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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F5159 it is the complementary color #A0AEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F5159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F5159 shade: #645154, #756367, #86757A, #97878D and #A899A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F5159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F5159 shade: #5F5159, #4E3F46, #3D2D33, #2C1B20 and #1B090D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F5159 shade: #60525A, #605256, #605252 and #605252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F5159 shade: #60525A, #60525E, #5E5260, #5A5260 and #575260

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F5159 shade matches the following richer shades: #60525A, #6E435C, #7D355E, #8B2660 and #9A1862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F5159 shade: #60525A, #516058, #436E56, #357D54 and #268B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F5159 shade: #5E5260, #60525E, #60525A, #605256 and #605252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F5159 shade: #332C30, #4A3F45, #60525A, #76656F and #8C7883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F5159 shade: #5F5159, #605A52 and #526060

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F5159 shade: #5F5159, #5A6052 and #525A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F5159 shade: #5F5159, #605A52, #526058 and #525760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F5159 shade: #5F5159, #605F52, #526058 and #525360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

Complementary color

CMYK 8 / 0 / 5 / 32

HEX #A0AEA6

RGB 160 174 166

HSL 145.71, 0.08%, 0.65%

LAB 69.82, -6.44, 2.42

 

CMYK 0 / 19 / 16 / 61

HEX #645154

RGB 100 81 84

HSL 350.53, 0.1%, 0.35%

LAB 36.43, 8.45, 1.22

 

CMYK 0 / 15 / 12 / 54

HEX #756367

RGB 117 99 103

HSL 346.67, 0.08%, 0.42%

LAB 43.78, 7.94, 0.41

 

CMYK 0 / 13 / 9 / 47

HEX #86757A

RGB 134 117 122

HSL 342.35, 0.07%, 0.49%

LAB 50.92, 7.5, -0.33

 

CMYK 0 / 11 / 7 / 41

HEX #97878D

RGB 151 135 141

HSL 337.5, 0.07%, 0.56%

LAB 57.88, 7.12, -1.01

 

CMYK 0 / 9 / 5 / 34

HEX #A899A0

RGB 168 153 160

HSL 332, 0.08%, 0.63%

LAB 64.68, 6.78, -1.67

 

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

CMYK 0 / 19 / 10 / 69

HEX #4E3F46

RGB 78 63 70

HSL 332, 0.11%, 0.28%

LAB 28.42, 7.88, -1.81

 

CMYK 0 / 26 / 16 / 76

HEX #3D2D33

RGB 61 45 51

HSL 337.5, 0.15%, 0.21%

LAB 20.47, 8.51, -1.01

 

CMYK 0 / 39 / 27 / 83

HEX #2C1B20

RGB 44 27 32

HSL 342.35, 0.24%, 0.14%

LAB 12.11, 9.36, -0.02

 

CMYK 0 / 67 / 52 / 89

HEX #1B090D

RGB 27 9 13

HSL 346.67, 0.5%, 0.07%

LAB 4.13, 7.68, 0.88

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 0 / 15 / 10 / 62

HEX #605256

RGB 96 82 86

HSL 342.86, 0.08%, 0.35%

LAB 36.35, 6.55, -0.2

 

CMYK 0 / 15 / 15 / 62

HEX #605252

RGB 96 82 82

HSL 0, 0.08%, 0.35%

LAB 36.23, 5.78, 2.13

 

CMYK 0 / 15 / 15 / 62

HEX #605252

RGB 96 82 82

HSL 0, 0.08%, 0.35%

LAB 36.23, 5.78, 2.13

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 0 / 15 / 2 / 62

HEX #60525E

RGB 96 82 94

HSL 308.57, 0.08%, 0.35%

LAB 36.61, 8.18, -4.83

 

CMYK 2 / 15 / 0 / 62

HEX #5E5260

RGB 94 82 96

HSL 291.43, 0.08%, 0.35%

LAB 36.48, 7.82, -6.31

 

CMYK 6 / 15 / 0 / 62

HEX #5A5260

RGB 90 82 96

HSL 274.29, 0.08%, 0.35%

LAB 36.09, 6.27, -6.93

 

CMYK 9 / 15 / 0 / 62

HEX #575260

RGB 87 82 96

HSL 261.43, 0.08%, 0.35%

LAB 35.8, 5.11, -7.39

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 0 / 39 / 16 / 57

HEX #6E435C

RGB 110 67 92

HSL 325.12, 0.24%, 0.35%

LAB 34.19, 22.56, -7.01

 

CMYK 0 / 58 / 25 / 51

HEX #7D355E

RGB 125 53 94

HSL 325.83, 0.4%, 0.35%

LAB 33.38, 36.24, -9.29

 

CMYK 0 / 73 / 31 / 45

HEX #8B2660

RGB 139 38 96

HSL 325.54, 0.57%, 0.35%

LAB 33.39, 47.67, -10.32

 

CMYK 0 / 84 / 36 / 40

HEX #9A1862

RGB 154 24 98

HSL 325.85, 0.73%, 0.35%

LAB 34.81, 56.24, -9.18

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 16 / 0 / 8 / 62

HEX #516058

RGB 81 96 88

HSL 148, 0.08%, 0.35%

LAB 39.28, -7.54, 2.64

 

CMYK 39 / 0 / 22 / 57

HEX #436E56

RGB 67 110 86

HSL 146.51, 0.24%, 0.35%

LAB 42.79, -20.79, 8.75

 

CMYK 58 / 0 / 33 / 51

HEX #357D54

RGB 53 125 84

HSL 145.83, 0.4%, 0.35%

LAB 47.06, -32.64, 15.74

 

CMYK 73 / 0 / 41 / 45

HEX #268B52

RGB 38 139 82

HSL 146.14, 0.57%, 0.35%

LAB 51.25, -42.18, 22.42

 

CMYK 2 / 15 / 0 / 62

HEX #5E5260

RGB 94 82 96

HSL 291.43, 0.08%, 0.35%

LAB 36.48, 7.82, -6.31

 

CMYK 0 / 15 / 2 / 62

HEX #60525E

RGB 96 82 94

HSL 308.57, 0.08%, 0.35%

LAB 36.61, 8.18, -4.83

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 0 / 15 / 10 / 62

HEX #605256

RGB 96 82 86

HSL 342.86, 0.08%, 0.35%

LAB 36.35, 6.55, -0.2

 

CMYK 0 / 15 / 15 / 62

HEX #605252

RGB 96 82 82

HSL 0, 0.08%, 0.35%

LAB 36.23, 5.78, 2.13

 

CMYK 0 / 14 / 6 / 80

HEX #332C30

RGB 51 44 48

HSL 325.71, 0.07%, 0.19%

LAB 18.88, 4.07, -1.41

 

CMYK 0 / 15 / 7 / 71

HEX #4A3F45

RGB 74 63 69

HSL 327.27, 0.08%, 0.27%

LAB 27.95, 5.97, -1.9

 

CMYK 0 / 15 / 6 / 62

HEX #60525A

RGB 96 82 90

HSL 325.71, 0.08%, 0.35%

LAB 36.48, 7.35, -2.52

 

CMYK 0 / 14 / 6 / 54

HEX #76656F

RGB 118 101 111

HSL 324.71, 0.08%, 0.43%

LAB 44.67, 8.66, -3.11

 

CMYK 0 / 14 / 6 / 45

HEX #8C7883

RGB 140 120 131

HSL 327, 0.08%, 0.51%

LAB 52.56, 9.74, -3.14

 

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

CMYK 0 / 6 / 15 / 62

HEX #605A52

RGB 96 90 82

HSL 34.29, 0.08%, 0.35%

LAB 38.57, 0.87, 5.48

 

CMYK 15 / 0 / 0 / 62

HEX #526060

RGB 82 96 96

HSL 180, 0.08%, 0.35%

LAB 39.59, -5.35, -1.81

 

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

CMYK 6 / 0 / 15 / 62

HEX #5A6052

RGB 90 96 82

HSL 85.71, 0.08%, 0.35%

LAB 39.83, -5.22, 7.21

 

CMYK 15 / 6 / 0 / 62

HEX #525A60

RGB 82 90 96

HSL 205.71, 0.08%, 0.35%

LAB 37.75, -1.73, -4.52

 

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

CMYK 0 / 6 / 15 / 62

HEX #605A52

RGB 96 90 82

HSL 34.29, 0.08%, 0.35%

LAB 38.57, 0.87, 5.48

 

CMYK 15 / 0 / 8 / 62

HEX #526058

RGB 82 96 88

HSL 145.71, 0.08%, 0.35%

LAB 39.35, -7.16, 2.76

 

CMYK 15 / 9 / 0 / 62

HEX #525760

RGB 82 87 96

HSL 218.57, 0.08%, 0.35%

LAB 36.85, 0.11, -5.87

 

CMYK 0 / 15 / 6 / 63

HEX #5F5159

RGB 95 81 89

HSL 325.71, 0.08%, 0.35%

LAB 36.06, 7.36, -2.53

 

CMYK 0 / 1 / 15 / 62

HEX #605F52

RGB 96 95 82

HSL 55.71, 0.08%, 0.35%

LAB 40.05, -2.14, 7.59

 

CMYK 15 / 0 / 8 / 62

HEX #526058

RGB 82 96 88

HSL 145.71, 0.08%, 0.35%

LAB 39.35, -7.16, 2.76

 

CMYK 15 / 14 / 0 / 62

HEX #525360

RGB 82 83 96

HSL 235.71, 0.08%, 0.35%

LAB 35.64, 2.59, -7.67

 

Description

Color code: HEX #5F5159 | qconv.com Color code: HEX #5F5159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 81 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 81 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 6 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 6% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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