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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EF301 it is the complementary color #A10CFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EF301. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EF301 shade: #63F300, #74FF0F, #85FF22, #96FF35 and #A7FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EF301. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EF301 shade: #5EF301, #4DE100, #3CCF00, #2BBD00 and #1AAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EF301 shade: #5EF301, #9FF301, #E1F301, #F3C401 and #F38301

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EF301 shade: #5EF301, #1DF301, #01F326, #01F368 and #01F3A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EF301 shade matches the following richer shades: #5EF301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EF301 shade: #5EF301, #62DF15, #67CB28, #6CB83C and #70A450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EF301 shade: #E3F301, #A2F301, #62F301, #21F301 and #01F321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EF301 shade: #3EA100, #4ECA01, #5EF301, #75FD20 and #8EFE49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EF301 shade: #5EF301, #01F3C3 and #F301C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EF301 shade: #5EF301, #0162F3 and #F30162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EF301 shade: #5EF301, #01F3C3, #9201F3 and #F30131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EF301 shade: #5EF301, #01DBF3, #9201F3 and #F31901

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

Complementary color

CMYK 37 / 95 / 0 / 0

HEX #A10CFE

RGB 161 12 254

HSL 276.94, 0.99%, 0.52%

LAB 45.63, 84.78, -84.81

 

CMYK 59 / 0 / 100 / 5

HEX #63F300

RGB 99 243 0

HSL 95.56, 1%, 0.48%

LAB 85.38, -71.25, 81.86

 

CMYK 55 / 0 / 94 / 0

HEX #74FF0F

RGB 116 255 15

HSL 94.75, 1%, 0.53%

LAB 89.52, -70.84, 84.18

 

CMYK 48 / 0 / 87 / 0

HEX #85FF22

RGB 133 255 34

HSL 93.12, 1%, 0.57%

LAB 90.15, -65.76, 82.32

 

CMYK 41 / 0 / 79 / 0

HEX #96FF35

RGB 150 255 53

HSL 91.19, 1%, 0.6%

LAB 90.9, -59.91, 79.01

 

CMYK 35 / 0 / 72 / 0

HEX #A7FF48

RGB 167 255 72

HSL 88.85, 1%, 0.64%

LAB 91.78, -53.36, 74.4

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 66 / 0 / 100 / 12

HEX #4DE100

RGB 77 225 0

HSL 99.47, 1%, 0.44%

LAB 79.29, -70.34, 76.79

 

CMYK 71 / 0 / 100 / 19

HEX #3CCF00

RGB 60 207 0

HSL 102.61, 1%, 0.41%

LAB 73.28, -68.01, 71.85

 

CMYK 77 / 0 / 100 / 26

HEX #2BBD00

RGB 43 189 0

HSL 106.35, 1%, 0.37%

LAB 67.21, -65.31, 66.88

 

CMYK 85 / 0 / 100 / 33

HEX #1AAB00

RGB 26 171 0

HSL 110.88, 1%, 0.34%

LAB 61.09, -62.13, 61.89

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 35 / 0 / 100 / 5

HEX #9FF301

RGB 159 243 1

HSL 80.83, 0.99%, 0.48%

LAB 87.71, -53.48, 84.61

 

CMYK 7 / 0 / 100 / 5

HEX #E1F301

RGB 225 243 1

HSL 64.46, 0.99%, 0.48%

LAB 91.73, -28.18, 89.42

 

CMYK 0 / 19 / 100 / 5

HEX #F3C401

RGB 243 196 1

HSL 48.35, 0.99%, 0.48%

LAB 81.04, 2.66, 82.37

 

CMYK 0 / 46 / 100 / 5

HEX #F38301

RGB 243 131 1

HSL 32.23, 0.99%, 0.48%

LAB 65.97, 36.61, 72.37

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 88 / 0 / 100 / 5

HEX #1DF301

RGB 29 243 1

HSL 113.06, 0.99%, 0.48%

LAB 84.16, -81.84, 80.28

 

CMYK 100 / 0 / 84 / 5

HEX #01F326

RGB 1 243 38

HSL 129.17, 0.99%, 0.48%

LAB 84.09, -82.12, 75.31

 

CMYK 100 / 0 / 57 / 5

HEX #01F368

RGB 1 243 104

HSL 145.54, 0.99%, 0.48%

LAB 84.54, -76.48, 52.8

 

CMYK 100 / 0 / 30 / 5

HEX #01F3A9

RGB 1 243 169

HSL 161.65, 0.99%, 0.48%

LAB 85.49, -65.2, 22.35

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 56 / 0 / 91 / 13

HEX #62DF15

RGB 98 223 21

HSL 97.13, 0.83%, 0.48%

LAB 79.29, -64.48, 74.83

 

CMYK 49 / 0 / 80 / 20

HEX #67CB28

RGB 103 203 40

HSL 96.81, 0.67%, 0.48%

LAB 73.38, -55.24, 65.72

 

CMYK 41 / 0 / 67 / 28

HEX #6CB83C

RGB 108 184 60

HSL 96.77, 0.51%, 0.48%

LAB 67.87, -44.86, 53.48

 

CMYK 32 / 0 / 51 / 36

HEX #70A450

RGB 112 164 80

HSL 97.14, 0.34%, 0.48%

LAB 62.15, -32.64, 37.89

 

CMYK 7 / 0 / 100 / 5

HEX #E3F301

RGB 227 243 1

HSL 63.97, 0.99%, 0.48%

LAB 91.88, -27.36, 89.59

 

CMYK 33 / 0 / 100 / 5

HEX #A2F301

RGB 162 243 1

HSL 80.08, 0.99%, 0.48%

LAB 87.86, -52.43, 84.79

 

CMYK 60 / 0 / 100 / 5

HEX #62F301

RGB 98 243 1

HSL 95.95, 0.99%, 0.48%

LAB 85.35, -71.47, 81.74

 

CMYK 86 / 0 / 100 / 5

HEX #21F301

RGB 33 243 1

HSL 112.07, 0.99%, 0.48%

LAB 84.19, -81.55, 80.32

 

CMYK 100 / 0 / 86 / 5

HEX #01F321

RGB 1 243 33

HSL 127.93, 0.99%, 0.48%

LAB 84.08, -82.32, 76.32

 

CMYK 61 / 0 / 100 / 37

HEX #3EA100

RGB 62 161 0

HSL 96.89, 1%, 0.32%

LAB 58.52, -52.63, 60.16

 

CMYK 61 / 0 / 100 / 21

HEX #4ECA01

RGB 78 202 1

HSL 97.01, 0.99%, 0.4%

LAB 72.14, -62.7, 71.02

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 54 / 0 / 87 / 1

HEX #75FD20

RGB 117 253 32

HSL 96.92, 0.98%, 0.56%

LAB 88.99, -69.52, 81.47

 

CMYK 44 / 0 / 71 / 0

HEX #8EFE49

RGB 142 254 73

HSL 97.13, 0.99%, 0.64%

LAB 90.37, -60.89, 72.3

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 100 / 0 / 20 / 5

HEX #01F3C3

RGB 1 243 195

HSL 168.1, 0.99%, 0.48%

LAB 86.03, -59.21, 9.65

 

CMYK 0 / 100 / 20 / 5

HEX #F301C3

RGB 243 1 195

HSL 311.9, 0.99%, 0.48%

LAB 55.09, 88.47, -35.35

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 100 / 60 / 0 / 5

HEX #0162F3

RGB 1 98 243

HSL 215.95, 0.99%, 0.48%

LAB 45.92, 33.22, -78.57

 

CMYK 0 / 100 / 60 / 5

HEX #F30162

RGB 243 1 98

HSL 335.95, 0.99%, 0.48%

LAB 51.79, 79.91, 17.54

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 100 / 0 / 20 / 5

HEX #01F3C3

RGB 1 243 195

HSL 168.1, 0.99%, 0.48%

LAB 86.03, -59.21, 9.65

 

CMYK 40 / 100 / 0 / 5

HEX #9201F3

RGB 146 1 243

HSL 275.95, 0.99%, 0.48%

LAB 42.16, 82.17, -84.42

 

CMYK 0 / 100 / 80 / 5

HEX #F30131

RGB 243 1 49

HSL 348.1, 0.99%, 0.48%

LAB 51.03, 77.87, 45.65

 

CMYK 61 / 0 / 100 / 5

HEX #5EF301

RGB 94 243 1

HSL 96.94, 0.99%, 0.48%

LAB 85.24, -72.39, 81.61

 

CMYK 100 / 10 / 0 / 5

HEX #01DBF3

RGB 1 219 243

HSL 185.95, 0.99%, 0.48%

LAB 80.26, -35.52, -24.23

 

CMYK 40 / 100 / 0 / 5

HEX #9201F3

RGB 146 1 243

HSL 275.95, 0.99%, 0.48%

LAB 42.16, 82.17, -84.42

 

CMYK 0 / 90 / 100 / 5

HEX #F31901

RGB 243 25 1

HSL 5.95, 0.99%, 0.48%

LAB 51.56, 74.93, 64.83

 

Description

Color code: HEX #5EF301 | qconv.com Color code: HEX #5EF301 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 243 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 243 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 100 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 100% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

30% - Design & Kommuni...
Link: http://www.fw-design.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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