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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F70F6 it is the complementary color #A08F09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F70F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F70F6 shade: #6470F1, #7582FF, #8694FF, #97A6FF and #A8B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F70F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F70F6 shade: #5F70F6, #4E5EE3, #3D4CD0, #2C3ABD and #1B28AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F70F6 shade: #5F70F5, #775FF5, #9F5FF5, #C85FF5 and #F05FF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F70F6 shade: #5F70F5 and #5F5FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F70F6 shade matches the following richer shades: #5F70F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F70F6 shade: #5F70F5, #6D7BE8, #7B85DA, #8890CC and #969BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F70F6 shade: #5FC1F5, #5F99F5, #5F71F5, #765FF5 and #9E5FF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F70F6 shade: #112BF1, #384DF3, #5F70F5, #8693F8 and #ADB6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F70F6 shade: #5F70F6, #F55FE9 and #ADF55F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F70F6 shade: #5F70F6, #F55F71 and #71F55F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F70F6 shade: #5F70F6, #F55FE9, #F5E45F and #5FF56C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F70F6 shade: #5F70F6, #F55FBC, #F5E45F and #5FF599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

Complementary color

CMYK 0 / 11 / 94 / 37

HEX #A08F09

RGB 160 143 9

HSL 53.25, 0.89%, 0.33%

LAB 59.1, -6.07, 61.84

 

CMYK 59 / 54 / 0 / 5

HEX #6470F1

RGB 100 112 241

HSL 234.89, 0.83%, 0.67%

LAB 52.56, 32.86, -66.51

 

CMYK 54 / 49 / 0 / 0

HEX #7582FF

RGB 117 130 255

HSL 234.35, 1%, 0.73%

LAB 58.94, 29.69, -63.92

 

CMYK 47 / 42 / 0 / 0

HEX #8694FF

RGB 134 148 255

HSL 233.06, 1%, 0.76%

LAB 64.54, 22.71, -54.92

 

CMYK 41 / 35 / 0 / 0

HEX #97A6FF

RGB 151 166 255

HSL 231.35, 1%, 0.8%

LAB 70.23, 16.44, -45.87

 

CMYK 34 / 28 / 0 / 0

HEX #A8B8FF

RGB 168 184 255

HSL 228.97, 1%, 0.83%

LAB 75.96, 10.81, -36.83

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

CMYK 66 / 59 / 0 / 11

HEX #4E5EE3

RGB 78 94 227

HSL 233.56, 0.73%, 0.6%

LAB 45.87, 35.65, -69.56

 

CMYK 71 / 63 / 0 / 18

HEX #3D4CD0

RGB 61 76 208

HSL 233.88, 0.61%, 0.53%

LAB 39.1, 37.98, -69.8

 

CMYK 77 / 69 / 0 / 26

HEX #2C3ABD

RGB 44 58 189

HSL 234.21, 0.62%, 0.46%

LAB 32.34, 40.64, -69.84

 

CMYK 84 / 76 / 0 / 33

HEX #1B28AA

RGB 27 40 170

HSL 234.55, 0.73%, 0.39%

LAB 25.72, 43.47, -69.47

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F5

RGB 95 112 245

HSL 233.2, 0.88%, 0.67%

LAB 52.52, 33.3, -68.81

 

CMYK 51 / 61 / 0 / 4

HEX #775FF5

RGB 119 95 245

HSL 249.6, 0.88%, 0.67%

LAB 50.33, 47.49, -72.29

 

CMYK 35 / 61 / 0 / 4

HEX #9F5FF5

RGB 159 95 245

HSL 265.6, 0.88%, 0.67%

LAB 54.18, 55.43, -65.87

 

CMYK 18 / 61 / 0 / 4

HEX #C85FF5

RGB 200 95 245

HSL 282, 0.88%, 0.67%

LAB 59.03, 64.55, -57.83

 

CMYK 2 / 61 / 0 / 4

HEX #F05FF5

RGB 240 95 245

HSL 298, 0.88%, 0.67%

LAB 64.4, 73.86, -48.95

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F5

RGB 95 112 245

HSL 233.2, 0.88%, 0.67%

LAB 52.52, 33.3, -68.81

 

CMYK 61 / 61 / 0 / 4

HEX #5F5FF5

RGB 95 95 245

HSL 240, 0.88%, 0.67%

LAB 48.52, 43.49, -75.31

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F5

RGB 95 112 245

HSL 233.2, 0.88%, 0.67%

LAB 52.52, 33.3, -68.81

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F5

RGB 95 112 245

HSL 233.2, 0.88%, 0.67%

LAB 52.52, 33.3, -68.81

 

CMYK 53 / 47 / 0 / 9

HEX #6D7BE8

RGB 109 123 232

HSL 233.17, 0.73%, 0.67%

LAB 55.32, 25.09, -57.02

 

CMYK 44 / 39 / 0 / 15

HEX #7B85DA

RGB 123 133 218

HSL 233.68, 0.56%, 0.67%

LAB 58.08, 18.1, -44.74

 

CMYK 33 / 29 / 0 / 20

HEX #8890CC

RGB 136 144 204

HSL 232.94, 0.4%, 0.67%

LAB 61.26, 11.27, -31.85

 

CMYK 21 / 19 / 0 / 25

HEX #969BBF

RGB 150 155 191

HSL 232.68, 0.24%, 0.67%

LAB 64.71, 5.99, -19.16

 

CMYK 61 / 21 / 0 / 4

HEX #5FC1F5

RGB 95 193 245

HSL 200.8, 0.88%, 0.67%

LAB 74.3, -13.67, -34.33

 

CMYK 61 / 38 / 0 / 4

HEX #5F99F5

RGB 95 153 245

HSL 216.8, 0.88%, 0.67%

LAB 63.18, 8.66, -51.73

 

CMYK 61 / 54 / 0 / 4

HEX #5F71F5

RGB 95 113 245

HSL 232.8, 0.88%, 0.67%

LAB 52.77, 32.69, -68.42

 

CMYK 52 / 61 / 0 / 4

HEX #765FF5

RGB 118 95 245

HSL 249.2, 0.88%, 0.67%

LAB 50.25, 47.31, -72.43

 

CMYK 36 / 61 / 0 / 4

HEX #9E5FF5

RGB 158 95 245

HSL 265.2, 0.88%, 0.67%

LAB 54.08, 55.22, -66.05

 

CMYK 93 / 82 / 0 / 5

HEX #112BF1

RGB 17 43 241

HSL 233.04, 0.89%, 0.51%

LAB 34.39, 64.35, -96.48

 

CMYK 77 / 68 / 0 / 5

HEX #384DF3

RGB 56 77 243

HSL 233.26, 0.89%, 0.59%

LAB 42.18, 48.88, -84.66

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F5

RGB 95 112 245

HSL 233.2, 0.88%, 0.67%

LAB 52.52, 33.3, -68.81

 

CMYK 46 / 41 / 0 / 3

HEX #8693F8

RGB 134 147 248

HSL 233.16, 0.89%, 0.75%

LAB 63.93, 21.25, -52.06

 

CMYK 31 / 27 / 0 / 2

HEX #ADB6FA

RGB 173 182 250

HSL 232.99, 0.89%, 0.83%

LAB 75.6, 12.04, -34.67

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

CMYK 0 / 61 / 5 / 4

HEX #F55FE9

RGB 245 95 233

HSL 304.8, 0.88%, 0.67%

LAB 64.55, 73.11, -42.03

 

CMYK 29 / 0 / 61 / 4

HEX #ADF55F

RGB 173 245 95

HSL 88.8, 0.88%, 0.67%

LAB 89.4, -45.5, 63.36

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

CMYK 0 / 61 / 54 / 4

HEX #F55F71

RGB 245 95 113

HSL 352.8, 0.88%, 0.67%

LAB 60.6, 58.76, 20.65

 

CMYK 54 / 0 / 61 / 4

HEX #71F55F

RGB 113 245 95

HSL 112.8, 0.88%, 0.67%

LAB 86.82, -63.79, 59.78

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

CMYK 0 / 61 / 5 / 4

HEX #F55FE9

RGB 245 95 233

HSL 304.8, 0.88%, 0.67%

LAB 64.55, 73.11, -42.03

 

CMYK 0 / 7 / 61 / 4

HEX #F5E45F

RGB 245 228 95

HSL 53.2, 0.88%, 0.67%

LAB 89.73, -9.72, 65.14

 

CMYK 61 / 0 / 56 / 4

HEX #5FF56C

RGB 95 245 108

HSL 125.2, 0.88%, 0.67%

LAB 86.42, -66.5, 53.53

 

CMYK 61 / 54 / 0 / 4

HEX #5F70F6

RGB 95 112 246

HSL 233.25, 0.89%, 0.67%

LAB 52.59, 33.63, -69.26

 

CMYK 0 / 61 / 23 / 4

HEX #F55FBC

RGB 245 95 188

HSL 322.8, 0.88%, 0.67%

LAB 62.7, 66.61, -19.56

 

CMYK 0 / 7 / 61 / 4

HEX #F5E45F

RGB 245 228 95

HSL 53.2, 0.88%, 0.67%

LAB 89.73, -9.72, 65.14

 

CMYK 61 / 0 / 38 / 4

HEX #5FF599

RGB 95 245 153

HSL 143.2, 0.88%, 0.67%

LAB 87.02, -59.83, 32.74

 

Description

Color code: HEX #5F70F6 | qconv.com Color code: HEX #5F70F6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 112 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 112 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 54 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 54% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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