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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F3919 it is the complementary color #A0C6E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F3919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F3919 shade: #643914, #754B27, #865D3A, #976F4D and #A88160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F3919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F3919 shade: #5F3919, #4E2706, #3D1500, #2C0300 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F3919 shade: #603A19, #602719 and #601919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F3919 shade: #603A19, #604D19, #606019, #4D6019 and #3A6019

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F3919 shade matches the following richer shades: #603A19, #6A390F and #743805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F3919 shade: #603A19, #563B23, #4C3B2D, #423C37 and #393D41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F3919 shade: #60191F, #602619, #603919, #604C19 and #605F19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F3919 shade: #1F1208, #402611, #603A19, #814D22 and #A1612B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F3919 shade: #5F3919, #326019 and #1D1960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F3919 shade: #5F3919, #196039 and #391960

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F3919 shade: #5F3919, #326019, #194060 and #471960

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F3919 shade: #5F3919, #1D6019, #194060 and #5D1960

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

Complementary color

CMYK 30 / 14 / 0 / 10

HEX #A0C6E6

RGB 160 198 230

HSL 207.43, 0.58%, 0.76%

LAB 78.21, -5.24, -19.99

 

CMYK 0 / 43 / 80 / 61

HEX #643914

RGB 100 57 20

HSL 27.75, 0.67%, 0.24%

LAB 28.61, 15.76, 30.07

 

CMYK 0 / 36 / 67 / 54

HEX #754B27

RGB 117 75 39

HSL 27.69, 0.5%, 0.31%

LAB 35.91, 14.01, 28.36

 

CMYK 0 / 31 / 57 / 47

HEX #865D3A

RGB 134 93 58

HSL 27.63, 0.4%, 0.38%

LAB 43.07, 12.63, 26.65

 

CMYK 0 / 26 / 49 / 41

HEX #976F4D

RGB 151 111 77

HSL 27.57, 0.32%, 0.45%

LAB 50.08, 11.51, 25.08

 

CMYK 0 / 23 / 43 / 34

HEX #A88160

RGB 168 129 96

HSL 27.5, 0.29%, 0.52%

LAB 56.95, 10.6, 23.66

 

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

CMYK 0 / 50 / 92 / 69

HEX #4E2706

RGB 78 39 6

HSL 27.5, 0.86%, 0.16%

LAB 20.38, 15.66, 27.09

 

CMYK 0 / 66 / 100 / 76

HEX #3D1500

RGB 61 21 0

HSL 20.66, 1%, 0.12%

LAB 12.79, 18.25, 19.48

 

CMYK 0 / 93 / 100 / 83

HEX #2C0300

RGB 44 3 0

HSL 4.09, 1%, 0.09%

LAB 5.43, 19.75, 8.5

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 40 / 74 / 62

HEX #603A19

RGB 96 58 25

HSL 27.89, 0.59%, 0.24%

LAB 28.34, 13.5, 26.91

 

CMYK 0 / 59 / 74 / 62

HEX #602719

RGB 96 39 25

HSL 11.83, 0.59%, 0.24%

LAB 23.7, 24.88, 21.68

 

CMYK 0 / 74 / 74 / 62

HEX #601919

RGB 96 25 25

HSL 0, 0.59%, 0.24%

LAB 21.03, 31.98, 18.53

 

CMYK 0 / 40 / 74 / 62

HEX #603A19

RGB 96 58 25

HSL 27.89, 0.59%, 0.24%

LAB 28.34, 13.5, 26.91

 

CMYK 0 / 20 / 74 / 62

HEX #604D19

RGB 96 77 25

HSL 43.94, 0.59%, 0.24%

LAB 33.7, 1.69, 32.62

 

CMYK 0 / 0 / 74 / 62

HEX #606019

RGB 96 96 25

HSL 60, 0.59%, 0.24%

LAB 39.45, -9.58, 38.43

 

CMYK 20 / 0 / 74 / 62

HEX #4D6019

RGB 77 96 25

HSL 76.06, 0.59%, 0.24%

LAB 37.87, -18.5, 36.32

 

CMYK 40 / 0 / 74 / 62

HEX #3A6019

RGB 58 96 25

HSL 92.11, 0.59%, 0.24%

LAB 36.62, -26.6, 34.65

 

CMYK 0 / 40 / 74 / 62

HEX #603A19

RGB 96 58 25

HSL 27.89, 0.59%, 0.24%

LAB 28.34, 13.5, 26.91

 

CMYK 0 / 46 / 86 / 58

HEX #6A390F

RGB 106 57 15

HSL 27.69, 0.75%, 0.24%

LAB 29.48, 18.38, 33.65

 

CMYK 0 / 52 / 96 / 55

HEX #743805

RGB 116 56 5

HSL 27.57, 0.92%, 0.24%

LAB 30.77, 23.28, 39.42

 

CMYK 0 / 40 / 74 / 62

HEX #603A19

RGB 96 58 25

HSL 27.89, 0.59%, 0.24%

LAB 28.34, 13.5, 26.91

 

CMYK 0 / 31 / 59 / 66

HEX #563B23

RGB 86 59 35

HSL 28.24, 0.42%, 0.24%

LAB 27.37, 8.81, 19.51

 

CMYK 0 / 22 / 41 / 70

HEX #4C3B2D

RGB 76 59 45

HSL 27.1, 0.26%, 0.24%

LAB 26.31, 5.18, 11.53

 

CMYK 0 / 9 / 17 / 74

HEX #423C37

RGB 66 60 55

HSL 27.27, 0.09%, 0.24%

LAB 25.76, 1.58, 4.02

 

CMYK 12 / 6 / 0 / 75

HEX #393D41

RGB 57 61 65

HSL 210, 0.07%, 0.24%

LAB 25.53, -0.71, -3.04

 

CMYK 0 / 74 / 68 / 62

HEX #60191F

RGB 96 25 31

HSL 354.93, 0.59%, 0.24%

LAB 21.14, 32.37, 14.59

 

CMYK 0 / 60 / 74 / 62

HEX #602619

RGB 96 38 25

HSL 10.99, 0.59%, 0.24%

LAB 23.48, 25.44, 21.43

 

CMYK 0 / 41 / 74 / 62

HEX #603919

RGB 96 57 25

HSL 27.04, 0.59%, 0.24%

LAB 28.07, 14.12, 26.62

 

CMYK 0 / 21 / 74 / 62

HEX #604C19

RGB 96 76 25

HSL 43.1, 0.59%, 0.24%

LAB 33.41, 2.3, 32.31

 

CMYK 0 / 1 / 74 / 62

HEX #605F19

RGB 96 95 25

HSL 59.15, 0.59%, 0.24%

LAB 39.14, -9.01, 38.12

 

CMYK 0 / 42 / 74 / 88

HEX #1F1208

RGB 31 18 8

HSL 26.09, 0.59%, 0.08%

LAB 6.7, 4.94, 6.84

 

CMYK 0 / 41 / 73 / 75

HEX #402611

RGB 64 38 17

HSL 26.81, 0.58%, 0.16%

LAB 17.99, 9.87, 18.68

 

CMYK 0 / 40 / 74 / 62

HEX #603A19

RGB 96 58 25

HSL 27.89, 0.59%, 0.24%

LAB 28.34, 13.5, 26.91

 

CMYK 0 / 40 / 74 / 49

HEX #814D22

RGB 129 77 34

HSL 27.16, 0.58%, 0.32%

LAB 38, 18.03, 33.88

 

CMYK 0 / 40 / 73 / 37

HEX #A1612B

RGB 161 97 43

HSL 27.46, 0.58%, 0.4%

LAB 47.37, 21.3, 40.57

 

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

CMYK 48 / 0 / 74 / 62

HEX #326019

RGB 50 96 25

HSL 98.87, 0.59%, 0.24%

LAB 36.2, -29.6, 34.09

 

CMYK 70 / 74 / 0 / 62

HEX #1D1960

RGB 29 25 96

HSL 243.38, 0.59%, 0.24%

LAB 14.41, 26.35, -41.45

 

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

CMYK 74 / 0 / 41 / 62

HEX #196039

RGB 25 96 57

HSL 147.04, 0.59%, 0.24%

LAB 35.73, -31.68, 16.15

 

CMYK 41 / 74 / 0 / 62

HEX #391960

RGB 57 25 96

HSL 267.04, 0.59%, 0.24%

LAB 17.5, 31.59, -36.26

 

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

CMYK 48 / 0 / 74 / 62

HEX #326019

RGB 50 96 25

HSL 98.87, 0.59%, 0.24%

LAB 36.2, -29.6, 34.09

 

CMYK 74 / 33 / 0 / 62

HEX #194060

RGB 25 64 96

HSL 207.04, 0.59%, 0.24%

LAB 25.92, -1.88, -22.94

 

CMYK 26 / 74 / 0 / 62

HEX #471960

RGB 71 25 96

HSL 278.87, 0.59%, 0.24%

LAB 19.55, 34.81, -32.84

 

CMYK 0 / 40 / 74 / 63

HEX #5F3919

RGB 95 57 25

HSL 27.43, 0.58%, 0.24%

LAB 27.92, 13.64, 26.41

 

CMYK 70 / 0 / 74 / 62

HEX #1D6019

RGB 29 96 25

HSL 116.62, 0.59%, 0.24%

LAB 35.39, -35.88, 32.99

 

CMYK 74 / 33 / 0 / 62

HEX #194060

RGB 25 64 96

HSL 207.04, 0.59%, 0.24%

LAB 25.92, -1.88, -22.94

 

CMYK 3 / 74 / 0 / 62

HEX #5D1960

RGB 93 25 96

HSL 297.46, 0.59%, 0.24%

LAB 23.23, 40.23, -26.76

 

Description

Color code: HEX #5F3919 | qconv.com Color code: HEX #5F3919 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 57 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 57 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 74 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 74% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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