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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FC61E it is the complementary color #A039E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FC61E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FC61E shade: #64C619, #75D82C, #86EA3F, #97FC52 and #A8FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FC61E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FC61E shade: #5FC61E, #4EB40B, #3DA200, #2C9000 and #1B7E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FC61E shade: #5FC71D, #8DC71D, #BBC71D, #C7A61D and #C7781D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FC61E shade: #5FC71D, #31C71D, #1DC737, #1DC765 and #1DC793

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FC61E shade matches the following richer shades: #5FC71D and #5BDA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FC61E shade: #5FC71D, #63B530, #67A242, #6C8F55 and #707D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FC61E shade: #BCC71D, #8FC71D, #61C71D, #34C71D and #1DC734

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FC61E shade: #3D7F13, #4EA318, #5FC71D, #73DF2E and #8BE552

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FC61E shade: #5FC61E, #1DC7A5 and #C71DA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FC61E shade: #5FC61E, #1D61C7 and #C71D61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FC61E shade: #5FC61E, #1DC7A5, #831DC7 and #C71D3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FC61E shade: #5FC61E, #1DB6C7, #831DC7 and #C72E1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

Complementary color

CMYK 29 / 75 / 0 / 12

HEX #A039E1

RGB 160 57 225

HSL 276.79, 0.74%, 0.55%

LAB 46.76, 68.21, -66.63

 

CMYK 49 / 0 / 87 / 22

HEX #64C619

RGB 100 198 25

HSL 93.99, 0.78%, 0.44%

LAB 71.67, -54.87, 67.73

 

CMYK 46 / 0 / 80 / 15

HEX #75D82C

RGB 117 216 44

HSL 94.53, 0.69%, 0.51%

LAB 77.92, -55.74, 69

 

CMYK 43 / 0 / 73 / 8

HEX #86EA3F

RGB 134 234 63

HSL 95.09, 0.8%, 0.58%

LAB 84.11, -56.33, 69.32

 

CMYK 40 / 0 / 67 / 1

HEX #97FC52

RGB 151 252 82

HSL 95.65, 0.97%, 0.65%

LAB 90.23, -56.72, 69.06

 

CMYK 34 / 0 / 60 / 0

HEX #A8FF65

RGB 168 255 101

HSL 93.9, 1%, 0.7%

LAB 92.04, -50.9, 63.73

 

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

CMYK 57 / 0 / 94 / 29

HEX #4EB40B

RGB 78 180 11

HSL 96.21, 0.88%, 0.37%

LAB 65.19, -54.94, 64.28

 

CMYK 62 / 0 / 100 / 36

HEX #3DA200

RGB 61 162 0

HSL 97.41, 1%, 0.32%

LAB 58.82, -53.23, 60.38

 

CMYK 69 / 0 / 100 / 44

HEX #2C9000

RGB 44 144 0

HSL 101.67, 1%, 0.28%

LAB 52.38, -50.98, 55.08

 

CMYK 79 / 0 / 100 / 51

HEX #1B7E00

RGB 27 126 0

HSL 107.14, 1%, 0.25%

LAB 45.85, -48.25, 49.72

 

CMYK 52 / 0 / 85 / 22

HEX #5FC71D

RGB 95 199 29

HSL 96.71, 0.75%, 0.45%

LAB 71.8, -56.56, 66.94

 

CMYK 29 / 0 / 85 / 22

HEX #8DC71D

RGB 141 199 29

HSL 80.47, 0.75%, 0.45%

LAB 73.93, -41.15, 69.61

 

CMYK 6 / 0 / 85 / 22

HEX #BBC71D

RGB 187 199 29

HSL 64.24, 0.75%, 0.45%

LAB 76.98, -22.56, 73.4

 

CMYK 0 / 17 / 85 / 22

HEX #C7A61D

RGB 199 166 29

HSL 48.35, 0.75%, 0.45%

LAB 69.11, -0.44, 67.34

 

CMYK 0 / 40 / 85 / 22

HEX #C7781D

RGB 199 120 29

HSL 32.12, 0.75%, 0.45%

LAB 57.72, 24.54, 57.9

 

CMYK 52 / 0 / 85 / 22

HEX #5FC71D

RGB 95 199 29

HSL 96.71, 0.75%, 0.45%

LAB 71.8, -56.56, 66.94

 

CMYK 75 / 0 / 85 / 22

HEX #31C71D

RGB 49 199 29

HSL 112.94, 0.75%, 0.45%

LAB 70.59, -66.63, 65.4

 

CMYK 85 / 0 / 72 / 22

HEX #1DC737

RGB 29 199 55

HSL 129.18, 0.75%, 0.45%

LAB 70.44, -67.39, 57.43

 

CMYK 85 / 0 / 49 / 22

HEX #1DC765

RGB 29 199 101

HSL 145.41, 0.75%, 0.45%

LAB 70.9, -61.75, 37.68

 

CMYK 85 / 0 / 26 / 22

HEX #1DC793

RGB 29 199 147

HSL 161.65, 0.75%, 0.45%

LAB 71.7, -52.63, 14.77

 

CMYK 52 / 0 / 85 / 22

HEX #5FC71D

RGB 95 199 29

HSL 96.71, 0.75%, 0.45%

LAB 71.8, -56.56, 66.94

 

CMYK 58 / 0 / 95 / 15

HEX #5BDA0B

RGB 91 218 11

HSL 96.81, 0.9%, 0.45%

LAB 77.51, -64.75, 74.51

 

CMYK 52 / 0 / 85 / 22

HEX #5FC71D

RGB 95 199 29

HSL 96.71, 0.75%, 0.45%

LAB 71.8, -56.56, 66.94

 

CMYK 45 / 0 / 73 / 29

HEX #63B530

RGB 99 181 48

HSL 96.99, 0.58%, 0.45%

LAB 66.45, -47.47, 56.49

 

CMYK 36 / 0 / 59 / 36

HEX #67A242

RGB 103 162 66

HSL 96.88, 0.42%, 0.45%

LAB 60.89, -36.52, 43.09

 

CMYK 24 / 0 / 41 / 44

HEX #6C8F55

RGB 108 143 85

HSL 96.21, 0.25%, 0.45%

LAB 55.57, -23.26, 26.99

 

CMYK 10 / 0 / 17 / 51

HEX #707D68

RGB 112 125 104

HSL 97.14, 0.09%, 0.45%

LAB 50.82, -9, 9.85

 

CMYK 6 / 0 / 85 / 22

HEX #BCC71D

RGB 188 199 29

HSL 63.88, 0.75%, 0.45%

LAB 77.06, -22.14, 73.5

 

CMYK 28 / 0 / 85 / 22

HEX #8FC71D

RGB 143 199 29

HSL 79.76, 0.75%, 0.45%

LAB 74.05, -40.39, 69.75

 

CMYK 51 / 0 / 85 / 22

HEX #61C71D

RGB 97 199 29

HSL 96, 0.75%, 0.45%

LAB 71.88, -55.99, 67.03

 

CMYK 74 / 0 / 85 / 22

HEX #34C71D

RGB 52 199 29

HSL 111.88, 0.75%, 0.45%

LAB 70.64, -66.17, 65.47

 

CMYK 85 / 0 / 74 / 22

HEX #1DC734

RGB 29 199 52

HSL 128.12, 0.75%, 0.45%

LAB 70.42, -67.63, 58.49

 

CMYK 52 / 0 / 85 / 50

HEX #3D7F13

RGB 61 127 19

HSL 96.67, 0.74%, 0.29%

LAB 47.26, -39.56, 47.1

 

CMYK 52 / 0 / 85 / 36

HEX #4EA318

RGB 78 163 24

HSL 96.69, 0.74%, 0.37%

LAB 59.78, -48.26, 57.26

 

CMYK 52 / 0 / 85 / 22

HEX #5FC71D

RGB 95 199 29

HSL 96.71, 0.75%, 0.45%

LAB 71.8, -56.56, 66.94

 

CMYK 48 / 0 / 79 / 13

HEX #73DF2E

RGB 115 223 46

HSL 96.61, 0.73%, 0.53%

LAB 79.96, -58.87, 70.31

 

CMYK 39 / 0 / 64 / 10

HEX #8BE552

RGB 139 229 82

HSL 96.73, 0.74%, 0.61%

LAB 82.99, -51.38, 61.19

 

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

CMYK 85 / 0 / 17 / 22

HEX #1DC7A5

RGB 29 199 165

HSL 168, 0.75%, 0.45%

LAB 72.11, -48.2, 5.64

 

CMYK 0 / 85 / 17 / 22

HEX #C71DA5

RGB 199 29 165

HSL 312, 0.75%, 0.45%

LAB 46.63, 73.42, -31.6

 

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

CMYK 85 / 51 / 0 / 22

HEX #1D61C7

RGB 29 97 199

HSL 216, 0.75%, 0.45%

LAB 42.66, 17.88, -58.84

 

CMYK 0 / 85 / 51 / 22

HEX #C71D61

RGB 199 29 97

HSL 336, 0.75%, 0.45%

LAB 44.07, 66.29, 6.07

 

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

CMYK 85 / 0 / 17 / 22

HEX #1DC7A5

RGB 29 199 165

HSL 168, 0.75%, 0.45%

LAB 72.11, -48.2, 5.64

 

CMYK 34 / 85 / 0 / 22

HEX #831DC7

RGB 131 29 199

HSL 276, 0.75%, 0.45%

LAB 37.53, 67.19, -66.86

 

CMYK 0 / 85 / 68 / 22

HEX #C71D3F

RGB 199 29 63

HSL 348, 0.75%, 0.45%

LAB 43.33, 64.16, 26.3

 

CMYK 52 / 0 / 85 / 22

HEX #5FC61E

RGB 95 198 30

HSL 96.79, 0.74%, 0.45%

LAB 71.5, -56.15, 66.44

 

CMYK 85 / 9 / 0 / 22

HEX #1DB6C7

RGB 29 182 199

HSL 186, 0.75%, 0.45%

LAB 67.9, -30.78, -19.2

 

CMYK 34 / 85 / 0 / 22

HEX #831DC7

RGB 131 29 199

HSL 276, 0.75%, 0.45%

LAB 37.53, 67.19, -66.86

 

CMYK 0 / 77 / 85 / 22

HEX #C72E1D

RGB 199 46 29

HSL 6, 0.75%, 0.45%

LAB 44.5, 58.53, 46.74

 

Description

Color code: HEX #5FC61E | qconv.com Color code: HEX #5FC61E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 198 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 198 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 85 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 85% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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