 230

HSL 179.13, 0.75%, 0.64%

LAB 84.9, -37.41, -10.23

 

CMYK 59 / 16 / 0 / 9

HEX #5EC4E8

RGB 94 196 232

HSL 195.65, 0.75%, 0.64%

LAB 74.63, -19.33, -26.81

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 68 / 0 / 56 / 4

HEX #4FF66D

RGB 79 246 109

HSL 130.78, 0.9%, 0.64%

LAB 86.34, -69.78, 52.9

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 50 / 0 / 41 / 15

HEX #6DD980

RGB 109 217 128

HSL 130.56, 0.59%, 0.64%

LAB 78.71, -49.82, 34.5

 

CMYK 39 / 0 / 32 / 21

HEX #7CCA8A

RGB 124 202 138

HSL 130.77, 0.42%, 0.64%

LAB 75.05, -37.46, 24.59

 

CMYK 26 / 0 / 21 / 27

HEX #8ABB93

RGB 138 187 147

HSL 131.02, 0.26%, 0.64%

LAB 71.59, -24.29, 15.13

 

CMYK 11 / 0 / 9 / 33

HEX #99AC9D

RGB 153 172 157

HSL 132.63, 0.1%, 0.64%

LAB 68.54, -9.55, 5.47

 

CMYK 38 / 0 / 59 / 9

HEX #90E85E

RGB 144 232 94

HSL 98.26, 0.75%, 0.64%

LAB 84.2, -49.92, 57.58

 

CMYK 53 / 0 / 59 / 9

HEX #6CE85E

RGB 108 232 94

HSL 113.91, 0.75%, 0.64%

LAB 82.76, -60.4, 55.56

 

CMYK 59 / 0 / 50 / 9

HEX #5EE875

RGB 94 232 117

HSL 130, 0.75%, 0.64%

LAB 82.58, -60.88, 44.72

 

CMYK 59 / 0 / 34 / 9

HEX #5EE89A

RGB 94 232 154

HSL 146.09, 0.75%, 0.64%

LAB 83.14, -54.81, 27.04

 

CMYK 59 / 0 / 18 / 9

HEX #5EE8BE

RGB 94 232 190

HSL 161.74, 0.75%, 0.64%

LAB 83.87, -47.32, 9.34

 

CMYK 86 / 0 / 70 / 16

HEX #1ED53F

RGB 30 213 63

HSL 130.82, 0.75%, 0.48%

LAB 74.97, -70.77, 59.17

 

CMYK 74 / 0 / 61 / 11

HEX #3AE258

RGB 58 226 88

HSL 130.71, 0.74%, 0.56%

LAB 79.61, -69.05, 54.23

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 45 / 0 / 37 / 7

HEX #82ED95

RGB 130 237 149

HSL 130.65, 0.75%, 0.72%

LAB 85.75, -49.12, 33.28

 

CMYK 31 / 0 / 26 / 5

HEX #A6F2B4

RGB 166 242 180

HSL 131.05, 0.75%, 0.8%

LAB 89.35, -35.63, 22.64

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 59 / 22 / 0 / 9

HEX #5EB5E8

RGB 94 181 232

HSL 202.17, 0.75%, 0.64%

LAB 70.35, -11.44, -33.39

 

CMYK 0 / 59 / 46 / 9

HEX #E85E7E

RGB 232 94 126

HSL 346.09, 0.75%, 0.64%

LAB 58.67, 56.1, 10.1

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 50 / 59 / 0 / 9

HEX #755EE8

RGB 117 94 232

HSL 250, 0.75%, 0.64%

LAB 49.02, 43.9, -67.13

 

CMYK 0 / 50 / 59 / 9

HEX #E8755E

RGB 232 117 94

HSL 10, 0.75%, 0.64%

LAB 62.24, 42.56, 33.2

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 59 / 22 / 0 / 9

HEX #5EB5E8

RGB 94 181 232

HSL 202.17, 0.75%, 0.64%

LAB 70.35, -11.44, -33.39

 

CMYK 0 / 59 / 10 / 9

HEX #E85ED1

RGB 232 94 209

HSL 310, 0.75%, 0.64%

LAB 61.45, 66.51, -33.56

 

CMYK 0 / 38 / 59 / 9

HEX #E8905E

RGB 232 144 94

HSL 21.74, 0.75%, 0.64%

LAB 67.95, 28.61, 40.27

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 59 / 40 / 0 / 9

HEX #5E8CE8

RGB 94 140 232

HSL 220, 0.75%, 0.64%

LAB 58.94, 11.88, -51.3

 

CMYK 0 / 59 / 10 / 9

HEX #E85ED1

RGB 232 94 209

HSL 310, 0.75%, 0.64%

LAB 61.45, 66.51, -33.56

 

CMYK 0 / 20 / 59 / 9

HEX #E8BA5E

RGB 232 186 94

HSL 40, 0.75%, 0.64%

LAB 77.92, 6.33, 52.07

 

Description

Color code: HEX #5EE877 | qconv.com Color code: HEX #5EE877 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 232 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 232 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 49 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 49% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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