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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F1974 it is the complementary color #A0E68B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F1974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F1974 shade: #64196F, #752B82, #863D95, #974FA8 and #A861BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F1974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F1974 shade: #5F1974, #4E0761, #3D004E, #2C003B and #1B0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F1974 shade: #601875, #751872, #751859, #751840 and #751827

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F1974 shade: #601875, #471875, #2E1875 and #181875

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F1974 shade matches the following richer shades: #601875, #660D81 and #6C018C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F1974 shade: #601875, #5A246A, #53305E, #4D3B53 and #474747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F1974 shade: #2E1875, #471875, #601875, #751872 and #751859

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F1974 shade: #280A31, #441153, #601875, #7C2097 and #9827B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F1974 shade: #5F1974, #75181C and #18753B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F1974 shade: #5F1974, #756018 and #187560

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F1974 shade: #5F1974, #75181C, #2E7518 and #187572

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F1974 shade: #5F1974, #753118, #2E7518 and #185D75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

Complementary color

CMYK 30 / 0 / 40 / 10

HEX #A0E68B

RGB 160 230 139

HSL 106.15, 0.65%, 0.72%

LAB 84.96, -38.52, 37.52

 

CMYK 10 / 77 / 0 / 56

HEX #64196F

RGB 100 25 111

HSL 292.33, 0.63%, 0.27%

LAB 25.42, 44.82, -32.95

 

CMYK 10 / 67 / 0 / 49

HEX #752B82

RGB 117 43 130

HSL 291.03, 0.5%, 0.34%

LAB 32.08, 45.17, -34.19

 

CMYK 10 / 59 / 0 / 42

HEX #863D95

RGB 134 61 149

HSL 289.77, 0.42%, 0.41%

LAB 38.86, 44.85, -34.96

 

CMYK 10 / 53 / 0 / 34

HEX #974FA8

RGB 151 79 168

HSL 288.54, 0.36%, 0.48%

LAB 45.63, 44.23, -35.47

 

CMYK 10 / 48 / 0 / 27

HEX #A861BB

RGB 168 97 187

HSL 287.33, 0.4%, 0.56%

LAB 52.36, 43.48, -35.84

 

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

CMYK 20 / 93 / 0 / 62

HEX #4E0761

RGB 78 7 97

HSL 287.33, 0.87%, 0.2%

LAB 18.52, 43.14, -35.12

 

CMYK 22 / 100 / 0 / 69

HEX #3D004E

RGB 61 0 78

HSL 286.92, 1%, 0.15%

LAB 12.87, 38.65, -31.58

 

CMYK 25 / 100 / 0 / 77

HEX #2C003B

RGB 44 0 59

HSL 284.75, 1%, 0.12%

LAB 7.69, 31.86, -26.76

 

CMYK 33 / 100 / 0 / 84

HEX #1B0028

RGB 27 0 40

HSL 280.5, 1%, 0.08%

LAB 3.49, 19.17, -19.5

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 0 / 79 / 3 / 54

HEX #751872

RGB 117 24 114

HSL 301.94, 0.66%, 0.28%

LAB 28.51, 49.57, -29.77

 

CMYK 0 / 79 / 24 / 54

HEX #751859

RGB 117 24 89

HSL 318.06, 0.66%, 0.28%

LAB 27.18, 45.66, -15.64

 

CMYK 0 / 79 / 45 / 54

HEX #751840

RGB 117 24 64

HSL 334.19, 0.66%, 0.28%

LAB 26.17, 42.59, -0.43

 

CMYK 0 / 79 / 67 / 54

HEX #751827

RGB 117 24 39

HSL 350.32, 0.66%, 0.28%

LAB 25.51, 40.47, 15.64

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 39 / 79 / 0 / 54

HEX #471875

RGB 71 24 117

HSL 270.32, 0.66%, 0.28%

LAB 21.12, 40.57, -43.98

 

CMYK 61 / 79 / 0 / 54

HEX #2E1875

RGB 46 24 117

HSL 254.19, 0.66%, 0.28%

LAB 18, 36.5, -49.22

 

CMYK 79 / 79 / 0 / 54

HEX #181875

RGB 24 24 117

HSL 240, 0.66%, 0.28%

LAB 16.16, 34.03, -52.31

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 21 / 90 / 0 / 49

HEX #660D81

RGB 102 13 129

HSL 286.03, 0.82%, 0.28%

LAB 25.86, 52.33, -43.7

 

CMYK 23 / 99 / 0 / 45

HEX #6C018C

RGB 108 1 140

HSL 286.19, 0.99%, 0.28%

LAB 27.03, 57.67, -48.64

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 15 / 66 / 0 / 58

HEX #5A246A

RGB 90 36 106

HSL 286.29, 0.49%, 0.28%

LAB 25.19, 36.44, -30.19

 

CMYK 12 / 49 / 0 / 63

HEX #53305E

RGB 83 48 94

HSL 285.65, 0.32%, 0.28%

LAB 26.04, 24.76, -21.11

 

CMYK 7 / 29 / 0 / 67

HEX #4D3B53

RGB 77 59 83

HSL 285, 0.17%, 0.28%

LAB 27.66, 12.95, -11.48

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 61 / 79 / 0 / 54

HEX #2E1875

RGB 46 24 117

HSL 254.19, 0.66%, 0.28%

LAB 18, 36.5, -49.22

 

CMYK 39 / 79 / 0 / 54

HEX #471875

RGB 71 24 117

HSL 270.32, 0.66%, 0.28%

LAB 21.12, 40.57, -43.98

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 0 / 79 / 3 / 54

HEX #751872

RGB 117 24 114

HSL 301.94, 0.66%, 0.28%

LAB 28.51, 49.57, -29.77

 

CMYK 0 / 79 / 24 / 54

HEX #751859

RGB 117 24 89

HSL 318.06, 0.66%, 0.28%

LAB 27.18, 45.66, -15.64

 

CMYK 18 / 80 / 0 / 81

HEX #280A31

RGB 40 10 49

HSL 286.15, 0.66%, 0.12%

LAB 8.04, 22.85, -18.94

 

CMYK 18 / 80 / 0 / 67

HEX #441153

RGB 68 17 83

HSL 286.36, 0.66%, 0.2%

LAB 16.77, 34.76, -28.64

 

CMYK 18 / 79 / 0 / 54

HEX #601875

RGB 96 24 117

HSL 286.45, 0.66%, 0.28%

LAB 25.03, 45.53, -37.47

 

CMYK 18 / 79 / 0 / 41

HEX #7C2097

RGB 124 32 151

HSL 286.39, 0.65%, 0.36%

LAB 33.03, 55.29, -45.57

 

CMYK 18 / 79 / 0 / 27

HEX #9827B9

RGB 152 39 185

HSL 286.44, 0.65%, 0.44%

LAB 40.62, 64.93, -53.49

 

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

CMYK 0 / 79 / 76 / 54

HEX #75181C

RGB 117 24 28

HSL 357.42, 0.66%, 0.28%

LAB 25.32, 39.86, 22.7

 

CMYK 79 / 0 / 50 / 54

HEX #18753B

RGB 24 117 59

HSL 142.58, 0.66%, 0.28%

LAB 43.11, -40.07, 24.58

 

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

CMYK 0 / 18 / 79 / 54

HEX #756018

RGB 117 96 24

HSL 46.45, 0.66%, 0.28%

LAB 41.55, 0.53, 41.59

 

CMYK 79 / 0 / 18 / 54

HEX #187560

RGB 24 117 96

HSL 166.45, 0.66%, 0.28%

LAB 43.89, -31.52, 4.13

 

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

CMYK 0 / 79 / 76 / 54

HEX #75181C

RGB 117 24 28

HSL 357.42, 0.66%, 0.28%

LAB 25.32, 39.86, 22.7

 

CMYK 61 / 0 / 79 / 54

HEX #2E7518

RGB 46 117 24

HSL 105.81, 0.66%, 0.28%

LAB 43.31, -39.76, 41.58

 

CMYK 79 / 0 / 3 / 54

HEX #187572

RGB 24 117 114

HSL 178.06, 0.66%, 0.28%

LAB 44.42, -26.18, -5.86

 

CMYK 18 / 78 / 0 / 55

HEX #5F1974

RGB 95 25 116

HSL 286.15, 0.65%, 0.28%

LAB 24.92, 44.74, -37.01

 

CMYK 0 / 58 / 79 / 54

HEX #753118

RGB 117 49 24

HSL 16.13, 0.66%, 0.28%

LAB 29.52, 28.24, 29.73

 

CMYK 61 / 0 / 79 / 54

HEX #2E7518

RGB 46 117 24

HSL 105.81, 0.66%, 0.28%

LAB 43.31, -39.76, 41.58

 

CMYK 79 / 21 / 0 / 54

HEX #185D75

RGB 24 93 117

HSL 195.48, 0.66%, 0.28%

LAB 36.57, -12.11, -19.6

 

Description

Color code: HEX #5F1974 | qconv.com Color code: HEX #5F1974 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 25 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 25 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 78 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 78% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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