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Color name
HEX #5F3FC9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F3FC9 it is the complementary color #A0C036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F3FC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F3FC9 shade: #643FC4, #7551D7, #8663EA, #9775FD and #A887FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F3FC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F3FC9 shade: #5F3FC9, #4E2DB6, #3D1BA3, #2C0990 and #1B007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F3FC9 shade: #5F40C9, #8440C9, #A940C9, #C940C3 and #C9409E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F3FC9 shade: #5F40C9 and #4040C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F3FC9 shade matches the following richer shades: #5F40C9, #552CDC and #4A18F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F3FC9 shade: #5F40C9, #6A53B5, #7567A1, #7F7B8D and #8A8F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F3FC9 shade: #406BC9, #4046C9, #5D40C9, #8240C9 and #A640C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F3FC9 shade: #3F288E, #4E31AE, #5F40C9, #7A60D2 and #9580DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F3FC9 shade: #5F3FC9, #C94090 and #59C940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F3FC9 shade: #5F3FC9, #C95D40 and #40C95D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F3FC9 shade: #5F3FC9, #C94090, #ABC940 and #40C979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F3FC9 shade: #5F3FC9, #C94066, #ABC940 and #40C9A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

Complementary color

CMYK 17 / 0 / 72 / 25

HEX #A0C036

RGB 160 192 54

HSL 73.91, 0.56%, 0.48%

LAB 73.18, -29.42, 62.14

 

CMYK 49 / 68 / 0 / 23

HEX #643FC4

RGB 100 63 196

HSL 256.69, 0.53%, 0.51%

LAB 38.29, 47.7, -64.03

 

CMYK 46 / 62 / 0 / 16

HEX #7551D7

RGB 117 81 215

HSL 256.12, 0.63%, 0.58%

LAB 45.04, 46.39, -63.94

 

CMYK 43 / 58 / 0 / 8

HEX #8663EA

RGB 134 99 234

HSL 255.56, 0.76%, 0.65%

LAB 51.76, 45.09, -63.76

 

CMYK 40 / 54 / 0 / 1

HEX #9775FD

RGB 151 117 253

HSL 255, 0.97%, 0.73%

LAB 58.41, 43.87, -63.54

 

CMYK 34 / 47 / 0 / 0

HEX #A887FF

RGB 168 135 255

HSL 256.5, 1%, 0.76%

LAB 64.06, 38.35, -55.53

 

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

CMYK 57 / 75 / 0 / 29

HEX #4E2DB6

RGB 78 45 182

HSL 254.45, 0.6%, 0.45%

LAB 31.52, 49.61, -66.96

 

CMYK 63 / 83 / 0 / 36

HEX #3D1BA3

RGB 61 27 163

HSL 255, 0.72%, 0.37%

LAB 25.01, 50.49, -66.33

 

CMYK 69 / 94 / 0 / 44

HEX #2C0990

RGB 44 9 144

HSL 255.56, 0.88%, 0.3%

LAB 18.99, 50.13, -64.68

 

CMYK 78 / 100 / 0 / 51

HEX #1B007D

RGB 27 0 125

HSL 252.96, 1%, 0.25%

LAB 13.91, 47.21, -61.2

 

CMYK 53 / 68 / 0 / 21

HEX #5F40C9

RGB 95 64 201

HSL 253.58, 0.56%, 0.52%

LAB 38.4, 47.73, -66.77

 

CMYK 34 / 68 / 0 / 21

HEX #8440C9

RGB 132 64 201

HSL 269.78, 0.56%, 0.52%

LAB 42.44, 54.58, -60.02

 

CMYK 16 / 68 / 0 / 21

HEX #A940C9

RGB 169 64 201

HSL 285.99, 0.56%, 0.52%

LAB 47.39, 62.36, -51.8

 

CMYK 0 / 68 / 3 / 21

HEX #C940C3

RGB 201 64 195

HSL 302.63, 0.56%, 0.52%

LAB 51.86, 68.47, -40.92

 

CMYK 0 / 68 / 21 / 21

HEX #C9409E

RGB 201 64 158

HSL 318.83, 0.56%, 0.52%

LAB 50.16, 63, -21.93

 

CMYK 53 / 68 / 0 / 21

HEX #5F40C9

RGB 95 64 201

HSL 253.58, 0.56%, 0.52%

LAB 38.4, 47.73, -66.77

 

CMYK 68 / 68 / 0 / 21

HEX #4040C9

RGB 64 64 201

HSL 240, 0.56%, 0.52%

LAB 35.93, 43.25, -70.92

 

CMYK 53 / 68 / 0 / 21

HEX #5F40C9

RGB 95 64 201

HSL 253.58, 0.56%, 0.52%

LAB 38.4, 47.73, -66.77

 

CMYK 61 / 80 / 0 / 14

HEX #552CDC

RGB 85 44 220

HSL 253.98, 0.72%, 0.52%

LAB 35.79, 61.56, -82.08

 

CMYK 69 / 90 / 0 / 6

HEX #4A18F0

RGB 74 24 240

HSL 253.89, 0.88%, 0.52%

LAB 34.8, 72.75, -95.15

 

CMYK 53 / 68 / 0 / 21

HEX #5F40C9

RGB 95 64 201

HSL 253.58, 0.56%, 0.52%

LAB 38.4, 47.73, -66.77

 

CMYK 41 / 54 / 0 / 29

HEX #6A53B5

RGB 106 83 181

HSL 254.08, 0.4%, 0.52%

LAB 42.13, 33.21, -49

 

CMYK 27 / 36 / 0 / 37

HEX #7567A1

RGB 117 103 161

HSL 254.48, 0.24%, 0.52%

LAB 47.05, 18.63, -29.38

 

CMYK 10 / 13 / 0 / 45

HEX #7F7B8D

RGB 127 123 141

HSL 253.33, 0.07%, 0.52%

LAB 52.51, 5.25, -9.19

 

CMYK 3 / 0 / 15 / 44

HEX #8A8F79

RGB 138 143 121

HSL 73.64, 0.09%, 0.52%

LAB 58.44, -5.92, 11.1

 

CMYK 68 / 47 / 0 / 21

HEX #406BC9

RGB 64 107 201

HSL 221.17, 0.56%, 0.52%

LAB 46.74, 16.24, -53.36

 

CMYK 68 / 65 / 0 / 21

HEX #4046C9

RGB 64 70 201

HSL 237.37, 0.56%, 0.52%

LAB 37.28, 39.65, -68.72

 

CMYK 54 / 68 / 0 / 21

HEX #5D40C9

RGB 93 64 201

HSL 252.7, 0.56%, 0.52%

LAB 38.22, 47.4, -67.08

 

CMYK 35 / 68 / 0 / 21

HEX #8240C9

RGB 130 64 201

HSL 268.91, 0.56%, 0.52%

LAB 42.2, 54.18, -60.43

 

CMYK 17 / 68 / 0 / 21

HEX #A640C9

RGB 166 64 201

HSL 284.67, 0.56%, 0.52%

LAB 46.96, 61.71, -52.5

 

CMYK 56 / 72 / 0 / 44

HEX #3F288E

RGB 63 40 142

HSL 253.53, 0.56%, 0.36%

LAB 25.34, 38.06, -52.89

 

CMYK 55 / 72 / 0 / 32

HEX #4E31AE

RGB 78 49 174

HSL 253.92, 0.56%, 0.44%

LAB 31.51, 45.19, -62.2

 

CMYK 53 / 68 / 0 / 21

HEX #5F40C9

RGB 95 64 201

HSL 253.58, 0.56%, 0.52%

LAB 38.4, 47.73, -66.77

 

CMYK 42 / 54 / 0 / 18

HEX #7A60D2

RGB 122 96 210

HSL 253.68, 0.56%, 0.6%

LAB 48.46, 37.5, -55.55

 

CMYK 32 / 42 / 0 / 14

HEX #9580DB

RGB 149 128 219

HSL 253.85, 0.56%, 0.68%

LAB 58.92, 28.13, -43.84

 

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

CMYK 0 / 68 / 28 / 21

HEX #C94090

RGB 201 64 144

HSL 324.96, 0.56%, 0.52%

LAB 49.61, 61.18, -14.43

 

CMYK 56 / 0 / 68 / 21

HEX #59C940

RGB 89 201 64

HSL 109.05, 0.56%, 0.52%

LAB 72.41, -56.77, 56.46

 

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

CMYK 0 / 54 / 68 / 21

HEX #C95D40

RGB 201 93 64

HSL 12.7, 0.56%, 0.52%

LAB 52.53, 40.95, 36.88

 

CMYK 68 / 0 / 54 / 21

HEX #40C95D

RGB 64 201 93

HSL 132.7, 0.56%, 0.52%

LAB 72, -59.03, 43.05

 

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

CMYK 0 / 68 / 28 / 21

HEX #C94090

RGB 201 64 144

HSL 324.96, 0.56%, 0.52%

LAB 49.61, 61.18, -14.43

 

CMYK 15 / 0 / 68 / 21

HEX #ABC940

RGB 171 201 64

HSL 73.14, 0.56%, 0.52%

LAB 76.56, -28.67, 62.07

 

CMYK 68 / 0 / 40 / 21

HEX #40C979

RGB 64 201 121

HSL 144.96, 0.56%, 0.52%

LAB 72.39, -54.55, 29.55

 

CMYK 53 / 69 / 0 / 21

HEX #5F3FC9

RGB 95 63 201

HSL 253.91, 0.56%, 0.52%

LAB 38.21, 48.28, -67.09

 

CMYK 0 / 68 / 49 / 21

HEX #C94066

RGB 201 64 102

HSL 343.36, 0.56%, 0.52%

LAB 48.31, 56.73, 9.07

 

CMYK 15 / 0 / 68 / 21

HEX #ABC940

RGB 171 201 64

HSL 73.14, 0.56%, 0.52%

LAB 76.56, -28.67, 62.07

 

CMYK 68 / 0 / 19 / 21

HEX #40C9A2

RGB 64 201 162

HSL 162.92, 0.56%, 0.52%

LAB 73.2, -45.87, 8.9

 

Description

Color code: HEX #5F3FC9 | qconv.com Color code: HEX #5F3FC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 63 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 63 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 69 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 69% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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