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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F4339 it is the complementary color #A0BCC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F4339. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F4339 shade: #644334, #755547, #86675A, #97796D and #A88B80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F4339. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F4339 shade: #5F4339, #4E3126, #3D1F13, #2C0D00 and #1B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F4339 shade: #5F4339 and #5F3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F4339 shade: #5F4339, #5F4D39, #5F5839, #5C5F39 and #525F39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F4339 shade matches the following richer shades: #5F4339, #6C3D2C, #783720, #843114 and #912B07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F4339 shade: #5F4339, #534945, #464F52, #3A555E and #2E5A6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F4339 shade: #5F3944, #5F393A, #5F4239, #5F4D39 and #5F5739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F4339 shade: #2C1F1A, #453129, #5F4339, #795548 and #936758

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F4339 shade: #5F4339, #4E5F39 and #393F5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F4339 shade: #5F4339, #395F42 and #42395F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F4339 shade: #5F4339, #4E5F39, #39565F and #4A395F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F4339 shade: #5F4339, #425F39, #39565F and #56395F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

Complementary color

CMYK 19 / 5 / 0 / 22

HEX #A0BCC6

RGB 160 188 198

HSL 195.79, 0.25%, 0.7%

LAB 74.52, -7.31, -8.22

 

CMYK 0 / 33 / 48 / 61

HEX #644334

RGB 100 67 52

HSL 18.75, 0.32%, 0.3%

LAB 31.74, 12.26, 14.85

 

CMYK 0 / 27 / 39 / 54

HEX #755547

RGB 117 85 71

HSL 18.26, 0.24%, 0.37%

LAB 39.13, 11.26, 13.37

 

CMYK 0 / 23 / 33 / 47

HEX #86675A

RGB 134 103 90

HSL 17.73, 0.2%, 0.44%

LAB 46.32, 10.45, 12.11

 

CMYK 0 / 20 / 28 / 41

HEX #97796D

RGB 151 121 109

HSL 17.14, 0.17%, 0.51%

LAB 53.34, 9.79, 10.99

 

CMYK 0 / 17 / 24 / 34

HEX #A88B80

RGB 168 139 128

HSL 16.5, 0.19%, 0.58%

LAB 60.2, 9.22, 9.98

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 37 / 51 / 69

HEX #4E3126

RGB 78 49 38

HSL 16.5, 0.34%, 0.23%

LAB 23.53, 11.71, 12.42

 

CMYK 0 / 49 / 69 / 76

HEX #3D1F13

RGB 61 31 19

HSL 17.14, 0.53%, 0.16%

LAB 15.59, 13.18, 14.4

 

CMYK 0 / 70 / 100 / 83

HEX #2C0D00

RGB 44 13 0

HSL 17.73, 1%, 0.09%

LAB 7.44, 14.84, 11.44

 

CMYK 0 / 100 / 100 / 89

HEX #1B0000

RGB 27 0 0

HSL 0, 1%, 0.05%

LAB 2.1, 9.44, 3.33

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 40 / 40 / 63

HEX #5F3939

RGB 95 57 57

HSL 0, 0.25%, 0.3%

LAB 28.52, 16.88, 7.12

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 19 / 40 / 63

HEX #5F4D39

RGB 95 77 57

HSL 31.58, 0.25%, 0.3%

LAB 34.06, 4.37, 14.71

 

CMYK 0 / 7 / 40 / 63

HEX #5F5839

RGB 95 88 57

HSL 48.95, 0.25%, 0.3%

LAB 37.31, -2.34, 19.02

 

CMYK 3 / 0 / 40 / 63

HEX #5C5F39

RGB 92 95 57

HSL 64.74, 0.25%, 0.3%

LAB 39.16, -7.84, 21.36

 

CMYK 14 / 0 / 40 / 63

HEX #525F39

RGB 82 95 57

HSL 80.53, 0.25%, 0.3%

LAB 38.33, -12.26, 20.12

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 44 / 59 / 58

HEX #6C3D2C

RGB 108 61 44

HSL 15.94, 0.42%, 0.3%

LAB 31.13, 18.74, 19.29

 

CMYK 0 / 54 / 73 / 53

HEX #783720

RGB 120 55 32

HSL 15.68, 0.58%, 0.3%

LAB 31.42, 26.62, 27.35

 

CMYK 0 / 63 / 85 / 48

HEX #843114

RGB 132 49 20

HSL 15.54, 0.74%, 0.3%

LAB 32.15, 34.18, 35.33

 

CMYK 0 / 70 / 95 / 43

HEX #912B07

RGB 145 43 7

HSL 15.65, 0.91%, 0.3%

LAB 33.48, 41.51, 42.93

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 12 / 17 / 67

HEX #534945

RGB 83 73 69

HSL 17.14, 0.09%, 0.3%

LAB 31.88, 3.43, 3.92

 

CMYK 15 / 4 / 0 / 68

HEX #464F52

RGB 70 79 82

HSL 195, 0.08%, 0.3%

LAB 32.93, -2.87, -2.99

 

CMYK 38 / 10 / 0 / 63

HEX #3A555E

RGB 58 85 94

HSL 195, 0.24%, 0.3%

LAB 34.41, -7.54, -8.46

 

CMYK 57 / 15 / 0 / 58

HEX #2E5A6A

RGB 46 90 106

HSL 196, 0.39%, 0.3%

LAB 35.86, -10.17, -13.82

 

CMYK 0 / 40 / 28 / 63

HEX #5F3944

RGB 95 57 68

HSL 342.63, 0.25%, 0.3%

LAB 28.84, 18.53, 0.36

 

CMYK 0 / 40 / 39 / 63

HEX #5F393A

RGB 95 57 58

HSL 358.42, 0.25%, 0.3%

LAB 28.55, 17.02, 6.5

 

CMYK 0 / 31 / 40 / 63

HEX #5F4239

RGB 95 66 57

HSL 14.21, 0.25%, 0.3%

LAB 30.94, 11.25, 10.47

 

CMYK 0 / 19 / 40 / 63

HEX #5F4D39

RGB 95 77 57

HSL 31.58, 0.25%, 0.3%

LAB 34.06, 4.37, 14.71

 

CMYK 0 / 8 / 40 / 63

HEX #5F5739

RGB 95 87 57

HSL 47.37, 0.25%, 0.3%

LAB 37.01, -1.74, 18.63

 

CMYK 0 / 30 / 41 / 83

HEX #2C1F1A

RGB 44 31 26

HSL 16.67, 0.26%, 0.14%

LAB 13.17, 5.42, 5.86

 

CMYK 0 / 29 / 41 / 73

HEX #453129

RGB 69 49 41

HSL 17.14, 0.25%, 0.22%

LAB 22.38, 7.8, 8.66

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 0 / 30 / 40 / 53

HEX #795548

RGB 121 85 72

HSL 15.92, 0.25%, 0.38%

LAB 39.63, 13.14, 13.53

 

CMYK 0 / 30 / 40 / 42

HEX #936758

RGB 147 103 88

HSL 15.25, 0.25%, 0.46%

LAB 47.76, 15.68, 15.52

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 18 / 0 / 40 / 63

HEX #4E5F39

RGB 78 95 57

HSL 86.84, 0.25%, 0.3%

LAB 38.02, -13.97, 19.66

 

CMYK 40 / 34 / 0 / 63

HEX #393F5F

RGB 57 63 95

HSL 230.53, 0.25%, 0.3%

LAB 27.44, 6.52, -19.78

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 40 / 0 / 31 / 63

HEX #395F42

RGB 57 95 66

HSL 134.21, 0.25%, 0.3%

LAB 36.83, -20.54, 12.44

 

CMYK 31 / 40 / 0 / 63

HEX #42395F

RGB 66 57 95

HSL 254.21, 0.25%, 0.3%

LAB 26.48, 13.47, -21.22

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 18 / 0 / 40 / 63

HEX #4E5F39

RGB 78 95 57

HSL 86.84, 0.25%, 0.3%

LAB 38.02, -13.97, 19.66

 

CMYK 40 / 9 / 0 / 63

HEX #39565F

RGB 57 86 95

HSL 194.21, 0.25%, 0.3%

LAB 34.7, -8.17, -8.64

 

CMYK 22 / 40 / 0 / 63

HEX #4A395F

RGB 74 57 95

HSL 266.84, 0.25%, 0.3%

LAB 27.32, 16.19, -19.84

 

CMYK 0 / 29 / 40 / 63

HEX #5F4339

RGB 95 67 57

HSL 15.79, 0.25%, 0.3%

LAB 31.21, 10.62, 10.85

 

CMYK 31 / 0 / 40 / 63

HEX #425F39

RGB 66 95 57

HSL 105.79, 0.25%, 0.3%

LAB 37.18, -18.89, 18.41

 

CMYK 40 / 9 / 0 / 63

HEX #39565F

RGB 57 86 95

HSL 194.21, 0.25%, 0.3%

LAB 34.7, -8.17, -8.64

 

CMYK 9 / 40 / 0 / 63

HEX #56395F

RGB 86 57 95

HSL 285.79, 0.25%, 0.3%

LAB 28.72, 20.41, -17.55

 

Description

Color code: HEX #5F4339 | qconv.com Color code: HEX #5F4339 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 67 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 67 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 40 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 40% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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