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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FB95F it is the complementary color #A046A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FB95F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FB95F shade: #64B95A, #75CB6D, #86DD80, #97EF93 and #A8FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FB95F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FB95F shade: #5FB95F, #4EA74C, #3D9539, #2C8326 and #1B7113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FB95F shade: #5FB95F, #77B95F, #8FB95F, #A7B95F and #B9B15F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FB95F shade: #5FB95F, #5FB977, #5FB98F, #5FB9A7 and #5FB1B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FB95F shade matches the following richer shades: #5FB95F, #4CCB4C, #3ADE3A and #27F027

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FB95F shade: #5FB95F, #72A672, #849384, #978197 and #A96EA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FB95F shade: #8FB95F, #77B95F, #5FB95F, #5FB977 and #5FB98F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FB95F shade: #3C893C, #48A648, #5FB95F, #7CC57C and #98D298

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FB95F shade: #5FB95F, #5FA7B9 and #B95F83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FB95F shade: #5FB95F, #5F5FB9 and #B95F5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FB95F shade: #5FB95F, #5FA7B9, #B95FB9 and #B9715F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FB95F shade: #5FB95F, #5F8CB9, #B95FB9 and #B98C5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

Complementary color

CMYK 0 / 56 / 0 / 37

HEX #A046A0

RGB 160 70 160

HSL 300, 0.39%, 0.45%

LAB 44.79, 49.7, -31.96

 

CMYK 46 / 0 / 51 / 27

HEX #64B95A

RGB 100 185 90

HSL 113.68, 0.4%, 0.54%

LAB 68.13, -44.63, 40.07

 

CMYK 42 / 0 / 46 / 20

HEX #75CB6D

RGB 117 203 109

HSL 114.89, 0.47%, 0.61%

LAB 74.57, -44.55, 38.8

 

CMYK 39 / 0 / 42 / 13

HEX #86DD80

RGB 134 221 128

HSL 116.13, 0.58%, 0.68%

LAB 80.93, -44.4, 37.56

 

CMYK 37 / 0 / 38 / 6

HEX #97EF93

RGB 151 239 147

HSL 117.39, 0.74%, 0.76%

LAB 87.2, -44.2, 36.36

 

CMYK 34 / 0 / 35 / 0

HEX #A8FFA6

RGB 168 255 166

HSL 118.65, 1%, 0.83%

LAB 92.84, -43.11, 34.47

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 53 / 0 / 54 / 35

HEX #4EA74C

RGB 78 167 76

HSL 118.68, 0.37%, 0.48%

LAB 61.46, -45.36, 38.68

 

CMYK 59 / 0 / 62 / 42

HEX #3D9539

RGB 61 149 57

HSL 117.39, 0.45%, 0.4%

LAB 54.85, -45.08, 39.94

 

CMYK 66 / 0 / 71 / 49

HEX #2C8326

RGB 44 131 38

HSL 116.13, 0.55%, 0.33%

LAB 48.14, -44.4, 40.95

 

CMYK 76 / 0 / 83 / 56

HEX #1B7113

RGB 27 113 19

HSL 114.89, 0.71%, 0.26%

LAB 41.36, -43.03, 41.24

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 36 / 0 / 49 / 27

HEX #77B95F

RGB 119 185 95

HSL 104, 0.39%, 0.55%

LAB 69.07, -37.92, 38.95

 

CMYK 23 / 0 / 49 / 27

HEX #8FB95F

RGB 143 185 95

HSL 88, 0.39%, 0.55%

LAB 70.43, -29.33, 40.92

 

CMYK 10 / 0 / 49 / 27

HEX #A7B95F

RGB 167 185 95

HSL 72, 0.39%, 0.55%

LAB 72.05, -19.97, 43.27

 

CMYK 0 / 4 / 49 / 27

HEX #B9B15F

RGB 185 177 95

HSL 54.67, 0.39%, 0.55%

LAB 71.27, -8.49, 42.66

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 0 / 36 / 27

HEX #5FB977

RGB 95 185 119

HSL 136, 0.39%, 0.55%

LAB 68.36, -41.57, 25.42

 

CMYK 49 / 0 / 23 / 27

HEX #5FB98F

RGB 95 185 143

HSL 152, 0.39%, 0.55%

LAB 68.83, -36.87, 13.14

 

CMYK 49 / 0 / 10 / 27

HEX #5FB9A7

RGB 95 185 167

HSL 168, 0.39%, 0.55%

LAB 69.41, -31.39, 0.83

 

CMYK 49 / 4 / 0 / 27

HEX #5FB1B9

RGB 95 177 185

HSL 185.33, 0.39%, 0.55%

LAB 67.56, -22.8, -11.83

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 63 / 0 / 63 / 20

HEX #4CCB4C

RGB 76 203 76

HSL 120, 0.55%, 0.55%

LAB 72.74, -59.43, 51.75

 

CMYK 74 / 0 / 74 / 13

HEX #3ADE3A

RGB 58 222 58

HSL 120, 0.71%, 0.55%

LAB 78.14, -70.6, 64.31

 

CMYK 84 / 0 / 84 / 6

HEX #27F027

RGB 39 240 39

HSL 120, 0.87%, 0.55%

LAB 83.39, -79.25, 74.54

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 31 / 0 / 31 / 35

HEX #72A672

RGB 114 166 114

HSL 120, 0.23%, 0.55%

LAB 63.4, -27.9, 21.59

 

CMYK 10 / 0 / 10 / 42

HEX #849384

RGB 132 147 132

HSL 120, 0.06%, 0.55%

LAB 59.38, -8.38, 6.11

 

CMYK 0 / 15 / 0 / 41

HEX #978197

RGB 151 129 151

HSL 300, 0.1%, 0.55%

LAB 56.6, 12.47, -8.67

 

CMYK 0 / 35 / 0 / 34

HEX #A96EA9

RGB 169 110 169

HSL 300, 0.26%, 0.55%

LAB 54.5, 33.1, -22.08

 

CMYK 23 / 0 / 49 / 27

HEX #8FB95F

RGB 143 185 95

HSL 88, 0.39%, 0.55%

LAB 70.43, -29.33, 40.92

 

CMYK 36 / 0 / 49 / 27

HEX #77B95F

RGB 119 185 95

HSL 104, 0.39%, 0.55%

LAB 69.07, -37.92, 38.95

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 0 / 36 / 27

HEX #5FB977

RGB 95 185 119

HSL 136, 0.39%, 0.55%

LAB 68.36, -41.57, 25.42

 

CMYK 49 / 0 / 23 / 27

HEX #5FB98F

RGB 95 185 143

HSL 152, 0.39%, 0.55%

LAB 68.83, -36.87, 13.14

 

CMYK 56 / 0 / 56 / 46

HEX #3C893C

RGB 60 137 60

HSL 120, 0.39%, 0.39%

LAB 50.9, -40.15, 33.85

 

CMYK 57 / 0 / 57 / 35

HEX #48A648

RGB 72 166 72

HSL 120, 0.39%, 0.47%

LAB 60.89, -47.07, 39.9

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 37 / 0 / 37 / 23

HEX #7CC57C

RGB 124 197 124

HSL 120, 0.39%, 0.63%

LAB 73.33, -37.52, 29.62

 

CMYK 28 / 0 / 28 / 18

HEX #98D298

RGB 152 210 152

HSL 120, 0.39%, 0.71%

LAB 79.06, -29.93, 22.92

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 10 / 0 / 27

HEX #5FA7B9

RGB 95 167 185

HSL 192, 0.39%, 0.55%

LAB 64.62, -17.63, -16.26

 

CMYK 0 / 49 / 29 / 27

HEX #B95F83

RGB 185 95 131

HSL 336, 0.39%, 0.55%

LAB 51.99, 40.4, -3.37

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 49 / 0 / 27

HEX #5F5FB9

RGB 95 95 185

HSL 240, 0.39%, 0.55%

LAB 44.4, 24.45, -47.75

 

CMYK 0 / 49 / 49 / 27

HEX #B95F5F

RGB 185 95 95

HSL 0, 0.39%, 0.55%

LAB 51.07, 36.19, 16.7

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 10 / 0 / 27

HEX #5FA7B9

RGB 95 167 185

HSL 192, 0.39%, 0.55%

LAB 64.62, -17.63, -16.26

 

CMYK 0 / 49 / 0 / 27

HEX #B95FB9

RGB 185 95 185

HSL 300, 0.39%, 0.55%

LAB 54.03, 49.07, -31.91

 

CMYK 0 / 39 / 49 / 27

HEX #B9715F

RGB 185 113 95

HSL 12, 0.39%, 0.55%

LAB 55.02, 26.48, 22.03

 

CMYK 49 / 0 / 49 / 27

HEX #5FB95F

RGB 95 185 95

HSL 120, 0.39%, 0.55%

LAB 67.99, -45.41, 37.37

 

CMYK 49 / 24 / 0 / 27

HEX #5F8CB9

RGB 95 140 185

HSL 210, 0.39%, 0.55%

LAB 56.77, -2.76, -28.27

 

CMYK 0 / 49 / 0 / 27

HEX #B95FB9

RGB 185 95 185

HSL 300, 0.39%, 0.55%

LAB 54.03, 49.07, -31.91

 

CMYK 0 / 24 / 49 / 27

HEX #B98C5F

RGB 185 140 95

HSL 30, 0.39%, 0.55%

LAB 61.56, 11.5, 30.58

 

Description

Color code: HEX #5FB95F | qconv.com Color code: HEX #5FB95F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 185 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 185 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 49 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 49% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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