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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EEC62 it is the complementary color #A1139D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EEC62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EEC62 shade: #63EC5D, #74FE70, #85FF83, #96FF96 and #A7FFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EEC62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EEC62 shade: #5EEC62, #4DDA4F, #3CC83C, #2BB629 and #1AA416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EEC62 shade: #5FEC63, #81EC5F, #A7EC5F, #CDEC5F and #ECE55F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EEC62 shade: #5FEC63, #5FEC89, #5FECAF, #5FECD5 and #5FDDEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EEC62 shade matches the following richer shades: #5FEC63 and #50FA55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EEC62 shade: #5FEC63, #6DDD70, #7CCF7E, #8AC08C and #99B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EEC62 shade: #A8EC5F, #82EC5F, #5FEC61, #5FEC87 and #5FECAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EEC62 shade: #1ADE1F, #3AE73F, #5FEC63, #84F087 and #A9F4AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EEC62 shade: #5EEC62, #5FCDEC and #EC5F95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EEC62 shade: #5EEC62, #615FEC and #EC615F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EEC62 shade: #5EEC62, #5FCDEC, #EC5FE9 and #EC7D5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EEC62 shade: #5EEC62, #5FA3EC, #EC5FE9 and #ECA85F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

Complementary color

CMYK 0 / 88 / 2 / 37

HEX #A1139D

RGB 161 19 157

HSL 301.69, 0.79%, 0.35%

LAB 38.69, 66.64, -39.8

 

CMYK 58 / 0 / 61 / 7

HEX #63EC5D

RGB 99 236 93

HSL 117.48, 0.79%, 0.65%

LAB 83.67, -64.15, 56.95

 

CMYK 54 / 0 / 56 / 0

HEX #74FE70

RGB 116 254 112

HSL 118.31, 0.99%, 0.72%

LAB 89.75, -64.49, 55.83

 

CMYK 48 / 0 / 49 / 0

HEX #85FF83

RGB 133 255 131

HSL 119.03, 1%, 0.76%

LAB 90.85, -58.19, 48.6

 

CMYK 41 / 0 / 41 / 0

HEX #96FF96

RGB 150 255 150

HSL 120, 1%, 0.79%

LAB 91.78, -50.84, 40.82

 

CMYK 35 / 0 / 34 / 0

HEX #A7FFA9

RGB 167 255 169

HSL 121.36, 1%, 0.83%

LAB 92.84, -42.96, 32.97

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 65 / 0 / 64 / 15

HEX #4DDA4F

RGB 77 218 79

HSL 120.85, 0.66%, 0.58%

LAB 77.45, -64.11, 55.73

 

CMYK 70 / 0 / 70 / 22

HEX #3CC83C

RGB 60 200 60

HSL 120, 0.56%, 0.51%

LAB 71.28, -63.13, 56.59

 

CMYK 76 / 0 / 77 / 29

HEX #2BB629

RGB 43 182 41

HSL 119.15, 0.63%, 0.44%

LAB 65.07, -61.63, 56.95

 

CMYK 84 / 0 / 87 / 36

HEX #1AA416

RGB 26 164 22

HSL 118.31, 0.76%, 0.36%

LAB 58.82, -59.39, 56.39

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC63

RGB 95 236 99

HSL 121.7, 0.79%, 0.65%

LAB 83.61, -64.39, 54.25

 

CMYK 45 / 0 / 60 / 7

HEX #81EC5F

RGB 129 236 95

HSL 105.53, 0.79%, 0.65%

LAB 84.73, -56.05, 57.58

 

CMYK 29 / 0 / 60 / 7

HEX #A7EC5F

RGB 167 236 95

HSL 89.36, 0.79%, 0.65%

LAB 86.52, -43.73, 60.08

 

CMYK 13 / 0 / 60 / 7

HEX #CDEC5F

RGB 205 236 95

HSL 73.19, 0.79%, 0.65%

LAB 88.83, -29.6, 63.28

 

CMYK 0 / 3 / 60 / 7

HEX #ECE55F

RGB 236 229 95

HSL 57.02, 0.79%, 0.65%

LAB 89.25, -13.88, 64.4

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC63

RGB 95 236 99

HSL 121.7, 0.79%, 0.65%

LAB 83.61, -64.39, 54.25

 

CMYK 60 / 0 / 42 / 7

HEX #5FEC89

RGB 95 236 137

HSL 137.87, 0.79%, 0.65%

LAB 84.09, -59.13, 36.88

 

CMYK 60 / 0 / 26 / 7

HEX #5FECAF

RGB 95 236 175

HSL 154.04, 0.79%, 0.65%

LAB 84.75, -52.07, 18.42

 

CMYK 60 / 0 / 10 / 7

HEX #5FECD5

RGB 95 236 213

HSL 170.21, 0.79%, 0.65%

LAB 85.62, -43.4, -0.21

 

CMYK 60 / 6 / 0 / 7

HEX #5FDDEC

RGB 95 221 236

HSL 186.38, 0.79%, 0.65%

LAB 81.95, -30.43, -17.82

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC63

RGB 95 236 99

HSL 121.7, 0.79%, 0.65%

LAB 83.61, -64.39, 54.25

 

CMYK 68 / 0 / 66 / 2

HEX #50FA55

RGB 80 250 85

HSL 121.76, 0.94%, 0.65%

LAB 87.35, -73.53, 64.16

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC63

RGB 95 236 99

HSL 121.7, 0.79%, 0.65%

LAB 83.61, -64.39, 54.25

 

CMYK 51 / 0 / 49 / 13

HEX #6DDD70

RGB 109 221 112

HSL 121.61, 0.62%, 0.65%

LAB 79.69, -53.78, 43.64

 

CMYK 40 / 0 / 39 / 19

HEX #7CCF7E

RGB 124 207 126

HSL 121.45, 0.46%, 0.65%

LAB 76.32, -41.66, 32.52

 

CMYK 28 / 0 / 27 / 25

HEX #8AC08C

RGB 138 192 140

HSL 122.22, 0.3%, 0.65%

LAB 72.89, -27.98, 20.7

 

CMYK 14 / 0 / 14 / 30

HEX #99B299

RGB 153 178 153

HSL 120, 0.14%, 0.65%

LAB 70.11, -13.46, 9.92

 

CMYK 29 / 0 / 60 / 7

HEX #A8EC5F

RGB 168 236 95

HSL 88.94, 0.79%, 0.65%

LAB 86.57, -43.38, 60.15

 

CMYK 45 / 0 / 60 / 7

HEX #82EC5F

RGB 130 236 95

HSL 105.11, 0.79%, 0.65%

LAB 84.77, -55.76, 57.63

 

CMYK 60 / 0 / 59 / 7

HEX #5FEC61

RGB 95 236 97

HSL 120.85, 0.79%, 0.65%

LAB 83.59, -64.62, 55.1

 

CMYK 60 / 0 / 43 / 7

HEX #5FEC87

RGB 95 236 135

HSL 137.02, 0.79%, 0.65%

LAB 84.06, -59.45, 37.83

 

CMYK 60 / 0 / 27 / 7

HEX #5FECAC

RGB 95 236 172

HSL 152.77, 0.79%, 0.65%

LAB 84.69, -52.69, 19.89

 

CMYK 88 / 0 / 86 / 13

HEX #1ADE1F

RGB 26 222 31

HSL 121.53, 0.79%, 0.49%

LAB 77.62, -75.67, 71.08

 

CMYK 75 / 0 / 73 / 9

HEX #3AE73F

RGB 58 231 63

HSL 121.73, 0.78%, 0.57%

LAB 80.97, -72.98, 65.45

 

CMYK 60 / 0 / 58 / 7

HEX #5FEC63

RGB 95 236 99

HSL 121.7, 0.79%, 0.65%

LAB 83.61, -64.39, 54.25

 

CMYK 45 / 0 / 44 / 6

HEX #84F087

RGB 132 240 135

HSL 121.67, 0.78%, 0.73%

LAB 86.49, -51.94, 41.21

 

CMYK 31 / 0 / 30 / 4

HEX #A9F4AB

RGB 169 244 171

HSL 121.6, 0.77%, 0.81%

LAB 89.89, -37.12, 28.01

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 60 / 13 / 0 / 7

HEX #5FCDEC

RGB 95 205 236

HSL 193.19, 0.79%, 0.65%

LAB 77.37, -22.56, -24.76

 

CMYK 0 / 60 / 37 / 7

HEX #EC5F95

RGB 236 95 149

HSL 337.02, 0.79%, 0.65%

LAB 60.06, 59.27, -1.21

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 59 / 60 / 0 / 7

HEX #615FEC

RGB 97 95 236

HSL 240.85, 0.79%, 0.65%

LAB 47.98, 40.95, -71.14

 

CMYK 0 / 59 / 60 / 7

HEX #EC615F

RGB 236 97 95

HSL 0.85, 0.79%, 0.65%

LAB 59.17, 53.59, 28.84

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 60 / 13 / 0 / 7

HEX #5FCDEC

RGB 95 205 236

HSL 193.19, 0.79%, 0.65%

LAB 77.37, -22.56, -24.76

 

CMYK 0 / 60 / 1 / 7

HEX #EC5FE9

RGB 236 95 233

HSL 301.28, 0.79%, 0.65%

LAB 63.26, 70.92, -44.14

 

CMYK 0 / 47 / 60 / 7

HEX #EC7D5F

RGB 236 125 95

HSL 12.77, 0.79%, 0.65%

LAB 64.42, 40.11, 35.51

 

CMYK 60 / 0 / 58 / 7

HEX #5EEC62

RGB 94 236 98

HSL 121.69, 0.79%, 0.65%

LAB 83.58, -64.73, 54.64

 

CMYK 60 / 31 / 0 / 7

HEX #5FA3EC

RGB 95 163 236

HSL 211.06, 0.79%, 0.65%

LAB 65.5, -0.03, -43.14

 

CMYK 0 / 60 / 1 / 7

HEX #EC5FE9

RGB 236 95 233

HSL 301.28, 0.79%, 0.65%

LAB 63.26, 70.92, -44.14

 

CMYK 0 / 29 / 60 / 7

HEX #ECA85F

RGB 236 168 95

HSL 31.06, 0.79%, 0.65%

LAB 73.97, 17.57, 47.09

 

Description

Color code: HEX #5EEC62 | qconv.com Color code: HEX #5EEC62 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 236 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 236 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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