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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F669F it is the complementary color #A09960. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F669F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F669F shade: #64669A, #7578AD, #868AC0, #979CD3 and #A8AEE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F669F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F669F shade: #5F669F, #4E548C, #3D4279, #2C3066 and #1B1E53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F669F shade: #5F669F, #695F9F, #7B5F9F, #8C5F9F and #9D5F9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F669F shade: #5F669F and #5F5F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F669F shade matches the following richer shades: #5F669F, #4A56B4, #3646C8, #2136DD and #0D26F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F669F shade: #5F669F, #74768A, #888676, #9D9661 and #B2A74C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F669F shade: #5F899F, #5F789F, #5F679F, #695F9F and #7A5F9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F669F shade: #40456B, #505585, #5F669F, #797FAE and #9397BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F669F shade: #5F669F, #9F5F9A and #809F5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F669F shade: #5F669F, #9F5F67 and #679F5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F669F shade: #5F669F, #9F5F9A, #9F975F and #5F9F64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F669F shade: #5F669F, #9F5F86, #9F975F and #5F9F78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

Complementary color

CMYK 0 / 4 / 40 / 37

HEX #A09960

RGB 160 153 96

HSL 53.44, 0.25%, 0.5%

LAB 62.59, -6.07, 30.87

 

CMYK 35 / 34 / 0 / 40

HEX #64669A

RGB 100 102 154

HSL 237.78, 0.21%, 0.5%

LAB 45, 12.2, -28.54

 

CMYK 32 / 31 / 0 / 32

HEX #7578AD

RGB 117 120 173

HSL 236.79, 0.25%, 0.57%

LAB 52.1, 11.57, -28.53

 

CMYK 30 / 28 / 0 / 25

HEX #868AC0

RGB 134 138 192

HSL 235.86, 0.32%, 0.64%

LAB 59.02, 11.04, -28.56

 

CMYK 28 / 26 / 0 / 17

HEX #979CD3

RGB 151 156 211

HSL 235, 0.41%, 0.71%

LAB 65.79, 10.56, -28.64

 

CMYK 27 / 24 / 0 / 10

HEX #A8AEE6

RGB 168 174 230

HSL 234.19, 0.55%, 0.78%

LAB 72.44, 10.14, -28.76

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 44 / 40 / 0 / 45

HEX #4E548C

RGB 78 84 140

HSL 234.19, 0.28%, 0.43%

LAB 37.58, 13.06, -31.91

 

CMYK 50 / 45 / 0 / 53

HEX #3D4279

RGB 61 66 121

HSL 235, 0.33%, 0.36%

LAB 30.08, 14.14, -32.14

 

CMYK 57 / 53 / 0 / 60

HEX #2C3066

RGB 44 48 102

HSL 235.86, 0.4%, 0.29%

LAB 22.33, 15.57, -32.47

 

CMYK 67 / 64 / 0 / 67

HEX #1B1E53

RGB 27 30 83

HSL 236.79, 0.51%, 0.22%

LAB 14.32, 17.55, -32.85

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 34 / 40 / 0 / 38

HEX #695F9F

RGB 105 95 159

HSL 249.38, 0.25%, 0.5%

LAB 43.79, 19.39, -33.39

 

CMYK 23 / 40 / 0 / 38

HEX #7B5F9F

RGB 123 95 159

HSL 266.25, 0.25%, 0.5%

LAB 45.49, 24.8, -30.59

 

CMYK 12 / 40 / 0 / 38

HEX #8C5F9F

RGB 140 95 159

HSL 282.19, 0.25%, 0.5%

LAB 47.32, 30.14, -27.61

 

CMYK 1 / 40 / 0 / 38

HEX #9D5F9F

RGB 157 95 159

HSL 298.13, 0.25%, 0.5%

LAB 49.32, 35.59, -24.34

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 40 / 40 / 0 / 38

HEX #5F5F9F

RGB 95 95 159

HSL 240, 0.25%, 0.5%

LAB 42.94, 16.55, -34.77

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 59 / 52 / 0 / 29

HEX #4A56B4

RGB 74 86 180

HSL 233.21, 0.42%, 0.5%

LAB 40.26, 24, -51.56

 

CMYK 73 / 65 / 0 / 22

HEX #3646C8

RGB 54 70 200

HSL 233.42, 0.57%, 0.5%

LAB 36.62, 38.1, -69.23

 

CMYK 85 / 76 / 0 / 13

HEX #2136DD

RGB 33 54 221

HSL 233.3, 0.74%, 0.5%

LAB 34.36, 53.12, -85.12

 

CMYK 95 / 84 / 0 / 5

HEX #0D26F1

RGB 13 38 241

HSL 233.42, 0.9%, 0.5%

LAB 33.61, 66.41, -97.78

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 16 / 14 / 0 / 46

HEX #74768A

RGB 116 118 138

HSL 234.55, 0.09%, 0.5%

LAB 50.1, 3.63, -11.14

 

CMYK 0 / 1 / 13 / 47

HEX #888676

RGB 136 134 118

HSL 53.33, 0.07%, 0.5%

LAB 55.68, -2.2, 8.88

 

CMYK 0 / 4 / 38 / 38

HEX #9D9661

RGB 157 150 97

HSL 53, 0.24%, 0.5%

LAB 61.52, -5.58, 28.89

 

CMYK 0 / 6 / 57 / 30

HEX #B2A74C

RGB 178 167 76

HSL 53.53, 0.4%, 0.5%

LAB 67.74, -7.83, 47.61

 

CMYK 40 / 14 / 0 / 38

HEX #5F899F

RGB 95 137 159

HSL 200.63, 0.25%, 0.5%

LAB 54.89, -8.57, -16.27

 

CMYK 40 / 25 / 0 / 38

HEX #5F789F

RGB 95 120 159

HSL 216.56, 0.25%, 0.5%

LAB 49.94, 1.27, -23.85

 

CMYK 40 / 35 / 0 / 38

HEX #5F679F

RGB 95 103 159

HSL 232.5, 0.25%, 0.5%

LAB 45.13, 11.58, -31.33

 

CMYK 34 / 40 / 0 / 38

HEX #695F9F

RGB 105 95 159

HSL 249.38, 0.25%, 0.5%

LAB 43.79, 19.39, -33.39

 

CMYK 23 / 40 / 0 / 38

HEX #7A5F9F

RGB 122 95 159

HSL 265.31, 0.25%, 0.5%

LAB 45.39, 24.49, -30.75

 

CMYK 40 / 36 / 0 / 58

HEX #40456B

RGB 64 69 107

HSL 233.02, 0.25%, 0.34%

LAB 30.42, 8.46, -22.76

 

CMYK 40 / 36 / 0 / 48

HEX #505585

RGB 80 85 133

HSL 234.34, 0.25%, 0.42%

LAB 37.65, 10.83, -27.51

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 30 / 27 / 0 / 32

HEX #797FAE

RGB 121 127 174

HSL 233.21, 0.25%, 0.58%

LAB 54.34, 8.89, -25.6

 

CMYK 23 / 21 / 0 / 25

HEX #9397BE

RGB 147 151 190

HSL 234.42, 0.25%, 0.66%

LAB 63.39, 7.07, -20.64

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 0 / 40 / 3 / 38

HEX #9F5F9A

RGB 159 95 154

HSL 304.69, 0.25%, 0.5%

LAB 49.36, 35.28, -21.31

 

CMYK 19 / 0 / 40 / 38

HEX #809F5F

RGB 128 159 95

HSL 89.06, 0.25%, 0.5%

LAB 61.84, -22.28, 29.94

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 0 / 40 / 35 / 38

HEX #9F5F67

RGB 159 95 103

HSL 352.5, 0.25%, 0.5%

LAB 47.67, 27.06, 6.65

 

CMYK 35 / 0 / 40 / 38

HEX #679F5F

RGB 103 159 95

HSL 112.5, 0.25%, 0.5%

LAB 60.34, -31.39, 27.71

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 0 / 40 / 3 / 38

HEX #9F5F9A

RGB 159 95 154

HSL 304.69, 0.25%, 0.5%

LAB 49.36, 35.28, -21.31

 

CMYK 0 / 5 / 40 / 38

HEX #9F975F

RGB 159 151 95

HSL 52.5, 0.25%, 0.5%

LAB 61.94, -5.52, 30.55

 

CMYK 40 / 0 / 37 / 38

HEX #5F9F64

RGB 95 159 100

HSL 124.69, 0.25%, 0.5%

LAB 60.02, -33.21, 24.52

 

CMYK 40 / 36 / 0 / 38

HEX #5F669F

RGB 95 102 159

HSL 233.44, 0.25%, 0.5%

LAB 44.86, 12.2, -31.76

 

CMYK 0 / 40 / 16 / 38

HEX #9F5F86

RGB 159 95 134

HSL 323.44, 0.25%, 0.5%

LAB 48.61, 31.71, -10.57

 

CMYK 0 / 5 / 40 / 38

HEX #9F975F

RGB 159 151 95

HSL 52.5, 0.25%, 0.5%

LAB 61.94, -5.52, 30.55

 

CMYK 40 / 0 / 25 / 38

HEX #5F9F78

RGB 95 159 120

HSL 143.44, 0.25%, 0.5%

LAB 60.41, -29.48, 14.02

 

Description

Color code: HEX #5F669F | qconv.com Color code: HEX #5F669F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 102 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 102 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 36 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 36% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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