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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F84AE it is the complementary color #A07B51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F84AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F84AE shade: #6484A9, #7596BC, #86A8CF, #97BAE2 and #A8CCF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F84AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F84AE shade: #5F84AE, #4E729B, #3D6088, #2C4E75 and #1B3C62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F84AE shade: #5F84AE, #5F6FAE, #655FAE, #7A5FAE and #8F5FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F84AE shade: #5F84AE, #5F6FAE and #5F5FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F84AE shade matches the following richer shades: #5F84AE, #4C83C2, #3882D5, #2580E8 and #127FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F84AE shade: #5F84AE, #72859B, #868787, #998874 and #AD8961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F84AE shade: #5FAEAD, #5F9AAE, #5F85AE, #5F70AE and #635FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F84AE shade: #3E5B7C, #4C7098, #5F84AE, #7B99BC and #96AECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F84AE shade: #5F84AE, #985FAE and #A5AE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F84AE shade: #5F84AE, #AE5F85 and #85AE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F84AE shade: #5F84AE, #985FAE, #AE885F and #76AE5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F84AE shade: #5F84AE, #AE5FAD, #AE885F and #5FAE60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

Complementary color

CMYK 0 / 23 / 49 / 37

HEX #A07B51

RGB 160 123 81

HSL 31.9, 0.33%, 0.47%

LAB 54.27, 8.97, 28.41

 

CMYK 41 / 22 / 0 / 34

HEX #6484A9

RGB 100 132 169

HSL 212.17, 0.29%, 0.53%

LAB 54.11, -1.52, -23.2

 

CMYK 38 / 20 / 0 / 26

HEX #7596BC

RGB 117 150 188

HSL 212.11, 0.35%, 0.6%

LAB 60.98, -1.84, -23.38

 

CMYK 35 / 19 / 0 / 19

HEX #86A8CF

RGB 134 168 207

HSL 212.05, 0.43%, 0.67%

LAB 67.71, -2.1, -23.59

 

CMYK 33 / 18 / 0 / 11

HEX #97BAE2

RGB 151 186 226

HSL 212, 0.56%, 0.74%

LAB 74.31, -2.33, -23.81

 

CMYK 31 / 17 / 0 / 4

HEX #A8CCF5

RGB 168 204 245

HSL 211.95, 0.79%, 0.81%

LAB 80.8, -2.54, -24.05

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 50 / 26 / 0 / 39

HEX #4E729B

RGB 78 114 155

HSL 211.95, 0.33%, 0.46%

LAB 47, -0.91, -26.14

 

CMYK 55 / 29 / 0 / 47

HEX #3D6088

RGB 61 96 136

HSL 212, 0.38%, 0.39%

LAB 39.81, -0.25, -26.06

 

CMYK 62 / 33 / 0 / 54

HEX #2C4E75

RGB 44 78 117

HSL 212.05, 0.45%, 0.32%

LAB 32.41, 0.66, -26.02

 

CMYK 72 / 39 / 0 / 62

HEX #1B3C62

RGB 27 60 98

HSL 212.11, 0.57%, 0.25%

LAB 24.79, 1.98, -26.02

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 45 / 36 / 0 / 32

HEX #5F6FAE

RGB 95 111 174

HSL 227.85, 0.33%, 0.53%

LAB 48.08, 11.16, -35.51

 

CMYK 42 / 45 / 0 / 32

HEX #655FAE

RGB 101 95 174

HSL 244.56, 0.33%, 0.53%

LAB 44.24, 22.59, -41.54

 

CMYK 30 / 45 / 0 / 32

HEX #7A5FAE

RGB 122 95 174

HSL 260.51, 0.33%, 0.53%

LAB 46.15, 28.31, -38.4

 

CMYK 18 / 45 / 0 / 32

HEX #8F5FAE

RGB 143 95 174

HSL 276.46, 0.33%, 0.53%

LAB 48.36, 34.43, -34.77

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 45 / 36 / 0 / 32

HEX #5F6FAE

RGB 95 111 174

HSL 227.85, 0.33%, 0.53%

LAB 48.08, 11.16, -35.51

 

CMYK 45 / 45 / 0 / 32

HEX #5F5FAE

RGB 95 95 174

HSL 240, 0.33%, 0.53%

LAB 43.76, 21.06, -42.34

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 61 / 32 / 0 / 24

HEX #4C83C2

RGB 76 131 194

HSL 212.03, 0.49%, 0.53%

LAB 53.67, 1.18, -38.31

 

CMYK 74 / 39 / 0 / 16

HEX #3882D5

RGB 56 130 213

HSL 211.72, 0.65%, 0.53%

LAB 53.61, 5.19, -49.23

 

CMYK 84 / 45 / 0 / 9

HEX #2580E8

RGB 37 128 232

HSL 212, 0.81%, 0.53%

LAB 53.66, 11.53, -59.84

 

CMYK 93 / 50 / 0 / 1

HEX #127FFC

RGB 18 127 252

HSL 212.05, 0.98%, 0.53%

LAB 54.38, 18.73, -69.81

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 26 / 14 / 0 / 39

HEX #72859B

RGB 114 133 155

HSL 212.2, 0.17%, 0.53%

LAB 54.78, -1.66, -14.01

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 0 / 11 / 24 / 40

HEX #998874

RGB 153 136 116

HSL 32.43, 0.15%, 0.53%

LAB 57.7, 3.11, 13.09

 

CMYK 0 / 21 / 44 / 32

HEX #AD8961

RGB 173 137 97

HSL 31.58, 0.32%, 0.53%

LAB 59.56, 8.33, 26.64

 

CMYK 45 / 0 / 1 / 32

HEX #5FAEAD

RGB 95 174 173

HSL 179.24, 0.33%, 0.53%

LAB 66.31, -24.48, -7.05

 

CMYK 45 / 11 / 0 / 32

HEX #5F9AAE

RGB 95 154 174

HSL 195.19, 0.33%, 0.53%

LAB 60.43, -13.77, -16.43

 

CMYK 45 / 24 / 0 / 32

HEX #5F85AE

RGB 95 133 174

HSL 211.14, 0.33%, 0.53%

LAB 54.31, -1.99, -25.8

 

CMYK 45 / 36 / 0 / 32

HEX #5F70AE

RGB 95 112 174

HSL 227.09, 0.33%, 0.53%

LAB 48.36, 10.54, -35.07

 

CMYK 43 / 45 / 0 / 32

HEX #635FAE

RGB 99 95 174

HSL 243.04, 0.33%, 0.53%

LAB 44.08, 22.07, -41.81

 

CMYK 50 / 27 / 0 / 51

HEX #3E5B7C

RGB 62 91 124

HSL 211.94, 0.33%, 0.36%

LAB 37.77, -0.84, -21.91

 

CMYK 50 / 26 / 0 / 40

HEX #4C7098

RGB 76 112 152

HSL 211.58, 0.33%, 0.45%

LAB 46.17, -1.15, -25.67

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 35 / 19 / 0 / 26

HEX #7B99BC

RGB 123 153 188

HSL 212.31, 0.33%, 0.61%

LAB 62.19, -1.83, -21.5

 

CMYK 26 / 14 / 0 / 21

HEX #96AECA

RGB 150 174 202

HSL 212.31, 0.33%, 0.69%

LAB 70.19, -1.96, -16.96

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 13 / 45 / 0 / 32

HEX #985FAE

RGB 152 95 174

HSL 283.29, 0.33%, 0.53%

LAB 49.39, 37.12, -33.07

 

CMYK 5 / 0 / 45 / 32

HEX #A5AE5F

RGB 165 174 95

HSL 66.84, 0.33%, 0.53%

LAB 68.82, -15.19, 39.3

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 0 / 45 / 24 / 32

HEX #AE5F85

RGB 174 95 133

HSL 331.14, 0.33%, 0.53%

LAB 50.54, 36.84, -6.88

 

CMYK 24 / 0 / 45 / 32

HEX #85AE5F

RGB 133 174 95

HSL 91.14, 0.33%, 0.53%

LAB 66.58, -27.79, 36.03

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 13 / 45 / 0 / 32

HEX #985FAE

RGB 152 95 174

HSL 283.29, 0.33%, 0.53%

LAB 49.39, 37.12, -33.07

 

CMYK 0 / 22 / 45 / 32

HEX #AE885F

RGB 174 136 95

HSL 31.14, 0.33%, 0.53%

LAB 59.37, 9.09, 27.52

 

CMYK 32 / 0 / 45 / 32

HEX #76AE5F

RGB 118 174 95

HSL 102.53, 0.33%, 0.53%

LAB 65.71, -33.24, 34.74

 

CMYK 45 / 24 / 0 / 32

HEX #5F84AE

RGB 95 132 174

HSL 211.9, 0.33%, 0.53%

LAB 54.02, -1.41, -26.24

 

CMYK 0 / 45 / 1 / 32

HEX #AE5FAD

RGB 174 95 173

HSL 300.76, 0.33%, 0.53%

LAB 52.06, 43.58, -28.12

 

CMYK 0 / 22 / 45 / 32

HEX #AE885F

RGB 174 136 95

HSL 31.14, 0.33%, 0.53%

LAB 59.37, 9.09, 27.52

 

CMYK 45 / 0 / 45 / 32

HEX #5FAE60

RGB 95 174 96

HSL 120.76, 0.33%, 0.53%

LAB 64.6, -40.59, 32.59

 

Description

Color code: HEX #5F84AE | qconv.com Color code: HEX #5F84AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 132 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 132 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 24 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 24% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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