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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5F95C8 it is the complementary color #A06A37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5F95C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5F95C8 shade: #6495C3, #75A7D6, #86B9E9, #97CBFC and #A8DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5F95C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5F95C8 shade: #5F95C8, #4E83B5, #3D71A2, #2C5F8F and #1B4D7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5F95C8 shade: #5F95C8, #5F79C8, #625FC8, #7E5FC8 and #9A5FC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5F95C8 shade: #5F95C8, #5F79C8 and #5F5FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5F95C8 shade matches the following richer shades: #5F95C8, #4E95D9, #3C96EB and #2B96FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5F95C8 shade: #5F95C8, #7094B7, #8294A5, #939394 and #A49383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5F95C8 shade: #5FC8C3, #5FB1C8, #5F95C8, #5F79C8 and #615FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5F95C8 shade: #366C9E, #4081BD, #5F95C8, #7EA9D2 and #9CBEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5F95C8 shade: #5F95C8, #A75FC8 and #BFC85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5F95C8 shade: #5F95C8, #C85F95 and #95C85F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5F95C8 shade: #5F95C8, #A75FC8, #C8925F and #80C85F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5F95C8 shade: #5F95C8, #C65FC8, #C8925F and #61C85F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

Complementary color

CMYK 0 / 34 / 66 / 37

HEX #A06A37

RGB 160 106 55

HSL 29.14, 0.49%, 0.42%

LAB 49.57, 16.46, 36.82

 

CMYK 49 / 24 / 0 / 24

HEX #6495C3

RGB 100 149 195

HSL 209.05, 0.44%, 0.58%

LAB 60.02, -3.7, -28.89

 

CMYK 45 / 22 / 0 / 16

HEX #75A7D6

RGB 117 167 214

HSL 209.07, 0.54%, 0.65%

LAB 66.73, -4.13, -29.04

 

CMYK 42 / 21 / 0 / 9

HEX #86B9E9

RGB 134 185 233

HSL 209.09, 0.69%, 0.72%

LAB 73.32, -4.49, -29.21

 

CMYK 40 / 19 / 0 / 1

HEX #97CBFC

RGB 151 203 252

HSL 209.11, 0.94%, 0.79%

LAB 79.8, -4.79, -29.4

 

CMYK 34 / 13 / 0 / 0

HEX #A8DDFF

RGB 168 221 255

HSL 203.45, 1%, 0.83%

LAB 85.63, -9.03, -22

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 57 / 28 / 0 / 29

HEX #4E83B5

RGB 78 131 181

HSL 209.13, 0.41%, 0.51%

LAB 53.16, -2.69, -31.67

 

CMYK 62 / 30 / 0 / 36

HEX #3D71A2

RGB 61 113 162

HSL 209.11, 0.45%, 0.44%

LAB 46.19, -1.82, -31.58

 

CMYK 69 / 34 / 0 / 44

HEX #2C5F8F

RGB 44 95 143

HSL 209.09, 0.53%, 0.37%

LAB 39.08, -0.66, -31.5

 

CMYK 78 / 38 / 0 / 51

HEX #1B4D7C

RGB 27 77 124

HSL 209.07, 0.64%, 0.3%

LAB 31.8, 0.97, -31.4

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 53 / 40 / 0 / 22

HEX #5F79C8

RGB 95 121 200

HSL 225.14, 0.49%, 0.58%

LAB 52.15, 13.16, -44.06

 

CMYK 51 / 53 / 0 / 22

HEX #625FC8

RGB 98 95 200

HSL 241.71, 0.49%, 0.58%

LAB 45.57, 29.79, -54.56

 

CMYK 37 / 53 / 0 / 22

HEX #7E5FC8

RGB 126 95 200

HSL 257.71, 0.49%, 0.58%

LAB 47.99, 36.29, -50.54

 

CMYK 23 / 53 / 0 / 22

HEX #9A5FC8

RGB 154 95 200

HSL 273.71, 0.49%, 0.58%

LAB 50.95, 43.5, -45.65

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 53 / 40 / 0 / 22

HEX #5F79C8

RGB 95 121 200

HSL 225.14, 0.49%, 0.58%

LAB 52.15, 13.16, -44.06

 

CMYK 53 / 53 / 0 / 22

HEX #5F5FC8

RGB 95 95 200

HSL 240, 0.49%, 0.58%

LAB 45.34, 29.16, -54.94

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 64 / 31 / 0 / 15

HEX #4E95D9

RGB 78 149 217

HSL 209.35, 0.65%, 0.58%

LAB 60, -1.3, -41.32

 

CMYK 74 / 36 / 0 / 8

HEX #3C96EB

RGB 60 150 235

HSL 209.14, 0.81%, 0.58%

LAB 60.58, 1.68, -50.44

 

CMYK 83 / 40 / 0 / 1

HEX #2B96FC

RGB 43 150 252

HSL 209.28, 0.97%, 0.58%

LAB 61.09, 6.13, -59

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 39 / 19 / 0 / 28

HEX #7094B7

RGB 112 148 183

HSL 209.58, 0.33%, 0.58%

LAB 59.93, -3.45, -22.2

 

CMYK 21 / 10 / 0 / 35

HEX #8294A5

RGB 130 148 165

HSL 209.14, 0.16%, 0.58%

LAB 60.46, -2.59, -11.07

 

CMYK 1 / 1 / 0 / 42

HEX #939394

RGB 147 147 148

HSL 240, 0%, 0.58%

LAB 60.97, 0.2, -0.53

 

CMYK 0 / 10 / 20 / 36

HEX #A49383

RGB 164 147 131

HSL 29.09, 0.15%, 0.58%

LAB 62, 3.63, 10.77

 

CMYK 53 / 0 / 3 / 22

HEX #5FC8C3

RGB 95 200 195

HSL 177.14, 0.49%, 0.58%

LAB 74.62, -31.47, -6.78

 

CMYK 53 / 12 / 0 / 22

HEX #5FB1C8

RGB 95 177 200

HSL 193.14, 0.49%, 0.58%

LAB 68.06, -18.63, -19.37

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 53 / 40 / 0 / 22

HEX #5F79C8

RGB 95 121 200

HSL 225.14, 0.49%, 0.58%

LAB 52.15, 13.16, -44.06

 

CMYK 52 / 53 / 0 / 22

HEX #615FC8

RGB 97 95 200

HSL 241.14, 0.49%, 0.58%

LAB 45.49, 29.58, -54.69

 

CMYK 66 / 32 / 0 / 38

HEX #366C9E

RGB 54 108 158

HSL 208.85, 0.49%, 0.42%

LAB 44.2, -1.51, -32.37

 

CMYK 66 / 32 / 0 / 26

HEX #4081BD

RGB 64 129 189

HSL 208.8, 0.49%, 0.5%

LAB 52.36, -1.53, -37.55

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 40 / 20 / 0 / 18

HEX #7EA9D2

RGB 126 169 210

HSL 209.29, 0.48%, 0.66%

LAB 67.62, -4.04, -25.41

 

CMYK 29 / 14 / 0 / 13

HEX #9CBEDD

RGB 156 190 221

HSL 208.62, 0.49%, 0.74%

LAB 75.52, -4.29, -19.23

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 17 / 53 / 0 / 22

HEX #A75FC8

RGB 167 95 200

HSL 281.14, 0.49%, 0.58%

LAB 52.48, 46.99, -43.14

 

CMYK 5 / 0 / 53 / 22

HEX #BFC85F

RGB 191 200 95

HSL 65.14, 0.49%, 0.58%

LAB 78, -17.78, 50.76

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 0 / 53 / 26 / 22

HEX #C85F95

RGB 200 95 149

HSL 329.14, 0.49%, 0.58%

LAB 54.69, 47.9, -9.75

 

CMYK 26 / 0 / 53 / 22

HEX #95C85F

RGB 149 200 95

HSL 89.14, 0.49%, 0.58%

LAB 75.15, -34.14, 46.71

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 17 / 53 / 0 / 22

HEX #A75FC8

RGB 167 95 200

HSL 281.14, 0.49%, 0.58%

LAB 52.48, 46.99, -43.14

 

CMYK 0 / 27 / 53 / 22

HEX #C8925F

RGB 200 146 95

HSL 29.14, 0.49%, 0.58%

LAB 64.69, 14.49, 34.88

 

CMYK 36 / 0 / 53 / 22

HEX #80C85F

RGB 128 200 95

HSL 101.14, 0.49%, 0.58%

LAB 74.01, -41.53, 45.07

 

CMYK 53 / 26 / 0 / 22

HEX #5F95C8

RGB 95 149 200

HSL 209.14, 0.49%, 0.58%

LAB 59.98, -3.36, -31.78

 

CMYK 1 / 53 / 0 / 22

HEX #C65FC8

RGB 198 95 200

HSL 298.86, 0.49%, 0.58%

LAB 56.45, 55.44, -36.61

 

CMYK 0 / 27 / 53 / 22

HEX #C8925F

RGB 200 146 95

HSL 29.14, 0.49%, 0.58%

LAB 64.69, 14.49, 34.88

 

CMYK 52 / 0 / 53 / 22

HEX #61C85F

RGB 97 200 95

HSL 118.86, 0.49%, 0.58%

LAB 72.68, -50.93, 43.14

 

Description

Color code: HEX #5F95C8 | qconv.com Color code: HEX #5F95C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 149 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 149 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 26 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 26% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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