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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5FCB52 it is the complementary color #A034AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5FCB52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5FCB52 shade: #64CB4D, #75DD60, #86EF73, #97FF86 and #A8FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5FCB52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5FCB52 shade: #5FCB52, #4EB93F, #3DA72C, #2C9519 and #1B8306

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5FCB52 shade: #5FCB52, #7FCB52, #A0CB52, #C1CB52 and #CBB452

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5FCB52 shade: #5FCB52, #52CB65, #52CB86, #52CBA7 and #52CBC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5FCB52 shade matches the following richer shades: #5FCB52, #50DD40 and #42EF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5FCB52 shade: #5FCB52, #6DB964, #7BA776, #899488 and #98829A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5FCB52 shade: #A0CB52, #80CB52, #60CB52, #52CB64 and #52CB84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5FCB52 shade: #3A9C2E, #46BC38, #5FCB52, #7CD471 and #99DE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5FCB52 shade: #5FCB52, #52C1CB and #CB5290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5FCB52 shade: #5FCB52, #5260CB and #CB5260

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5FCB52 shade: #5FCB52, #52C1CB, #BD52CB and #CB5C52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5FCB52 shade: #5FCB52, #529CCB, #BD52CB and #CB8052

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

Complementary color

CMYK 8 / 70 / 0 / 32

HEX #A034AD

RGB 160 52 173

HSL 293.55, 0.54%, 0.44%

LAB 42.68, 59.84, -43.02

 

CMYK 51 / 0 / 62 / 20

HEX #64CB4D

RGB 100 203 77

HSL 109.05, 0.55%, 0.55%

LAB 73.52, -53.35, 52.4

 

CMYK 47 / 0 / 57 / 13

HEX #75DD60

RGB 117 221 96

HSL 109.92, 0.65%, 0.62%

LAB 79.81, -53.54, 51.34

 

CMYK 44 / 0 / 52 / 6

HEX #86EF73

RGB 134 239 115

HSL 110.81, 0.79%, 0.69%

LAB 86.03, -53.59, 50.19

 

CMYK 41 / 0 / 47 / 0

HEX #97FF86

RGB 151 255 134

HSL 111.57, 1%, 0.76%

LAB 91.6, -52.72, 48.29

 

CMYK 34 / 0 / 40 / 0

HEX #A8FF99

RGB 168 255 153

HSL 111.18, 1%, 0.8%

LAB 92.64, -45.01, 40.63

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 58 / 0 / 66 / 27

HEX #4EB93F

RGB 78 185 63

HSL 112.62, 0.49%, 0.49%

LAB 67.03, -53.78, 51

 

CMYK 63 / 0 / 74 / 35

HEX #3DA72C

RGB 61 167 44

HSL 111.71, 0.58%, 0.41%

LAB 60.61, -53.03, 51.63

 

CMYK 70 / 0 / 83 / 42

HEX #2C9519

RGB 44 149 25

HSL 110.81, 0.71%, 0.34%

LAB 54.13, -51.73, 51.49

 

CMYK 79 / 0 / 95 / 49

HEX #1B8306

RGB 27 131 6

HSL 109.92, 0.91%, 0.27%

LAB 47.6, -49.64, 49.92

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 37 / 0 / 60 / 20

HEX #7FCB52

RGB 127 203 82

HSL 97.69, 0.54%, 0.56%

LAB 74.72, -44.54, 51.88

 

CMYK 21 / 0 / 60 / 20

HEX #A0CB52

RGB 160 203 82

HSL 81.32, 0.54%, 0.56%

LAB 76.55, -32.63, 54.44

 

CMYK 5 / 0 / 60 / 20

HEX #C1CB52

RGB 193 203 82

HSL 64.96, 0.54%, 0.56%

LAB 78.84, -19.49, 57.62

 

CMYK 0 / 11 / 60 / 20

HEX #CBB452

RGB 203 180 82

HSL 48.6, 0.54%, 0.56%

LAB 73.51, -3.57, 51.93

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 60 / 0 / 50 / 20

HEX #52CB65

RGB 82 203 101

HSL 129.42, 0.54%, 0.56%

LAB 73.18, -54.98, 40.74

 

CMYK 60 / 0 / 34 / 20

HEX #52CB86

RGB 82 203 134

HSL 145.79, 0.54%, 0.56%

LAB 73.69, -49.46, 24.59

 

CMYK 60 / 0 / 18 / 20

HEX #52CBA7

RGB 82 203 167

HSL 162.15, 0.54%, 0.56%

LAB 74.38, -42.41, 7.95

 

CMYK 60 / 0 / 2 / 20

HEX #52CBC7

RGB 82 203 199

HSL 178.02, 0.54%, 0.56%

LAB 75.22, -34.32, -8.11

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 64 / 0 / 71 / 13

HEX #50DD40

RGB 80 221 64

HSL 113.89, 0.7%, 0.56%

LAB 78.34, -65.86, 62.56

 

CMYK 72 / 0 / 81 / 6

HEX #42EF2D

RGB 66 239 45

HSL 113.51, 0.86%, 0.56%

LAB 83.48, -75.32, 73.33

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 41 / 0 / 46 / 27

HEX #6DB964

RGB 109 185 100

HSL 113.65, 0.38%, 0.56%

LAB 68.66, -40.51, 35.81

 

CMYK 26 / 0 / 29 / 35

HEX #7BA776

RGB 123 167 118

HSL 113.88, 0.22%, 0.56%

LAB 64.29, -24.61, 20.7

 

CMYK 7 / 0 / 8 / 42

HEX #899488

RGB 137 148 136

HSL 115, 0.05%, 0.56%

LAB 60.14, -6.33, 4.98

 

CMYK 1 / 16 / 0 / 40

HEX #98829A

RGB 152 130 154

HSL 295, 0.11%, 0.56%

LAB 57.05, 12.85, -9.71

 

CMYK 21 / 0 / 60 / 20

HEX #A0CB52

RGB 160 203 82

HSL 81.32, 0.54%, 0.56%

LAB 76.55, -32.63, 54.44

 

CMYK 37 / 0 / 60 / 20

HEX #80CB52

RGB 128 203 82

HSL 97.19, 0.54%, 0.56%

LAB 74.77, -44.2, 51.94

 

CMYK 53 / 0 / 60 / 20

HEX #60CB52

RGB 96 203 82

HSL 113.06, 0.54%, 0.56%

LAB 73.42, -53.92, 50.05

 

CMYK 60 / 0 / 51 / 20

HEX #52CB64

RGB 82 203 100

HSL 128.93, 0.54%, 0.56%

LAB 73.17, -55.13, 41.21

 

CMYK 60 / 0 / 35 / 20

HEX #52CB84

RGB 82 203 132

HSL 144.79, 0.54%, 0.56%

LAB 73.66, -49.84, 25.59

 

CMYK 63 / 0 / 71 / 39

HEX #3A9C2E

RGB 58 156 46

HSL 113.45, 0.54%, 0.4%

LAB 56.95, -49.6, 47.05

 

CMYK 63 / 0 / 70 / 26

HEX #46BC38

RGB 70 188 56

HSL 113.64, 0.54%, 0.48%

LAB 67.69, -57.4, 54.45

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 42 / 0 / 47 / 17

HEX #7CD471

RGB 124 212 113

HSL 113.33, 0.54%, 0.64%

LAB 77.62, -45.7, 40.71

 

CMYK 31 / 0 / 35 / 13

HEX #99DE91

RGB 153 222 145

HSL 113.77, 0.54%, 0.72%

LAB 82.41, -36.32, 31.08

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 60 / 5 / 0 / 20

HEX #52C1CB

RGB 82 193 203

HSL 184.96, 0.54%, 0.56%

LAB 72.39, -28.42, -14.51

 

CMYK 0 / 60 / 29 / 20

HEX #CB5290

RGB 203 82 144

HSL 329.26, 0.54%, 0.56%

LAB 52.67, 54.29, -9.79

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 60 / 53 / 0 / 20

HEX #5260CB

RGB 82 96 203

HSL 233.06, 0.54%, 0.56%

LAB 44.9, 26.96, -57.42

 

CMYK 0 / 60 / 53 / 20

HEX #CB5260

RGB 203 82 96

HSL 353.06, 0.54%, 0.56%

LAB 51.35, 49.19, 16.95

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 60 / 5 / 0 / 20

HEX #52C1CB

RGB 82 193 203

HSL 184.96, 0.54%, 0.56%

LAB 72.39, -28.42, -14.51

 

CMYK 7 / 60 / 0 / 20

HEX #BD52CB

RGB 189 82 203

HSL 293.06, 0.54%, 0.56%

LAB 53.13, 59.67, -43.63

 

CMYK 0 / 55 / 60 / 20

HEX #CB5C52

RGB 203 92 82

HSL 4.96, 0.54%, 0.56%

LAB 52.91, 43.34, 27.24

 

CMYK 53 / 0 / 60 / 20

HEX #5FCB52

RGB 95 203 82

HSL 113.55, 0.54%, 0.56%

LAB 73.39, -54.19, 50

 

CMYK 60 / 23 / 0 / 20

HEX #529CCB

RGB 82 156 203

HSL 203.31, 0.54%, 0.56%

LAB 61.55, -9.09, -31.06

 

CMYK 7 / 60 / 0 / 20

HEX #BD52CB

RGB 189 82 203

HSL 293.06, 0.54%, 0.56%

LAB 53.13, 59.67, -43.63

 

CMYK 0 / 37 / 60 / 20

HEX #CB8052

RGB 203 128 82

HSL 22.81, 0.54%, 0.56%

LAB 60.56, 24.51, 36.78

 

Description

Color code: HEX #5FCB52 | qconv.com Color code: HEX #5FCB52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 203 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 203 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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