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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F5A51 it is the complementary color #A0A5AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F5A51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F5A51 shade: #645A4C, #756C5F, #867E72, #979085 and #A8A298

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F5A51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F5A51 shade: #5F5A51, #4E483E, #3D362B, #2C2418 and #1B1205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F5A51 shade: #605B52, #605752, #605352 and #605252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F5A51 shade: #605B52, #605F52, #5D6052, #596052 and #566052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F5A51 shade matches the following richer shades: #605B52, #6E5F43, #7D6335, #8B6726 and #9A6B18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F5A51 shade: #605B52, #515760, #43536E, #354E7D and #264A8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F5A51 shade: #605352, #605752, #605B52, #605E52 and #5E6052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F5A51 shade: #33312C, #4A463F, #605B52, #767065 and #8C8578

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F5A51 shade: #5F5A51, #546052 and #555260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F5A51 shade: #5F5A51, #52605B and #5B5260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F5A51 shade: #5F5A51, #546052, #525760 and #5E5260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F5A51 shade: #5F5A51, #526054, #525760 and #60525E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

Complementary color

CMYK 8 / 5 / 0 / 32

HEX #A0A5AE

RGB 160 165 174

HSL 218.57, 0.08%, 0.65%

LAB 67.61, 0.02, -5.26

 

CMYK 0 / 10 / 24 / 61

HEX #645A4C

RGB 100 90 76

HSL 35, 0.14%, 0.35%

LAB 38.8, 1.52, 9.57

 

CMYK 0 / 8 / 19 / 54

HEX #756C5F

RGB 117 108 95

HSL 35.45, 0.1%, 0.42%

LAB 46.09, 1.16, 8.54

 

CMYK 0 / 6 / 15 / 47

HEX #867E72

RGB 134 126 114

HSL 36, 0.08%, 0.49%

LAB 53.17, 0.86, 7.62

 

CMYK 0 / 5 / 12 / 41

HEX #979085

RGB 151 144 133

HSL 36.67, 0.08%, 0.56%

LAB 60.09, 0.6, 6.76

 

CMYK 0 / 4 / 10 / 34

HEX #A8A298

RGB 168 162 152

HSL 37.5, 0.08%, 0.63%

LAB 66.85, 0.37, 5.96

HEX #A8A298

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

CMYK 0 / 8 / 21 / 69

HEX #4E483E

RGB 78 72 62

HSL 37.5, 0.11%, 0.27%

LAB 30.88, 0.57, 6.91

 

CMYK 0 / 11 / 30 / 76

HEX #3D362B

RGB 61 54 43

HSL 36.67, 0.17%, 0.2%

LAB 23.02, 0.98, 8.05

 

CMYK 0 / 18 / 45 / 83

HEX #2C2418

RGB 44 36 24

HSL 36, 0.29%, 0.13%

LAB 14.75, 1.57, 9.43

 

CMYK 0 / 33 / 81 / 89

HEX #1B1205

RGB 27 18 5

HSL 35.45, 0.69%, 0.06%

LAB 6.11, 2.16, 7.14

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 0 / 9 / 15 / 62

HEX #605752

RGB 96 87 82

HSL 21.43, 0.08%, 0.35%

LAB 37.68, 2.7, 4.22

 

CMYK 0 / 14 / 15 / 62

HEX #605352

RGB 96 83 82

HSL 4.29, 0.08%, 0.35%

LAB 36.52, 5.16, 2.55

 

CMYK 0 / 15 / 15 / 62

HEX #605252

RGB 96 82 82

HSL 0, 0.08%, 0.35%

LAB 36.23, 5.78, 2.13

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 0 / 1 / 15 / 62

HEX #605F52

RGB 96 95 82

HSL 55.71, 0.08%, 0.35%

LAB 40.05, -2.14, 7.59

 

CMYK 3 / 0 / 15 / 62

HEX #5D6052

RGB 93 96 82

HSL 72.86, 0.08%, 0.35%

LAB 40.08, -3.98, 7.6

 

CMYK 7 / 0 / 15 / 62

HEX #596052

RGB 89 96 82

HSL 90, 0.08%, 0.35%

LAB 39.75, -5.62, 7.08

 

CMYK 10 / 0 / 15 / 62

HEX #566052

RGB 86 96 82

HSL 102.86, 0.08%, 0.35%

LAB 39.5, -6.84, 6.7

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 0 / 14 / 39 / 57

HEX #6E5F43

RGB 110 95 67

HSL 39.07, 0.24%, 0.35%

LAB 41.06, 1.59, 18.27

 

CMYK 0 / 21 / 58 / 51

HEX #7D6335

RGB 125 99 53

HSL 38.33, 0.4%, 0.35%

LAB 43.57, 4.52, 29.83

 

CMYK 0 / 26 / 73 / 45

HEX #8B6726

RGB 139 103 38

HSL 38.61, 0.57%, 0.35%

LAB 46.08, 7.6, 40.79

 

CMYK 0 / 31 / 84 / 40

HEX #9A6B18

RGB 154 107 24

HSL 38.31, 0.73%, 0.35%

LAB 48.82, 11.65, 49.76

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 16 / 9 / 0 / 62

HEX #515760

RGB 81 87 96

HSL 216, 0.08%, 0.35%

LAB 36.76, -0.27, -6.01

 

CMYK 39 / 25 / 0 / 57

HEX #43536E

RGB 67 83 110

HSL 217.67, 0.24%, 0.35%

LAB 35.01, 1.25, -17.5

 

CMYK 58 / 38 / 0 / 51

HEX #354E7D

RGB 53 78 125

HSL 219.17, 0.4%, 0.35%

LAB 33.32, 5.56, -29.54

 

CMYK 73 / 47 / 0 / 45

HEX #264A8B

RGB 38 74 139

HSL 218.61, 0.57%, 0.35%

LAB 32.2, 10.53, -40.01

 

CMYK 0 / 14 / 15 / 62

HEX #605352

RGB 96 83 82

HSL 4.29, 0.08%, 0.35%

LAB 36.52, 5.16, 2.55

 

CMYK 0 / 9 / 15 / 62

HEX #605752

RGB 96 87 82

HSL 21.43, 0.08%, 0.35%

LAB 37.68, 2.7, 4.22

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 0 / 2 / 15 / 62

HEX #605E52

RGB 96 94 82

HSL 51.43, 0.08%, 0.35%

LAB 39.75, -1.54, 7.17

 

CMYK 2 / 0 / 15 / 62

HEX #5E6052

RGB 94 96 82

HSL 68.57, 0.08%, 0.35%

LAB 40.17, -3.57, 7.74

 

CMYK 0 / 4 / 14 / 80

HEX #33312C

RGB 51 49 44

HSL 42.86, 0.07%, 0.19%

LAB 20.37, -0.2, 3.51

 

CMYK 0 / 5 / 15 / 71

HEX #4A463F

RGB 74 70 63

HSL 38.18, 0.08%, 0.27%

LAB 29.9, 0.26, 4.82

 

CMYK 0 / 5 / 15 / 62

HEX #605B52

RGB 96 91 82

HSL 38.57, 0.08%, 0.35%

LAB 38.86, 0.26, 5.9

 

CMYK 0 / 5 / 14 / 54

HEX #767065

RGB 118 112 101

HSL 38.82, 0.08%, 0.43%

LAB 47.47, 0.27, 6.94

 

CMYK 0 / 5 / 14 / 45

HEX #8C8578

RGB 140 133 120

HSL 39, 0.08%, 0.51%

LAB 55.79, 0.28, 7.94

 

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

CMYK 13 / 0 / 15 / 62

HEX #546052

RGB 84 96 82

HSL 111.43, 0.08%, 0.35%

LAB 39.34, -7.64, 6.45

 

CMYK 11 / 15 / 0 / 62

HEX #555260

RGB 85 82 96

HSL 252.86, 0.08%, 0.35%

LAB 35.62, 4.35, -7.69

 

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

CMYK 15 / 0 / 5 / 62

HEX #52605B

RGB 82 96 91

HSL 158.57, 0.08%, 0.35%

LAB 39.44, -6.5, 1.04

 

CMYK 5 / 15 / 0 / 62

HEX #5B5260

RGB 91 82 96

HSL 278.57, 0.08%, 0.35%

LAB 36.18, 6.65, -6.78

 

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

CMYK 13 / 0 / 15 / 62

HEX #546052

RGB 84 96 82

HSL 111.43, 0.08%, 0.35%

LAB 39.34, -7.64, 6.45

 

CMYK 15 / 9 / 0 / 62

HEX #525760

RGB 82 87 96

HSL 218.57, 0.08%, 0.35%

LAB 36.85, 0.11, -5.87

 

CMYK 2 / 15 / 0 / 62

HEX #5E5260

RGB 94 82 96

HSL 291.43, 0.08%, 0.35%

LAB 36.48, 7.82, -6.31

 

CMYK 0 / 5 / 15 / 63

HEX #5F5A51

RGB 95 90 81

HSL 38.57, 0.08%, 0.35%

LAB 38.44, 0.27, 5.92

 

CMYK 15 / 0 / 13 / 62

HEX #526054

RGB 82 96 84

HSL 128.57, 0.08%, 0.35%

LAB 39.24, -8.01, 5.06

 

CMYK 15 / 9 / 0 / 62

HEX #525760

RGB 82 87 96

HSL 218.57, 0.08%, 0.35%

LAB 36.85, 0.11, -5.87

 

CMYK 0 / 15 / 2 / 62

HEX #60525E

RGB 96 82 94

HSL 308.57, 0.08%, 0.35%

LAB 36.61, 8.18, -4.83

 

Description

Color code: HEX #5F5A51 | qconv.com Color code: HEX #5F5A51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 90 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 90 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 15 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 15% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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