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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F5783 it is the complementary color #A0A87C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F5783. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F5783 shade: #64577E, #756991, #867BA4, #978DB7 and #A89FCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F5783. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F5783 shade: #5F5783, #4E4570, #3D335D, #2C214A and #1B0F37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F5783 shade: #5F5783, #6B5783, #775783, #835783 and #835778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F5783 shade: #5F5783 and #575783

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F5783 shade matches the following richer shades: #5F5783, #544595, #4934A7, #3D22B8 and #3210CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F5783 shade: #5F5783, #6A6971, #767B60, #818C4E and #8C9E3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F5783 shade: #576783, #575C83, #5F5783, #6A5783 and #765783

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F5783 shade: #3B3652, #4D476A, #5F5783, #72699B and #8982AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F5783 shade: #5F5783, #835773 and #618357

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F5783 shade: #5F5783, #835F57 and #57835F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F5783 shade: #5F5783, #835773, #7C8357 and #578367

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F5783 shade: #5F5783, #835766, #7C8357 and #578374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

Complementary color

CMYK 5 / 0 / 26 / 34

HEX #A0A87C

RGB 160 168 124

HSL 70.91, 0.2%, 0.57%

LAB 67.23, -10.4, 21.84

 

CMYK 21 / 31 / 0 / 51

HEX #64577E

RGB 100 87 126

HSL 260, 0.18%, 0.42%

LAB 39.63, 13.99, -20.02

 

CMYK 19 / 28 / 0 / 43

HEX #756991

RGB 117 105 145

HSL 258, 0.16%, 0.49%

LAB 46.88, 13.4, -20.17

 

CMYK 18 / 25 / 0 / 36

HEX #867BA4

RGB 134 123 164

HSL 256.1, 0.18%, 0.56%

LAB 53.94, 12.88, -20.36

 

CMYK 17 / 23 / 0 / 28

HEX #978DB7

RGB 151 141 183

HSL 254.29, 0.23%, 0.64%

LAB 60.82, 12.42, -20.58

 

CMYK 17 / 21 / 0 / 21

HEX #A89FCA

RGB 168 159 202

HSL 252.56, 0.29%, 0.71%

LAB 67.57, 12.01, -20.82

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 30 / 38 / 0 / 56

HEX #4E4570

RGB 78 69 112

HSL 252.56, 0.24%, 0.35%

LAB 31.91, 14.37, -23.5

 

CMYK 34 / 45 / 0 / 64

HEX #3D335D

RGB 61 51 93

HSL 254.29, 0.29%, 0.28%

LAB 24.16, 15.28, -23.59

 

CMYK 41 / 55 / 0 / 71

HEX #2C214A

RGB 44 33 74

HSL 256.1, 0.38%, 0.21%

LAB 16.09, 16.43, -23.78

 

CMYK 51 / 73 / 0 / 78

HEX #1B0F37

RGB 27 15 55

HSL 258, 0.57%, 0.14%

LAB 7.68, 17.87, -24

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 18 / 34 / 0 / 49

HEX #6B5783

RGB 107 87 131

HSL 267.27, 0.2%, 0.43%

LAB 40.54, 17.6, -21.61

 

CMYK 9 / 34 / 0 / 49

HEX #775783

RGB 119 87 131

HSL 283.64, 0.2%, 0.43%

LAB 41.81, 21.7, -19.55

 

CMYK 0 / 34 / 0 / 49

HEX #835783

RGB 131 87 131

HSL 300, 0.2%, 0.43%

LAB 43.18, 25.87, -17.33

 

CMYK 0 / 34 / 8 / 49

HEX #835778

RGB 131 87 120

HSL 315, 0.2%, 0.43%

LAB 42.76, 23.71, -11.28

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 34 / 34 / 0 / 49

HEX #575783

RGB 87 87 131

HSL 240, 0.2%, 0.43%

LAB 38.69, 11.09, -24.63

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 44 / 54 / 0 / 42

HEX #544595

RGB 84 69 149

HSL 251.25, 0.37%, 0.43%

LAB 34.62, 27, -42.06

 

CMYK 56 / 69 / 0 / 35

HEX #4934A7

RGB 73 52 167

HSL 250.96, 0.53%, 0.43%

LAB 31.03, 40.6, -58.82

 

CMYK 67 / 82 / 0 / 28

HEX #3D22B8

RGB 61 34 184

HSL 250.8, 0.69%, 0.43%

LAB 28.37, 53.49, -73.39

 

CMYK 75 / 92 / 0 / 21

HEX #3210CA

RGB 50 16 202

HSL 250.97, 0.85%, 0.43%

LAB 27.61, 63.98, -85.3

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 6 / 7 / 0 / 56

HEX #6A6971

RGB 106 105 113

HSL 247.5, 0.04%, 0.43%

LAB 44.74, 2.08, -4.33

 

CMYK 4 / 0 / 22 / 52

HEX #767B60

RGB 118 123 96

HSL 71.11, 0.12%, 0.43%

LAB 50.53, -6.89, 14.17

 

CMYK 8 / 0 / 44 / 45

HEX #818C4E

RGB 129 140 78

HSL 70.65, 0.28%, 0.43%

LAB 56.06, -14.18, 31.69

 

CMYK 11 / 0 / 62 / 38

HEX #8C9E3C

RGB 140 158 60

HSL 71.02, 0.45%, 0.43%

LAB 61.96, -20.63, 47.69

 

CMYK 34 / 21 / 0 / 49

HEX #576783

RGB 87 103 131

HSL 218.18, 0.2%, 0.43%

LAB 43.31, 1.16, -17.5

 

CMYK 34 / 30 / 0 / 49

HEX #575C83

RGB 87 92 131

HSL 233.18, 0.2%, 0.43%

LAB 40.11, 7.95, -22.42

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 19 / 34 / 0 / 49

HEX #6A5783

RGB 106 87 131

HSL 265.91, 0.2%, 0.43%

LAB 40.44, 17.26, -21.78

 

CMYK 10 / 34 / 0 / 49

HEX #765783

RGB 118 87 131

HSL 282.27, 0.2%, 0.43%

LAB 41.7, 21.35, -19.73

 

CMYK 28 / 34 / 0 / 68

HEX #3B3652

RGB 59 54 82

HSL 250.71, 0.21%, 0.27%

LAB 24.25, 9.33, -16.23

 

CMYK 27 / 33 / 0 / 58

HEX #4D476A

RGB 77 71 106

HSL 250.29, 0.2%, 0.35%

LAB 32.09, 11.06, -19.44

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 26 / 32 / 0 / 39

HEX #72699B

RGB 114 105 155

HSL 250.8, 0.2%, 0.51%

LAB 47.04, 14.93, -25.88

 

CMYK 20 / 24 / 0 / 33

HEX #8982AB

RGB 137 130 171

HSL 250.24, 0.2%, 0.59%

LAB 56.31, 11.42, -20.74

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 0 / 34 / 12 / 49

HEX #835773

RGB 131 87 115

HSL 321.82, 0.2%, 0.43%

LAB 42.58, 22.78, -8.5

 

CMYK 26 / 0 / 34 / 49

HEX #618357

RGB 97 131 87

HSL 106.36, 0.2%, 0.43%

LAB 51.22, -20.97, 20.03

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 0 / 27 / 34 / 49

HEX #835F57

RGB 131 95 87

HSL 10.91, 0.2%, 0.43%

LAB 43.8, 13.49, 10.34

 

CMYK 34 / 0 / 27 / 49

HEX #57835F

RGB 87 131 95

HSL 130.91, 0.2%, 0.43%

LAB 50.79, -23.11, 14.77

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 0 / 34 / 12 / 49

HEX #835773

RGB 131 87 115

HSL 321.82, 0.2%, 0.43%

LAB 42.58, 22.78, -8.5

 

CMYK 5 / 0 / 34 / 49

HEX #7C8357

RGB 124 131 87

HSL 69.55, 0.2%, 0.43%

LAB 53.17, -10.24, 22.97

 

CMYK 34 / 0 / 21 / 49

HEX #578367

RGB 87 131 103

HSL 141.82, 0.2%, 0.43%

LAB 50.96, -21.51, 10.4

 

CMYK 27 / 34 / 0 / 49

HEX #5F5783

RGB 95 87 131

HSL 250.91, 0.2%, 0.43%

LAB 39.39, 13.63, -23.49

 

CMYK 0 / 34 / 22 / 49

HEX #835766

RGB 131 87 102

HSL 339.55, 0.2%, 0.43%

LAB 42.16, 20.53, -1.16

 

CMYK 5 / 0 / 34 / 49

HEX #7C8357

RGB 124 131 87

HSL 69.55, 0.2%, 0.43%

LAB 53.17, -10.24, 22.97

 

CMYK 34 / 0 / 11 / 49

HEX #578374

RGB 87 131 116

HSL 159.55, 0.2%, 0.43%

LAB 51.29, -18.65, 3.3

 

Description

Color code: HEX #5F5783 | qconv.com Color code: HEX #5F5783 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 87 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 87 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 34 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 34% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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