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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F77AE it is the complementary color #A08851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F77AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F77AE shade: #6477A9, #7589BC, #869BCF, #97ADE2 and #A8BFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F77AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F77AE shade: #5F77AE, #4E659B, #3D5388, #2C4175 and #1B2F62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F77AE shade: #5F77AE, #5F62AE, #725FAE, #875FAE and #9C5FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F77AE shade: #5F77AE, #5F62AE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F77AE shade matches the following richer shades: #5F77AE, #4C70C2, #3868D5, #2560E8 and #1259FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F77AE shade: #5F77AE, #727F9B, #868687, #998E74 and #AD9661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F77AE shade: #5FA2AE, #5F8DAE, #5F78AE, #5F63AE and #705FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F77AE shade: #3E517C, #4C6398, #5F77AE, #7B8EBC and #96A6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F77AE shade: #5F77AE, #A55FAE and #98AE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F77AE shade: #5F77AE, #AE5F78 and #78AE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F77AE shade: #5F77AE, #A55FAE, #AE955F and #68AE5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F77AE shade: #5F77AE, #AE5FA0, #AE955F and #5FAE6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

Complementary color

CMYK 0 / 15 / 49 / 37

HEX #A08851

RGB 160 136 81

HSL 41.77, 0.33%, 0.47%

LAB 57.73, 1.65, 32.76

 

CMYK 41 / 30 / 0 / 34

HEX #6477A9

RGB 100 119 169

HSL 223.48, 0.29%, 0.53%

LAB 50.41, 6.16, -28.92

 

CMYK 38 / 27 / 0 / 26

HEX #7589BC

RGB 117 137 188

HSL 223.1, 0.35%, 0.6%

LAB 57.37, 5.63, -28.95

 

CMYK 35 / 25 / 0 / 19

HEX #869BCF

RGB 134 155 207

HSL 222.74, 0.43%, 0.67%

LAB 64.17, 5.19, -29.02

 

CMYK 33 / 23 / 0 / 11

HEX #97ADE2

RGB 151 173 226

HSL 222.4, 0.56%, 0.74%

LAB 70.84, 4.8, -29.12

 

CMYK 31 / 22 / 0 / 4

HEX #A8BFF5

RGB 168 191 245

HSL 222.08, 0.79%, 0.81%

LAB 77.39, 4.46, -29.26

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 50 / 35 / 0 / 39

HEX #4E659B

RGB 78 101 155

HSL 222.08, 0.33%, 0.46%

LAB 43.2, 7.05, -32.07

 

CMYK 55 / 39 / 0 / 47

HEX #3D5388

RGB 61 83 136

HSL 222.4, 0.38%, 0.39%

LAB 35.9, 8.02, -32.2

 

CMYK 62 / 44 / 0 / 54

HEX #2C4175

RGB 44 65 117

HSL 222.74, 0.45%, 0.32%

LAB 28.38, 9.32, -32.4

 

CMYK 72 / 52 / 0 / 62

HEX #1B2F62

RGB 27 47 98

HSL 223.1, 0.57%, 0.25%

LAB 20.63, 11.17, -32.66

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 45 / 44 / 0 / 32

HEX #5F62AE

RGB 95 98 174

HSL 237.72, 0.33%, 0.53%

LAB 44.55, 19.19, -41.08

 

CMYK 34 / 45 / 0 / 32

HEX #725FAE

RGB 114 95 174

HSL 254.43, 0.33%, 0.53%

LAB 45.38, 26.07, -39.66

 

CMYK 22 / 45 / 0 / 32

HEX #875FAE

RGB 135 95 174

HSL 270.38, 0.33%, 0.53%

LAB 47.48, 32.07, -36.21

 

CMYK 10 / 45 / 0 / 32

HEX #9C5FAE

RGB 156 95 174

HSL 286.33, 0.33%, 0.53%

LAB 49.87, 38.32, -32.3

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 45 / 44 / 0 / 32

HEX #5F62AE

RGB 95 98 174

HSL 237.72, 0.33%, 0.53%

LAB 44.55, 19.19, -41.08

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 61 / 42 / 0 / 24

HEX #4C70C2

RGB 76 112 194

HSL 221.69, 0.49%, 0.53%

LAB 48.29, 12.74, -46.83

 

CMYK 74 / 51 / 0 / 16

HEX #3868D5

RGB 56 104 213

HSL 221.66, 0.65%, 0.53%

LAB 46.37, 21.4, -60.84

 

CMYK 84 / 59 / 0 / 9

HEX #2560E8

RGB 37 96 232

HSL 221.85, 0.81%, 0.53%

LAB 45.06, 31.76, -73.78

 

CMYK 93 / 65 / 0 / 1

HEX #1259FC

RGB 18 89 252

HSL 221.79, 0.98%, 0.53%

LAB 44.66, 42.67, -85.66

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 26 / 18 / 0 / 39

HEX #727F9B

RGB 114 127 155

HSL 220.98, 0.17%, 0.53%

LAB 53.08, 1.81, -16.59

 

CMYK 1 / 1 / 0 / 47

HEX #868687

RGB 134 134 135

HSL 240, 0%, 0.53%

LAB 55.96, 0.2, -0.54

 

CMYK 0 / 7 / 24 / 40

HEX #998E74

RGB 153 142 116

HSL 42.16, 0.15%, 0.53%

LAB 59.32, -0.25, 15.35

 

CMYK 0 / 13 / 44 / 32

HEX #AD9661

RGB 173 150 97

HSL 41.84, 0.32%, 0.53%

LAB 62.98, 1.13, 31.06

 

CMYK 45 / 7 / 0 / 32

HEX #5FA2AE

RGB 95 162 174

HSL 189.11, 0.33%, 0.53%

LAB 62.78, -18.04, -12.87

 

CMYK 45 / 19 / 0 / 32

HEX #5F8DAE

RGB 95 141 174

HSL 205.06, 0.33%, 0.53%

LAB 56.62, -6.58, -22.23

 

CMYK 45 / 31 / 0 / 32

HEX #5F78AE

RGB 95 120 174

HSL 221.01, 0.33%, 0.53%

LAB 50.6, 5.69, -31.56

 

CMYK 45 / 43 / 0 / 32

HEX #5F63AE

RGB 95 99 174

HSL 236.96, 0.33%, 0.53%

LAB 44.82, 18.57, -40.66

 

CMYK 36 / 45 / 0 / 32

HEX #705FAE

RGB 112 95 174

HSL 252.91, 0.33%, 0.53%

LAB 45.2, 25.53, -39.97

 

CMYK 50 / 35 / 0 / 51

HEX #3E517C

RGB 62 81 124

HSL 221.61, 0.33%, 0.36%

LAB 34.73, 5.52, -26.66

 

CMYK 50 / 35 / 0 / 40

HEX #4C6398

RGB 76 99 152

HSL 221.84, 0.33%, 0.45%

LAB 42.35, 6.83, -31.63

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 35 / 24 / 0 / 26

HEX #7B8EBC

RGB 123 142 188

HSL 222.46, 0.33%, 0.61%

LAB 59.15, 4.44, -26.17

 

CMYK 26 / 18 / 0 / 21

HEX #96A6CA

RGB 150 166 202

HSL 221.54, 0.33%, 0.69%

LAB 68.04, 2.45, -20.23

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 5 / 45 / 0 / 32

HEX #A55FAE

RGB 165 95 174

HSL 293.16, 0.33%, 0.53%

LAB 50.97, 41.04, -30.5

 

CMYK 13 / 0 / 45 / 32

HEX #98AE5F

RGB 152 174 95

HSL 76.71, 0.33%, 0.53%

LAB 67.85, -20.44, 37.89

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 0 / 45 / 31 / 32

HEX #AE5F78

RGB 174 95 120

HSL 341.01, 0.33%, 0.53%

LAB 50.14, 34.99, 0.29

 

CMYK 31 / 0 / 45 / 32

HEX #78AE5F

RGB 120 174 95

HSL 101.01, 0.33%, 0.53%

LAB 65.82, -32.54, 34.91

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 5 / 45 / 0 / 32

HEX #A55FAE

RGB 165 95 174

HSL 293.16, 0.33%, 0.53%

LAB 50.97, 41.04, -30.5

 

CMYK 0 / 14 / 45 / 32

HEX #AE955F

RGB 174 149 95

HSL 41.01, 0.33%, 0.53%

LAB 62.78, 1.89, 31.9

 

CMYK 40 / 0 / 45 / 32

HEX #68AE5F

RGB 104 174 95

HSL 113.16, 0.33%, 0.53%

LAB 65, -37.94, 33.69

 

CMYK 45 / 32 / 0 / 32

HEX #5F77AE

RGB 95 119 174

HSL 221.77, 0.33%, 0.53%

LAB 50.31, 6.29, -32

 

CMYK 0 / 45 / 8 / 32

HEX #AE5FA0

RGB 174 95 160

HSL 310.63, 0.33%, 0.53%

LAB 51.52, 41.23, -21.36

 

CMYK 0 / 14 / 45 / 32

HEX #AE955F

RGB 174 149 95

HSL 41.01, 0.33%, 0.53%

LAB 62.78, 1.89, 31.9

 

CMYK 45 / 0 / 37 / 32

HEX #5FAE6E

RGB 95 174 110

HSL 131.39, 0.33%, 0.53%

LAB 64.83, -38.32, 25.5

 

Description

Color code: HEX #5F77AE | qconv.com Color code: HEX #5F77AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 119 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 119 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 32 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 32% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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