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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F6821 it is the complementary color #A097DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F6821. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F6821 shade: #64681C, #757A2F, #868C42, #979E55 and #A8B068

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F6821. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F6821 shade: #5F6821, #4E560E, #3D4400, #2C3200 and #1B2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F6821 shade: #5F6821, #685E21, #684B21, #683721 and #682421

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F6821 shade: #5F6821, #4C6821, #386821, #256821 and #21682F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F6821 shade matches the following richer shades: #5F6821, #677315 and #707E0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F6821 shade: #5F6821, #575D2C, #4E5237, #464742 and #3E3C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F6821 shade: #684A21, #685D21, #606821, #4D6821 and #3A6821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F6821 shade: #26290D, #424917, #5F6821, #7C882A and #98A734

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F6821 shade: #5F6821, #216837 and #542168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F6821 shade: #5F6821, #216068 and #682160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F6821 shade: #5F6821, #216837, #292168 and #682151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F6821 shade: #5F6821, #21684D, #292168 and #68213C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

Complementary color

CMYK 28 / 32 / 0 / 13

HEX #A097DE

RGB 160 151 222

HSL 247.61, 0.52%, 0.73%

LAB 65.66, 18.78, -34.9

 

CMYK 4 / 0 / 73 / 59

HEX #64681C

RGB 100 104 28

HSL 63.16, 0.58%, 0.26%

LAB 42.3, -12.02, 40.11

 

CMYK 4 / 0 / 61 / 52

HEX #757A2F

RGB 117 122 47

HSL 64, 0.44%, 0.33%

LAB 49.38, -12.77, 39.41

 

CMYK 4 / 0 / 53 / 45

HEX #868C42

RGB 134 140 66

HSL 64.86, 0.36%, 0.4%

LAB 56.31, -13.31, 38.31

 

CMYK 4 / 0 / 46 / 38

HEX #979E55

RGB 151 158 85

HSL 65.75, 0.3%, 0.48%

LAB 63.08, -13.71, 37.1

 

CMYK 5 / 0 / 41 / 31

HEX #A8B068

RGB 168 176 104

HSL 66.67, 0.31%, 0.55%

LAB 69.74, -14.02, 35.88

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 9 / 0 / 84 / 66

HEX #4E560E

RGB 78 86 14

HSL 66.67, 0.72%, 0.2%

LAB 34.61, -13.18, 37.54

 

CMYK 10 / 0 / 100 / 73

HEX #3D4400

RGB 61 68 0

HSL 66.18, 1%, 0.13%

LAB 27.09, -11.94, 35.57

 

CMYK 12 / 0 / 100 / 80

HEX #2C3200

RGB 44 50 0

HSL 67.2, 1%, 0.1%

LAB 19.29, -10.08, 27.13

 

CMYK 16 / 0 / 100 / 87

HEX #1B2000

RGB 27 32 0

HSL 69.38, 1%, 0.06%

LAB 11.04, -8.13, 16.26

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 0 / 10 / 68 / 59

HEX #685E21

RGB 104 94 33

HSL 51.55, 0.52%, 0.27%

LAB 39.68, -4.06, 35.28

 

CMYK 0 / 28 / 68 / 59

HEX #684B21

RGB 104 75 33

HSL 35.49, 0.52%, 0.27%

LAB 34.16, 7.39, 29.25

 

CMYK 0 / 47 / 68 / 59

HEX #683721

RGB 104 55 33

HSL 18.59, 0.52%, 0.27%

LAB 28.86, 19.64, 23.14

 

CMYK 0 / 65 / 68 / 59

HEX #682421

RGB 104 36 33

HSL 2.54, 0.52%, 0.27%

LAB 24.69, 30.29, 18.06

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 27 / 0 / 68 / 59

HEX #4C6821

RGB 76 104 33

HSL 83.66, 0.52%, 0.27%

LAB 40.49, -22.5, 35.45

 

CMYK 46 / 0 / 68 / 59

HEX #386821

RGB 56 104 33

HSL 100.56, 0.52%, 0.27%

LAB 39.33, -30.35, 33.85

 

CMYK 64 / 0 / 68 / 59

HEX #256821

RGB 37 104 33

HSL 116.62, 0.52%, 0.27%

LAB 38.56, -36.21, 32.79

 

CMYK 68 / 0 / 55 / 59

HEX #21682F

RGB 33 104 47

HSL 131.83, 0.52%, 0.27%

LAB 38.6, -35.27, 25.61

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 10 / 0 / 82 / 55

HEX #677315

RGB 103 115 21

HSL 67.66, 0.69%, 0.27%

LAB 45.91, -16.98, 46.21

 

CMYK 11 / 0 / 92 / 51

HEX #707E0A

RGB 112 126 10

HSL 67.24, 0.85%, 0.27%

LAB 49.96, -19.03, 52.74

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 6 / 0 / 53 / 64

HEX #575D2C

RGB 87 93 44

HSL 67.35, 0.36%, 0.27%

LAB 37.91, -10.54, 27.12

 

CMYK 5 / 0 / 33 / 68

HEX #4E5237

RGB 78 82 55

HSL 68.89, 0.2%, 0.27%

LAB 33.84, -6.75, 15.35

 

CMYK 1 / 0 / 7 / 72

HEX #464742

RGB 70 71 66

HSL 72, 0.04%, 0.27%

LAB 29.92, -1.49, 2.86

 

CMYK 19 / 22 / 0 / 70

HEX #3E3C4D

RGB 62 60 77

HSL 247.06, 0.12%, 0.27%

LAB 26.13, 5.01, -10.01

 

CMYK 0 / 29 / 68 / 59

HEX #684A21

RGB 104 74 33

HSL 34.65, 0.52%, 0.27%

LAB 33.88, 8, 28.94

 

CMYK 0 / 11 / 68 / 59

HEX #685D21

RGB 104 93 33

HSL 50.7, 0.52%, 0.27%

LAB 39.38, -3.47, 34.96

 

CMYK 8 / 0 / 68 / 59

HEX #606821

RGB 96 104 33

HSL 66.76, 0.52%, 0.27%

LAB 42, -13.56, 37.5

 

CMYK 26 / 0 / 68 / 59

HEX #4D6821

RGB 77 104 33

HSL 82.82, 0.52%, 0.27%

LAB 40.55, -22.07, 35.54

 

CMYK 44 / 0 / 68 / 59

HEX #3A6821

RGB 58 104 33

HSL 98.87, 0.52%, 0.27%

LAB 39.43, -29.63, 33.99

 

CMYK 7 / 0 / 68 / 84

HEX #26290D

RGB 38 41 13

HSL 66.43, 0.52%, 0.11%

LAB 15.63, -6.48, 17.16

 

CMYK 10 / 0 / 68 / 71

HEX #424917

RGB 66 73 23

HSL 68.4, 0.52%, 0.19%

LAB 29.38, -10.97, 28.11

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 9 / 0 / 69 / 47

HEX #7C882A

RGB 124 136 42

HSL 67.66, 0.53%, 0.35%

LAB 54.09, -17.48, 46.81

 

CMYK 9 / 0 / 69 / 35

HEX #98A734

RGB 152 167 52

HSL 67.83, 0.53%, 0.43%

LAB 65.41, -20.64, 54.96

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 68 / 0 / 47 / 59

HEX #216837

RGB 33 104 55

HSL 138.59, 0.52%, 0.27%

LAB 38.72, -33.89, 21.28

 

CMYK 19 / 68 / 0 / 59

HEX #542168

RGB 84 33 104

HSL 283.1, 0.52%, 0.27%

LAB 23.58, 35.93, -31.52

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 68 / 8 / 0 / 59

HEX #216068

RGB 33 96 104

HSL 186.76, 0.52%, 0.27%

LAB 37.28, -17.02, -10.47

 

CMYK 0 / 68 / 8 / 59

HEX #682160

RGB 104 33 96

HSL 306.76, 0.52%, 0.27%

LAB 26.38, 39.74, -21.66

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 68 / 0 / 47 / 59

HEX #216837

RGB 33 104 55

HSL 138.59, 0.52%, 0.27%

LAB 38.72, -33.89, 21.28

 

CMYK 61 / 68 / 0 / 59

HEX #292168

RGB 41 33 104

HSL 246.76, 0.52%, 0.27%

LAB 18.18, 25.96, -40.5

 

CMYK 0 / 68 / 22 / 59

HEX #682151

RGB 104 33 81

HSL 319.44, 0.52%, 0.27%

LAB 25.64, 37.23, -12.91

 

CMYK 9 / 0 / 68 / 59

HEX #5F6821

RGB 95 104 33

HSL 67.61, 0.52%, 0.27%

LAB 41.91, -14.02, 37.39

 

CMYK 68 / 0 / 26 / 59

HEX #21684D

RGB 33 104 77

HSL 157.18, 0.52%, 0.27%

LAB 39.17, -29.06, 8.87

 

CMYK 61 / 68 / 0 / 59

HEX #292168

RGB 41 33 104

HSL 246.76, 0.52%, 0.27%

LAB 18.18, 25.96, -40.5

 

CMYK 0 / 68 / 42 / 59

HEX #68213C

RGB 104 33 60

HSL 337.18, 0.52%, 0.27%

LAB 24.82, 34.32, 0

 

Description

Color code: HEX #5F6821 | qconv.com Color code: HEX #5F6821 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 104 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 104 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 68 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 68% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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