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Color name
HEX #5F2B6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F2B6D it is the complementary color #A0D492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F2B6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F2B6D shade: #642B68, #753D7B, #864F8E, #9761A1 and #A873B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F2B6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F2B6D shade: #5F2B6D, #4E195A, #3D0747, #2C0034 and #1B0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F2B6D shade: #5F2B6D, #6D2B69, #6D2B57, #6D2B46 and #6D2B34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F2B6D shade: #5F2B6D, #4D2B6D, #3B2B6D and #2B2B6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F2B6D shade matches the following richer shades: #5F2B6D, #661F79, #6D1286 and #740692

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F2B6D shade: #5F2B6D, #583761, #514454, #4A5048 and #425D3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F2B6D shade: #3C2B6D, #4D2B6D, #5F2B6D, #6D2B6A and #6D2B58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F2B6D shade: #2B1432, #451F4F, #5F2B6D, #79378A and #9243A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F2B6D shade: #5F2B6D, #6D2B2C and #2B6D44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F2B6D shade: #5F2B6D, #6D5F2B and #2B6D5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F2B6D shade: #5F2B6D, #6D2B2C, #396D2B and #2B6D6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F2B6D shade: #5F2B6D, #6D3E2B, #396D2B and #2B5A6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

Complementary color

CMYK 25 / 0 / 31 / 17

HEX #A0D492

RGB 160 212 146

HSL 107.27, 0.43%, 0.7%

LAB 79.97, -29.17, 27.37

 

CMYK 4 / 59 / 0 / 59

HEX #642B68

RGB 100 43 104

HSL 296.07, 0.41%, 0.29%

LAB 27.94, 35.21, -24.43

 

CMYK 5 / 50 / 0 / 52

HEX #753D7B

RGB 117 61 123

HSL 294.19, 0.34%, 0.36%

LAB 35.1, 34.54, -25.06

 

CMYK 6 / 44 / 0 / 44

HEX #864F8E

RGB 134 79 142

HSL 292.38, 0.29%, 0.43%

LAB 42.17, 33.75, -25.51

 

CMYK 6 / 40 / 0 / 37

HEX #9761A1

RGB 151 97 161

HSL 290.63, 0.25%, 0.51%

LAB 49.13, 32.94, -25.87

 

CMYK 7 / 36 / 0 / 29

HEX #A873B4

RGB 168 115 180

HSL 288.92, 0.3%, 0.58%

LAB 55.97, 32.17, -26.18

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 13 / 72 / 0 / 65

HEX #4E195A

RGB 78 25 90

HSL 288.92, 0.57%, 0.23%

LAB 20.26, 35.17, -27.67

 

CMYK 14 / 90 / 0 / 72

HEX #3D0747

RGB 61 7 71

HSL 290.63, 0.82%, 0.15%

LAB 13.22, 34.43, -26.16

 

CMYK 15 / 100 / 0 / 80

HEX #2C0034

RGB 44 0 52

HSL 290.77, 1%, 0.1%

LAB 7.08, 30.22, -22.65

 

CMYK 18 / 100 / 0 / 87

HEX #1B0021

RGB 27 0 33

HSL 289.09, 1%, 0.06%

LAB 3.1, 16.41, -14.66

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 61 / 4 / 57

HEX #6D2B69

RGB 109 43 105

HSL 303.64, 0.43%, 0.3%

LAB 29.41, 38.09, -22.68

 

CMYK 0 / 61 / 20 / 57

HEX #6D2B57

RGB 109 43 87

HSL 320, 0.43%, 0.3%

LAB 28.56, 34.92, -12.32

 

CMYK 0 / 61 / 36 / 57

HEX #6D2B46

RGB 109 43 70

HSL 335.45, 0.43%, 0.3%

LAB 27.9, 32.38, -2.09

 

CMYK 0 / 61 / 52 / 57

HEX #6D2B34

RGB 109 43 52

HSL 351.82, 0.43%, 0.3%

LAB 27.37, 30.25, 9.15

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 29 / 61 / 0 / 57

HEX #4D2B6D

RGB 77 43 109

HSL 270.91, 0.43%, 0.3%

LAB 24.98, 29.74, -32.56

 

CMYK 46 / 61 / 0 / 57

HEX #3B2B6D

RGB 59 43 109

HSL 254.55, 0.43%, 0.3%

LAB 22.87, 25.01, -36.07

 

CMYK 61 / 61 / 0 / 57

HEX #2B2B6D

RGB 43 43 109

HSL 240, 0.43%, 0.3%

LAB 21.38, 21.37, -38.55

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 16 / 74 / 0 / 53

HEX #661F79

RGB 102 31 121

HSL 287.33, 0.59%, 0.3%

LAB 27.26, 44.94, -36.38

 

CMYK 19 / 87 / 0 / 47

HEX #6D1286

RGB 109 18 134

HSL 287.07, 0.76%, 0.3%

LAB 27.86, 53.32, -43.54

 

CMYK 21 / 96 / 0 / 43

HEX #740692

RGB 116 6 146

HSL 287.14, 0.92%, 0.3%

LAB 29.21, 59.12, -48.76

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 9 / 43 / 0 / 62

HEX #583761

RGB 88 55 97

HSL 287.14, 0.28%, 0.3%

LAB 28.56, 22.83, -19.07

 

CMYK 4 / 19 / 0 / 67

HEX #514454

RGB 81 68 84

HSL 288.75, 0.11%, 0.3%

LAB 30.7, 8.91, -7.49

 

CMYK 7 / 0 / 10 / 69

HEX #4A5048

RGB 74 80 72

HSL 105, 0.05%, 0.3%

LAB 33.27, -4.16, 3.89

 

CMYK 29 / 0 / 37 / 64

HEX #425D3B

RGB 66 93 59

HSL 107.65, 0.22%, 0.3%

LAB 36.56, -17.47, 16.39

 

CMYK 45 / 61 / 0 / 57

HEX #3C2B6D

RGB 60 43 109

HSL 255.45, 0.43%, 0.3%

LAB 22.97, 25.26, -35.89

 

CMYK 29 / 61 / 0 / 57

HEX #4D2B6D

RGB 77 43 109

HSL 270.91, 0.43%, 0.3%

LAB 24.98, 29.74, -32.56

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 61 / 3 / 57

HEX #6D2B6A

RGB 109 43 106

HSL 302.73, 0.43%, 0.3%

LAB 29.46, 38.28, -23.24

 

CMYK 0 / 61 / 19 / 57

HEX #6D2B58

RGB 109 43 88

HSL 319.09, 0.43%, 0.3%

LAB 28.6, 35.08, -12.91

 

CMYK 14 / 60 / 0 / 80

HEX #2B1432

RGB 43 20 50

HSL 286, 0.43%, 0.14%

LAB 10.88, 17.96, -15.13

 

CMYK 13 / 61 / 0 / 69

HEX #451F4F

RGB 69 31 79

HSL 287.5, 0.44%, 0.22%

LAB 19.27, 26.92, -21.94

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 12 / 60 / 0 / 46

HEX #79378A

RGB 121 55 138

HSL 287.71, 0.43%, 0.38%

LAB 35.27, 42.06, -34.05

 

CMYK 13 / 60 / 0 / 34

HEX #9243A8

RGB 146 67 168

HSL 286.93, 0.43%, 0.46%

LAB 42.69, 48.95, -40.16

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 61 / 60 / 57

HEX #6D2B2C

RGB 109 43 44

HSL 359.09, 0.43%, 0.3%

LAB 27.19, 29.49, 14.21

 

CMYK 61 / 0 / 38 / 57

HEX #2B6D44

RGB 43 109 68

HSL 142.73, 0.43%, 0.3%

LAB 41.01, -31.18, 16.8

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 13 / 61 / 57

HEX #6D5F2B

RGB 109 95 43

HSL 47.27, 0.43%, 0.3%

LAB 40.59, -1.48, 31.33

 

CMYK 61 / 0 / 13 / 57

HEX #2B6D5F

RGB 43 109 95

HSL 167.27, 0.43%, 0.3%

LAB 41.65, -24.64, 1.56

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 61 / 60 / 57

HEX #6D2B2C

RGB 109 43 44

HSL 359.09, 0.43%, 0.3%

LAB 27.19, 29.49, 14.21

 

CMYK 48 / 0 / 61 / 57

HEX #396D2B

RGB 57 109 43

HSL 107.27, 0.43%, 0.3%

LAB 41.19, -31.16, 31.03

 

CMYK 61 / 0 / 1 / 57

HEX #2B6D6C

RGB 43 109 108

HSL 179.09, 0.43%, 0.3%

LAB 42.05, -20.89, -5.72

 

CMYK 13 / 61 / 0 / 57

HEX #5F2B6D

RGB 95 43 109

HSL 287.27, 0.43%, 0.3%

LAB 27.48, 34.82, -28.44

 

CMYK 0 / 43 / 61 / 57

HEX #6D3E2B

RGB 109 62 43

HSL 17.27, 0.43%, 0.3%

LAB 31.51, 18.5, 20.42

 

CMYK 48 / 0 / 61 / 57

HEX #396D2B

RGB 57 109 43

HSL 107.27, 0.43%, 0.3%

LAB 41.19, -31.16, 31.03

 

CMYK 61 / 17 / 0 / 57

HEX #2B5A6D

RGB 43 90 109

HSL 197.27, 0.43%, 0.3%

LAB 35.85, -9.86, -15.71

 

Description

Color code: HEX #5F2B6D | qconv.com Color code: HEX #5F2B6D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 43 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 43 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 61 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 61% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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