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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FC3AF it is the complementary color #A03C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FC3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FC3AF shade: #64C3AA, #75D5BD, #86E7D0, #97F9E3 and #A8FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FC3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FC3AF shade: #5FC3AF, #4EB19C, #3D9F89, #2C8D76 and #1B7B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FC3AF shade: #60C2AE, #60C294, #60C279, #60C260 and #7BC260

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FC3AF shade: #60C2AE, #60BBC2, #60A1C2, #6086C2 and #606BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FC3AF shade matches the following richer shades: #60C2AE, #4ED4B9, #3CE6C4 and #2AF7CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FC3AF shade: #60C2AE, #71B0A4, #839F99, #958D8F and #A67B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FC3AF shade: #60C27A, #60C294, #60C2AE, #60BCC2 and #60A1C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FC3AF shade: #399684, #44B49E, #60C2AE, #7DCEBE and #9BD9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FC3AF shade: #5FC3AF, #6060C2 and #C28760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FC3AF shade: #5FC3AF, #AE60C2 and #C2AE60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FC3AF shade: #5FC3AF, #6060C2, #C26073 and #C2C260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FC3AF shade: #5FC3AF, #7D60C2, #C26073 and #A5C260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

Complementary color

CMYK 0 / 63 / 50 / 37

HEX #A03C50

RGB 160 60 80

HSL 348, 0.45%, 0.43%

LAB 40.06, 43.16, 10.04

 

CMYK 49 / 0 / 13 / 24

HEX #64C3AA

RGB 100 195 170

HSL 164.21, 0.44%, 0.58%

LAB 72.66, -34.2, 3.92

 

CMYK 45 / 0 / 11 / 16

HEX #75D5BD

RGB 117 213 189

HSL 165, 0.53%, 0.65%

LAB 79.07, -34.09, 3.06

 

CMYK 42 / 0 / 10 / 9

HEX #86E7D0

RGB 134 231 208

HSL 165.77, 0.67%, 0.72%

LAB 85.39, -33.96, 2.25

 

CMYK 39 / 0 / 9 / 2

HEX #97F9E3

RGB 151 249 227

HSL 166.53, 0.89%, 0.78%

LAB 91.63, -33.81, 1.48

 

CMYK 34 / 0 / 4 / 0

HEX #A8FFF6

RGB 168 255 246

HSL 173.79, 1%, 0.83%

LAB 94.53, -28.02, -4.02

 

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

CMYK 56 / 0 / 12 / 31

HEX #4EB19C

RGB 78 177 156

HSL 167.27, 0.39%, 0.5%

LAB 66.11, -34.14, 2.02

 

CMYK 62 / 0 / 14 / 38

HEX #3D9F89

RGB 61 159 137

HSL 166.53, 0.45%, 0.43%

LAB 59.52, -34, 3.02

 

CMYK 69 / 0 / 16 / 45

HEX #2C8D76

RGB 44 141 118

HSL 165.77, 0.52%, 0.36%

LAB 52.83, -33.68, 4.15

 

CMYK 78 / 0 / 20 / 52

HEX #1B7B63

RGB 27 123 99

HSL 165, 0.64%, 0.29%

LAB 46.04, -33.07, 5.45

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 51 / 0 / 24 / 24

HEX #60C294

RGB 96 194 148

HSL 151.84, 0.45%, 0.57%

LAB 71.7, -39.62, 14.45

 

CMYK 51 / 0 / 38 / 24

HEX #60C279

RGB 96 194 121

HSL 135.31, 0.45%, 0.57%

LAB 71.18, -44.81, 28.12

 

CMYK 51 / 0 / 51 / 24

HEX #60C260

RGB 96 194 96

HSL 120, 0.45%, 0.57%

LAB 70.81, -48.67, 40.37

 

CMYK 37 / 0 / 51 / 24

HEX #7BC260

RGB 123 194 96

HSL 103.47, 0.45%, 0.57%

LAB 71.99, -40.45, 42.08

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 51 / 4 / 0 / 24

HEX #60BBC2

RGB 96 187 194

HSL 184.29, 0.45%, 0.57%

LAB 70.82, -25.18, -11.9

 

CMYK 51 / 17 / 0 / 24

HEX #60A1C2

RGB 96 161 194

HSL 200.2, 0.45%, 0.57%

LAB 63.24, -11.61, -23.39

 

CMYK 51 / 31 / 0 / 24

HEX #6086C2

RGB 96 134 194

HSL 216.73, 0.45%, 0.57%

LAB 55.51, 3.72, -35.35

 

CMYK 51 / 45 / 0 / 24

HEX #606BC2

RGB 96 107 194

HSL 233.27, 0.45%, 0.57%

LAB 48.13, 20.07, -47.01

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 63 / 0 / 13 / 17

HEX #4ED4B9

RGB 78 212 185

HSL 167.91, 0.61%, 0.57%

LAB 77.41, -42.73, 2.63

 

CMYK 74 / 0 / 15 / 10

HEX #3CE6C4

RGB 60 230 196

HSL 168, 0.77%, 0.57%

LAB 82.67, -50.21, 4.36

 

CMYK 83 / 0 / 17 / 3

HEX #2AF7CE

RGB 42 247 206

HSL 168, 0.93%, 0.57%

LAB 87.71, -56.31, 6.37

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 36 / 0 / 7 / 31

HEX #71B0A4

RGB 113 176 164

HSL 168.57, 0.29%, 0.57%

LAB 67.46, -22.99, -0.27

 

CMYK 18 / 0 / 4 / 38

HEX #839F99

RGB 131 159 153

HSL 167.14, 0.13%, 0.57%

LAB 63.28, -10.98, -0.12

 

CMYK 0 / 5 / 4 / 42

HEX #958D8F

RGB 149 141 143

HSL 345, 0.04%, 0.57%

LAB 59.36, 3.34, -0.01

 

CMYK 0 / 26 / 20 / 35

HEX #A67B84

RGB 166 123 132

HSL 347.44, 0.19%, 0.57%

LAB 56.03, 18.12, 1.67

 

CMYK 51 / 0 / 37 / 24

HEX #60C27A

RGB 96 194 122

HSL 135.92, 0.45%, 0.57%

LAB 71.2, -44.64, 27.62

 

CMYK 51 / 0 / 24 / 24

HEX #60C294

RGB 96 194 148

HSL 151.84, 0.45%, 0.57%

LAB 71.7, -39.62, 14.45

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 51 / 3 / 0 / 24

HEX #60BCC2

RGB 96 188 194

HSL 183.67, 0.45%, 0.57%

LAB 71.11, -25.68, -11.47

 

CMYK 51 / 17 / 0 / 24

HEX #60A1C2

RGB 96 161 194

HSL 200.2, 0.45%, 0.57%

LAB 63.24, -11.61, -23.39

 

CMYK 62 / 0 / 12 / 41

HEX #399684

RGB 57 150 132

HSL 168.39, 0.45%, 0.41%

LAB 56.44, -31.85, 1.37

 

CMYK 62 / 0 / 12 / 29

HEX #44B49E

RGB 68 180 158

HSL 168.21, 0.45%, 0.49%

LAB 66.78, -36.97, 1.85

 

CMYK 51 / 0 / 10 / 24

HEX #60C2AE

RGB 96 194 174

HSL 167.76, 0.45%, 0.57%

LAB 72.31, -33.71, 1.23

 

CMYK 39 / 0 / 8 / 19

HEX #7DCEBE

RGB 125 206 190

HSL 168.15, 0.45%, 0.65%

LAB 77.41, -28.5, 0.15

 

CMYK 29 / 0 / 6 / 15

HEX #9BD9CD

RGB 155 217 205

HSL 168.39, 0.45%, 0.73%

LAB 82.38, -22.18, -0.43

 

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

CMYK 51 / 51 / 0 / 24

HEX #6060C2

RGB 96 96 194

HSL 240, 0.45%, 0.57%

LAB 45.29, 26.87, -51.56

 

CMYK 0 / 30 / 51 / 24

HEX #C28760

RGB 194 135 96

HSL 23.88, 0.45%, 0.57%

LAB 61.34, 18.13, 29.95

 

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

CMYK 10 / 51 / 0 / 24

HEX #AE60C2

RGB 174 96 194

HSL 287.76, 0.45%, 0.57%

LAB 53.23, 47.14, -38.44

 

CMYK 0 / 10 / 51 / 24

HEX #C2AE60

RGB 194 174 96

HSL 47.76, 0.45%, 0.57%

LAB 71.27, -3.06, 42.35

 

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

CMYK 51 / 51 / 0 / 24

HEX #6060C2

RGB 96 96 194

HSL 240, 0.45%, 0.57%

LAB 45.29, 26.87, -51.56

 

CMYK 0 / 51 / 41 / 24

HEX #C26073

RGB 194 96 115

HSL 348.37, 0.45%, 0.57%

LAB 53.03, 41.09, 7.78

 

CMYK 0 / 0 / 51 / 24

HEX #C2C260

RGB 194 194 96

HSL 60, 0.45%, 0.57%

LAB 76.62, -13.45, 48.73

 

CMYK 51 / 0 / 10 / 24

HEX #5FC3AF

RGB 95 195 175

HSL 168, 0.45%, 0.57%

LAB 72.6, -34.16, 1.1

 

CMYK 36 / 51 / 0 / 24

HEX #7D60C2

RGB 125 96 194

HSL 257.76, 0.45%, 0.57%

LAB 47.78, 33.84, -47.43

 

CMYK 0 / 51 / 41 / 24

HEX #C26073

RGB 194 96 115

HSL 348.37, 0.45%, 0.57%

LAB 53.03, 41.09, 7.78

 

CMYK 15 / 0 / 51 / 24

HEX #A5C260

RGB 165 194 96

HSL 77.76, 0.45%, 0.57%

LAB 74.46, -25.1, 45.65

 

Description

Color code: HEX #5FC3AF | qconv.com Color code: HEX #5FC3AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 195 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 195 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 10% 24% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 苗易网-打造中国最有价值的苗木B2B在线...
Link: http://www.miaoe.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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